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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 16 169 it is the complementary color RGB 65 239 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 16 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 16 169 shade: RGB 195 16 164, RGB 212 34 183, RGB 229 52 202, RGB 246 70 221 and RGB 255 88 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 16 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 16 169 shade: RGB 190 16 169, RGB 173 0 150, RGB 156 0 131, RGB 139 0 112 and RGB 122 0 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 16 169 shade: RGB 187 16 167, RGB 187 16 120, RGB 187 16 74, RGB 187 16 28 and RGB 187 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 16 169 shade: RGB 187 16 167, RGB 162 16 187, RGB 115 16 187, RGB 69 16 187 and RGB 23 16 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 16 169 shade matches the following richer shades: RGB 187 16 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 16 169 shade: RGB 187 16 167, RGB 171 32 154, RGB 154 49 141, RGB 138 65 129 and RGB 121 82 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 16 169 shade: RGB 116 16 187, RGB 161 16 187, RGB 187 16 167, RGB 187 16 121 and RGB 187 16 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 16 169 shade: RGB 111 9 99, RGB 149 13 133, RGB 187 16 167, RGB 225 19 200 and RGB 237 49 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 16 169 shade: RGB 190 16 169, RGB 187 70 16 and RGB 16 187 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 16 169 shade: RGB 190 16 169, RGB 167 187 16 and RGB 16 167 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 16 169 shade: RGB 190 16 169, RGB 187 70 16, RGB 16 187 36 and RGB 16 133 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 16 169 shade: RGB 190 16 169, RGB 187 121 16, RGB 16 187 36 and RGB 16 82 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 11 / 25

HEX #BE10A9

RGB 190 16 169

HSL 307.24, 0.84%, 0.4%

LAB 44.49, 74.23, -37.45

 

Complementary color

CMYK 73 / 0 / 64 / 6

HEX #41EF56

RGB 65 239 86

HSL 127.24, 0.84%, 0.6%

LAB 83.72, -72.38, 59.71

 

CMYK 0 / 92 / 16 / 24

HEX #C310A4

RGB 195 16 164

HSL 310.39, 0.85%, 0.41%

LAB 45.16, 74.52, -33.37

 

CMYK 0 / 84 / 14 / 17

HEX #D422B7

RGB 212 34 183

HSL 309.78, 0.72%, 0.48%

LAB 50.17, 77.46, -36.5

 

CMYK 0 / 77 / 12 / 10

HEX #E534CA

RGB 229 52 202

HSL 309.15, 0.77%, 0.55%

LAB 55.46, 79.36, -38.98

 

CMYK 0 / 72 / 10 / 4

HEX #F646DD

RGB 246 70 221

HSL 308.52, 0.91%, 0.62%

LAB 60.95, 80.49, -40.95

 

CMYK 0 / 65 / 6 / 0

HEX #FF58F0

RGB 255 88 240

HSL 305.39, 1%, 0.67%

LAB 65.38, 79.22, -44.5

 

CMYK 0 / 92 / 11 / 25

HEX #BE10A9

RGB 190 16 169

HSL 307.24, 0.84%, 0.4%

LAB 44.49, 74.23, -37.45

 

CMYK 0 / 100 / 13 / 32

HEX #AD0096

RGB 173 0 150

HSL 307.98, 1%, 0.34%

LAB 39.73, 70.2, -33.77

 

CMYK 0 / 100 / 16 / 39

HEX #9C0083

RGB 156 0 131

HSL 309.62, 1%, 0.31%

LAB 35.41, 64.49, -29.1

 

CMYK 0 / 100 / 19 / 45

HEX #8B0070

RGB 139 0 112

HSL 311.65, 1%, 0.27%

LAB 31.02, 58.68, -24.25

 

CMYK 0 / 100 / 24 / 52

HEX #7A005D

RGB 122 0 93

HSL 314.26, 1%, 0.24%

LAB 26.53, 52.75, -19.2

 

