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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 159 110 it is the complementary color RGB 65 96 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 159 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 159 110 shade: RGB 195 159 105, RGB 212 177 124, RGB 229 195 143, RGB 246 213 162 and RGB 255 231 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 159 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 159 110 shade: RGB 190 159 110, RGB 173 141 91, RGB 156 123 72, RGB 139 105 53 and RGB 122 87 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 159 110 shade: RGB 190 159 110, RGB 190 137 110, RGB 190 116 110 and RGB 190 110 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 159 110 shade: RGB 190 159 110, RGB 190 180 110, RGB 178 190 110, RGB 156 190 110 and RGB 135 190 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 159 110 shade matches the following richer shades: RGB 190 159 110, RGB 207 163 93, RGB 224 167 76 and RGB 240 170 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 159 110 shade: RGB 190 159 110, RGB 173 155 127, RGB 156 151 144, RGB 139 147 161 and RGB 122 144 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 159 110 shade: RGB 190 116 110, RGB 190 137 110, RGB 190 158 110, RGB 190 179 110 and RGB 179 190 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 159 110 shade: RGB 150 118 67, RGB 177 140 82, RGB 190 159 110, RGB 202 178 139 and RGB 215 197 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 159 110 shade: RGB 190 159 110, RGB 126 190 110 and RGB 126 110 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 159 110 shade: RGB 190 159 110, RGB 110 190 158 and RGB 158 110 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 159 110 shade: RGB 190 159 110, RGB 126 190 110, RGB 110 142 190 and RGB 174 110 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 159 110 shade: RGB 190 159 110, RGB 110 190 118, RGB 110 142 190 and RGB 190 110 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 42 / 25

HEX #BE9F6E

RGB 190 159 110

HSL 36.75, 0.38%, 0.59%

LAB 67.18, 4.73, 29.82

 

Complementary color

CMYK 55 / 34 / 0 / 43

HEX #416091

RGB 65 96 145

HSL 216.75, 0.38%, 0.41%

LAB 40.47, 3.72, -30.45

 

CMYK 0 / 18 / 46 / 24

HEX #C39F69

RGB 195 159 105

HSL 36, 0.43%, 0.59%

LAB 67.59, 6.27, 33.12

 

CMYK 0 / 17 / 42 / 17

HEX #D4B17C

RGB 212 177 124

HSL 36.14, 0.51%, 0.66%

LAB 74.12, 5.55, 31.83

 

CMYK 0 / 15 / 38 / 10

HEX #E5C38F

RGB 229 195 143

HSL 36.28, 0.62%, 0.73%

LAB 80.56, 4.93, 30.62

 

CMYK 0 / 13 / 34 / 4

HEX #F6D5A2

RGB 246 213 162

HSL 36.43, 0.82%, 0.8%

LAB 86.89, 4.39, 29.48

 

CMYK 0 / 9 / 29 / 0

HEX #FFE7B5

RGB 255 231 181

HSL 40.54, 1%, 0.85%

LAB 92.46, 0.92, 27.36

 

CMYK 0 / 16 / 42 / 25

HEX #BE9F6E

RGB 190 159 110

HSL 36.75, 0.38%, 0.59%

LAB 67.18, 4.73, 29.82

 

CMYK 0 / 18 / 47 / 32

HEX #AD8D5B

RGB 173 141 91

HSL 36.59, 0.33%, 0.52%

LAB 60.51, 5.47, 31.14

 

CMYK 0 / 21 / 54 / 39

HEX #9C7B48

RGB 156 123 72

HSL 36.43, 0.37%, 0.45%

LAB 53.71, 6.35, 32.55

 

CMYK 0 / 24 / 62 / 45

HEX #8B6935

RGB 139 105 53

HSL 36.28, 0.45%, 0.38%

LAB 46.78, 7.44, 34.01

 

CMYK 0 / 29 / 72 / 52

HEX #7A5722

RGB 122 87 34

HSL 36.14, 0.56%, 0.31%

LAB 39.7, 8.81, 35.41

 

CMYK 0 / 16 / 42 / 25

HEX #BE9F6E

RGB 190 159 110

HSL 36.75, 0.38%, 0.59%

LAB 67.18, 4.73, 29.82

 

