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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 63 254 it is the complementary color RGB 65 192 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 63 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 63 254 shade: RGB 195 63 249, RGB 212 81 255, RGB 229 99 255, RGB 246 117 255 and RGB 255 135 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 63 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 63 254 shade: RGB 190 63 254, RGB 173 45 235, RGB 156 27 216, RGB 139 9 197 and RGB 122 0 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 63 254 shade: RGB 189 62 254, RGB 241 62 254, RGB 254 62 214, RGB 254 62 163 and RGB 254 62 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 63 254 shade: RGB 189 62 254, RGB 138 62 254, RGB 86 62 254 and RGB 62 62 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 63 254 shade matches the following richer shades: RGB 189 62 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 63 254 shade: RGB 189 62 254, RGB 184 77 238, RGB 179 93 222, RGB 174 109 206 and RGB 169 124 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 63 254 shade: RGB 84 62 254, RGB 135 62 254, RGB 186 62 254, RGB 238 62 254 and RGB 254 62 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 63 254 shade: RGB 155 1 232, RGB 175 21 253, RGB 189 62 254, RGB 203 103 254 and RGB 217 144 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 63 254 shade: RGB 190 63 254, RGB 254 62 90 and RGB 62 254 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 63 254 shade: RGB 190 63 254, RGB 254 186 62 and RGB 62 254 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 63 254 shade: RGB 190 63 254, RGB 254 62 90, RGB 129 254 62 and RGB 62 254 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 63 254 shade: RGB 190 63 254, RGB 254 90 62, RGB 129 254 62 and RGB 62 225 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 75 / 0 / 0

HEX #BE3FFE

RGB 190 63 254

HSL 279.9, 0.99%, 0.62%

LAB 53.66, 77.22, -71.53

 

Complementary color

CMYK 66 / 0 / 99 / 25

HEX #41C001

RGB 65 192 1

HSL 99.9, 0.99%, 0.38%

LAB 68.62, -62.32, 68.08

 

CMYK 22 / 75 / 0 / 2

HEX #C33FF9

RGB 195 63 249

HSL 282.58, 0.94%, 0.61%

LAB 54.02, 77.14, -68.13

 

CMYK 17 / 68 / 0 / 0

HEX #D451FF

RGB 212 81 255

HSL 285.17, 1%, 0.66%

LAB 59.07, 75, -63.21

 

CMYK 10 / 61 / 0 / 0

HEX #E563FF

RGB 229 99 255

HSL 290, 1%, 0.69%

LAB 64, 71.39, -55.2

 

CMYK 4 / 54 / 0 / 0

HEX #F675FF

RGB 246 117 255

HSL 296.09, 1%, 0.73%

LAB 69.14, 67.63, -46.93

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 25 / 75 / 0 / 0

HEX #BE3FFE

RGB 190 63 254

HSL 279.9, 0.99%, 0.62%

LAB 53.66, 77.22, -71.53

 

CMYK 26 / 81 / 0 / 8

HEX #AD2DEB

RGB 173 45 235

HSL 280.42, 0.83%, 0.55%

LAB 47.96, 76.35, -70.27

 

CMYK 28 / 88 / 0 / 15

HEX #9C1BD8

RGB 156 27 216

HSL 280.95, 0.78%, 0.48%

LAB 42.48, 74.58, -68.48

 

CMYK 29 / 95 / 0 / 23

HEX #8B09C5

RGB 139 9 197

HSL 281.49, 0.91%, 0.4%

LAB 37.33, 71.56, -65.98

 

CMYK 31 / 100 / 0 / 30

HEX #7A00B2

RGB 122 0 178

HSL 281.12, 1%, 0.35%

LAB 32.6, 66.97, -62.6

 

CMYK 26 / 76 / 0 / 0

HEX #BD3EFE

RGB 189 62 254

HSL 279.69, 0.99%, 0.62%

LAB 53.41, 77.39, -71.95

 

CMYK 5 / 76 / 0 / 0

HEX #F13EFE

RGB 241 62 254

HSL 295.94, 0.99%, 0.62%

LAB 61.05, 86.79, -59.26

 

CMYK 0 / 76 / 16 / 0

HEX #FE3ED6

RGB 254 62 214

HSL 312.5, 0.99%, 0.62%

LAB 61.11, 83.62, -36.66

 

CMYK 0 / 76 / 36 / 0

HEX #FE3EA3

RGB 254 62 163

HSL 328.44, 0.99%, 0.62%

LAB 59.12, 77.68, -10.42

 

CMYK 0 / 76 / 56 / 0

HEX #FE3E6F

RGB 254 62 111

HSL 344.69, 0.99%, 0.62%

LAB 57.72, 73.29, 18.16

 

CMYK 26 / 76 / 0 / 0

HEX #BD3EFE

RGB 189 62 254

HSL 279.69, 0.99%, 0.62%

LAB 53.41, 77.39, -71.95

 

CMYK 46 / 76 / 0 / 0

HEX #8A3EFE

RGB 138 62 254

HSL 263.75, 0.99%, 0.62%

LAB 46.98, 69.32, -82.7

 

CMYK 66 / 76 / 0 / 0

HEX #563EFE

RGB 86 62 254

HSL 247.5, 0.99%, 0.62%

LAB 42.12, 63.07, -90.87

 

CMYK 76 / 76 / 0 / 0

HEX #3E3EFE

RGB 62 62 254

HSL 240, 0.99%, 0.62%

LAB 40.61, 61.09, -93.41

 

CMYK 26 / 76 / 0 / 0

HEX #BD3EFE

RGB 189 62 254

HSL 279.69, 0.99%, 0.62%

LAB 53.41, 77.39, -71.95

 

