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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 166 130 it is the complementary color RGB 65 89 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 166 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 166 130 shade: RGB 195 166 125, RGB 212 184 144, RGB 229 202 163, RGB 246 220 182 and RGB 255 238 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 166 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 166 130 shade: RGB 190 166 130, RGB 173 148 111, RGB 156 130 92, RGB 139 112 73 and RGB 122 94 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 166 130 shade: RGB 190 166 130, RGB 190 150 130, RGB 190 134 130 and RGB 190 130 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 166 130 shade: RGB 190 166 130, RGB 190 182 130, RGB 182 190 130, RGB 166 190 130 and RGB 149 190 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 166 130 shade matches the following richer shades: RGB 190 166 130, RGB 206 169 115, RGB 221 172 99, RGB 236 175 84 and RGB 251 178 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 166 130 shade: RGB 190 166 130, RGB 175 163 145, RGB 160 160 160, RGB 145 157 176 and RGB 129 154 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 166 130 shade: RGB 190 134 130, RGB 190 150 130, RGB 190 166 130, RGB 190 182 130 and RGB 182 190 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 166 130 shade: RGB 157 127 81, RGB 176 147 103, RGB 190 166 130, RGB 204 185 157 and RGB 218 205 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 166 130 shade: RGB 190 166 130, RGB 142 190 130 and RGB 142 130 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 166 130 shade: RGB 190 166 130, RGB 130 190 166 and RGB 166 130 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 166 130 shade: RGB 190 166 130, RGB 142 190 130, RGB 130 154 190 and RGB 178 130 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 166 130 shade: RGB 190 166 130, RGB 130 190 136, RGB 130 154 190 and RGB 190 130 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

Complementary color

CMYK 48 / 29 / 0 / 51

HEX #41597D

RGB 65 89 125

HSL 216, 0.32%, 0.37%

LAB 37.39, 1.54, -23.11

 

CMYK 0 / 15 / 36 / 24

HEX #C3A67D

RGB 195 166 125

HSL 35.14, 0.37%, 0.63%

LAB 69.72, 4.71, 25.18

 

CMYK 0 / 13 / 32 / 17

HEX #D4B890

RGB 212 184 144

HSL 35.29, 0.44%, 0.7%

LAB 76.25, 4.18, 24.04

 

CMYK 0 / 12 / 29 / 10

HEX #E5CAA3

RGB 229 202 163

HSL 35.45, 0.56%, 0.77%

LAB 82.67, 3.72, 22.97

 

CMYK 0 / 11 / 26 / 4

HEX #F6DCB6

RGB 246 220 182

HSL 35.63, 0.78%, 0.84%

LAB 89, 3.31, 21.97

 

CMYK 0 / 7 / 21 / 0

HEX #FFEEC9

RGB 255 238 201

HSL 41.11, 1%, 0.89%

LAB 94.58, 0.04, 20

 

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

CMYK 0 / 14 / 36 / 32

HEX #AD946F

RGB 173 148 111

HSL 35.81, 0.27%, 0.56%

LAB 62.69, 3.87, 23.04

 

CMYK 0 / 17 / 41 / 39

HEX #9C825C

RGB 156 130 92

HSL 35.63, 0.26%, 0.49%

LAB 55.89, 4.49, 24.29

 

CMYK 0 / 19 / 47 / 45

HEX #8B7049

RGB 139 112 73

HSL 35.45, 0.31%, 0.42%

LAB 48.96, 5.24, 25.65

 

CMYK 0 / 23 / 56 / 52

HEX #7A5E36

RGB 122 94 54

HSL 35.29, 0.39%, 0.35%

LAB 41.86, 6.19, 27.12

 

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

CMYK 0 / 21 / 32 / 25

HEX #BE9682

RGB 190 150 130

HSL 20, 0.32%, 0.63%

LAB 65.26, 12.09, 16.26

 

CMYK 0 / 29 / 32 / 25

HEX #BE8682

RGB 190 134 130

HSL 4, 0.32%, 0.63%

LAB 61.32, 20.95, 10.75

 

CMYK 0 / 32 / 32 / 25

HEX #BE8282

RGB 190 130 130

HSL 0, 0.32%, 0.63%

LAB 60.36, 23.16, 9.39

 

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

CMYK 0 / 4 / 32 / 25

HEX #BEB682

RGB 190 182 130

HSL 52, 0.32%, 0.63%

LAB 73.56, -5.2, 27.54

 

CMYK 4 / 0 / 32 / 25

HEX #B6BE82

RGB 182 190 130

HSL 68, 0.32%, 0.63%

LAB 75.07, -12.49, 29.44

 

CMYK 13 / 0 / 32 / 25

HEX #A6BE82

RGB 166 190 130

HSL 84, 0.32%, 0.63%

LAB 73.9, -18.61, 27.68

 

CMYK 22 / 0 / 32 / 25

HEX #95BE82

RGB 149 190 130

HSL 101, 0.32%, 0.63%

LAB 72.78, -24.84, 25.98

 

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

CMYK 0 / 18 / 44 / 19

HEX #CEA973

RGB 206 169 115

HSL 35.6, 0.48%, 0.63%

LAB 71.38, 6.43, 32.9

 