CMYK 0 / 28 / 42 / 25

HEX #BE896E

RGB 190 137 110

HSL 20.25, 0.38%, 0.59%

LAB 61.62, 16.82, 22.47

 

CMYK 0 / 39 / 42 / 25

HEX #BE746E

RGB 190 116 110

HSL 4.5, 0.38%, 0.59%

LAB 56.65, 28.41, 15.7

 

CMYK 0 / 42 / 42 / 25

HEX #BE6E6E

RGB 190 110 110

HSL 0, 0.38%, 0.59%

LAB 55.3, 31.67, 13.84

 

CMYK 0 / 16 / 42 / 25

HEX #BE9F6E

RGB 190 159 110

HSL 36.75, 0.38%, 0.59%

LAB 67.18, 4.73, 29.82

 

CMYK 0 / 5 / 42 / 25

HEX #BEB46E

RGB 190 180 110

HSL 52.5, 0.38%, 0.59%

LAB 72.7, -6.5, 36.92

 

CMYK 6 / 0 / 42 / 25

HEX #B2BE6E

RGB 178 190 110

HSL 69, 0.38%, 0.59%

LAB 74.46, -16.49, 38.92

 

CMYK 18 / 0 / 42 / 25

HEX #9CBE6E

RGB 156 190 110

HSL 85.5, 0.38%, 0.59%

LAB 72.91, -25.04, 36.64

 

CMYK 29 / 0 / 42 / 25

HEX #87BE6E

RGB 135 190 110

HSL 101.25, 0.38%, 0.59%

LAB 71.63, -32.71, 34.75

 

CMYK 0 / 16 / 42 / 25

HEX #BE9F6E

RGB 190 159 110

HSL 36.75, 0.38%, 0.59%

LAB 67.18, 4.73, 29.82

 

CMYK 0 / 21 / 55 / 19

HEX #CFA35D

RGB 207 163 93

HSL 36.84, 0.54%, 0.59%

LAB 69.65, 8.02, 42.18

 

CMYK 0 / 25 / 66 / 12

HEX #E0A74C

RGB 224 167 76

HSL 36.89, 0.7%, 0.59%

LAB 72.23, 11.86, 53.86

 

CMYK 0 / 29 / 75 / 6

HEX #F0AA3B

RGB 240 170 59

HSL 36.8, 0.86%, 0.59%

LAB 74.57, 16.19, 64.06

 

CMYK 0 / 16 / 42 / 25

HEX #BE9F6E

RGB 190 159 110

HSL 36.75, 0.38%, 0.59%

LAB 67.18, 4.73, 29.82

 

CMYK 0 / 10 / 27 / 32

HEX #AD9B7F

RGB 173 155 127

HSL 36.52, 0.22%, 0.59%

LAB 64.85, 2.16, 17.12

 

CMYK 0 / 3 / 8 / 39

HEX #9C9790

RGB 156 151 144

HSL 35, 0.06%, 0.59%

LAB 62.69, 0.54, 4.33

 

CMYK 14 / 9 / 0 / 37

HEX #8B93A1

RGB 139 147 161

HSL 218.18, 0.1%, 0.59%

LAB 60.72, 0.07, -8.35

 

CMYK 31 / 19 / 0 / 30

HEX #7A90B2

RGB 122 144 178

HSL 216.43, 0.27%, 0.59%

LAB 59.25, 0.37, -20.35

 

CMYK 0 / 39 / 42 / 25

HEX #BE746E

RGB 190 116 110

HSL 4.5, 0.38%, 0.59%

LAB 56.65, 28.41, 15.7

 

CMYK 0 / 28 / 42 / 25

HEX #BE896E

RGB 190 137 110

HSL 20.25, 0.38%, 0.59%

LAB 61.62, 16.82, 22.47

 

CMYK 0 / 17 / 42 / 25

HEX #BE9E6E

RGB 190 158 110

HSL 36, 0.38%, 0.59%

LAB 66.92, 5.27, 29.49

 

CMYK 0 / 6 / 42 / 25

HEX #BEB36E

RGB 190 179 110

HSL 51.75, 0.38%, 0.59%

LAB 72.44, -5.97, 36.58

 

