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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 58 151 it is the complementary color RGB 65 197 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 58 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 58 151 shade: RGB 195 58 146, RGB 212 76 165, RGB 229 94 184, RGB 246 112 203 and RGB 255 130 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 58 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 58 151 shade: RGB 190 58 151, RGB 173 40 132, RGB 156 22 113, RGB 139 4 94 and RGB 122 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 58 151 shade: RGB 191 58 152, RGB 191 58 116, RGB 191 58 80 and RGB 191 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 58 151 shade: RGB 191 58 152, RGB 191 58 187, RGB 158 58 191, RGB 123 58 191 and RGB 87 58 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 58 151 shade matches the following richer shades: RGB 191 58 152, RGB 211 38 160 and RGB 231 18 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 58 151 shade: RGB 191 58 152, RGB 170 78 143, RGB 150 99 135, RGB 130 119 127 and RGB 110 139 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 58 151 shade: RGB 158 58 191, RGB 191 58 188, RGB 191 58 153, RGB 191 58 118 and RGB 191 58 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 58 151 shade: RGB 128 39 101, RGB 159 49 126, RGB 191 58 152, RGB 203 87 169 and RGB 213 119 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 58 151 shade: RGB 190 58 151, RGB 191 122 58 and RGB 58 191 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 58 151 shade: RGB 190 58 151, RGB 153 191 58 and RGB 58 153 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 58 151 shade: RGB 190 58 151, RGB 191 122 58, RGB 58 191 96 and RGB 58 127 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 58 151 shade: RGB 190 58 151, RGB 191 162 58, RGB 58 191 96 and RGB 58 87 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 21 / 25

HEX #BE3A97

RGB 190 58 151

HSL 317.73, 0.53%, 0.49%

LAB 47.25, 61.4, -22.4

 

Complementary color

CMYK 67 / 0 / 47 / 23

HEX #41C568

RGB 65 197 104

HSL 137.73, 0.53%, 0.51%

LAB 70.91, -55.77, 36.31

 

CMYK 0 / 70 / 25 / 24

HEX #C33A92

RGB 195 58 146

HSL 321.46, 0.54%, 0.5%

LAB 47.88, 62.04, -18.35

 

CMYK 0 / 64 / 22 / 17

HEX #D44CA5

RGB 212 76 165

HSL 320.74, 0.61%, 0.56%

LAB 53.9, 62.22, -20.16

 

CMYK 0 / 59 / 20 / 10

HEX #E55EB8

RGB 229 94 184

HSL 320, 0.72%, 0.63%

LAB 60, 62.01, -21.61

 

CMYK 0 / 54 / 17 / 4

HEX #F670CB

RGB 246 112 203

HSL 319.25, 0.88%, 0.7%

LAB 66.13, 61.58, -22.79

 

CMYK 0 / 49 / 13 / 0

HEX #FF82DE

RGB 255 130 222

HSL 315.84, 1%, 0.75%

LAB 71.21, 58.66, -25.49

 

CMYK 0 / 69 / 21 / 25

HEX #BE3A97

RGB 190 58 151

HSL 317.73, 0.53%, 0.49%

LAB 47.25, 61.4, -22.4

 

CMYK 0 / 77 / 24 / 32

HEX #AD2884

RGB 173 40 132

HSL 318.5, 0.62%, 0.42%

LAB 41.32, 60.64, -20.26

 

CMYK 0 / 86 / 28 / 39

HEX #9C1671

RGB 156 22 113

HSL 319.25, 0.75%, 0.35%

LAB 35.66, 58.91, -17.41

 

CMYK 0 / 97 / 32 / 45

HEX #8B045E

RGB 139 4 94

HSL 320, 0.94%, 0.28%

LAB 30.36, 55.86, -13.64

 

CMYK 0 / 100 / 39 / 52

HEX #7A004B

RGB 122 0 75

HSL 323.11, 1%, 0.24%

LAB 25.7, 50.63, -8.46

 

CMYK 0 / 70 / 20 / 25

HEX #BF3A98

RGB 191 58 152

HSL 317.59, 0.53%, 0.49%

LAB 47.46, 61.8, -22.67

 