CMYK 0 / 22 / 55 / 13

HEX #DDAC63

RGB 221 172 99

HSL 35.9, 0.64%, 0.63%

LAB 73.4, 9.54, 44.02

 

CMYK 0 / 26 / 64 / 7

HEX #ECAF54

RGB 236 175 84

HSL 35.92, 0.8%, 0.63%

LAB 75.53, 13.14, 54.17

 

CMYK 0 / 29 / 73 / 2

HEX #FBB245

RGB 251 178 69

HSL 35.93, 0.96%, 0.63%

LAB 77.74, 17.03, 63.59

 

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

CMYK 0 / 7 / 17 / 31

HEX #AFA391

RGB 175 163 145

HSL 36, 0.16%, 0.63%

LAB 67.54, 1.3, 10.92

 

CMYK 0 / 0 / 0 / 37

HEX #A0A0A0

RGB 160 160 160

HSL 0, 0%, 0.63%

LAB 65.87, 0, -0.01

 

CMYK 18 / 11 / 0 / 31

HEX #919DB0

RGB 145 157 176

HSL 216.77, 0.16%, 0.63%

LAB 64.38, -0.18, -11.31

 

CMYK 32 / 19 / 0 / 25

HEX #819ABF

RGB 129 154 191

HSL 215.81, 0.33%, 0.63%

LAB 62.96, 0.13, -21.97

 

CMYK 0 / 29 / 32 / 25

HEX #BE8682

RGB 190 134 130

HSL 4, 0.32%, 0.63%

LAB 61.32, 20.95, 10.75

 

CMYK 0 / 21 / 32 / 25

HEX #BE9682

RGB 190 150 130

HSL 20, 0.32%, 0.63%

LAB 65.26, 12.09, 16.26

 

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

CMYK 0 / 4 / 32 / 25

HEX #BEB682

RGB 190 182 130

HSL 52, 0.32%, 0.63%

LAB 73.56, -5.2, 27.54

 

CMYK 4 / 0 / 32 / 25

HEX #B6BE82

RGB 182 190 130

HSL 68, 0.32%, 0.63%

LAB 75.07, -12.49, 29.44

 

CMYK 0 / 19 / 48 / 38

HEX #9D7F51

RGB 157 127 81

HSL 36.32, 0.32%, 0.47%

LAB 55.01, 5.4, 29.28

 

CMYK 0 / 16 / 41 / 31

HEX #B09367

RGB 176 147 103

HSL 36.16, 0.32%, 0.55%

LAB 62.57, 4.71, 27.34

 

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

CMYK 0 / 9 / 23 / 20

HEX #CCB99D

RGB 204 185 157

HSL 35.74, 0.32%, 0.71%

LAB 76.05, 2.33, 16.68

 

CMYK 0 / 6 / 16 / 15

HEX #DACDB8

RGB 218 205 184

HSL 37.06, 0.31%, 0.79%

LAB 82.93, 1.06, 12.07

 

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

CMYK 25 / 0 / 32 / 25

HEX #8EBE82

RGB 142 190 130

HSL 108, 0.32%, 0.63%

LAB 72.35, -27.31, 25.34

 

CMYK 25 / 32 / 0 / 25

HEX #8E82BE

RGB 142 130 190

HSL 252, 0.32%, 0.63%

LAB 57.5, 17.6, -29.74

 

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

CMYK 32 / 0 / 13 / 25

HEX #82BEA6

RGB 130 190 166

HSL 156, 0.32%, 0.63%

LAB 72.45, -24.56, 5.97

 

CMYK 13 / 32 / 0 / 25

HEX #A682BE

RGB 166 130 190

HSL 276, 0.32%, 0.63%

LAB 59.7, 25.14, -26.16

 

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

CMYK 25 / 0 / 32 / 25

HEX #8EBE82

RGB 142 190 130

HSL 108, 0.32%, 0.63%

LAB 72.35, -27.31, 25.34

 

CMYK 32 / 19 / 0 / 25

HEX #829ABE

RGB 130 154 190

HSL 216, 0.32%, 0.63%

LAB 62.99, 0.17, -21.36

 

CMYK 6 / 32 / 0 / 25

HEX #B282BE

RGB 178 130 190

HSL 288, 0.32%, 0.63%

LAB 60.91, 29.03, -24.19

 

CMYK 0 / 13 / 32 / 25

HEX #BEA682

RGB 190 166 130

HSL 36, 0.32%, 0.63%

LAB 69.35, 3.35, 21.88

 

CMYK 32 / 0 / 28 / 25

HEX #82BE88

RGB 130 190 136

HSL 126, 0.32%, 0.63%

LAB 71.79, -30.35, 21.27

 

CMYK 32 / 19 / 0 / 25

HEX #829ABE

RGB 130 154 190

HSL 216, 0.32%, 0.63%

LAB 62.99, 0.17, -21.36

 

CMYK 0 / 32 / 3 / 25

HEX #BE82B8

RGB 190 130 184

HSL 306, 0.32%, 0.63%

LAB 61.97, 31.82, -19.05

 

Description

Color code: RGB 190 166 130 | qconv.com Color code: RGB 190 166 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 166 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 166 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 32 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 32% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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