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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 240 230 it is the complementary color RGB 65 15 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 240 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 240 230 shade: RGB 195 240 225, RGB 212 255 244, RGB 229 255 255 and RGB 246 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 240 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 240 230 shade: RGB 190 240 230, RGB 173 222 211, RGB 156 204 192, RGB 139 186 173 and RGB 122 168 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 240 230 shade: RGB 188 239 229, RGB 188 239 215, RGB 188 239 201, RGB 188 239 188 and RGB 202 239 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 240 230 shade: RGB 188 239 229, RGB 188 236 239, RGB 188 222 239, RGB 188 208 239 and RGB 188 194 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 240 230 shade matches the following richer shades: RGB 188 239 229, RGB 181 246 233 and RGB 175 253 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 240 230 shade: RGB 188 239 229, RGB 195 233 225, RGB 201 226 221, RGB 208 220 217 and RGB 214 213 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 240 230 shade: RGB 188 239 202, RGB 188 239 215, RGB 188 239 229, RGB 188 236 239 and RGB 188 222 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 240 230 shade: RGB 121 224 203, RGB 154 232 216, RGB 188 239 229 and RGB 222 247 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 240 230 shade: RGB 190 240 230, RGB 188 188 239 and RGB 239 209 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 240 230 shade: RGB 190 240 230, RGB 229 188 239 and RGB 239 229 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 240 230 shade: RGB 190 240 230, RGB 188 188 239, RGB 239 188 198 and RGB 239 239 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 240 230 shade: RGB 190 240 230, RGB 203 188 239, RGB 239 188 198 and RGB 224 239 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 4 / 6

HEX #BEF0E6

RGB 190 240 230

HSL 168, 0.63%, 0.84%

LAB 91.23, -17.9, -0.43

 

Complementary color

CMYK 0 / 77 / 62 / 75

HEX #410F19

RGB 65 15 25

HSL 348, 0.63%, 0.16%

LAB 12.83, 24.94, 6.7

 

CMYK 19 / 0 / 6 / 6

HEX #C3F0E1

RGB 195 240 225

HSL 160, 0.6%, 0.85%

LAB 91.4, -17.36, 2.46

 

CMYK 17 / 0 / 4 / 0

HEX #D4FFF4

RGB 212 255 244

HSL 164.65, 1%, 0.92%

LAB 96.84, -15.79, 0.68

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 21 / 0 / 4 / 6

HEX #BEF0E6

RGB 190 240 230

HSL 168, 0.63%, 0.84%

LAB 91.23, -17.9, -0.43

 

CMYK 22 / 0 / 5 / 13

HEX #ADDED3

RGB 173 222 211

HSL 166.53, 0.43%, 0.77%

LAB 84.91, -18.01, 0.2

 

CMYK 24 / 0 / 6 / 20

HEX #9CCCC0

RGB 156 204 192

HSL 165, 0.32%, 0.71%

LAB 78.5, -18.14, 0.85

 

CMYK 25 / 0 / 7 / 27

HEX #8BBAAD

RGB 139 186 173

HSL 163.4, 0.25%, 0.64%

LAB 71.98, -18.29, 1.54

 

CMYK 27 / 0 / 8 / 34

HEX #7AA89A

RGB 122 168 154

HSL 161.74, 0.21%, 0.57%

LAB 65.34, -18.45, 2.25

 

CMYK 21 / 0 / 4 / 6

HEX #BCEFE5

RGB 188 239 229

HSL 168.24, 0.61%, 0.84%

LAB 90.82, -18.22, -0.52

 

CMYK 21 / 0 / 10 / 6

HEX #BCEFD7

RGB 188 239 215

HSL 151.76, 0.61%, 0.84%

LAB 90.47, -20.99, 6.28

 

CMYK 21 / 0 / 16 / 6

HEX #BCEFC9

RGB 188 239 201

HSL 135.29, 0.61%, 0.84%

LAB 90.16, -23.59, 13.11

 

