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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 60 132 it is the complementary color RGB 65 195 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 60 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 60 132 shade: RGB 195 60 127, RGB 212 78 146, RGB 229 96 165, RGB 246 114 184 and RGB 255 132 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 60 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 60 132 shade: RGB 190 60 132, RGB 173 42 113, RGB 156 24 94, RGB 139 6 75 and RGB 122 0 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 60 132 shade: RGB 189 59 131, RGB 189 59 96, RGB 189 59 61 and RGB 189 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 60 132 shade: RGB 189 59 131, RGB 189 59 166, RGB 177 59 189, RGB 142 59 189 and RGB 107 59 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 60 132 shade matches the following richer shades: RGB 189 59 131, RGB 210 39 134 and RGB 230 19 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 60 132 shade: RGB 189 59 131, RGB 169 80 129, RGB 149 100 127, RGB 129 120 125 and RGB 109 140 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 60 132 shade: RGB 176 59 189, RGB 189 59 168, RGB 189 59 133, RGB 189 59 98 and RGB 189 59 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 60 132 shade: RGB 127 40 88, RGB 158 50 110, RGB 189 59 131, RGB 202 88 151 and RGB 212 120 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 60 132 shade: RGB 190 60 132, RGB 189 142 59 and RGB 59 185 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 60 132 shade: RGB 190 60 132, RGB 133 189 59 and RGB 59 133 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 60 132 shade: RGB 190 60 132, RGB 189 142 59, RGB 59 189 116 and RGB 59 107 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 60 132 shade: RGB 190 60 132, RGB 189 181 59, RGB 59 189 116 and RGB 59 68 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 31 / 25

HEX #BE3C84

RGB 190 60 132

HSL 326.77, 0.52%, 0.49%

LAB 46.77, 58.19, -11.68

 

Complementary color

CMYK 67 / 0 / 37 / 24

HEX #41C37B

RGB 65 195 123

HSL 146.77, 0.52%, 0.51%

LAB 70.58, -51.69, 26.11

 

CMYK 0 / 69 / 35 / 24

HEX #C33C7F

RGB 195 60 127

HSL 330.22, 0.53%, 0.5%

LAB 47.45, 59.01, -7.54

 

CMYK 0 / 63 / 31 / 17

HEX #D44E92

RGB 212 78 146

HSL 329.55, 0.61%, 0.57%

LAB 53.52, 58.97, -9.56

 

CMYK 0 / 58 / 28 / 10

HEX #E560A5

RGB 229 96 165

HSL 328.87, 0.72%, 0.64%

LAB 59.65, 58.6, -11.2

 

CMYK 0 / 54 / 25 / 4

HEX #F672B8

RGB 246 114 184

HSL 328.18, 0.88%, 0.71%

LAB 65.82, 58.04, -12.56

 

CMYK 0 / 48 / 20 / 0

HEX #FF84CB

RGB 255 132 203

HSL 325.37, 1%, 0.76%

LAB 70.92, 54.9, -15.41

 

CMYK 0 / 68 / 31 / 25

HEX #BE3C84

RGB 190 60 132

HSL 326.77, 0.52%, 0.49%

LAB 46.77, 58.19, -11.68

 

CMYK 0 / 76 / 35 / 32

HEX #AD2A71

RGB 173 42 113

HSL 327.48, 0.61%, 0.42%

LAB 40.79, 57.7, -9.31

 

CMYK 0 / 85 / 40 / 39

HEX #9C185E

RGB 156 24 94

HSL 328.18, 0.73%, 0.35%

LAB 35.06, 56.31, -6.2

 

CMYK 0 / 96 / 46 / 45

HEX #8B064B

RGB 139 6 75

HSL 328.87, 0.92%, 0.28%

LAB 29.73, 53.59, -2.06

 

CMYK 0 / 100 / 54 / 52

HEX #7A0038

RGB 122 0 56

HSL 332.46, 1%, 0.24%

LAB 25.02, 48.85, 3.51

 

