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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 130 39 it is the complementary color RGB 65 125 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 130 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 130 39 shade: RGB 195 130 34, RGB 212 148 53, RGB 229 166 72, RGB 246 184 91 and RGB 255 202 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 130 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 130 39 shade: RGB 190 130 39, RGB 173 112 20, RGB 156 94 1, RGB 139 76 0 and RGB 122 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 130 39 shade: RGB 190 130 39, RGB 190 89 39, RGB 190 48 39 and RGB 190 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 130 39 shade: RGB 190 130 39, RGB 190 171 39, RGB 168 190 39, RGB 128 190 39 and RGB 87 190 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 130 39 shade matches the following richer shades: RGB 190 130 39, RGB 209 134 20 and RGB 227 137 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 130 39 shade: RGB 190 130 39, RGB 171 126 57, RGB 153 122 76, RGB 134 118 94 and RGB 116 115 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 130 39 shade: RGB 190 49 39, RGB 190 89 39, RGB 190 129 39, RGB 190 170 39 and RGB 170 190 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 130 39 shade: RGB 121 83 24, RGB 156 106 32, RGB 190 130 39, RGB 214 151 56 and RGB 221 169 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 130 39 shade: RGB 190 130 39, RGB 69 190 39 and RGB 69 39 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 130 39 shade: RGB 190 130 39, RGB 39 190 129 and RGB 129 39 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 130 39 shade: RGB 190 130 39, RGB 69 190 39, RGB 39 99 190 and RGB 160 39 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 130 39 shade: RGB 190 130 39, RGB 39 190 54, RGB 39 99 190 and RGB 190 39 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

Complementary color

CMYK 70 / 42 / 0 / 15

HEX #417DD8

RGB 65 125 216

HSL 216.16, 0.66%, 0.55%

LAB 52.67, 10.56, -52.4

 

CMYK 0 / 33 / 83 / 24

HEX #C38222

RGB 195 130 34

HSL 35.78, 0.7%, 0.45%

LAB 59.6, 17.48, 57.62

 

CMYK 0 / 30 / 75 / 17

HEX #D49435

RGB 212 148 53

HSL 35.85, 0.65%, 0.52%

LAB 66.09, 15.76, 57.12

 

CMYK 0 / 28 / 69 / 10

HEX #E5A648

RGB 229 166 72

HSL 35.92, 0.75%, 0.59%

LAB 72.49, 14.28, 56.11

 

CMYK 0 / 25 / 63 / 4

HEX #F6B85B

RGB 246 184 91

HSL 36, 0.9%, 0.66%

LAB 78.83, 12.99, 54.89

 

CMYK 0 / 21 / 57 / 0

HEX #FFCA6E

RGB 255 202 110

HSL 38.07, 1%, 0.72%

LAB 84.29, 8.62, 52.45

 

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

CMYK 0 / 35 / 88 / 32

HEX #AD7014

RGB 173 112 20

HSL 36.08, 0.79%, 0.38%

LAB 52.42, 17.34, 54.97

 

CMYK 0 / 40 / 99 / 39

HEX #9C5E01

RGB 156 94 1

HSL 36, 0.99%, 0.31%

LAB 45.74, 19.52, 53.63

 

CMYK 0 / 45 / 100 / 45

HEX #8B4C00

RGB 139 76 0

HSL 32.81, 1%, 0.27%

LAB 39, 22.08, 48.42

 

CMYK 0 / 52 / 100 / 52

HEX #7A3A00

RGB 122 58 0

HSL 28.52, 1%, 0.24%

LAB 32.18, 24.7, 42.89

 

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

CMYK 0 / 53 / 79 / 25

HEX #BE5927

RGB 190 89 39

HSL 19.87, 0.66%, 0.45%

LAB 49.78, 37.55, 46.31

 

CMYK 0 / 75 / 79 / 25

HEX #BE3027

RGB 190 48 39

HSL 3.58, 0.66%, 0.45%

LAB 43.07, 55.4, 39.66

 

CMYK 0 / 79 / 79 / 25

HEX #BE2727

RGB 190 39 39

HSL 0, 0.66%, 0.45%

LAB 42.07, 58.21, 38.63

 

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

CMYK 0 / 10 / 79 / 25

HEX #BEAB27

RGB 190 171 39

HSL 52.45, 0.66%, 0.45%

LAB 69.63, -6.76, 64.65

 

CMYK 12 / 0 / 79 / 25

HEX #A8BE27

RGB 168 190 39

HSL 68.74, 0.66%, 0.45%

LAB 73.09, -25.86, 67.06

 

CMYK 33 / 0 / 79 / 25

HEX #80BE27

RGB 128 190 39

HSL 84.64, 0.66%, 0.45%

LAB 70.57, -41.71, 63.84

 

CMYK 54 / 0 / 79 / 25

HEX #57BE27

RGB 87 190 39

HSL 100.93, 0.66%, 0.45%

LAB 68.75, -55.04, 61.49

 

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

CMYK 0 / 36 / 90 / 18

HEX #D18614

RGB 209 134 20

HSL 36.19, 0.83%, 0.45%

LAB 62.22, 21.06, 64.51

 

