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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 13 0 it is the complementary color RGB 65 242 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 13 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 13 0 shade: RGB 195 13 0, RGB 212 31 14, RGB 229 49 33, RGB 246 67 52 and RGB 255 85 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 13 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 13 0 shade: RGB 190 13 0, RGB 173 0 0, RGB 156 0 0, RGB 139 0 0 and RGB 122 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 13 0 shade: RGB 188 12 0 and RGB 188 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 13 0 shade: RGB 188 12 0, RGB 188 63 0, RGB 188 114 0, RGB 188 165 0 and RGB 160 188 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 13 0 shade matches the following richer shades: RGB 188 12 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 13 0 shade: RGB 188 12 0, RGB 173 26 15, RGB 158 39 30, RGB 142 52 45 and RGB 127 65 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 13 0 shade: RGB 188 0 88, RGB 188 0 37, RGB 188 12 0, RGB 188 62 0 and RGB 188 113 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 13 0 shade: RGB 106 7 0, RGB 147 10 0, RGB 188 12 0, RGB 229 15 0 and RGB 255 32 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 13 0 shade: RGB 190 13 0, RGB 138 188 0 and RGB 0 62 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 13 0 shade: RGB 190 13 0, RGB 0 188 12 and RGB 12 0 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 13 0 shade: RGB 190 13 0, RGB 138 188 0, RGB 0 176 188 and RGB 50 0 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 13 0 shade: RGB 190 13 0, RGB 81 188 0, RGB 0 176 188 and RGB 106 0 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 100 / 25

HEX #BE0D00

RGB 190 13 0

HSL 4.11, 1%, 0.37%

LAB 39.97, 62.81, 54.05

 

Complementary color

CMYK 75 / 5 / 0 / 0

HEX #41F2FF

RGB 65 242 255

HSL 184.11, 1%, 0.63%

LAB 87.9, -38.93, -18.92

 

CMYK 0 / 93 / 100 / 24

HEX #C30D00

RGB 195 13 0

HSL 4, 1%, 0.38%

LAB 41.04, 64.12, 55.09

 

CMYK 0 / 85 / 93 / 17

HEX #D41F0E

RGB 212 31 14

HSL 5.15, 0.88%, 0.44%

LAB 45.65, 65.87, 54.86

 

CMYK 0 / 79 / 86 / 10

HEX #E53121

RGB 229 49 33

HSL 4.9, 0.79%, 0.51%

LAB 50.65, 66.57, 52.4

 

CMYK 0 / 73 / 79 / 4

HEX #F64334

RGB 246 67 52

HSL 4.64, 0.92%, 0.58%

LAB 55.94, 66.56, 49.17

 

CMYK 0 / 67 / 72 / 0

HEX #FF5547

RGB 255 85 71

HSL 4.57, 1%, 0.64%

LAB 60.08, 63.57, 44.04

 

CMYK 0 / 93 / 100 / 25

HEX #BE0D00

RGB 190 13 0

HSL 4.11, 1%, 0.37%

LAB 39.97, 62.81, 54.05

 

CMYK 0 / 100 / 100 / 32

HEX #AD0000

RGB 173 0 0

HSL 0, 1%, 0.34%

LAB 35.76, 59.89, 50.12

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 100 / 100 / 45

HEX #8B0000

RGB 139 0 0

HSL 0, 1%, 0.27%

LAB 28.08, 51.01, 41.29

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 94 / 100 / 26

HEX #BC0C00

RGB 188 12 0

HSL 3.83, 1%, 0.37%

LAB 39.5, 62.41, 53.61

 

CMYK 0 / 100 / 100 / 26

HEX #BC0000

RGB 188 0 0

HSL 0, 1%, 0.37%

LAB 39.06, 63.7, 53.46

 

CMYK 0 / 94 / 100 / 26

HEX #BC0C00

RGB 188 12 0

HSL 3.83, 1%, 0.37%

LAB 39.5, 62.41, 53.61

 

CMYK 0 / 66 / 100 / 26

HEX #BC3F00

RGB 188 63 0

HSL 20.11, 1%, 0.37%

LAB 44.58, 48.24, 55.85

 

CMYK 0 / 39 / 100 / 26

HEX #BC7200

RGB 188 114 0

HSL 36.38, 1%, 0.37%

LAB 54.79, 22.57, 61.8

 

CMYK 0 / 12 / 100 / 26

HEX #BCA500

RGB 188 165 0

HSL 52.66, 1%, 0.37%

LAB 67.73, -5.28, 70.62

 

CMYK 15 / 0 / 100 / 26

HEX #A0BC00

RGB 160 188 0

HSL 68.94, 1%, 0.37%

LAB 71.85, -29.11, 72.62

 

CMYK 0 / 94 / 100 / 26

HEX #BC0C00

RGB 188 12 0

HSL 3.83, 1%, 0.37%

LAB 39.5, 62.41, 53.61

 

CMYK 0 / 94 / 100 / 26

HEX #BC0C00

RGB 188 12 0

HSL 3.83, 1%, 0.37%

LAB 39.5, 62.41, 53.61

 

CMYK 0 / 85 / 91 / 32

HEX #AD1A0F

RGB 173 26 15

HSL 4.18, 0.84%, 0.37%

LAB 37.22, 56.07, 45.09

 

