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Color name
RGB 190 81 64

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 81 64 it is the complementary color RGB 65 174 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 81 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 81 64 shade: RGB 195 81 59, RGB 212 99 78, RGB 229 117 97, RGB 246 135 116 and RGB 255 153 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 81 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 81 64 shade: RGB 190 81 64, RGB 173 63 45, RGB 156 45 26, RGB 139 27 7 and RGB 122 9 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 81 64 shade: RGB 191 80 63 and RGB 191 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 81 64 shade: RGB 191 80 63, RGB 191 115 63, RGB 191 149 63, RGB 191 184 63 and RGB 164 191 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 81 64 shade matches the following richer shades: RGB 191 80 63, RGB 211 65 43, RGB 232 50 22 and RGB 253 35 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 81 64 shade: RGB 191 80 63, RGB 170 96 84, RGB 149 111 105, RGB 129 126 125 and RGB 108 141 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 81 64 shade: RGB 191 63 114, RGB 191 63 80, RGB 191 80 63, RGB 191 114 63 and RGB 191 148 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 81 64 shade: RGB 129 54 43, RGB 160 67 53, RGB 191 80 63, RGB 201 109 94 and RGB 211 137 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 81 64 shade: RGB 190 81 64, RGB 148 191 63 and RGB 63 97 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 81 64 shade: RGB 190 81 64, RGB 63 191 80 and RGB 80 63 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 81 64 shade: RGB 190 81 64, RGB 148 191 63, RGB 63 174 191 and RGB 106 63 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 81 64 shade: RGB 190 81 64, RGB 110 191 63, RGB 63 174 191 and RGB 144 63 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 66 / 25

HEX #BE5140

RGB 190 81 64

HSL 8.1, 0.5%, 0.5%

LAB 48.51, 42.72, 31.7

 

Complementary color

CMYK 66 / 9 / 0 / 25

HEX #41AEBF

RGB 65 174 191

HSL 188.1, 0.5%, 0.5%

LAB 65.87, -25.35, -17.8

 

CMYK 0 / 58 / 70 / 24

HEX #C3513B

RGB 195 81 59

HSL 9.71, 0.54%, 0.5%

LAB 49.26, 44.28, 35.6

 

CMYK 0 / 53 / 63 / 17

HEX #D4634E

RGB 212 99 78

HSL 9.4, 0.61%, 0.57%

LAB 55.55, 42.96, 33.14

 

CMYK 0 / 49 / 58 / 10

HEX #E57561

RGB 229 117 97

HSL 9.09, 0.72%, 0.64%

LAB 61.86, 41.65, 30.97

 

CMYK 0 / 45 / 53 / 4

HEX #F68774

RGB 246 135 116

HSL 8.77, 0.88%, 0.71%

LAB 68.15, 40.41, 29.05

 

CMYK 0 / 40 / 47 / 0

HEX #FF9987

RGB 255 153 135

HSL 9, 1%, 0.76%

LAB 73.41, 36.27, 25.84

 

CMYK 0 / 57 / 66 / 25

HEX #BE5140

RGB 190 81 64

HSL 8.1, 0.5%, 0.5%

LAB 48.51, 42.72, 31.7

 

CMYK 0 / 64 / 74 / 32

HEX #AD3F2D

RGB 173 63 45

HSL 8.44, 0.59%, 0.43%

LAB 42.2, 43.96, 34.45

 

CMYK 0 / 71 / 83 / 39

HEX #9C2D1A

RGB 156 45 26

HSL 8.77, 0.71%, 0.36%

LAB 36.02, 44.98, 37.49

 

CMYK 0 / 81 / 95 / 45

HEX #8B1B07

RGB 139 27 7

HSL 9.09, 0.9%, 0.29%

LAB 30.13, 45.41, 40.06

 

CMYK 0 / 93 / 100 / 52

HEX #7A0900

RGB 122 9 0

HSL 4.43, 1%, 0.24%

LAB 24.74, 44.63, 36.82

 

