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Color name
RGB 190 78 81

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 78 81 it is the complementary color RGB 65 177 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 78 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 78 81 shade: RGB 195 78 76, RGB 212 96 95, RGB 229 114 114, RGB 246 132 133 and RGB 255 150 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 78 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 78 81 shade: RGB 190 78 81, RGB 173 60 62, RGB 156 42 43, RGB 139 24 24 and RGB 122 6 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 78 81 shade: RGB 190 80 82 and RGB 190 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 78 81 shade: RGB 190 80 82, RGB 190 80 112, RGB 190 80 142, RGB 190 80 172 and RGB 178 80 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 78 81 shade matches the following richer shades: RGB 190 80 82, RGB 209 60 64, RGB 229 41 46 and RGB 248 21 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 78 81 shade: RGB 190 80 82, RGB 170 99 101, RGB 151 118 119, RGB 132 138 138 and RGB 112 157 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 78 81 shade: RGB 190 80 142, RGB 190 80 113, RGB 190 80 83, RGB 190 105 80 and RGB 190 135 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 78 81 shade: RGB 137 50 53, RGB 167 61 64, RGB 190 80 82, RGB 201 110 112 and RGB 212 140 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 78 81 shade: RGB 190 78 81, RGB 171 190 80 and RGB 80 127 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 78 81 shade: RGB 190 78 81, RGB 83 190 80 and RGB 80 83 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 78 81 shade: RGB 190 78 81, RGB 171 190 80, RGB 80 190 186 and RGB 98 80 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 78 81 shade: RGB 190 78 81, RGB 138 190 80, RGB 80 190 186 and RGB 131 80 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 57 / 25

HEX #BE4E51

RGB 190 78 81

HSL 358.39, 0.46%, 0.53%

LAB 48.25, 45.32, 21.38

 

Complementary color

CMYK 63 / 0 / 2 / 31

HEX #41B1AE

RGB 65 177 174

HSL 178.39, 0.46%, 0.47%

LAB 66.23, -31.79, -7.83

 

CMYK 0 / 60 / 61 / 24

HEX #C34E4C

RGB 195 78 76

HSL 1.01, 0.5%, 0.53%

LAB 48.97, 46.73, 25.45

 

CMYK 0 / 55 / 55 / 17

HEX #D4605F

RGB 212 96 95

HSL 0.51, 0.58%, 0.6%

LAB 55.27, 45.65, 23.04

 

CMYK 0 / 50 / 50 / 10

HEX #E57272

RGB 229 114 114

HSL 0, 0.69%, 0.67%

LAB 61.57, 44.54, 20.99

 

CMYK 0 / 46 / 46 / 4

HEX #F68485

RGB 246 132 133

HSL 359.47, 0.86%, 0.74%

LAB 67.86, 43.46, 19.22

 

CMYK 0 / 41 / 40 / 0

HEX #FF9698

RGB 255 150 152

HSL 358.86, 1%, 0.79%

LAB 73.12, 39.53, 16.11

 

CMYK 0 / 59 / 57 / 25

HEX #BE4E51

RGB 190 78 81

HSL 358.39, 0.46%, 0.53%

LAB 48.25, 45.32, 21.38

 

CMYK 0 / 65 / 64 / 32

HEX #AD3C3E

RGB 173 60 62

HSL 358.94, 0.48%, 0.46%

LAB 41.94, 46.24, 24.12

 

CMYK 0 / 73 / 72 / 39

HEX #9C2A2B

RGB 156 42 43

HSL 359.47, 0.58%, 0.39%

LAB 35.79, 46.82, 27.48

 

CMYK 0 / 83 / 83 / 45

HEX #8B1818

RGB 139 24 24

HSL 0, 0.71%, 0.32%

LAB 29.93, 46.7, 31.51

 

CMYK 0 / 95 / 96 / 52

HEX #7A0605

RGB 122 6 5

HSL 0.51, 0.92%, 0.25%

LAB 24.57, 45.32, 34.62

 

