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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 73 253 it is the complementary color RGB 65 182 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 73 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 73 253 shade: RGB 195 73 248, RGB 212 91 255, RGB 229 109 255, RGB 246 127 255 and RGB 255 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 73 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 73 253 shade: RGB 190 73 253, RGB 173 55 234, RGB 156 37 215, RGB 139 19 196 and RGB 122 1 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 73 253 shade: RGB 190 73 253, RGB 238 73 253, RGB 253 73 219, RGB 253 73 170 and RGB 253 73 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 73 253 shade: RGB 190 73 253, RGB 141 73 253, RGB 93 73 253 and RGB 73 73 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 73 253 shade matches the following richer shades: RGB 190 73 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 73 253 shade: RGB 190 73 253, RGB 185 88 238, RGB 181 102 223, RGB 176 117 208 and RGB 172 132 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 73 253 shade: RGB 94 73 253, RGB 142 73 253, RGB 190 73 253, RGB 238 73 253 and RGB 253 73 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 73 253 shade: RGB 157 2 241, RGB 175 32 252, RGB 190 73 253, RGB 204 114 253 and RGB 219 154 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 73 253 shade: RGB 190 73 253, RGB 253 73 100 and RGB 73 253 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 73 253 shade: RGB 190 73 253, RGB 253 190 73 and RGB 73 253 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 73 253 shade: RGB 190 73 253, RGB 253 73 100, RGB 136 253 73 and RGB 73 253 226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 73 253 shade: RGB 190 73 253, RGB 253 100 73, RGB 136 253 73 and RGB 73 226 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

Complementary color

CMYK 64 / 0 / 99 / 29

HEX #41B602

RGB 65 182 2

HSL 99, 0.98%, 0.36%

LAB 65.42, -59.03, 65.41

 

CMYK 21 / 71 / 0 / 3

HEX #C349F8

RGB 195 73 248

HSL 281.83, 0.93%, 0.63%

LAB 55.22, 73.34, -65.64

 

CMYK 17 / 64 / 0 / 0

HEX #D45BFF

RGB 212 91 255

HSL 284.27, 1%, 0.68%

LAB 60.52, 70.95, -60.89

 

CMYK 10 / 57 / 0 / 0

HEX #E56DFF

RGB 229 109 255

HSL 289.32, 1%, 0.71%

LAB 65.6, 67, -52.66

 

CMYK 4 / 50 / 0 / 0

HEX #F67FFF

RGB 246 127 255

HSL 295.78, 1%, 0.75%

LAB 70.87, 63.02, -44.22

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

CMYK 26 / 76 / 0 / 8

HEX #AD37EA

RGB 173 55 234

HSL 279.55, 0.81%, 0.57%

LAB 48.95, 73.04, -68.08

 

CMYK 27 / 83 / 0 / 16

HEX #9C25D7

RGB 156 37 215

HSL 280.11, 0.71%, 0.49%

LAB 43.21, 72, -66.71

 

CMYK 29 / 90 / 0 / 23

HEX #8B13C4

RGB 139 19 196

HSL 280.68, 0.82%, 0.42%

LAB 37.73, 69.91, -64.72

 

CMYK 31 / 99 / 0 / 31

HEX #7A01B1

RGB 122 1 177

HSL 281.25, 0.99%, 0.35%

LAB 32.55, 66.63, -62.07

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

CMYK 6 / 71 / 0 / 1

HEX #EE49FD

RGB 238 73 253

HSL 295, 0.98%, 0.64%

LAB 61.68, 82.75, -57.71

 

CMYK 0 / 71 / 13 / 1

HEX #FD49DB

RGB 253 73 219

HSL 311.33, 0.98%, 0.64%

LAB 62.31, 80.83, -37.62

 

CMYK 0 / 71 / 33 / 1

HEX #FD49AA

RGB 253 73 170

HSL 327.67, 0.98%, 0.64%

LAB 60.38, 74.79, -12.61

 

CMYK 0 / 71 / 52 / 1

HEX #FD497A

RGB 253 73 122

HSL 343.67, 0.98%, 0.64%

LAB 59.02, 70.33, 13.45

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

CMYK 44 / 71 / 0 / 1

HEX #8D49FD

RGB 141 73 253

HSL 262.67, 0.98%, 0.64%

LAB 48.91, 64.75, -78.98

 

CMYK 63 / 71 / 0 / 1

HEX #5D49FD

RGB 93 73 253

HSL 246.67, 0.98%, 0.64%

LAB 44.5, 58, -86.38

 