CMYK 0 / 58 / 67 / 25

HEX #BF503F

RGB 191 80 63

HSL 7.97, 0.5%, 0.5%

LAB 48.48, 43.51, 32.26

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 0 / 58 / 67 / 25

HEX #BF503F

RGB 191 80 63

HSL 7.97, 0.5%, 0.5%

LAB 48.48, 43.51, 32.26

 

CMYK 0 / 40 / 67 / 25

HEX #BF733F

RGB 191 115 63

HSL 24.38, 0.5%, 0.5%

LAB 55.78, 25.31, 40.79

 

CMYK 0 / 22 / 67 / 25

HEX #BF953F

RGB 191 149 63

HSL 40.31, 0.5%, 0.5%

LAB 64.1, 6.61, 49.99

 

CMYK 0 / 4 / 67 / 25

HEX #BFB83F

RGB 191 184 63

HSL 56.72, 0.5%, 0.5%

LAB 73.36, -11.98, 59.69

 

CMYK 14 / 0 / 67 / 25

HEX #A4BF3F

RGB 164 191 63

HSL 72.66, 0.5%, 0.5%

LAB 73.23, -26.78, 58.89

 

CMYK 0 / 58 / 67 / 25

HEX #BF503F

RGB 191 80 63

HSL 7.97, 0.5%, 0.5%

LAB 48.48, 43.51, 32.26

 

CMYK 0 / 69 / 80 / 17

HEX #D3412B

RGB 211 65 43

HSL 7.86, 0.66%, 0.5%

LAB 49.26, 56.06, 45.03

 

CMYK 0 / 78 / 91 / 9

HEX #E83216

RGB 232 50 22

HSL 8, 0.83%, 0.5%

LAB 51.26, 66.97, 57.64

 

CMYK 0 / 86 / 100 / 1

HEX #FD2301

RGB 253 35 1

HSL 8.1, 0.99%, 0.5%

LAB 54.12, 75.91, 67.05

 

CMYK 0 / 58 / 67 / 25

HEX #BF503F

RGB 191 80 63

HSL 7.97, 0.5%, 0.5%

LAB 48.48, 43.51, 32.26

 

CMYK 0 / 44 / 51 / 33

HEX #AA6054

RGB 170 96 84

HSL 8.37, 0.34%, 0.5%

LAB 48.95, 28.72, 19.98

 

CMYK 0 / 26 / 30 / 42

HEX #956F69

RGB 149 111 105

HSL 8.18, 0.17%, 0.5%

LAB 50.43, 14.16, 9.21

 

CMYK 0 / 2 / 3 / 49

HEX #817E7D

RGB 129 126 125

HSL 15, 0.02%, 0.5%

LAB 53.03, 0.94, 0.94

 

CMYK 26 / 3 / 0 / 43

HEX #6C8D92

RGB 108 141 146

HSL 187.89, 0.15%, 0.5%

LAB 56.4, -10.29, -6.44

 

CMYK 0 / 67 / 40 / 25

HEX #BF3F72

RGB 191 63 114

HSL 336.09, 0.5%, 0.5%

LAB 46.77, 55.25, -0.7

 

CMYK 0 / 67 / 58 / 25

HEX #BF3F50

RGB 191 63 80

HSL 352.03, 0.5%, 0.5%

LAB 45.92, 52.22, 18.93

 

CMYK 0 / 58 / 67 / 25

HEX #BF503F

RGB 191 80 63

HSL 7.97, 0.5%, 0.5%

LAB 48.48, 43.51, 32.26

 

CMYK 0 / 40 / 67 / 25

HEX #BF723F

RGB 191 114 63

HSL 23.91, 0.5%, 0.5%

LAB 55.55, 25.85, 40.53

 

CMYK 0 / 23 / 67 / 25

HEX #BF943F

RGB 191 148 63

HSL 39.84, 0.5%, 0.5%

LAB 63.85, 7.15, 49.72

 