CMYK 0 / 58 / 57 / 25

HEX #BE5052

RGB 190 80 82

HSL 358.91, 0.46%, 0.53%

LAB 48.63, 44.45, 21.28

 

CMYK 0 / 58 / 58 / 25

HEX #BE5050

RGB 190 80 80

HSL 0, 0.46%, 0.53%

LAB 48.59, 44.29, 22.42

 

CMYK 0 / 58 / 57 / 25

HEX #BE5052

RGB 190 80 82

HSL 358.91, 0.46%, 0.53%

LAB 48.63, 44.45, 21.28

 

CMYK 0 / 58 / 41 / 25

HEX #BE5070

RGB 190 80 112

HSL 342.55, 0.46%, 0.53%

LAB 49.32, 47.25, 4.19

 

CMYK 0 / 58 / 25 / 25

HEX #BE508E

RGB 190 80 142

HSL 326.18, 0.46%, 0.53%

LAB 50.26, 50.95, -12.43

 

CMYK 0 / 58 / 9 / 25

HEX #BE50AC

RGB 190 80 172

HSL 309.82, 0.46%, 0.53%

LAB 51.45, 55.45, -28.31

 

CMYK 6 / 58 / 0 / 25

HEX #B250BE

RGB 178 80 190

HSL 293.45, 0.46%, 0.53%

LAB 50.59, 55.36, -40.26

 

CMYK 0 / 58 / 57 / 25

HEX #BE5052

RGB 190 80 82

HSL 358.91, 0.46%, 0.53%

LAB 48.63, 44.45, 21.28

 

CMYK 0 / 71 / 69 / 18

HEX #D13C40

RGB 209 60 64

HSL 358.39, 0.62%, 0.53%

LAB 48.46, 58.14, 32.4

 

CMYK 0 / 82 / 80 / 10

HEX #E5292E

RGB 229 41 46

HSL 358.4, 0.78%, 0.53%

LAB 50.03, 68.94, 45.35

 

CMYK 0 / 92 / 89 / 3

HEX #F8151B

RGB 248 21 27

HSL 358.41, 0.94%, 0.53%

LAB 52.48, 76.95, 58.04

 

CMYK 0 / 58 / 57 / 25

HEX #BE5052

RGB 190 80 82

HSL 358.91, 0.46%, 0.53%

LAB 48.63, 44.45, 21.28

 

CMYK 0 / 42 / 41 / 33

HEX #AA6365

RGB 170 99 101

HSL 358.31, 0.29%, 0.53%

LAB 49.99, 28.89, 11.33

 

CMYK 0 / 22 / 21 / 41

HEX #977677

RGB 151 118 119

HSL 358.18, 0.14%, 0.53%

LAB 52.8, 13.05, 4.39

 

CMYK 4 / 0 / 0 / 46

HEX #848A8A

RGB 132 138 138

HSL 180, 0.02%, 0.53%

LAB 56.99, -2.19, -0.77

 

CMYK 29 / 0 / 1 / 38

HEX #709D9C

RGB 112 157 156

HSL 178.67, 0.19%, 0.53%

LAB 61.62, -15.32, -4.38

 

CMYK 0 / 58 / 25 / 25

HEX #BE508E

RGB 190 80 142

HSL 326.18, 0.46%, 0.53%

LAB 50.26, 50.95, -12.43

 

CMYK 0 / 58 / 41 / 25

HEX #BE5071

RGB 190 80 113

HSL 342, 0.46%, 0.53%

LAB 49.35, 47.36, 3.62

 

CMYK 0 / 58 / 56 / 25

HEX #BE5053

RGB 190 80 83

HSL 358.36, 0.46%, 0.53%

LAB 48.65, 44.52, 20.71

 

CMYK 0 / 45 / 58 / 25

HEX #BE6950

RGB 190 105 80

HSL 13.64, 0.46%, 0.53%

LAB 53.63, 31.5, 28.92

 