CMYK 0 / 69 / 31 / 26

HEX #BD3B83

RGB 189 59 131

HSL 326.77, 0.52%, 0.49%

LAB 46.43, 58.17, -11.61

 

CMYK 0 / 69 / 49 / 26

HEX #BD3B60

RGB 189 59 96

HSL 342.92, 0.52%, 0.49%

LAB 45.35, 54.48, 8.25

 

CMYK 0 / 69 / 68 / 26

HEX #BD3B3D

RGB 189 59 61

HSL 359.08, 0.52%, 0.49%

LAB 44.64, 51.97, 28.7

 

CMYK 0 / 69 / 69 / 26

HEX #BD3B3B

RGB 189 59 59

HSL 0, 0.52%, 0.49%

LAB 44.61, 51.87, 29.85

 

CMYK 0 / 69 / 31 / 26

HEX #BD3B83

RGB 189 59 131

HSL 326.77, 0.52%, 0.49%

LAB 46.43, 58.17, -11.61

 

CMYK 0 / 69 / 12 / 26

HEX #BD3BA6

RGB 189 59 166

HSL 310.62, 0.52%, 0.49%

LAB 47.88, 62.93, -30.36

 

CMYK 6 / 69 / 0 / 26

HEX #B13BBD

RGB 177 59 189

HSL 294.46, 0.52%, 0.49%

LAB 47.17, 63.86, -45.12

 

CMYK 25 / 69 / 0 / 26

HEX #8E3BBD

RGB 142 59 189

HSL 278.31, 0.52%, 0.49%

LAB 42.08, 56.2, -53.55

 

CMYK 43 / 69 / 0 / 26

HEX #6B3BBD

RGB 107 59 189

HSL 262.15, 0.52%, 0.49%

LAB 37.71, 49.15, -60.84

 

CMYK 0 / 69 / 31 / 26

HEX #BD3B83

RGB 189 59 131

HSL 326.77, 0.52%, 0.49%

LAB 46.43, 58.17, -11.61

 

CMYK 0 / 81 / 36 / 18

HEX #D22786

RGB 210 39 134

HSL 326.67, 0.69%, 0.49%

LAB 48.1, 70.11, -10.54

 

CMYK 0 / 92 / 41 / 10

HEX #E61388

RGB 230 19 136

HSL 326.73, 0.85%, 0.49%

LAB 50.76, 78.32, -7.37

 

CMYK 0 / 69 / 31 / 26

HEX #BD3B83

RGB 189 59 131

HSL 326.77, 0.52%, 0.49%

LAB 46.43, 58.17, -11.61

 

CMYK 0 / 53 / 24 / 34

HEX #A95081

RGB 169 80 129

HSL 326.97, 0.36%, 0.49%

LAB 46.65, 42.39, -10.37

 

CMYK 0 / 33 / 15 / 42

HEX #95647F

RGB 149 100 127

HSL 326.94, 0.2%, 0.49%

LAB 48.31, 24.04, -6.97

 

CMYK 0 / 7 / 3 / 49

HEX #81787D

RGB 129 120 125

HSL 326.67, 0.04%, 0.49%

LAB 51.36, 4.41, -1.5

 

CMYK 22 / 0 / 12 / 45

HEX #6D8C7B

RGB 109 140 123

HSL 147.1, 0.12%, 0.49%

LAB 55.52, -14.6, 5.51

 

CMYK 7 / 69 / 0 / 26

HEX #B03BBD

RGB 176 59 189

HSL 294, 0.52%, 0.49%

LAB 47.02, 63.64, -45.37

 

CMYK 0 / 69 / 11 / 26

HEX #BD3BA8

RGB 189 59 168

HSL 309.69, 0.52%, 0.49%

LAB 47.97, 63.23, -31.4

 

CMYK 0 / 69 / 30 / 26

HEX #BD3B85

RGB 189 59 133

HSL 325.85, 0.52%, 0.49%

LAB 46.5, 58.41, -12.72

 

