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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 46 160 it is the complementary color RGB 65 209 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 46 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 46 160 shade: RGB 195 46 155, RGB 212 64 174, RGB 229 82 193, RGB 246 100 212 and RGB 255 118 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 46 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 46 160 shade: RGB 190 46 160, RGB 173 28 141, RGB 156 10 122, RGB 139 0 103 and RGB 122 0 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 46 160 shade: RGB 188 45 159, RGB 188 45 120, RGB 188 45 81 and RGB 188 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 46 160 shade: RGB 188 45 159, RGB 180 45 188, RGB 141 45 188, RGB 102 45 188 and RGB 64 45 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 46 160 shade matches the following richer shades: RGB 188 45 159, RGB 207 26 170 and RGB 226 7 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 46 160 shade: RGB 188 45 159, RGB 169 64 147, RGB 150 83 136, RGB 131 102 125 and RGB 112 121 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 46 160 shade: RGB 141 45 188, RGB 179 45 188, RGB 188 45 160, RGB 188 45 122 and RGB 188 45 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 46 160 shade: RGB 122 29 103, RGB 155 37 131, RGB 188 45 159, RGB 209 66 179 and RGB 217 99 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 46 160 shade: RGB 190 46 160, RGB 188 102 45 and RGB 45 188 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 46 160 shade: RGB 190 46 160, RGB 160 188 45 and RGB 45 160 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 46 160 shade: RGB 190 46 160, RGB 188 102 45, RGB 45 188 74 and RGB 45 131 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 46 160 shade: RGB 190 46 160, RGB 188 145 45, RGB 45 188 74 and RGB 45 88 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 16 / 25

HEX #BE2EA0

RGB 190 46 160

HSL 312.5, 0.61%, 0.46%

LAB 46.23, 66.65, -29.36

 

Complementary color

CMYK 69 / 0 / 55 / 18

HEX #41D15F

RGB 65 209 95

HSL 132.5, 0.61%, 0.54%

LAB 74.54, -61.39, 45.17

 

CMYK 0 / 76 / 21 / 24

HEX #C32E9B

RGB 195 46 155

HSL 316.11, 0.62%, 0.47%

LAB 46.87, 67.14, -25.31

 

CMYK 0 / 70 / 18 / 17

HEX #D440AE

RGB 212 64 174

HSL 315.41, 0.63%, 0.54%

LAB 52.64, 67.98, -27.37

 

CMYK 0 / 64 / 16 / 10

HEX #E552C1

RGB 229 82 193

HSL 314.69, 0.74%, 0.61%

LAB 58.55, 68.24, -29

 

CMYK 0 / 59 / 14 / 4

HEX #F664D4

RGB 246 100 212

HSL 313.97, 0.89%, 0.68%

LAB 64.53, 68.13, -30.31

 

CMYK 0 / 54 / 9 / 0

HEX #FF76E7

RGB 255 118 231

HSL 310.51, 1%, 0.73%

LAB 69.46, 65.6, -33.16

 

CMYK 0 / 76 / 16 / 25

HEX #BE2EA0

RGB 190 46 160

HSL 312.5, 0.61%, 0.46%

LAB 46.23, 66.65, -29.36

 

CMYK 0 / 84 / 18 / 32

HEX #AD1C8D

RGB 173 28 141

HSL 313.24, 0.72%, 0.39%

LAB 40.63, 64.99, -26.85

 

CMYK 0 / 94 / 22 / 39

HEX #9C0A7A

RGB 156 10 122

HSL 313.97, 0.88%, 0.33%

LAB 35.38, 62.06, -23.52

 

CMYK 0 / 100 / 26 / 45

HEX #8B0067

RGB 139 0 103

HSL 315.54, 1%, 0.27%

LAB 30.56, 57.54, -19.17

 

CMYK 0 / 100 / 31 / 52

HEX #7A0054

RGB 122 0 84

HSL 318.69, 1%, 0.24%

LAB 26.09, 51.63, -13.91

 

CMYK 0 / 76 / 15 / 26

HEX #BC2D9F

RGB 188 45 159

HSL 312.17, 0.61%, 0.46%

LAB 45.73, 66.35, -29.57

 

