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Color name
RGB 190 60 142

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 60 142 it is the complementary color RGB 65 195 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 60 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 60 142 shade: RGB 195 60 137, RGB 212 78 156, RGB 229 96 175, RGB 246 114 194 and RGB 255 132 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 60 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 60 142 shade: RGB 190 60 142, RGB 173 42 123, RGB 156 24 104, RGB 139 6 85 and RGB 122 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 60 142 shade: RGB 189 59 141, RGB 189 59 106, RGB 189 59 71 and RGB 189 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 60 142 shade: RGB 189 59 141, RGB 189 59 176, RGB 167 59 189, RGB 132 59 189 and RGB 97 59 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 60 142 shade matches the following richer shades: RGB 189 59 141, RGB 210 39 147 and RGB 230 19 152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 60 142 shade: RGB 189 59 141, RGB 169 80 136, RGB 149 100 131, RGB 129 120 126 and RGB 109 140 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 60 142 shade: RGB 168 59 189, RGB 189 59 176, RGB 189 59 142, RGB 189 59 107 and RGB 189 59 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 60 142 shade: RGB 127 40 95, RGB 158 50 118, RGB 189 59 141, RGB 202 88 160 and RGB 212 120 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 60 142 shade: RGB 190 60 142, RGB 189 133 59 and RGB 59 189 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 60 142 shade: RGB 190 60 142, RGB 142 189 59 and RGB 59 142 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 60 142 shade: RGB 190 60 142, RGB 189 133 59, RGB 59 189 107 and RGB 59 116 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 60 142 shade: RGB 190 60 142, RGB 189 172 59, RGB 59 189 107 and RGB 59 77 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 25 / 25

HEX #BE3C8E

RGB 190 60 142

HSL 322.15, 0.52%, 0.49%

LAB 47.15, 59.45, -17.15

 

Complementary color

CMYK 67 / 0 / 42 / 24

HEX #41C371

RGB 65 195 113

HSL 142.15, 0.52%, 0.51%

LAB 70.42, -53.52, 31.1

 

CMYK 0 / 69 / 30 / 24

HEX #C33C89

RGB 195 60 137

HSL 325.78, 0.53%, 0.5%

LAB 47.8, 60.18, -13.06

 

CMYK 0 / 63 / 26 / 17

HEX #D44E9C

RGB 212 78 156

HSL 325.07, 0.61%, 0.57%

LAB 53.86, 60.21, -14.94

 

CMYK 0 / 58 / 24 / 10

HEX #E560AF

RGB 229 96 175

HSL 324.36, 0.72%, 0.64%

LAB 60, 59.9, -16.45

 

CMYK 0 / 54 / 21 / 4

HEX #F672C2

RGB 246 114 194

HSL 323.64, 0.88%, 0.71%

LAB 66.15, 59.39, -17.7

 

CMYK 0 / 48 / 16 / 0

HEX #FF84D5

RGB 255 132 213

HSL 320.49, 1%, 0.76%

LAB 71.26, 56.35, -20.44

 

CMYK 0 / 68 / 25 / 25

HEX #BE3C8E

RGB 190 60 142

HSL 322.15, 0.52%, 0.49%

LAB 47.15, 59.45, -17.15

 

CMYK 0 / 76 / 29 / 32

HEX #AD2A7B

RGB 173 42 123

HSL 322.9, 0.61%, 0.42%

LAB 41.17, 58.88, -14.95

 

CMYK 0 / 85 / 33 / 39

HEX #9C1868

RGB 156 24 104

HSL 323.64, 0.73%, 0.35%

LAB 35.44, 57.4, -12.03

 

CMYK 0 / 96 / 39 / 45

HEX #8B0655

RGB 139 6 85

HSL 324.36, 0.92%, 0.28%

LAB 30.1, 54.57, -8.14

 

CMYK 0 / 100 / 46 / 52

HEX #7A0042

RGB 122 0 66

HSL 327.54, 1%, 0.24%

LAB 25.35, 49.72, -2.87

 