CMYK 0 / 69 / 48 / 26

HEX #BD3B62

RGB 189 59 98

HSL 342, 0.52%, 0.49%

LAB 45.4, 54.66, 7.09

 

CMYK 0 / 69 / 66 / 26

HEX #BD3B40

RGB 189 59 64

HSL 357.69, 0.52%, 0.49%

LAB 44.68, 52.14, 26.96

 

CMYK 0 / 69 / 31 / 50

HEX #7F2858

RGB 127 40 88

HSL 326.9, 0.52%, 0.33%

LAB 31.19, 42.24, -8.68

 

CMYK 0 / 68 / 30 / 38

HEX #9E326E

RGB 158 50 110

HSL 326.67, 0.52%, 0.41%

LAB 39.03, 50.23, -10.35

 

CMYK 0 / 69 / 31 / 26

HEX #BD3B83

RGB 189 59 131

HSL 326.77, 0.52%, 0.49%

LAB 46.43, 58.17, -11.61

 

CMYK 0 / 56 / 25 / 21

HEX #CA5897

RGB 202 88 151

HSL 326.84, 0.52%, 0.57%

LAB 53.78, 52.16, -12.27

 

CMYK 0 / 43 / 19 / 17

HEX #D478AB

RGB 212 120 171

HSL 326.74, 0.52%, 0.65%

LAB 61.97, 42.37, -11.4

 

CMYK 0 / 68 / 31 / 25

HEX #BE3C84

RGB 190 60 132

HSL 326.77, 0.52%, 0.49%

LAB 46.77, 58.19, -11.68

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 69 / 2 / 0 / 26

HEX #3BB9BD

RGB 59 185 189

HSL 181.85, 0.52%, 0.49%

LAB 68.97, -32.22, -12.04

 

CMYK 0 / 68 / 31 / 25

HEX #BE3C84

RGB 190 60 132

HSL 326.77, 0.52%, 0.49%

LAB 46.77, 58.19, -11.68

 

CMYK 30 / 0 / 69 / 26

HEX #85BD3B

RGB 133 189 59

HSL 85.85, 0.52%, 0.49%

LAB 70.66, -38.26, 57.19

 

CMYK 69 / 30 / 0 / 26

HEX #3B85BD

RGB 59 133 189

HSL 205.85, 0.52%, 0.49%

LAB 53.36, -4.7, -35.99

 

CMYK 0 / 68 / 31 / 25

HEX #BE3C84

RGB 190 60 132

HSL 326.77, 0.52%, 0.49%

LAB 46.77, 58.19, -11.68

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 69 / 0 / 39 / 26

HEX #3BBD74

RGB 59 189 116

HSL 146.31, 0.52%, 0.49%

LAB 68.45, -51.74, 26.92

 

CMYK 69 / 43 / 0 / 26

HEX #3B6BBD

RGB 59 107 189

HSL 217.85, 0.52%, 0.49%

LAB 45.8, 11.12, -47.97

 

CMYK 0 / 68 / 31 / 25

HEX #BE3C84

RGB 190 60 132

HSL 326.77, 0.52%, 0.49%

LAB 46.77, 58.19, -11.68

 

CMYK 0 / 4 / 69 / 26

HEX #BDB53B

RGB 189 181 59

HSL 56.31, 0.52%, 0.49%

LAB 72.35, -11.51, 60.19

 

CMYK 69 / 0 / 39 / 26

HEX #3BBD74

RGB 59 189 116

HSL 146.31, 0.52%, 0.49%

LAB 68.45, -51.74, 26.92

 

CMYK 69 / 64 / 0 / 26

HEX #3B44BD

RGB 59 68 189

HSL 235.85, 0.52%, 0.49%

LAB 35.48, 36.11, -64.66

 

Description

Color code: RGB 190 60 132 | qconv.com Color code: RGB 190 60 132 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 60 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 60 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 31 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 31% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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