CMYK 0 / 76 / 36 / 26

HEX #BC2D78

RGB 188 45 120

HSL 328.53, 0.61%, 0.46%

LAB 44.12, 61.49, -8.37

 

CMYK 0 / 76 / 57 / 26

HEX #BC2D51

RGB 188 45 81

HSL 344.9, 0.61%, 0.46%

LAB 43.01, 57.97, 14.28

 

CMYK 0 / 76 / 76 / 26

HEX #BC2D2D

RGB 188 45 45

HSL 0, 0.61%, 0.46%

LAB 42.4, 55.99, 35.45

 

CMYK 0 / 76 / 15 / 26

HEX #BC2D9F

RGB 188 45 159

HSL 312.17, 0.61%, 0.46%

LAB 45.73, 66.35, -29.57

 

CMYK 4 / 76 / 0 / 26

HEX #B42DBC

RGB 180 45 188

HSL 296.64, 0.61%, 0.46%

LAB 45.92, 69.07, -46.5

 

CMYK 25 / 76 / 0 / 26

HEX #8D2DBC

RGB 141 45 188

HSL 280.28, 0.61%, 0.46%

LAB 39.87, 61.47, -56.55

 

CMYK 46 / 76 / 0 / 26

HEX #662DBC

RGB 102 45 188

HSL 263.92, 0.61%, 0.46%

LAB 34.67, 54.75, -65.25

 

CMYK 66 / 76 / 0 / 26

HEX #402DBC

RGB 64 45 188

HSL 247.97, 0.61%, 0.46%

LAB 30.87, 49.7, -71.62

 

CMYK 0 / 76 / 15 / 26

HEX #BC2D9F

RGB 188 45 159

HSL 312.17, 0.61%, 0.46%

LAB 45.73, 66.35, -29.57

 

CMYK 0 / 87 / 18 / 19

HEX #CF1AAA

RGB 207 26 170

HSL 312.27, 0.78%, 0.46%

LAB 48.14, 76.21, -32.09

 

CMYK 0 / 97 / 20 / 11

HEX #E207B5

RGB 226 7 181

HSL 312.33, 0.94%, 0.46%

LAB 51.45, 83.29, -33.14

 

CMYK 0 / 76 / 15 / 26

HEX #BC2D9F

RGB 188 45 159

HSL 312.17, 0.61%, 0.46%

LAB 45.73, 66.35, -29.57

 

CMYK 0 / 62 / 13 / 34

HEX #A94093

RGB 169 64 147

HSL 312.57, 0.45%, 0.46%

LAB 44.53, 52.74, -24.48

 

CMYK 0 / 45 / 9 / 41

HEX #965388

RGB 150 83 136

HSL 312.54, 0.29%, 0.46%

LAB 44.87, 35.6, -17.56

 

CMYK 0 / 22 / 5 / 49

HEX #83667D

RGB 131 102 125

HSL 312.41, 0.12%, 0.46%

LAB 46.72, 15.78, -8.35

 

CMYK 7 / 0 / 6 / 53

HEX #707972

RGB 112 121 114

HSL 133.33, 0.04%, 0.46%

LAB 49.9, -4.81, 2.68

 

CMYK 25 / 76 / 0 / 26

HEX #8D2DBC

RGB 141 45 188

HSL 280.28, 0.61%, 0.46%

LAB 39.87, 61.47, -56.55

 

CMYK 5 / 76 / 0 / 26

HEX #B32DBC

RGB 179 45 188

HSL 296.22, 0.61%, 0.46%

LAB 45.76, 68.87, -46.76

 

CMYK 0 / 76 / 15 / 26

HEX #BC2DA0

RGB 188 45 160

HSL 311.75, 0.61%, 0.46%

LAB 45.78, 66.49, -30.09

 

CMYK 0 / 76 / 35 / 26

HEX #BC2D7A

RGB 188 45 122

HSL 327.69, 0.61%, 0.46%

LAB 44.19, 61.71, -9.49

 

