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Color name
RGB 190 64 89

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 64 89 it is the complementary color RGB 65 191 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 64 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 64 89 shade: RGB 195 64 84, RGB 212 82 103, RGB 229 100 122, RGB 246 118 141 and RGB 255 136 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 64 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 64 89 shade: RGB 190 64 89, RGB 173 46 70, RGB 156 28 51, RGB 139 10 32 and RGB 122 0 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 64 89 shade: RGB 191 63 89 and RGB 191 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 64 89 shade: RGB 191 63 89, RGB 191 63 123, RGB 191 63 157, RGB 190 63 191 and RGB 155 63 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 64 89 shade matches the following richer shades: RGB 191 63 89, RGB 211 43 76, RGB 232 22 64 and RGB 253 1 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 64 89 shade: RGB 191 63 89, RGB 170 84 101, RGB 149 105 113, RGB 129 125 126 and RGB 108 146 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 64 89 shade: RGB 191 63 157, RGB 191 63 123, RGB 191 63 89, RGB 191 72 63 and RGB 191 106 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 64 89 shade: RGB 129 43 60, RGB 160 53 74, RGB 191 63 89, RGB 201 94 115 and RGB 211 125 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 64 89 shade: RGB 190 64 89, RGB 191 191 63 and RGB 63 140 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 64 89 shade: RGB 190 64 89, RGB 89 191 63 and RGB 63 89 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 64 89 shade: RGB 190 64 89, RGB 191 191 63, RGB 63 191 165 and RGB 63 63 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 64 89 shade: RGB 190 64 89, RGB 153 191 63, RGB 63 191 165 and RGB 101 63 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 53 / 25

HEX #BE4059

RGB 190 64 89

HSL 348.1, 0.5%, 0.5%

LAB 46.09, 52.18, 13.62

 

Complementary color

CMYK 66 / 0 / 13 / 25

HEX #41BFA6

RGB 65 191 166

HSL 168.1, 0.5%, 0.5%

LAB 70.27, -40.39, 2.52

 

CMYK 0 / 67 / 57 / 24

HEX #C34054

RGB 195 64 84

HSL 350.84, 0.52%, 0.51%

LAB 46.85, 53.4, 17.86

 

CMYK 0 / 61 / 51 / 17

HEX #D45267

RGB 212 82 103

HSL 350.31, 0.6%, 0.58%

LAB 52.96, 52.81, 15.22

 

CMYK 0 / 56 / 47 / 10

HEX #E5647A

RGB 229 100 122

HSL 349.77, 0.71%, 0.65%

LAB 59.14, 52.02, 13.03

 

CMYK 0 / 52 / 43 / 4

HEX #F6768D

RGB 246 118 141

HSL 349.22, 0.88%, 0.71%

LAB 65.34, 51.13, 11.18

 

CMYK 0 / 47 / 37 / 0

HEX #FF88A0

RGB 255 136 160

HSL 347.9, 1%, 0.77%

LAB 70.46, 47.46, 7.91

 

CMYK 0 / 66 / 53 / 25

HEX #BE4059

RGB 190 64 89

HSL 348.1, 0.5%, 0.5%

LAB 46.09, 52.18, 13.62

 

CMYK 0 / 73 / 60 / 32

HEX #AD2E46

RGB 173 46 70

HSL 348.66, 0.58%, 0.43%

LAB 40.05, 52.38, 16.69

 

CMYK 0 / 82 / 67 / 39

HEX #9C1C33

RGB 156 28 51

HSL 349.22, 0.7%, 0.36%

LAB 34.27, 51.86, 20.59

 

CMYK 0 / 93 / 77 / 45

HEX #8B0A20

RGB 139 10 32

HSL 349.77, 0.87%, 0.29%

LAB 28.93, 50.13, 25.52

 

CMYK 0 / 100 / 89 / 52

HEX #7A000D

RGB 122 0 13

HSL 353.61, 1%, 0.24%

LAB 24.21, 46.68, 30.91

 