CMYK 0 / 69 / 25 / 26

HEX #BD3B8D

RGB 189 59 141

HSL 322.15, 0.52%, 0.49%

LAB 46.8, 59.43, -17.09

 

CMYK 0 / 69 / 44 / 26

HEX #BD3B6A

RGB 189 59 106

HSL 338.31, 0.52%, 0.49%

LAB 45.62, 55.42, 2.48

 

CMYK 0 / 69 / 62 / 26

HEX #BD3B47

RGB 189 59 71

HSL 354.46, 0.52%, 0.49%

LAB 44.8, 52.57, 22.88

 

CMYK 0 / 69 / 69 / 26

HEX #BD3B3B

RGB 189 59 59

HSL 0, 0.52%, 0.49%

LAB 44.61, 51.87, 29.85

 

CMYK 0 / 69 / 25 / 26

HEX #BD3B8D

RGB 189 59 141

HSL 322.15, 0.52%, 0.49%

LAB 46.8, 59.43, -17.09

 

CMYK 0 / 69 / 7 / 26

HEX #BD3BB0

RGB 189 59 176

HSL 306, 0.52%, 0.49%

LAB 48.36, 64.47, -35.5

 

CMYK 12 / 69 / 0 / 26

HEX #A73BBD

RGB 167 59 189

HSL 289.85, 0.52%, 0.49%

LAB 45.66, 61.64, -47.62

 

CMYK 30 / 69 / 0 / 26

HEX #843BBD

RGB 132 59 189

HSL 273.69, 0.52%, 0.49%

LAB 40.75, 54.1, -55.77

 

CMYK 49 / 69 / 0 / 26

HEX #613BBD

RGB 97 59 189

HSL 257.54, 0.52%, 0.49%

LAB 36.64, 47.33, -62.64

 

CMYK 0 / 69 / 25 / 26

HEX #BD3B8D

RGB 189 59 141

HSL 322.15, 0.52%, 0.49%

LAB 46.8, 59.43, -17.09

 

CMYK 0 / 81 / 30 / 18

HEX #D22793

RGB 210 39 147

HSL 322.11, 0.69%, 0.49%

LAB 48.59, 71.51, -17.65

 

CMYK 0 / 92 / 34 / 10

HEX #E61398

RGB 230 19 152

HSL 322.18, 0.85%, 0.49%

LAB 51.33, 79.84, -16.12

 

CMYK 0 / 69 / 25 / 26

HEX #BD3B8D

RGB 189 59 141

HSL 322.15, 0.52%, 0.49%

LAB 46.8, 59.43, -17.09

 

CMYK 0 / 53 / 20 / 34

HEX #A95088

RGB 169 80 136

HSL 322.25, 0.36%, 0.49%

LAB 46.91, 43.44, -14.21

 

CMYK 0 / 33 / 12 / 42

HEX #956483

RGB 149 100 131

HSL 322.04, 0.2%, 0.49%

LAB 48.44, 24.75, -9.16

 

CMYK 0 / 7 / 2 / 49

HEX #81787E

RGB 129 120 126

HSL 320, 0.04%, 0.49%

LAB 51.39, 4.6, -2.04

 

CMYK 22 / 0 / 14 / 45

HEX #6D8C78

RGB 109 140 120

HSL 141.29, 0.12%, 0.49%

LAB 55.44, -15.21, 7.13

 

CMYK 11 / 69 / 0 / 26

HEX #A83BBD

RGB 168 59 189

HSL 290.31, 0.52%, 0.49%

LAB 45.81, 61.86, -47.37

 

CMYK 0 / 69 / 7 / 26

HEX #BD3BB0

RGB 189 59 176

HSL 306, 0.52%, 0.49%

LAB 48.36, 64.47, -35.5

 

CMYK 0 / 69 / 25 / 26

HEX #BD3B8E

RGB 189 59 142

HSL 321.69, 0.52%, 0.49%

LAB 46.84, 59.56, -17.63

 

CMYK 0 / 69 / 43 / 26

HEX #BD3B6B

RGB 189 59 107

HSL 337.85, 0.52%, 0.49%

LAB 45.65, 55.51, 1.91

 