CMYK 0 / 76 / 56 / 26

HEX #BC2D53

RGB 188 45 83

HSL 344.06, 0.61%, 0.46%

LAB 43.05, 58.12, 13.09

 

CMYK 0 / 76 / 16 / 52

HEX #7A1D67

RGB 122 29 103

HSL 312.26, 0.62%, 0.3%

LAB 29.4, 47.33, -21.24

 

CMYK 0 / 76 / 15 / 39

HEX #9B2583

RGB 155 37 131

HSL 312.2, 0.61%, 0.38%

LAB 37.72, 57.05, -25.5

 

CMYK 0 / 76 / 15 / 26

HEX #BC2D9F

RGB 188 45 159

HSL 312.17, 0.61%, 0.46%

LAB 45.73, 66.35, -29.57

 

CMYK 0 / 68 / 14 / 18

HEX #D142B3

RGB 209 66 179

HSL 312.59, 0.61%, 0.54%

LAB 52.63, 67.23, -30.35

 

CMYK 0 / 54 / 12 / 15

HEX #D963C0

RGB 217 99 192

HSL 312.71, 0.61%, 0.62%

LAB 59.42, 57.54, -27.23

 

CMYK 0 / 76 / 16 / 25

HEX #BE2EA0

RGB 190 46 160

HSL 312.5, 0.61%, 0.46%

LAB 46.23, 66.65, -29.36

 

CMYK 0 / 46 / 76 / 26

HEX #BC662D

RGB 188 102 45

HSL 23.92, 0.61%, 0.46%

LAB 52.27, 30.17, 45.85

 

CMYK 76 / 0 / 15 / 26

HEX #2DBCA0

RGB 45 188 160

HSL 168.25, 0.61%, 0.46%

LAB 68.8, -43.4, 3.61

 

CMYK 0 / 76 / 16 / 25

HEX #BE2EA0

RGB 190 46 160

HSL 312.5, 0.61%, 0.46%

LAB 46.23, 66.65, -29.36

 

CMYK 15 / 0 / 76 / 26

HEX #A0BC2D

RGB 160 188 45

HSL 71.75, 0.61%, 0.46%

LAB 71.98, -27.97, 64.03

 

CMYK 76 / 15 / 0 / 26

HEX #2DA0BC

RGB 45 160 188

HSL 191.75, 0.61%, 0.46%

LAB 61.07, -21.85, -23.49

 

CMYK 0 / 76 / 16 / 25

HEX #BE2EA0

RGB 190 46 160

HSL 312.5, 0.61%, 0.46%

LAB 46.23, 66.65, -29.36

 

CMYK 0 / 46 / 76 / 26

HEX #BC662D

RGB 188 102 45

HSL 23.92, 0.61%, 0.46%

LAB 52.27, 30.17, 45.85

 

CMYK 76 / 0 / 61 / 26

HEX #2DBC4A

RGB 45 188 74

HSL 132.17, 0.61%, 0.46%

LAB 67.29, -60.13, 46.26

 

CMYK 76 / 30 / 0 / 26

HEX #2D83BC

RGB 45 131 188

HSL 203.92, 0.61%, 0.46%

LAB 52.31, -5.85, -37.09

 

CMYK 0 / 76 / 16 / 25

HEX #BE2EA0

RGB 190 46 160

HSL 312.5, 0.61%, 0.46%

LAB 46.23, 66.65, -29.36

 

CMYK 0 / 23 / 76 / 26

HEX #BC912D

RGB 188 145 45

HSL 41.96, 0.61%, 0.46%

LAB 62.62, 6.55, 56.04

 

CMYK 76 / 0 / 61 / 26

HEX #2DBC4A

RGB 45 188 74

HSL 132.17, 0.61%, 0.46%

LAB 67.29, -60.13, 46.26

 

CMYK 76 / 53 / 0 / 26

HEX #2D58BC

RGB 45 88 188

HSL 221.96, 0.61%, 0.46%

LAB 39.86, 21.05, -56.96

 

Description

Color code: RGB 190 46 160 | qconv.com Color code: RGB 190 46 160 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 46 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 46 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 16 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 16% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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