CMYK 0 / 67 / 53 / 25

HEX #BF3F59

RGB 191 63 89

HSL 347.81, 0.5%, 0.5%

LAB 46.11, 52.91, 13.68

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 0 / 67 / 53 / 25

HEX #BF3F59

RGB 191 63 89

HSL 347.81, 0.5%, 0.5%

LAB 46.11, 52.91, 13.68

 

CMYK 0 / 67 / 36 / 25

HEX #BF3F7B

RGB 191 63 123

HSL 331.88, 0.5%, 0.5%

LAB 47.05, 56.24, -5.77

 

CMYK 0 / 67 / 18 / 25

HEX #BF3F9D

RGB 191 63 157

HSL 315.94, 0.5%, 0.5%

LAB 48.34, 60.61, -24.28

 

CMYK 1 / 67 / 0 / 25

HEX #BE3FBF

RGB 190 63 191

HSL 299.53, 0.5%, 0.5%

LAB 49.81, 65.66, -41.96

 

CMYK 19 / 67 / 0 / 25

HEX #9B3FBF

RGB 155 63 191

HSL 283.13, 0.5%, 0.5%

LAB 44.64, 57.69, -50.51

 

CMYK 0 / 67 / 53 / 25

HEX #BF3F59

RGB 191 63 89

HSL 347.81, 0.5%, 0.5%

LAB 46.11, 52.91, 13.68

 

CMYK 0 / 80 / 64 / 17

HEX #D32B4C

RGB 211 43 76

HSL 348.21, 0.66%, 0.5%

LAB 47.1, 64.73, 23.61

 

CMYK 0 / 91 / 72 / 9

HEX #E81640

RGB 232 22 64

HSL 348, 0.83%, 0.5%

LAB 49.62, 73.81, 34.86

 

CMYK 0 / 100 / 80 / 1

HEX #FD0133

RGB 253 1 51

HSL 348.1, 0.99%, 0.5%

LAB 53.11, 80.28, 47.31

 

CMYK 0 / 67 / 53 / 25

HEX #BF3F59

RGB 191 63 89

HSL 347.81, 0.5%, 0.5%

LAB 46.11, 52.91, 13.68

 

CMYK 0 / 51 / 41 / 33

HEX #AA5465

RGB 170 84 101

HSL 348.14, 0.34%, 0.5%

LAB 46.75, 36.99, 6.75

 

CMYK 0 / 30 / 24 / 42

HEX #956971

RGB 149 105 113

HSL 349.09, 0.17%, 0.5%

LAB 49.11, 18.84, 2.58

 

CMYK 0 / 3 / 2 / 49

HEX #817D7E

RGB 129 125 126

HSL 345, 0.02%, 0.5%

LAB 52.77, 1.71, -0.01

 

CMYK 26 / 0 / 5 / 43

HEX #6C928A

RGB 108 146 138

HSL 167.37, 0.15%, 0.5%

LAB 57.64, -14.89, -0.03

 

CMYK 0 / 67 / 18 / 25

HEX #BF3F9D

RGB 191 63 157

HSL 315.94, 0.5%, 0.5%

LAB 48.34, 60.61, -24.28

 

CMYK 0 / 67 / 36 / 25

HEX #BF3F7B

RGB 191 63 123

HSL 331.88, 0.5%, 0.5%

LAB 47.05, 56.24, -5.77

 

CMYK 0 / 67 / 53 / 25

HEX #BF3F59

RGB 191 63 89

HSL 347.81, 0.5%, 0.5%

LAB 46.11, 52.91, 13.68

 

CMYK 0 / 62 / 67 / 25

HEX #BF483F

RGB 191 72 63

HSL 4.22, 0.5%, 0.5%

LAB 47.07, 47.24, 30.56

 

CMYK 0 / 45 / 67 / 25

HEX #BF6A3F

RGB 191 106 63

HSL 20.16, 0.5%, 0.5%

LAB 53.75, 30.19, 38.47

 