CMYK 71 / 71 / 0 / 1

HEX #4949FD

RGB 73 73 253

HSL 240, 0.98%, 0.64%

LAB 43.17, 55.89, -88.61

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

CMYK 22 / 63 / 0 / 7

HEX #B958EE

RGB 185 88 238

HSL 278.8, 0.82%, 0.64%

LAB 55.55, 62.92, -59.61

 

CMYK 19 / 54 / 0 / 13

HEX #B566DF

RGB 181 102 223

HSL 279.17, 0.65%, 0.64%

LAB 56.74, 51.98, -49.33

 

CMYK 15 / 44 / 0 / 18

HEX #B075D0

RGB 176 117 208

HSL 278.9, 0.49%, 0.64%

LAB 58.51, 39.41, -38.11

 

CMYK 11 / 32 / 0 / 24

HEX #AC84C1

RGB 172 132 193

HSL 279.34, 0.33%, 0.64%

LAB 60.89, 26.58, -25.97

 

CMYK 63 / 71 / 0 / 1

HEX #5E49FD

RGB 94 73 253

HSL 247, 0.98%, 0.64%

LAB 44.57, 58.12, -86.26

 

CMYK 44 / 71 / 0 / 1

HEX #8E49FD

RGB 142 73 253

HSL 263, 0.98%, 0.64%

LAB 49.02, 64.92, -78.8

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

CMYK 6 / 71 / 0 / 1

HEX #EE49FD

RGB 238 73 253

HSL 295, 0.98%, 0.64%

LAB 61.68, 82.75, -57.71

 

CMYK 0 / 71 / 13 / 1

HEX #FD49DC

RGB 253 73 220

HSL 311, 0.98%, 0.64%

LAB 62.35, 80.97, -38.11

 

CMYK 35 / 99 / 0 / 5

HEX #9D02F1

RGB 157 2 241

HSL 278.91, 0.98%, 0.48%

LAB 43.6, 82.8, -80.87

 

CMYK 31 / 87 / 0 / 1

HEX #AF20FC

RGB 175 32 252

HSL 279, 0.97%, 0.56%

LAB 48.48, 83.05, -78.94

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

CMYK 19 / 55 / 0 / 1

HEX #CC72FD

RGB 204 114 253

HSL 278.85, 0.97%, 0.72%

LAB 63.31, 58.09, -55.39

 

CMYK 13 / 39 / 0 / 1

HEX #DB9AFD

RGB 219 154 253

HSL 279.39, 0.96%, 0.8%

LAB 73.06, 41.41, -39.92

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

CMYK 0 / 71 / 60 / 1

HEX #FD4964

RGB 253 73 100

HSL 351, 0.98%, 0.64%

LAB 58.57, 68.82, 25.73

 

CMYK 71 / 0 / 53 / 1

HEX #49FD76

RGB 73 253 118

HSL 135, 0.98%, 0.64%

LAB 88.44, -71.92, 51.3

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

CMYK 0 / 25 / 71 / 1

HEX #FDBE49

RGB 253 190 73

HSL 39, 0.98%, 0.64%

LAB 80.84, 11.78, 65.16

 

CMYK 71 / 0 / 25 / 1

HEX #49FDBE

RGB 73 253 190

HSL 159, 0.98%, 0.64%

LAB 89.57, -59.2, 17.35

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

CMYK 0 / 71 / 60 / 1

HEX #FD4964

RGB 253 73 100

HSL 351, 0.98%, 0.64%

LAB 58.57, 68.82, 25.73

 

CMYK 46 / 0 / 71 / 1

HEX #88FD49

RGB 136 253 73

HSL 99, 0.98%, 0.64%

LAB 89.84, -62.29, 71.68

 

CMYK 71 / 0 / 11 / 1

HEX #49FDE2

RGB 73 253 226

HSL 171, 0.98%, 0.64%

LAB 90.39, -50.71, -0.08

 

CMYK 25 / 71 / 0 / 1

HEX #BE49FD

RGB 190 73 253

HSL 279, 0.98%, 0.64%

LAB 54.87, 73.38, -69.02

 

CMYK 0 / 60 / 71 / 1

HEX #FD6449

RGB 253 100 73

HSL 9, 0.98%, 0.64%

LAB 62.06, 56.84, 45.12

 

CMYK 46 / 0 / 71 / 1

HEX #88FD49

RGB 136 253 73

HSL 99, 0.98%, 0.64%

LAB 89.84, -62.29, 71.68

 

CMYK 71 / 11 / 0 / 1

HEX #49E2FD

RGB 73 226 253

HSL 189, 0.98%, 0.64%

LAB 83.39, -31.14, -24.69

 

Description

Color code: RGB 190 73 253 | qconv.com Color code: RGB 190 73 253 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 73 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 73 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 71 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 71% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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