CMYK 0 / 70 / 39 / 25

HEX #BF3A74

RGB 191 58 116

HSL 333.83, 0.53%, 0.49%

LAB 46.13, 57.41, -2.87

 

CMYK 0 / 70 / 58 / 25

HEX #BF3A50

RGB 191 58 80

HSL 350.08, 0.53%, 0.49%

LAB 45.2, 54.21, 17.95

 

CMYK 0 / 70 / 70 / 25

HEX #BF3A3A

RGB 191 58 58

HSL 0, 0.53%, 0.49%

LAB 44.81, 52.86, 30.78

 

CMYK 0 / 70 / 20 / 25

HEX #BF3A98

RGB 191 58 152

HSL 317.59, 0.53%, 0.49%

LAB 47.46, 61.8, -22.67

 

CMYK 0 / 70 / 2 / 25

HEX #BF3ABB

RGB 191 58 187

HSL 301.8, 0.53%, 0.49%

LAB 49.12, 67.04, -40.72

 

CMYK 17 / 70 / 0 / 25

HEX #9E3ABF

RGB 158 58 191

HSL 285.11, 0.53%, 0.49%

LAB 44.31, 60.46, -51.01

 

CMYK 36 / 70 / 0 / 25

HEX #7B3ABF

RGB 123 58 191

HSL 269.32, 0.53%, 0.49%

LAB 39.58, 53.23, -58.89

 

CMYK 54 / 70 / 0 / 25

HEX #573ABF

RGB 87 58 191

HSL 253.08, 0.53%, 0.49%

LAB 35.62, 46.77, -65.51

 

CMYK 0 / 70 / 20 / 25

HEX #BF3A98

RGB 191 58 152

HSL 317.59, 0.53%, 0.49%

LAB 47.46, 61.8, -22.67

 

CMYK 0 / 82 / 24 / 17

HEX #D326A0

RGB 211 38 160

HSL 317.69, 0.69%, 0.49%

LAB 49.22, 73.48, -24.43

 

CMYK 0 / 92 / 27 / 9

HEX #E712A8

RGB 231 18 168

HSL 317.75, 0.86%, 0.49%

LAB 52.12, 81.83, -24.39

 

CMYK 0 / 70 / 20 / 25

HEX #BF3A98

RGB 191 58 152

HSL 317.59, 0.53%, 0.49%

LAB 47.46, 61.8, -22.67

 

CMYK 0 / 54 / 16 / 33

HEX #AA4E8F

RGB 170 78 143

HSL 317.61, 0.37%, 0.49%

LAB 46.95, 45.85, -18.34

 

CMYK 0 / 34 / 10 / 41

HEX #966387

RGB 150 99 135

HSL 317.65, 0.2%, 0.49%

LAB 48.46, 26.41, -11.51

 

CMYK 0 / 8 / 2 / 49

HEX #82777F

RGB 130 119 127

HSL 316.36, 0.04%, 0.49%

LAB 51.23, 5.76, -2.85

 

CMYK 21 / 0 / 15 / 45

HEX #6E8B76

RGB 110 139 118

HSL 136.55, 0.12%, 0.49%

LAB 55.16, -14.73, 7.88

 

CMYK 17 / 70 / 0 / 25

HEX #9E3ABF

RGB 158 58 191

HSL 285.11, 0.53%, 0.49%

LAB 44.31, 60.46, -51.01

 

CMYK 0 / 70 / 2 / 25

HEX #BF3ABC

RGB 191 58 188

HSL 301.35, 0.53%, 0.49%

LAB 49.17, 67.2, -41.22

 

CMYK 0 / 70 / 20 / 25

HEX #BF3A99

RGB 191 58 153

HSL 317.14, 0.53%, 0.49%

LAB 47.5, 61.93, -23.2

 

CMYK 0 / 70 / 38 / 25

HEX #BF3A76

RGB 191 58 118

HSL 332.93, 0.53%, 0.49%

LAB 46.19, 57.62, -4

 