CMYK 0 / 75 / 81 / 38

HEX #9E271E

RGB 158 39 30

HSL 4.22, 0.68%, 0.37%

LAB 35.62, 48.05, 35.07

 

CMYK 0 / 63 / 68 / 44

HEX #8E342D

RGB 142 52 45

HSL 4.33, 0.52%, 0.37%

LAB 34.79, 37.72, 24.44

 

CMYK 0 / 49 / 52 / 50

HEX #7F413D

RGB 127 65 61

HSL 3.64, 0.35%, 0.37%

LAB 35.26, 26.24, 14.56

 

CMYK 0 / 100 / 53 / 26

HEX #BC0058

RGB 188 0 88

HSL 331.91, 1%, 0.37%

LAB 40.24, 66.89, 5.99

 

CMYK 0 / 100 / 80 / 26

HEX #BC0025

RGB 188 0 37

HSL 348.19, 1%, 0.37%

LAB 39.28, 64.33, 36.79

 

CMYK 0 / 94 / 100 / 26

HEX #BC0C00

RGB 188 12 0

HSL 3.83, 1%, 0.37%

LAB 39.5, 62.41, 53.61

 

CMYK 0 / 67 / 100 / 26

HEX #BC3E00

RGB 188 62 0

HSL 19.79, 1%, 0.37%

LAB 44.43, 48.66, 55.77

 

CMYK 0 / 40 / 100 / 26

HEX #BC7100

RGB 188 113 0

HSL 36.06, 1%, 0.37%

LAB 54.56, 23.12, 61.65

 

CMYK 0 / 93 / 100 / 58

HEX #6A0700

RGB 106 7 0

HSL 3.96, 1%, 0.21%

LAB 20.89, 40.3, 31.68

 

CMYK 0 / 93 / 100 / 42

HEX #930A00

RGB 147 10 0

HSL 4.08, 1%, 0.29%

LAB 30.45, 51.6, 43.93

 

CMYK 0 / 94 / 100 / 26

HEX #BC0C00

RGB 188 12 0

HSL 3.83, 1%, 0.37%

LAB 39.5, 62.41, 53.61

 

CMYK 0 / 93 / 100 / 10

HEX #E50F00

RGB 229 15 0

HSL 3.93, 1%, 0.45%

LAB 48.26, 72.6, 62.12

 

CMYK 0 / 87 / 94 / 0

HEX #FF2010

RGB 255 32 16

HSL 4.02, 1%, 0.53%

LAB 54.38, 77.04, 63.78

 

CMYK 0 / 93 / 100 / 25

HEX #BE0D00

RGB 190 13 0

HSL 4.11, 1%, 0.37%

LAB 39.97, 62.81, 54.05

 

CMYK 27 / 0 / 100 / 26

HEX #8ABC00

RGB 138 188 0

HSL 75.96, 1%, 0.37%

LAB 70.43, -38.04, 70.92

 

CMYK 100 / 67 / 0 / 26

HEX #003EBC

RGB 0 62 188

HSL 220.21, 1%, 0.37%

LAB 31.98, 35.37, -69.89

 

CMYK 0 / 93 / 100 / 25

HEX #BE0D00

RGB 190 13 0

HSL 4.11, 1%, 0.37%

LAB 39.97, 62.81, 54.05

 

CMYK 100 / 0 / 94 / 26

HEX #00BC0C

RGB 0 188 12

HSL 123.83, 1%, 0.37%

LAB 66.51, -68.27, 64.73

 

CMYK 94 / 100 / 0 / 26

HEX #0C00BC

RGB 12 0 188

HSL 243.83, 1%, 0.37%

LAB 22.69, 63.06, -85.31

 

CMYK 0 / 93 / 100 / 25

HEX #BE0D00

RGB 190 13 0

HSL 4.11, 1%, 0.37%

LAB 39.97, 62.81, 54.05

 

CMYK 27 / 0 / 100 / 26

HEX #8ABC00

RGB 138 188 0

HSL 75.96, 1%, 0.37%

LAB 70.43, -38.04, 70.92

 

CMYK 100 / 6 / 0 / 26

HEX #00B0BC

RGB 0 176 188

HSL 183.83, 1%, 0.37%

LAB 65.5, -32.64, -16.78

 

CMYK 73 / 100 / 0 / 26

HEX #3200BC

RGB 50 0 188

HSL 255.96, 1%, 0.37%

LAB 24.67, 63.8, -81.95

 

CMYK 0 / 93 / 100 / 25

HEX #BE0D00

RGB 190 13 0

HSL 4.11, 1%, 0.37%

LAB 39.97, 62.81, 54.05

 

CMYK 57 / 0 / 100 / 26

HEX #51BC00

RGB 81 188 0

HSL 94.15, 1%, 0.37%

LAB 67.81, -57.19, 67.75

 

CMYK 100 / 6 / 0 / 26

HEX #00B0BC

RGB 0 176 188

HSL 183.83, 1%, 0.37%

LAB 65.5, -32.64, -16.78

 

CMYK 44 / 100 / 0 / 26

HEX #6A00BC

RGB 106 0 188

HSL 273.83, 1%, 0.37%

LAB 31.1, 67.3, -71.09

 

Description

Color code: RGB 190 13 0 | qconv.com Color code: RGB 190 13 0 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 13 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 13 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 100 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 100% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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