CMYK 0 / 69 / 62 / 26

HEX #BD3B48

RGB 189 59 72

HSL 354, 0.52%, 0.49%

LAB 44.82, 52.63, 22.29

 

CMYK 0 / 69 / 25 / 50

HEX #7F285F

RGB 127 40 95

HSL 322.07, 0.52%, 0.33%

LAB 31.48, 43.21, -12.79

 

CMYK 0 / 68 / 25 / 38

HEX #9E3276

RGB 158 50 118

HSL 322.22, 0.52%, 0.41%

LAB 39.34, 51.29, -14.88

 

CMYK 0 / 69 / 25 / 26

HEX #BD3B8D

RGB 189 59 141

HSL 322.15, 0.52%, 0.49%

LAB 46.8, 59.43, -17.09

 

CMYK 0 / 56 / 21 / 21

HEX #CA58A0

RGB 202 88 160

HSL 322.11, 0.52%, 0.57%

LAB 54.11, 53.42, -17.06

 

CMYK 0 / 43 / 16 / 17

HEX #D478B2

RGB 212 120 178

HSL 322.17, 0.52%, 0.65%

LAB 62.21, 43.45, -15.04

 

CMYK 0 / 68 / 25 / 25

HEX #BE3C8E

RGB 190 60 142

HSL 322.15, 0.52%, 0.49%

LAB 47.15, 59.45, -17.15

 

CMYK 0 / 30 / 69 / 26

HEX #BD853B

RGB 189 133 59

HSL 34.15, 0.52%, 0.49%

LAB 59.81, 14.29, 47.16

 

CMYK 69 / 0 / 2 / 26

HEX #3BBDB9

RGB 59 189 185

HSL 178.15, 0.52%, 0.49%

LAB 70.06, -35.26, -8.22

 

CMYK 0 / 68 / 25 / 25

HEX #BE3C8E

RGB 190 60 142

HSL 322.15, 0.52%, 0.49%

LAB 47.15, 59.45, -17.15

 

CMYK 25 / 0 / 69 / 26

HEX #8EBD3B

RGB 142 189 59

HSL 81.69, 0.52%, 0.49%

LAB 71.19, -34.84, 57.9

 

CMYK 69 / 25 / 0 / 26

HEX #3B8EBD

RGB 59 142 189

HSL 201.69, 0.52%, 0.49%

LAB 56.04, -9.87, -31.8

 

CMYK 0 / 68 / 25 / 25

HEX #BE3C8E

RGB 190 60 142

HSL 322.15, 0.52%, 0.49%

LAB 47.15, 59.45, -17.15

 

CMYK 0 / 30 / 69 / 26

HEX #BD853B

RGB 189 133 59

HSL 34.15, 0.52%, 0.49%

LAB 59.81, 14.29, 47.16

 

CMYK 69 / 0 / 43 / 26

HEX #3BBD6B

RGB 59 189 107

HSL 142.15, 0.52%, 0.49%

LAB 68.3, -53.37, 31.43

 

CMYK 69 / 39 / 0 / 26

HEX #3B74BD

RGB 59 116 189

HSL 213.69, 0.52%, 0.49%

LAB 48.38, 5.51, -43.85

 

CMYK 0 / 68 / 25 / 25

HEX #BE3C8E

RGB 190 60 142

HSL 322.15, 0.52%, 0.49%

LAB 47.15, 59.45, -17.15

 

CMYK 0 / 9 / 69 / 26

HEX #BDAC3B

RGB 189 172 59

HSL 52.15, 0.52%, 0.49%

LAB 69.92, -6.83, 57.74

 

CMYK 69 / 0 / 43 / 26

HEX #3BBD6B

RGB 59 189 107

HSL 142.15, 0.52%, 0.49%

LAB 68.3, -53.37, 31.43

 

CMYK 69 / 59 / 0 / 26

HEX #3B4DBD

RGB 59 77 189

HSL 231.69, 0.52%, 0.49%

LAB 37.68, 30.4, -61.06

 

Description

Color code: RGB 190 60 142 | qconv.com Color code: RGB 190 60 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 60 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 60 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 25 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 25% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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