CMYK 0 / 40 / 100 / 11

HEX #E38901

RGB 227 137 1

HSL 36.11, 0.99%, 0.45%

LAB 65.14, 26.91, 70.78

 

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

CMYK 0 / 26 / 67 / 33

HEX #AB7E39

RGB 171 126 57

HSL 36.32, 0.5%, 0.45%

LAB 55.96, 10.15, 43.34

 

CMYK 0 / 20 / 50 / 40

HEX #997A4C

RGB 153 122 76

HSL 35.84, 0.34%, 0.45%

LAB 53.18, 5.98, 29.64

 

CMYK 0 / 12 / 30 / 47

HEX #86765E

RGB 134 118 94

HSL 36, 0.18%, 0.45%

LAB 50.49, 2.28, 15.51

 

CMYK 0 / 1 / 3 / 55

HEX #747371

RGB 116 115 113

HSL 40, 0.01%, 0.45%

LAB 48.47, -0.01, 1.23

 

CMYK 0 / 74 / 79 / 25

HEX #BE3127

RGB 190 49 39

HSL 3.97, 0.66%, 0.45%

LAB 43.2, 55.05, 39.78

 

CMYK 0 / 53 / 79 / 25

HEX #BE5927

RGB 190 89 39

HSL 19.87, 0.66%, 0.45%

LAB 49.78, 37.55, 46.31

 

CMYK 0 / 32 / 79 / 25

HEX #BE8127

RGB 190 129 39

HSL 35.76, 0.66%, 0.45%

LAB 58.78, 16, 54.83

 

CMYK 0 / 11 / 79 / 25

HEX #BEAA27

RGB 190 170 39

HSL 52.05, 0.66%, 0.45%

LAB 69.36, -6.24, 64.41

 

CMYK 11 / 0 / 79 / 25

HEX #AABE27

RGB 170 190 39

HSL 67.95, 0.66%, 0.45%

LAB 73.23, -25.03, 67.24

 

CMYK 0 / 31 / 80 / 53

HEX #795318

RGB 121 83 24

HSL 36.49, 0.67%, 0.28%

LAB 38.41, 10.21, 38.77

 

CMYK 0 / 32 / 79 / 39

HEX #9C6A20

RGB 156 106 32

HSL 35.81, 0.66%, 0.37%

LAB 48.86, 13.43, 46.86

 

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

CMYK 0 / 29 / 74 / 16

HEX #D69738

RGB 214 151 56

HSL 36.08, 0.66%, 0.53%

LAB 67.06, 15.14, 56.92

 

CMYK 0 / 24 / 59 / 13

HEX #DDA95A

RGB 221 169 90

HSL 36.18, 0.66%, 0.61%

LAB 72.55, 10.45, 47.48

 

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

CMYK 64 / 0 / 79 / 25

HEX #45BE27

RGB 69 190 39

HSL 108.08, 0.66%, 0.45%

LAB 68.2, -59.52, 60.77

 

CMYK 64 / 79 / 0 / 25

HEX #4527BE

RGB 69 39 190

HSL 251.92, 0.66%, 0.45%

LAB 30.48, 53.74, -73.44

 

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

CMYK 79 / 0 / 32 / 25

HEX #27BE81

RGB 39 190 129

HSL 155.76, 0.66%, 0.45%

LAB 68.64, -52.28, 20.21

 

CMYK 32 / 79 / 0 / 25

HEX #8127BE

RGB 129 39 190

HSL 275.76, 0.66%, 0.45%

LAB 37.55, 61.93, -61.58

 

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

CMYK 64 / 0 / 79 / 25

HEX #45BE27

RGB 69 190 39

HSL 108.08, 0.66%, 0.45%

LAB 68.2, -59.52, 60.77

 

CMYK 79 / 48 / 0 / 25

HEX #2763BE

RGB 39 99 190

HSL 216.16, 0.66%, 0.45%

LAB 42.87, 13.97, -53.28

 

CMYK 16 / 79 / 0 / 25

HEX #A027BE

RGB 160 39 190

HSL 288.08, 0.66%, 0.45%

LAB 42.22, 67.34, -53.78

 

CMYK 0 / 32 / 79 / 25

HEX #BE8227

RGB 190 130 39

HSL 36.16, 0.66%, 0.45%

LAB 59.03, 15.45, 55.06

 

CMYK 79 / 0 / 72 / 25

HEX #27BE36

RGB 39 190 54

HSL 125.96, 0.66%, 0.45%

LAB 67.67, -63.66, 54.98

 

CMYK 79 / 48 / 0 / 25

HEX #2763BE

RGB 39 99 190

HSL 216.16, 0.66%, 0.45%

LAB 42.87, 13.97, -53.28

 

CMYK 0 / 79 / 8 / 25

HEX #BE27AF

RGB 190 39 175

HSL 305.96, 0.66%, 0.45%

LAB 46.3, 70.74, -38.15

 

Description

Color code: RGB 190 130 39 | qconv.com Color code: RGB 190 130 39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 130 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 130 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 79 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 79% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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