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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 191 20 52 it is the complementary color RGB 64 235 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 191 20 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 191 20 52 shade: RGB 196 20 47, RGB 213 38 66, RGB 230 56 85, RGB 247 74 104 and RGB 255 92 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 191 20 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 191 20 52 shade: RGB 191 20 52, RGB 174 2 33, RGB 157 0 14, RGB 140 0 0 and RGB 123 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 191 20 52 shade: RGB 189 19 51 and RGB 189 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 191 20 52 shade: RGB 189 19 51, RGB 189 19 97, RGB 189 19 142, RGB 189 19 188 and RGB 144 19 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 191 20 52 shade matches the following richer shades: RGB 189 19 51 and RGB 206 2 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 191 20 52 shade: RGB 189 19 51, RGB 172 36 62, RGB 155 53 72, RGB 138 70 83 and RGB 121 87 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 191 20 52 shade: RGB 189 19 144, RGB 189 19 98, RGB 189 19 53, RGB 189 31 19 and RGB 189 76 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 191 20 52 shade: RGB 114 12 31, RGB 151 15 41, RGB 189 19 51, RGB 226 23 61 and RGB 234 57 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 191 20 52 shade: RGB 191 20 52, RGB 189 189 19 and RGB 19 121 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 191 20 52 shade: RGB 191 20 52, RGB 53 189 19 and RGB 19 53 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 191 20 52 shade: RGB 191 20 52, RGB 189 189 19, RGB 19 189 155 and RGB 19 19 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 191 20 52 shade: RGB 191 20 52, RGB 138 189 19, RGB 19 189 155 and RGB 70 19 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 73 / 25

HEX #BF1434

RGB 191 20 52

HSL 348.77, 0.81%, 0.41%

LAB 40.94, 63.23, 29.78

 

Complementary color

CMYK 73 / 0 / 14 / 8

HEX #40EBCB

RGB 64 235 203

HSL 168.77, 0.81%, 0.59%

LAB 84.39, -50.07, 3.17

 

CMYK 0 / 90 / 76 / 23

HEX #C4142F

RGB 196 20 47

HSL 350.8, 0.81%, 0.42%

LAB 41.91, 64.34, 34.2

 

CMYK 0 / 82 / 69 / 16

HEX #D52642

RGB 213 38 66

HSL 350.4, 0.7%, 0.49%

LAB 46.88, 66.04, 29.47

 

CMYK 0 / 76 / 63 / 10

HEX #E63855

RGB 230 56 85

HSL 350, 0.78%, 0.56%

LAB 52.18, 66.82, 25.46

 

CMYK 0 / 70 / 58 / 3

HEX #F74A68

RGB 247 74 104

HSL 349.6, 0.92%, 0.63%

LAB 57.72, 66.97, 22.08

 

CMYK 0 / 64 / 52 / 0

HEX #FF5C7B

RGB 255 92 123

HSL 348.59, 1%, 0.68%

LAB 61.95, 63.95, 16.98

 

CMYK 0 / 90 / 73 / 25

HEX #BF1434

RGB 191 20 52

HSL 348.77, 0.81%, 0.41%

LAB 40.94, 63.23, 29.78

 

CMYK 0 / 99 / 81 / 32

HEX #AE0221

RGB 174 2 33

HSL 349.19, 0.98%, 0.35%

LAB 36.28, 60.48, 35.09

 

CMYK 0 / 100 / 91 / 38

HEX #9D000E

RGB 157 0 14

HSL 354.65, 1%, 0.31%

LAB 32.26, 55.95, 40.39

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140 0 0

HSL 0, 1%, 0.27%

LAB 28.32, 51.28, 41.58

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 90 / 73 / 26

HEX #BD1333

RGB 189 19 51

HSL 348.71, 0.82%, 0.41%

LAB 40.45, 62.83, 29.72

 

CMYK 0 / 90 / 90 / 26

HEX #BD1313

RGB 189 19 19

HSL 0, 0.82%, 0.41%

LAB 40.13, 61.92, 47

 

CMYK 0 / 90 / 73 / 26

HEX #BD1333

RGB 189 19 51

HSL 348.71, 0.82%, 0.41%

LAB 40.45, 62.83, 29.72

 

CMYK 0 / 90 / 49 / 26

HEX #BD1361

RGB 189 19 97

HSL 332.47, 0.82%, 0.41%

LAB 41.45, 65.64, 2.05

 

CMYK 0 / 90 / 25 / 26

HEX #BD138E

RGB 189 19 142

HSL 316.59, 0.82%, 0.41%

LAB 43.12, 70.17, -23.36

 

CMYK 0 / 90 / 1 / 26

HEX #BD13BC

RGB 189 19 188

HSL 300.35, 0.82%, 0.41%

LAB 45.52, 76.39, -47.05

 

CMYK 24 / 90 / 0 / 26

HEX #9013BD

RGB 144 19 189

HSL 284.12, 0.82%, 0.41%

LAB 37.97, 69.27, -60.2

 

CMYK 0 / 90 / 73 / 26

HEX #BD1333

RGB 189 19 51

HSL 348.71, 0.82%, 0.41%

LAB 40.45, 62.83, 29.72

 

CMYK 0 / 99 / 81 / 19

HEX #CE0228

RGB 206 2 40

HSL 348.82, 0.98%, 0.41%

LAB 43.24, 68.64, 40.32

 

CMYK 0 / 90 / 73 / 26

HEX #BD1333

RGB 189 19 51

HSL 348.71, 0.82%, 0.41%

LAB 40.45, 62.83, 29.72

 