CMYK 21 / 0 / 21 / 6

HEX #BCEFBC

RGB 188 239 188

HSL 120, 0.61%, 0.84%

LAB 89.88, -25.86, 19.45

 

CMYK 15 / 0 / 21 / 6

HEX #CAEFBC

RGB 202 239 188

HSL 103.53, 0.61%, 0.84%

LAB 90.74, -21.17, 20.78

 

CMYK 21 / 0 / 4 / 6

HEX #BCEFE5

RGB 188 239 229

HSL 168.24, 0.61%, 0.84%

LAB 90.82, -18.22, -0.52

 

CMYK 21 / 1 / 0 / 6

HEX #BCECEF

RGB 188 236 239

HSL 183.53, 0.61%, 0.84%

LAB 90.28, -14.65, -6.52

 

CMYK 21 / 7 / 0 / 6

HEX #BCDEEF

RGB 188 222 239

HSL 200, 0.61%, 0.84%

LAB 86.59, -7.53, -12.01

 

CMYK 21 / 13 / 0 / 6

HEX #BCD0EF

RGB 188 208 239

HSL 216.47, 0.61%, 0.84%

LAB 82.93, -0.21, -17.49

 

CMYK 21 / 19 / 0 / 6

HEX #BCC2EF

RGB 188 194 239

HSL 232.94, 0.61%, 0.84%

LAB 79.33, 7.28, -22.94

 

CMYK 21 / 0 / 4 / 6

HEX #BCEFE5

RGB 188 239 229

HSL 168.24, 0.61%, 0.84%

LAB 90.82, -18.22, -0.52

 

CMYK 26 / 0 / 5 / 4

HEX #B5F6E9

RGB 181 246 233

HSL 168, 0.78%, 0.84%

LAB 92.41, -22.9, -0.32

 

CMYK 31 / 0 / 6 / 1

HEX #AFFDED

RGB 175 253 237

HSL 167.69, 0.95%, 0.84%

LAB 94.09, -27.13, 0.03

 

CMYK 21 / 0 / 4 / 6

HEX #BCEFE5

RGB 188 239 229

HSL 168.24, 0.61%, 0.84%

LAB 90.82, -18.22, -0.52

 

CMYK 16 / 0 / 3 / 9

HEX #C3E9E1

RGB 195 233 225

HSL 167.37, 0.46%, 0.84%

LAB 89.54, -13.87, -0.24

 

CMYK 11 / 0 / 2 / 11

HEX #C9E2DD

RGB 201 226 221

HSL 168, 0.3%, 0.84%

LAB 87.98, -9.2, -0.37

 

CMYK 5 / 0 / 1 / 14

HEX #D0DCD9

RGB 208 220 217

HSL 165, 0.15%, 0.84%

LAB 86.8, -4.58, 0.07

 

CMYK 0 / 0 / 0 / 16

HEX #D6D5D5

RGB 214 213 213

HSL 0, 0.01%, 0.84%

LAB 85.35, 0.35, 0.11

 

CMYK 21 / 0 / 15 / 6

HEX #BCEFCA

RGB 188 239 202

HSL 136.47, 0.61%, 0.84%

LAB 90.18, -23.41, 12.62

 

CMYK 21 / 0 / 10 / 6

HEX #BCEFD7

RGB 188 239 215

HSL 151.76, 0.61%, 0.84%

LAB 90.47, -20.99, 6.28

 

CMYK 21 / 0 / 4 / 6

HEX #BCEFE5

RGB 188 239 229

HSL 168.24, 0.61%, 0.84%

LAB 90.82, -18.22, -0.52

 

CMYK 21 / 1 / 0 / 6

HEX #BCECEF

RGB 188 236 239

HSL 183.53, 0.61%, 0.84%

LAB 90.28, -14.65, -6.52

 