CMYK 0 / 29 / 58 / 25

HEX #BE8750

RGB 190 135 80

HSL 30, 0.46%, 0.53%

LAB 60.65, 15.05, 37.6

 

CMYK 0 / 64 / 61 / 46

HEX #893235

RGB 137 50 53

HSL 357.93, 0.47%, 0.37%

LAB 33.68, 37.38, 17.83

 

CMYK 0 / 63 / 62 / 35

HEX #A73D40

RGB 167 61 64

HSL 358.3, 0.46%, 0.45%

LAB 41.09, 43.83, 21.6

 

CMYK 0 / 58 / 57 / 25

HEX #BE5052

RGB 190 80 82

HSL 358.91, 0.46%, 0.53%

LAB 48.63, 44.45, 21.28

 

CMYK 0 / 45 / 44 / 21

HEX #C96E70

RGB 201 110 112

HSL 358.68, 0.46%, 0.61%

LAB 56.82, 36.07, 15.01

 

CMYK 0 / 34 / 33 / 17

HEX #D48C8E

RGB 212 140 142

HSL 358.33, 0.46%, 0.69%

LAB 65.52, 27.68, 10.25

 

CMYK 0 / 59 / 57 / 25

HEX #BE4E51

RGB 190 78 81

HSL 358.39, 0.46%, 0.53%

LAB 48.25, 45.32, 21.38

 

CMYK 10 / 0 / 58 / 25

HEX #ABBE50

RGB 171 190 80

HSL 70.36, 0.46%, 0.53%

LAB 73.59, -22.2, 52.21

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 0 / 59 / 57 / 25

HEX #BE4E51

RGB 190 78 81

HSL 358.39, 0.46%, 0.53%

LAB 48.25, 45.32, 21.38

 

CMYK 56 / 0 / 58 / 25

HEX #53BE50

RGB 83 190 80

HSL 118.36, 0.46%, 0.53%

LAB 68.93, -52.57, 45.65

 

CMYK 58 / 56 / 0 / 25

HEX #5053BE

RGB 80 83 190

HSL 238.36, 0.46%, 0.53%

LAB 40.59, 30.4, -56.87

 

CMYK 0 / 59 / 57 / 25

HEX #BE4E51

RGB 190 78 81

HSL 358.39, 0.46%, 0.53%

LAB 48.25, 45.32, 21.38

 

CMYK 10 / 0 / 58 / 25

HEX #ABBE50

RGB 171 190 80

HSL 70.36, 0.46%, 0.53%

LAB 73.59, -22.2, 52.21

 

CMYK 58 / 0 / 2 / 25

HEX #50BEBA

RGB 80 190 186

HSL 177.82, 0.46%, 0.53%

LAB 70.92, -32.04, -7.42

 

CMYK 48 / 58 / 0 / 25

HEX #6250BE

RGB 98 80 190

HSL 249.82, 0.46%, 0.53%

LAB 41.3, 35.84, -55.65

 

CMYK 0 / 59 / 57 / 25

HEX #BE4E51

RGB 190 78 81

HSL 358.39, 0.46%, 0.53%

LAB 48.25, 45.32, 21.38

 

CMYK 27 / 0 / 58 / 25

HEX #8ABE50

RGB 138 190 80

HSL 88.36, 0.46%, 0.53%

LAB 71.43, -35.11, 49.18

 

CMYK 58 / 0 / 2 / 25

HEX #50BEBA

RGB 80 190 186

HSL 177.82, 0.46%, 0.53%

LAB 70.92, -32.04, -7.42

 

CMYK 31 / 58 / 0 / 25

HEX #8350BE

RGB 131 80 190

HSL 267.82, 0.46%, 0.53%

LAB 44.63, 43.41, -50.11

 

Description

Color code: RGB 190 78 81 | qconv.com Color code: RGB 190 78 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 78 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 78 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 57 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 57% 25% C M Y K

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Provide designers and agencies with accurate color values.

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