CMYK 0 / 91 / 11 / 27

HEX #BB10A7

RGB 187 16 167

HSL 307.02, 0.84%, 0.4%

LAB 43.84, 73.4, -37.34

 

CMYK 0 / 91 / 36 / 27

HEX #BB1078

RGB 187 16 120

HSL 323.51, 0.84%, 0.4%

LAB 41.68, 67.73, -12.07

 

CMYK 0 / 91 / 60 / 27

HEX #BB104A

RGB 187 16 74

HSL 339.65, 0.84%, 0.4%

LAB 40.3, 63.95, 14.97

 

CMYK 0 / 91 / 85 / 27

HEX #BB101C

RGB 187 16 28

HSL 355.79, 0.84%, 0.4%

LAB 39.61, 62.02, 42.04

 

CMYK 0 / 91 / 91 / 27

HEX #BB1010

RGB 187 16 16

HSL 0, 0.84%, 0.4%

LAB 39.53, 61.8, 47.66

 

CMYK 0 / 91 / 11 / 27

HEX #BB10A7

RGB 187 16 167

HSL 307.02, 0.84%, 0.4%

LAB 43.84, 73.4, -37.34

 

CMYK 13 / 91 / 0 / 27

HEX #A210BB

RGB 162 16 187

HSL 291.23, 0.84%, 0.4%

LAB 40.64, 72.14, -54.56

 

CMYK 39 / 91 / 0 / 27

HEX #7310BB

RGB 115 16 187

HSL 274.74, 0.84%, 0.4%

LAB 33.14, 65.54, -67.09

 

CMYK 63 / 91 / 0 / 27

HEX #4510BB

RGB 69 16 187

HSL 258.6, 0.84%, 0.4%

LAB 27.36, 61.17, -76.83

 

CMYK 88 / 91 / 0 / 27

HEX #1710BB

RGB 23 16 187

HSL 242.46, 0.84%, 0.4%

LAB 24.13, 59.13, -82.29

 

CMYK 0 / 91 / 11 / 27

HEX #BB10A7

RGB 187 16 167

HSL 307.02, 0.84%, 0.4%

LAB 43.84, 73.4, -37.34

 

CMYK 0 / 91 / 11 / 27

HEX #BB10A7

RGB 187 16 167

HSL 307.02, 0.84%, 0.4%

LAB 43.84, 73.4, -37.34

 

CMYK 0 / 81 / 10 / 33

HEX #AB209A

RGB 171 32 154

HSL 307.34, 0.68%, 0.4%

LAB 41.25, 65.44, -33.8

 

CMYK 0 / 68 / 8 / 40

HEX #9A318D

RGB 154 49 141

HSL 307.43, 0.52%, 0.4%

LAB 39.56, 54.04, -28.77

 

CMYK 0 / 53 / 7 / 46

HEX #8A4181

RGB 138 65 129

HSL 307.4, 0.36%, 0.4%

LAB 39.19, 40.1, -22.18

 

CMYK 0 / 32 / 4 / 53

HEX #795274

RGB 121 82 116

HSL 307.69, 0.19%, 0.4%

LAB 40.18, 22.24, -12.85

 

CMYK 38 / 91 / 0 / 27

HEX #7410BB

RGB 116 16 187

HSL 275.09, 0.84%, 0.4%

LAB 33.29, 65.66, -66.84

 

CMYK 14 / 91 / 0 / 27

HEX #A110BB

RGB 161 16 187

HSL 290.88, 0.84%, 0.4%

LAB 40.47, 71.99, -54.84

 

CMYK 0 / 91 / 11 / 27

HEX #BB10A7

RGB 187 16 167

HSL 307.02, 0.84%, 0.4%

LAB 43.84, 73.4, -37.34

 

CMYK 0 / 91 / 35 / 27

HEX #BB1079

RGB 187 16 121

HSL 323.16, 0.84%, 0.4%

LAB 41.71, 67.83, -12.64

 

CMYK 0 / 91 / 59 / 27

HEX #BB104C

RGB 187 16 76

HSL 338.95, 0.84%, 0.4%

LAB 40.34, 64.07, 13.76

 