CMYK 21 / 7 / 0 / 6

HEX #BCDEEF

RGB 188 222 239

HSL 200, 0.61%, 0.84%

LAB 86.59, -7.53, -12.01

 

CMYK 46 / 0 / 9 / 12

HEX #79E0CB

RGB 121 224 203

HSL 167.77, 0.62%, 0.68%

LAB 82.75, -35.01, 0.98

 

CMYK 34 / 0 / 7 / 9

HEX #9AE8D8

RGB 154 232 216

HSL 167.69, 0.63%, 0.76%

LAB 86.77, -27.39, 0.16

 

CMYK 21 / 0 / 4 / 6

HEX #BCEFE5

RGB 188 239 229

HSL 168.24, 0.61%, 0.84%

LAB 90.82, -18.22, -0.52

 

CMYK 10 / 0 / 2 / 3

HEX #DEF7F2

RGB 222 247 242

HSL 168, 0.61%, 0.92%

LAB 95.36, -9.05, -0.38

 

CMYK 21 / 0 / 4 / 6

HEX #BEF0E6

RGB 190 240 230

HSL 168, 0.63%, 0.84%

LAB 91.23, -17.9, -0.43

 

CMYK 21 / 21 / 0 / 6

HEX #BCBCEF

RGB 188 188 239

HSL 240, 0.61%, 0.84%

LAB 77.81, 10.53, -25.26

 

CMYK 0 / 13 / 21 / 6

HEX #EFD1BC

RGB 239 209 188

HSL 24.71, 0.61%, 0.84%

LAB 85.8, 7.25, 14.26

 

CMYK 21 / 0 / 4 / 6

HEX #BEF0E6

RGB 190 240 230

HSL 168, 0.63%, 0.84%

LAB 91.23, -17.9, -0.43

 

CMYK 4 / 21 / 0 / 6

HEX #E5BCEF

RGB 229 188 239

HSL 288.24, 0.61%, 0.84%

LAB 81.21, 23.47, -19.78

 

CMYK 0 / 4 / 21 / 6

HEX #EFE5BC

RGB 239 229 188

HSL 48.24, 0.61%, 0.84%

LAB 90.79, -3.05, 21.25

 

CMYK 21 / 0 / 4 / 6

HEX #BEF0E6

RGB 190 240 230

HSL 168, 0.63%, 0.84%

LAB 91.23, -17.9, -0.43

 

CMYK 21 / 21 / 0 / 6

HEX #BCBCEF

RGB 188 188 239

HSL 240, 0.61%, 0.84%

LAB 77.81, 10.53, -25.26

 

CMYK 0 / 21 / 17 / 6

HEX #EFBCC6

RGB 239 188 198

HSL 348.24, 0.61%, 0.84%

LAB 80.96, 19.81, 1.99

 

CMYK 0 / 0 / 21 / 6

HEX #EFEFBC

RGB 239 239 188

HSL 60, 0.61%, 0.84%

LAB 93.33, -8.09, 24.75

 

CMYK 21 / 0 / 4 / 6

HEX #BEF0E6

RGB 190 240 230

HSL 168, 0.63%, 0.84%

LAB 91.23, -17.9, -0.43

 

CMYK 15 / 21 / 0 / 6

HEX #CBBCEF

RGB 203 188 239

HSL 257.65, 0.61%, 0.84%

LAB 78.98, 15.17, -23.37

 

CMYK 0 / 21 / 17 / 6

HEX #EFBCC6

RGB 239 188 198

HSL 348.24, 0.61%, 0.84%

LAB 80.96, 19.81, 1.99

 

CMYK 6 / 0 / 21 / 6

HEX #E0EFBC

RGB 224 239 188

HSL 77.65, 0.61%, 0.84%

LAB 92.23, -13.49, 23.06

 

Description

Color code: RGB 190 240 230 | qconv.com Color code: RGB 190 240 230 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 240 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 240 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 4 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 4% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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