CMYK 0 / 70 / 57 / 25

HEX #BF3A53

RGB 191 58 83

HSL 348.72, 0.53%, 0.49%

LAB 45.26, 54.43, 16.2

 

CMYK 0 / 70 / 21 / 50

HEX #802765

RGB 128 39 101

HSL 318.2, 0.53%, 0.33%

LAB 31.76, 44.8, -16.21

 

CMYK 0 / 69 / 21 / 38

HEX #9F317E

RGB 159 49 126

HSL 318, 0.53%, 0.41%

LAB 39.7, 53.08, -19.26

 

CMYK 0 / 70 / 20 / 25

HEX #BF3A98

RGB 191 58 152

HSL 317.59, 0.53%, 0.49%

LAB 47.46, 61.8, -22.67

 

CMYK 0 / 57 / 17 / 20

HEX #CB57A9

RGB 203 87 169

HSL 317.59, 0.53%, 0.57%

LAB 54.43, 55.5, -21.82

 

CMYK 0 / 44 / 13 / 16

HEX #D577B9

RGB 213 119 185

HSL 317.87, 0.53%, 0.65%

LAB 62.37, 45.4, -18.76

 

CMYK 0 / 69 / 21 / 25

HEX #BE3A97

RGB 190 58 151

HSL 317.73, 0.53%, 0.49%

LAB 47.25, 61.4, -22.4

 

CMYK 0 / 36 / 70 / 25

HEX #BF7A3A

RGB 191 122 58

HSL 28.87, 0.53%, 0.49%

LAB 57.37, 21.18, 45.07

 

CMYK 70 / 0 / 8 / 25

HEX #3ABFAF

RGB 58 191 175

HSL 172.78, 0.53%, 0.49%

LAB 70.36, -39.08, -2.3

 

CMYK 0 / 69 / 21 / 25

HEX #BE3A97

RGB 190 58 151

HSL 317.73, 0.53%, 0.49%

LAB 47.25, 61.4, -22.4

 

CMYK 20 / 0 / 70 / 25

HEX #99BF3A

RGB 153 191 58

HSL 77.14, 0.53%, 0.49%

LAB 72.45, -31.52, 59.79

 

CMYK 70 / 20 / 0 / 25

HEX #3A99BF

RGB 58 153 191

HSL 197.14, 0.53%, 0.49%

LAB 59.38, -15.44, -27.75

 

CMYK 0 / 69 / 21 / 25

HEX #BE3A97

RGB 190 58 151

HSL 317.73, 0.53%, 0.49%

LAB 47.25, 61.4, -22.4

 

CMYK 0 / 36 / 70 / 25

HEX #BF7A3A

RGB 191 122 58

HSL 28.87, 0.53%, 0.49%

LAB 57.37, 21.18, 45.07

 

CMYK 70 / 0 / 50 / 25

HEX #3ABF60

RGB 58 191 96

HSL 137.14, 0.53%, 0.49%

LAB 68.76, -56.08, 37.58

 

CMYK 70 / 34 / 0 / 25

HEX #3A7FBF

RGB 58 127 191

HSL 208.87, 0.53%, 0.49%

LAB 51.66, -0.61, -39.82

 

CMYK 0 / 69 / 21 / 25

HEX #BE3A97

RGB 190 58 151

HSL 317.73, 0.53%, 0.49%

LAB 47.25, 61.4, -22.4

 

CMYK 0 / 15 / 70 / 25

HEX #BFA23A

RGB 191 162 58

HSL 46.92, 0.53%, 0.49%

LAB 67.44, -0.71, 55.68

 

CMYK 70 / 0 / 50 / 25

HEX #3ABF60

RGB 58 191 96

HSL 137.14, 0.53%, 0.49%

LAB 68.76, -56.08, 37.58

 

CMYK 70 / 54 / 0 / 25

HEX #3A57BF

RGB 58 87 191

HSL 226.92, 0.53%, 0.49%

LAB 40.37, 24.53, -57.86

 

Description

Color code: RGB 190 58 151 | qconv.com Color code: RGB 190 58 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 58 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 58 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 21 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 21% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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