CMYK 0 / 79 / 64 / 33

HEX #AC243E

RGB 172 36 62

HSL 348.53, 0.65%, 0.41%

LAB 38.52, 54.85, 19.68

 

CMYK 0 / 66 / 54 / 39

HEX #9B3548

RGB 155 53 72

HSL 348.82, 0.49%, 0.41%

LAB 37.81, 43.9, 11.84

 

CMYK 0 / 49 / 40 / 46

HEX #8A4653

RGB 138 70 83

HSL 348.53, 0.33%, 0.41%

LAB 38.57, 30.32, 5.55

 

CMYK 0 / 28 / 23 / 53

HEX #79575D

RGB 121 87 93

HSL 349.41, 0.16%, 0.41%

LAB 40.69, 15.03, 2.09

 

CMYK 0 / 90 / 24 / 26

HEX #BD1390

RGB 189 19 144

HSL 315.88, 0.82%, 0.41%

LAB 43.21, 70.41, -24.44

 

CMYK 0 / 90 / 48 / 26

HEX #BD1362

RGB 189 19 98

HSL 332.12, 0.82%, 0.41%

LAB 41.48, 65.72, 1.46

 

CMYK 0 / 90 / 72 / 26

HEX #BD1335

RGB 189 19 53

HSL 348, 0.82%, 0.41%

LAB 40.48, 62.91, 28.52

 

CMYK 0 / 84 / 90 / 26

HEX #BD1F13

RGB 189 31 19

HSL 4.24, 0.82%, 0.41%

LAB 40.97, 59.53, 47.61

 

CMYK 0 / 60 / 90 / 26

HEX #BD4C13

RGB 189 76 19

HSL 20.12, 0.82%, 0.41%

LAB 47.02, 43.02, 52.1

 

CMYK 0 / 89 / 73 / 55

HEX #720C1F

RGB 114 12 31

HSL 348.82, 0.81%, 0.25%

LAB 23.47, 42.58, 18.35

 

CMYK 0 / 90 / 73 / 41

HEX #970F29

RGB 151 15 41

HSL 348.53, 0.82%, 0.33%

LAB 31.99, 52.94, 23.98

 

CMYK 0 / 90 / 73 / 26

HEX #BD1333

RGB 189 19 51

HSL 348.71, 0.82%, 0.41%

LAB 40.45, 62.83, 29.72

 

CMYK 0 / 90 / 73 / 11

HEX #E2173D

RGB 226 23 61

HSL 348.77, 0.82%, 0.49%

LAB 48.41, 72.06, 34.92

 

CMYK 0 / 76 / 62 / 8

HEX #EA395A

RGB 234 57 90

HSL 348.81, 0.81%, 0.57%

LAB 53.12, 67.94, 23.84

 

CMYK 0 / 90 / 73 / 25

HEX #BF1434

RGB 191 20 52

HSL 348.77, 0.81%, 0.41%

LAB 40.94, 63.23, 29.78

 

CMYK 0 / 0 / 90 / 26

HEX #BDBD13

RGB 189 189 19

HSL 60, 0.82%, 0.41%

LAB 74.36, -16.97, 73.2

 

CMYK 90 / 36 / 0 / 26

HEX #1379BD

RGB 19 121 189

HSL 204, 0.82%, 0.41%

LAB 48.87, -1.86, -43.14

 

CMYK 0 / 90 / 73 / 25

HEX #BF1434

RGB 191 20 52

HSL 348.77, 0.81%, 0.41%

LAB 40.94, 63.23, 29.78

 

CMYK 72 / 0 / 90 / 26

HEX #35BD13

RGB 53 189 19

HSL 108, 0.82%, 0.41%

LAB 67.43, -63.28, 64.67

 

CMYK 90 / 72 / 0 / 26

HEX #1335BD

RGB 19 53 189

HSL 228, 0.82%, 0.41%

LAB 30.3, 42.06, -73.23

 

CMYK 0 / 90 / 73 / 25

HEX #BF1434

RGB 191 20 52

HSL 348.77, 0.81%, 0.41%

LAB 40.94, 63.23, 29.78

 

CMYK 0 / 0 / 90 / 26

HEX #BDBD13

RGB 189 189 19

HSL 60, 0.82%, 0.41%

LAB 74.36, -16.97, 73.2

 

CMYK 90 / 0 / 18 / 26

HEX #13BD9B

RGB 19 189 155

HSL 168, 0.82%, 0.41%

LAB 68.68, -47.3, 6.14

 

CMYK 90 / 90 / 0 / 26

HEX #1313BD

RGB 19 19 189

HSL 240, 0.82%, 0.41%

LAB 24.57, 58.68, -82.75

 

CMYK 0 / 90 / 73 / 25

HEX #BF1434

RGB 191 20 52

HSL 348.77, 0.81%, 0.41%

LAB 40.94, 63.23, 29.78

 

CMYK 27 / 0 / 90 / 26

HEX #8ABD13

RGB 138 189 19

HSL 78, 0.82%, 0.41%

LAB 70.76, -38.17, 68.81

 

CMYK 90 / 0 / 18 / 26

HEX #13BD9B

RGB 19 189 155

HSL 168, 0.82%, 0.41%

LAB 68.68, -47.3, 6.14

 

CMYK 63 / 90 / 0 / 26

HEX #4613BD

RGB 70 19 189

HSL 258, 0.82%, 0.41%

LAB 27.96, 60.97, -77.02

 

Description

Color code: RGB 191 20 52 | qconv.com Color code: RGB 191 20 52 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 20 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 20 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 73 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 73% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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