CMYK 26 / 76 / 0 / 0

HEX #BD3EFE

RGB 189 62 254

HSL 279.69, 0.99%, 0.62%

LAB 53.41, 77.39, -71.95

 

CMYK 23 / 68 / 0 / 7

HEX #B84DEE

RGB 184 77 238

HSL 279.88, 0.83%, 0.62%

LAB 53.68, 67.54, -62.62

 

CMYK 19 / 58 / 0 / 13

HEX #B35DDE

RGB 179 93 222

HSL 280, 0.66%, 0.62%

LAB 54.75, 55.77, -51.94

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 12 / 35 / 0 / 25

HEX #A97CBF

RGB 169 124 191

HSL 280.3, 0.34%, 0.62%

LAB 58.61, 29.72, -28.37

 

CMYK 67 / 76 / 0 / 0

HEX #543EFE

RGB 84 62 254

HSL 246.88, 0.99%, 0.62%

LAB 41.98, 62.88, -91.11

 

CMYK 47 / 76 / 0 / 0

HEX #873EFE

RGB 135 62 254

HSL 262.81, 0.99%, 0.62%

LAB 46.65, 68.9, -83.26

 

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

CMYK 6 / 76 / 0 / 0

HEX #EE3EFE

RGB 238 62 254

HSL 295, 0.99%, 0.62%

LAB 60.59, 86.22, -60.02

 

CMYK 0 / 76 / 14 / 0

HEX #FE3EDA

RGB 254 62 218

HSL 311.25, 0.99%, 0.62%

LAB 61.29, 84.15, -38.64

 

CMYK 33 / 100 / 0 / 9

HEX #9B01E8

RGB 155 1 232

HSL 280, 0.99%, 0.46%

LAB 42.49, 80.97, -77.61

 

CMYK 31 / 92 / 0 / 1

HEX #AF15FD

RGB 175 21 253

HSL 279.83, 0.98%, 0.54%

LAB 47.93, 85.1, -80.4

 

CMYK 26 / 76 / 0 / 0

HEX #BD3EFE

RGB 189 62 254

HSL 279.69, 0.99%, 0.62%

LAB 53.41, 77.39, -71.95

 

CMYK 20 / 59 / 0 / 0

HEX #CB67FE

RGB 203 103 254

HSL 279.74, 0.99%, 0.7%

LAB 61.27, 63.37, -59.21

 

CMYK 15 / 43 / 0 / 0

HEX #D990FE

RGB 217 144 254

HSL 279.82, 0.98%, 0.78%

LAB 70.77, 46.35, -44.07

 

CMYK 25 / 75 / 0 / 0

HEX #BE3FFE

RGB 190 63 254

HSL 279.9, 0.99%, 0.62%

LAB 53.66, 77.22, -71.53

 

CMYK 0 / 76 / 65 / 0

HEX #FE3E5A

RGB 254 62 90

HSL 351.25, 0.99%, 0.62%

LAB 57.32, 72.03, 29.99

 

CMYK 76 / 0 / 57 / 0

HEX #3EFE6E

RGB 62 254 110

HSL 135, 0.99%, 0.62%

LAB 88.46, -74.82, 54.88

 

CMYK 25 / 75 / 0 / 0

HEX #BE3FFE

RGB 190 63 254

HSL 279.9, 0.99%, 0.62%

LAB 53.66, 77.22, -71.53

 

CMYK 0 / 27 / 76 / 0

HEX #FEBA3E

RGB 254 186 62

HSL 38.75, 0.99%, 0.62%

LAB 79.92, 13.81, 68.58

 

CMYK 76 / 0 / 27 / 0

HEX #3EFEBA

RGB 62 254 186

HSL 158.75, 0.99%, 0.62%

LAB 89.6, -61.8, 19.41

 

CMYK 25 / 75 / 0 / 0

HEX #BE3FFE

RGB 190 63 254

HSL 279.9, 0.99%, 0.62%

LAB 53.66, 77.22, -71.53

 

CMYK 0 / 76 / 65 / 0

HEX #FE3E5A

RGB 254 62 90

HSL 351.25, 0.99%, 0.62%

LAB 57.32, 72.03, 29.99

 

CMYK 49 / 0 / 76 / 0

HEX #81FE3E

RGB 129 254 62

HSL 99.06, 0.99%, 0.62%

LAB 89.81, -65.34, 75.13

 

CMYK 76 / 0 / 11 / 0

HEX #3EFEE1

RGB 62 254 225

HSL 170.94, 0.99%, 0.62%

LAB 90.48, -52.61, 0.54

 

CMYK 25 / 75 / 0 / 0

HEX #BE3FFE

RGB 190 63 254

HSL 279.9, 0.99%, 0.62%

LAB 53.66, 77.22, -71.53

 

CMYK 0 / 65 / 76 / 0

HEX #FE5A3E

RGB 254 90 62

HSL 8.75, 0.99%, 0.62%

LAB 60.54, 60.92, 49.23

 

CMYK 49 / 0 / 76 / 0

HEX #81FE3E

RGB 129 254 62

HSL 99.06, 0.99%, 0.62%

LAB 89.81, -65.34, 75.13

 

CMYK 76 / 11 / 0 / 0

HEX #3EE1FE

RGB 62 225 254

HSL 189.06, 0.99%, 0.62%

LAB 82.93, -31.59, -25.94

 

Description

Color code: RGB 190 63 254 | qconv.com Color code: RGB 190 63 254 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 63 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 63 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 75 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 75% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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