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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 168 209 it is the complementary color RGB 65 87 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 168 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 168 209 shade: RGB 195 168 204, RGB 212 186 223, RGB 229 204 242, RGB 246 222 255 and RGB 255 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 168 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 168 209 shade: RGB 190 168 209, RGB 173 150 190, RGB 156 132 171, RGB 139 114 152 and RGB 122 96 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 168 209 shade: RGB 190 168 209, RGB 201 168 209, RGB 209 168 206, RGB 209 168 195 and RGB 209 168 183

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 168 209 shade: RGB 190 168 209, RGB 179 168 209 and RGB 168 168 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 168 209 shade matches the following richer shades: RGB 190 168 209, RGB 190 157 219, RGB 191 146 230, RGB 192 135 241 and RGB 193 125 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 168 209 shade: RGB 190 168 209, RGB 189 178 198, RGB 188 189 187, RGB 187 200 177 and RGB 187 211 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 168 209 shade: RGB 168 168 209, RGB 179 168 209, RGB 190 168 209, RGB 201 168 209 and RGB 209 168 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 168 209 shade: RGB 149 114 180, RGB 170 141 195, RGB 190 168 209, RGB 210 195 223 and RGB 230 222 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 168 209 shade: RGB 190 168 209, RGB 209 168 179 and RGB 168 209 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 168 209 shade: RGB 190 168 209, RGB 209 190 168 and RGB 168 209 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 168 209 shade: RGB 190 168 209, RGB 209 168 179, RGB 187 209 168 and RGB 168 209 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 168 209 shade: RGB 190 168 209, RGB 209 169 168, RGB 187 209 168 and RGB 168 207 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

Complementary color

CMYK 25 / 0 / 47 / 66

HEX #41572E

RGB 65 87 46

HSL 92.2, 0.31%, 0.26%

LAB 34.27, -16.69, 21.11

 

CMYK 4 / 18 / 0 / 20

HEX #C3A8CC

RGB 195 168 204

HSL 285, 0.26%, 0.73%

LAB 72.21, 16.33, -14.68

 

CMYK 5 / 17 / 0 / 13

HEX #D4BADF

RGB 212 186 223

HSL 282.16, 0.37%, 0.8%

LAB 78.72, 15.9, -15.08

 

CMYK 5 / 16 / 0 / 5

HEX #E5CCF2

RGB 229 204 242

HSL 279.47, 0.59%, 0.87%

LAB 85.13, 15.5, -15.48

 

CMYK 4 / 13 / 0 / 0

HEX #F6DEFF

RGB 246 222 255

HSL 283.64, 1%, 0.94%

LAB 91.26, 14.01, -13

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

CMYK 9 / 21 / 0 / 25

HEX #AD96BE

RGB 173 150 190

HSL 274.5, 0.24%, 0.67%

LAB 65.29, 16.12, -17.55

 

CMYK 9 / 23 / 0 / 33

HEX #9C84AB

RGB 156 132 171

HSL 276.92, 0.19%, 0.59%

LAB 58.52, 16.61, -17.22

 

CMYK 9 / 25 / 0 / 40

HEX #8B7298

RGB 139 114 152

HSL 279.47, 0.16%, 0.52%

LAB 51.6, 17.16, -16.9

 

CMYK 8 / 28 / 0 / 48

HEX #7A6085

RGB 122 96 133

HSL 282.16, 0.16%, 0.45%

LAB 44.51, 17.76, -16.59

 

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

CMYK 4 / 20 / 0 / 18

HEX #C9A8D1

RGB 201 168 209

HSL 288.29, 0.31%, 0.74%

LAB 72.91, 19.32, -16.31

 

CMYK 0 / 20 / 1 / 18

HEX #D1A8CE

RGB 209 168 206

HSL 304.39, 0.31%, 0.74%

LAB 73.56, 21.44, -13.62

 

CMYK 0 / 20 / 7 / 18

HEX #D1A8C3

RGB 209 168 195

HSL 320.49, 0.31%, 0.74%

LAB 73.22, 19.45, -8.08

 

CMYK 0 / 20 / 12 / 18

HEX #D1A8B7

RGB 209 168 183

HSL 338.05, 0.31%, 0.74%

LAB 72.88, 17.4, -1.99

 

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

CMYK 14 / 20 / 0 / 18

HEX #B3A8D1

RGB 179 168 209

HSL 256.1, 0.31%, 0.74%

LAB 71, 12.07, -19.38

 

CMYK 20 / 20 / 0 / 18

HEX #A8A8D1

RGB 168 168 209

HSL 240, 0.31%, 0.74%

LAB 70.13, 8.56, -20.79

 

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

CMYK 13 / 28 / 0 / 14

HEX #BE9DDB

RGB 190 157 219

HSL 271.94, 0.46%, 0.74%

LAB 69.59, 23.84, -26.94

 

CMYK 17 / 37 / 0 / 10

HEX #BF92E6

RGB 191 146 230

HSL 272.14, 0.63%, 0.74%

LAB 67.54, 32.63, -36.17

 