CMYK 0 / 92 / 11 / 56

HEX #6F0963

RGB 111 9 99

HSL 307.06, 0.85%, 0.24%

LAB 25.19, 49.57, -25.41

 

CMYK 0 / 91 / 11 / 42

HEX #950D85

RGB 149 13 133

HSL 307.06, 0.84%, 0.32%

LAB 34.74, 61.73, -31.49

 

CMYK 0 / 91 / 11 / 27

HEX #BB10A7

RGB 187 16 167

HSL 307.02, 0.84%, 0.4%

LAB 43.84, 73.4, -37.34

 

CMYK 0 / 92 / 11 / 12

HEX #E113C8

RGB 225 19 200

HSL 307.28, 0.84%, 0.48%

LAB 52.56, 84.45, -42.45

 

CMYK 0 / 79 / 10 / 7

HEX #ED31D6

RGB 237 49 214

HSL 307.34, 0.84%, 0.56%

LAB 57.13, 83.4, -43.1

 

CMYK 0 / 92 / 11 / 25

HEX #BE10A9

RGB 190 16 169

HSL 307.24, 0.84%, 0.4%

LAB 44.49, 74.23, -37.45

 

CMYK 0 / 63 / 91 / 27

HEX #BB4610

RGB 187 70 16

HSL 18.95, 0.84%, 0.4%

LAB 45.61, 45.01, 51.9

 

CMYK 91 / 0 / 26 / 27

HEX #10BB8B

RGB 16 187 139

HSL 163.16, 0.84%, 0.4%

LAB 67.66, -50.65, 13.42

 

CMYK 0 / 92 / 11 / 25

HEX #BE10A9

RGB 190 16 169

HSL 307.24, 0.84%, 0.4%

LAB 44.49, 74.23, -37.45

 

CMYK 11 / 0 / 91 / 27

HEX #A7BB10

RGB 167 187 16

HSL 67.02, 0.84%, 0.4%

LAB 72.09, -25.46, 71.15

 

CMYK 91 / 11 / 0 / 27

HEX #10A7BB

RGB 16 167 187

HSL 187.02, 0.84%, 0.4%

LAB 62.79, -28.02, -20.34

 

CMYK 0 / 92 / 11 / 25

HEX #BE10A9

RGB 190 16 169

HSL 307.24, 0.84%, 0.4%

LAB 44.49, 74.23, -37.45

 

CMYK 0 / 63 / 91 / 27

HEX #BB4610

RGB 187 70 16

HSL 18.95, 0.84%, 0.4%

LAB 45.61, 45.01, 51.9

 

CMYK 91 / 0 / 81 / 27

HEX #10BB24

RGB 16 187 36

HSL 127.02, 0.84%, 0.4%

LAB 66.35, -66.23, 59.6

 

CMYK 91 / 29 / 0 / 27

HEX #1085BB

RGB 16 133 187

HSL 198.95, 0.84%, 0.4%

LAB 52.37, -9.86, -36.46

 

CMYK 0 / 92 / 11 / 25

HEX #BE10A9

RGB 190 16 169

HSL 307.24, 0.84%, 0.4%

LAB 44.49, 74.23, -37.45

 

CMYK 0 / 35 / 91 / 27

HEX #BB7910

RGB 187 121 16

HSL 36.84, 0.84%, 0.4%

LAB 56.36, 18.48, 59.81

 

CMYK 91 / 0 / 81 / 27

HEX #10BB24

RGB 16 187 36

HSL 127.02, 0.84%, 0.4%

LAB 66.35, -66.23, 59.6

 

CMYK 91 / 56 / 0 / 27

HEX #1052BB

RGB 16 82 187

HSL 216.84, 0.84%, 0.4%

LAB 37.36, 22.23, -60.48

 

Description

Color code: RGB 190 16 169 | qconv.com Color code: RGB 190 16 169 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 16 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 16 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 11 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 11% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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