CMYK 6 / 0 / 42 / 25

HEX #B3BE6E

RGB 179 190 110

HSL 68.25, 0.38%, 0.59%

LAB 74.53, -16.1, 39.04

 

CMYK 0 / 21 / 55 / 41

HEX #967643

RGB 150 118 67

HSL 36.87, 0.38%, 0.43%

LAB 51.66, 6.09, 32.6

 

CMYK 0 / 21 / 54 / 31

HEX #B18C52

RGB 177 140 82

HSL 36.63, 0.38%, 0.51%

LAB 60.53, 6.87, 36.07

 

CMYK 0 / 16 / 42 / 25

HEX #BE9F6E

RGB 190 159 110

HSL 36.75, 0.38%, 0.59%

LAB 67.18, 4.73, 29.82

 

CMYK 0 / 12 / 31 / 21

HEX #CAB28B

RGB 202 178 139

HSL 37.14, 0.37%, 0.67%

LAB 73.71, 2.82, 23.13

 

CMYK 0 / 8 / 22 / 16

HEX #D7C5A7

RGB 215 197 167

HSL 37.5, 0.38%, 0.75%

LAB 80.27, 1.59, 17.35

 

CMYK 0 / 16 / 42 / 25

HEX #BE9F6E

RGB 190 159 110

HSL 36.75, 0.38%, 0.59%

LAB 67.18, 4.73, 29.82

 

CMYK 34 / 0 / 42 / 25

HEX #7EBE6E

RGB 126 190 110

HSL 108, 0.38%, 0.59%

LAB 71.14, -35.8, 34.03

 

CMYK 34 / 42 / 0 / 25

HEX #7E6EBE

RGB 126 110 190

HSL 252, 0.38%, 0.59%

LAB 51.04, 24.73, -39.94

 

CMYK 0 / 16 / 42 / 25

HEX #BE9F6E

RGB 190 159 110

HSL 36.75, 0.38%, 0.59%

LAB 67.18, 4.73, 29.82

 

CMYK 42 / 0 / 17 / 25

HEX #6EBE9E

RGB 110 190 158

HSL 156, 0.38%, 0.59%

LAB 71.29, -32.02, 8.54

 

CMYK 17 / 42 / 0 / 25

HEX #9E6EBE

RGB 158 110 190

HSL 276, 0.38%, 0.59%

LAB 54.17, 34.02, -34.8

 

CMYK 0 / 16 / 42 / 25

HEX #BE9F6E

RGB 190 159 110

HSL 36.75, 0.38%, 0.59%

LAB 67.18, 4.73, 29.82

 

CMYK 34 / 0 / 42 / 25

HEX #7EBE6E

RGB 126 190 110

HSL 108, 0.38%, 0.59%

LAB 71.14, -35.8, 34.03

 

CMYK 42 / 25 / 0 / 25

HEX #6E8EBE

RGB 110 142 190

HSL 216, 0.38%, 0.59%

LAB 58.39, 1.38, -28.53

 

CMYK 8 / 42 / 0 / 25

HEX #AE6EBE

RGB 174 110 190

HSL 288, 0.38%, 0.59%

LAB 55.96, 38.86, -31.89

 

CMYK 0 / 16 / 42 / 25

HEX #BE9F6E

RGB 190 159 110

HSL 36.75, 0.38%, 0.59%

LAB 67.18, 4.73, 29.82

 

CMYK 42 / 0 / 38 / 25

HEX #6EBE76

RGB 110 190 118

HSL 126, 0.38%, 0.59%

LAB 70.49, -39.66, 28.88

 

CMYK 42 / 25 / 0 / 25

HEX #6E8EBE

RGB 110 142 190

HSL 216, 0.38%, 0.59%

LAB 58.39, 1.38, -28.53

 

CMYK 0 / 42 / 4 / 25

HEX #BE6EB6

RGB 190 110 182

HSL 306, 0.38%, 0.59%

LAB 57.54, 42.28, -24.7

 

Description

Color code: RGB 190 159 110 | qconv.com Color code: RGB 190 159 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 159 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 159 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 42 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 42% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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