CMYK 20 / 44 / 0 / 5

HEX #C087F1

RGB 192 135 241

HSL 272.26, 0.79%, 0.74%

LAB 65.66, 41.38, -45.16

 

CMYK 23 / 50 / 0 / 1

HEX #C17DFC

RGB 193 125 252

HSL 272.13, 0.95%, 0.74%

LAB 64.19, 49.46, -53.52

 

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

CMYK 5 / 10 / 0 / 22

HEX #BDB2C6

RGB 189 178 198

HSL 273, 0.15%, 0.74%

LAB 74.02, 7.65, -8.73

 

CMYK 1 / 0 / 1 / 26

HEX #BCBDBB

RGB 188 189 187

HSL 90, 0.01%, 0.74%

LAB 76.48, -0.71, 0.88

 

CMYK 7 / 0 / 12 / 22

HEX #BBC8B1

RGB 187 200 177

HSL 93.91, 0.17%, 0.74%

LAB 79.07, -8.63, 9.99

 

CMYK 11 / 0 / 21 / 17

HEX #BBD3A6

RGB 187 211 166

HSL 92, 0.34%, 0.74%

LAB 81.79, -16.07, 19.66

 

CMYK 20 / 20 / 0 / 18

HEX #A8A8D1

RGB 168 168 209

HSL 240, 0.31%, 0.74%

LAB 70.13, 8.56, -20.79

 

CMYK 14 / 20 / 0 / 18

HEX #B3A8D1

RGB 179 168 209

HSL 256.1, 0.31%, 0.74%

LAB 71, 12.07, -19.38

 

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

CMYK 4 / 20 / 0 / 18

HEX #C9A8D1

RGB 201 168 209

HSL 288.29, 0.31%, 0.74%

LAB 72.91, 19.32, -16.31

 

CMYK 0 / 20 / 1 / 18

HEX #D1A8CE

RGB 209 168 206

HSL 304.39, 0.31%, 0.74%

LAB 73.56, 21.44, -13.62

 

CMYK 17 / 37 / 0 / 29

HEX #9572B4

RGB 149 114 180

HSL 271.82, 0.31%, 0.58%

LAB 53.73, 26.71, -29.81

 

CMYK 13 / 28 / 0 / 24

HEX #AA8DC3

RGB 170 141 195

HSL 272.22, 0.31%, 0.66%

LAB 62.96, 21.27, -23.94

 

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

CMYK 6 / 13 / 0 / 13

HEX #D2C3DF

RGB 210 195 223

HSL 272.14, 0.3%, 0.82%

LAB 80.77, 10.39, -12.02

 

CMYK 3 / 6 / 0 / 7

HEX #E6DEED

RGB 230 222 237

HSL 272, 0.29%, 0.9%

LAB 89.48, 5.42, -6.35

 

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

CMYK 0 / 20 / 14 / 18

HEX #D1A8B3

RGB 209 168 179

HSL 343.9, 0.31%, 0.74%

LAB 72.77, 16.74, 0.05

 

CMYK 20 / 0 / 17 / 18

HEX #A8D1AD

RGB 168 209 173

HSL 127.32, 0.31%, 0.74%

LAB 80.15, -20.47, 13.48

 

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

CMYK 0 / 9 / 20 / 18

HEX #D1BEA8

RGB 209 190 168

HSL 32.2, 0.31%, 0.74%

LAB 78, 3.18, 13.55

 

CMYK 20 / 0 / 9 / 18

HEX #A8D1BE

RGB 168 209 190

HSL 152.2, 0.31%, 0.74%

LAB 80.54, -17.28, 4.98

 

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

CMYK 0 / 20 / 14 / 18

HEX #D1A8B3

RGB 209 168 179

HSL 343.9, 0.31%, 0.74%

LAB 72.77, 16.74, 0.05

 

CMYK 11 / 0 / 20 / 18

HEX #BBD1A8

RGB 187 209 168

HSL 92.2, 0.31%, 0.74%

LAB 81.29, -14.74, 17.91

 

CMYK 20 / 0 / 5 / 18

HEX #A8D1C6

RGB 168 209 198

HSL 163.9, 0.31%, 0.74%

LAB 80.74, -15.68, 1

 

CMYK 9 / 20 / 0 / 18

HEX #BEA8D1

RGB 190 168 209

HSL 272.2, 0.31%, 0.74%

LAB 71.93, 15.66, -17.88

 

CMYK 0 / 19 / 20 / 18

HEX #D1A9A8

RGB 209 169 168

HSL 1.46, 0.31%, 0.74%

LAB 72.73, 14.46, 6.05

 

CMYK 11 / 0 / 20 / 18

HEX #BBD1A8

RGB 187 209 168

HSL 92.2, 0.31%, 0.74%

LAB 81.29, -14.74, 17.91

 

CMYK 20 / 1 / 0 / 18

HEX #A8CFD1

RGB 168 207 209

HSL 182.93, 0.31%, 0.74%

LAB 80.49, -12.36, -5.26

 

Description

Color code: RGB 190 168 209 | qconv.com Color code: RGB 190 168 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 168 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 168 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 20 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 20% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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