CMYK 0 / 67 / 53 / 49

HEX #812B3C

RGB 129 43 60

HSL 348.14, 0.5%, 0.34%

LAB 31.16, 38.38, 9.66

 

CMYK 0 / 67 / 54 / 37

HEX #A0354A

RGB 160 53 74

HSL 348.22, 0.5%, 0.42%

LAB 38.75, 45.76, 12.01

 

CMYK 0 / 67 / 53 / 25

HEX #BF3F59

RGB 191 63 89

HSL 347.81, 0.5%, 0.5%

LAB 46.11, 52.91, 13.68

 

CMYK 0 / 53 / 43 / 21

HEX #C95E73

RGB 201 94 115

HSL 348.22, 0.5%, 0.58%

LAB 53.67, 44.57, 8.83

 

CMYK 0 / 41 / 33 / 17

HEX #D37D8E

RGB 211 125 142

HSL 348.14, 0.49%, 0.66%

LAB 62.06, 35.35, 5.29

 

CMYK 0 / 66 / 53 / 25

HEX #BE4059

RGB 190 64 89

HSL 348.1, 0.5%, 0.5%

LAB 46.09, 52.18, 13.62

 

CMYK 0 / 0 / 67 / 25

HEX #BFBF3F

RGB 191 191 63

HSL 60, 0.5%, 0.5%

LAB 75.26, -15.54, 61.62

 

CMYK 67 / 27 / 0 / 25

HEX #3F8CBF

RGB 63 140 191

HSL 203.91, 0.5%, 0.5%

LAB 55.66, -7.41, -33.52

 

CMYK 0 / 66 / 53 / 25

HEX #BE4059

RGB 190 64 89

HSL 348.1, 0.5%, 0.5%

LAB 46.09, 52.18, 13.62

 

CMYK 53 / 0 / 67 / 25

HEX #59BF3F

RGB 89 191 63

HSL 107.81, 0.5%, 0.5%

LAB 69.29, -53.14, 53.54

 

CMYK 67 / 53 / 0 / 25

HEX #3F59BF

RGB 63 89 191

HSL 227.81, 0.5%, 0.5%

LAB 41.16, 23.99, -56.58

 

CMYK 0 / 66 / 53 / 25

HEX #BE4059

RGB 190 64 89

HSL 348.1, 0.5%, 0.5%

LAB 46.09, 52.18, 13.62

 

CMYK 0 / 0 / 67 / 25

HEX #BFBF3F

RGB 191 191 63

HSL 60, 0.5%, 0.5%

LAB 75.26, -15.54, 61.62

 

CMYK 67 / 0 / 14 / 25

HEX #3FBFA5

RGB 63 191 165

HSL 167.81, 0.5%, 0.5%

LAB 70.2, -40.96, 2.95

 

CMYK 67 / 67 / 0 / 25

HEX #3F3FBF

RGB 63 63 191

HSL 240, 0.5%, 0.5%

LAB 34.75, 40.39, -67.02

 

CMYK 0 / 66 / 53 / 25

HEX #BE4059

RGB 190 64 89

HSL 348.1, 0.5%, 0.5%

LAB 46.09, 52.18, 13.62

 

CMYK 20 / 0 / 67 / 25

HEX #99BF3F

RGB 153 191 63

HSL 77.81, 0.5%, 0.5%

LAB 72.49, -31.2, 57.89

 

CMYK 67 / 0 / 14 / 25

HEX #3FBFA5

RGB 63 191 165

HSL 167.81, 0.5%, 0.5%

LAB 70.2, -40.96, 2.95

 

CMYK 47 / 67 / 0 / 25

HEX #653FBF

RGB 101 63 191

HSL 257.81, 0.5%, 0.5%

LAB 37.99, 46.47, -61.59

 

Description

Color code: RGB 190 64 89 | qconv.com Color code: RGB 190 64 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 64 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 64 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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