CMYK 0 / 58 / 67 / 49

HEX #81362B

RGB 129 54 43

HSL 7.67, 0.5%, 0.34%

LAB 32.88, 31.57, 22.81

 

CMYK 0 / 58 / 67 / 37

HEX #A04335

RGB 160 67 53

HSL 7.85, 0.5%, 0.42%

LAB 40.81, 37.66, 27.63

 

CMYK 0 / 58 / 67 / 25

HEX #BF503F

RGB 191 80 63

HSL 7.97, 0.5%, 0.5%

LAB 48.48, 43.51, 32.26

 

CMYK 0 / 46 / 53 / 21

HEX #C96D5E

RGB 201 109 94

HSL 8.41, 0.5%, 0.58%

LAB 56.25, 34.87, 24.62

 

CMYK 0 / 35 / 41 / 17

HEX #D3897D

RGB 211 137 125

HSL 8.37, 0.49%, 0.66%

LAB 64.34, 26.87, 18.15

 

CMYK 0 / 57 / 66 / 25

HEX #BE5140

RGB 190 81 64

HSL 8.1, 0.5%, 0.5%

LAB 48.51, 42.72, 31.7

 

CMYK 23 / 0 / 67 / 25

HEX #94BF3F

RGB 148 191 63

HSL 80.16, 0.5%, 0.5%

LAB 72.17, -33.16, 57.47

 

CMYK 67 / 49 / 0 / 25

HEX #3F61BF

RGB 63 97 191

HSL 224.06, 0.5%, 0.5%

LAB 43.31, 18.85, -53.1

 

CMYK 0 / 57 / 66 / 25

HEX #BE5140

RGB 190 81 64

HSL 8.1, 0.5%, 0.5%

LAB 48.51, 42.72, 31.7

 

CMYK 67 / 0 / 58 / 25

HEX #3FBF50

RGB 63 191 80

HSL 127.97, 0.5%, 0.5%

LAB 68.68, -57.39, 45.22

 

CMYK 58 / 67 / 0 / 25

HEX #503FBF

RGB 80 63 191

HSL 247.97, 0.5%, 0.5%

LAB 36.03, 42.85, -64.87

 

CMYK 0 / 57 / 66 / 25

HEX #BE5140

RGB 190 81 64

HSL 8.1, 0.5%, 0.5%

LAB 48.51, 42.72, 31.7

 

CMYK 23 / 0 / 67 / 25

HEX #94BF3F

RGB 148 191 63

HSL 80.16, 0.5%, 0.5%

LAB 72.17, -33.16, 57.47

 

CMYK 67 / 9 / 0 / 25

HEX #3FAEBF

RGB 63 174 191

HSL 187.97, 0.5%, 0.5%

LAB 65.82, -25.66, -17.89

 

CMYK 45 / 67 / 0 / 25

HEX #6A3FBF

RGB 106 63 191

HSL 260.16, 0.5%, 0.5%

LAB 38.52, 47.42, -60.71

 

CMYK 0 / 57 / 66 / 25

HEX #BE5140

RGB 190 81 64

HSL 8.1, 0.5%, 0.5%

LAB 48.51, 42.72, 31.7

 

CMYK 42 / 0 / 67 / 25

HEX #6EBF3F

RGB 110 191 63

HSL 97.97, 0.5%, 0.5%

LAB 70.13, -46.85, 54.69

 

CMYK 67 / 9 / 0 / 25

HEX #3FAEBF

RGB 63 174 191

HSL 187.97, 0.5%, 0.5%

LAB 65.82, -25.66, -17.89

 

CMYK 25 / 67 / 0 / 25

HEX #903FBF

RGB 144 63 191

HSL 277.97, 0.5%, 0.5%

LAB 43.13, 55.26, -53.02

 

Description

Color code: RGB 190 81 64 | qconv.com Color code: RGB 190 81 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 81 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 81 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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