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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 125 130 it is the complementary color RGB 65 130 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 125 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 125 130 shade: RGB 195 125 125, RGB 212 143 144, RGB 229 161 163, RGB 246 179 182 and RGB 255 197 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 125 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 125 130 shade: RGB 190 125 130, RGB 173 107 111, RGB 156 89 92, RGB 139 71 73 and RGB 122 53 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 125 130 shade: RGB 190 126 131 and RGB 190 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 125 130 shade: RGB 190 126 131, RGB 190 126 148, RGB 190 126 165, RGB 190 126 182 and RGB 180 126 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 125 130 shade matches the following richer shades: RGB 190 126 131, RGB 205 110 117, RGB 221 94 104, RGB 237 79 91 and RGB 252 63 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 125 130 shade: RGB 190 126 131, RGB 174 141 144, RGB 158 157 157, RGB 143 173 170 and RGB 127 188 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 125 130 shade: RGB 190 126 165, RGB 190 126 148, RGB 190 126 131, RGB 190 137 126 and RGB 190 154 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 125 130 shade: RGB 155 78 84, RGB 176 98 104, RGB 190 126 131, RGB 203 153 157 and RGB 217 180 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 125 130 shade: RGB 190 125 130, RGB 182 190 126 and RGB 126 157 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 125 130 shade: RGB 190 125 130, RGB 131 190 126 and RGB 126 131 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 125 130 shade: RGB 190 125 130, RGB 182 190 126, RGB 126 190 184 and RGB 133 126 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 125 130 shade: RGB 190 125 130, RGB 163 190 126, RGB 126 190 184 and RGB 152 126 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 32 / 25

HEX #BE7D82

RGB 190 125 130

HSL 355.38, 0.33%, 0.62%

LAB 59.18, 25.92, 7.72

 

Complementary color

CMYK 50 / 0 / 4 / 49

HEX #41827D

RGB 65 130 125

HSL 175.38, 0.33%, 0.38%

LAB 50.18, -22.06, -3.71

 

CMYK 0 / 36 / 36 / 24

HEX #C37D7D

RGB 195 125 125

HSL 0, 0.37%, 0.63%

LAB 59.66, 27.2, 11.36

 

CMYK 0 / 33 / 32 / 17

HEX #D48F90

RGB 212 143 144

HSL 359.13, 0.45%, 0.7%

LAB 66.26, 26.31, 10.17

 

CMYK 0 / 30 / 29 / 10

HEX #E5A1A3

RGB 229 161 163

HSL 358.24, 0.57%, 0.76%

LAB 72.75, 25.51, 9.11

 

CMYK 0 / 27 / 26 / 4

HEX #F6B3B6

RGB 246 179 182

HSL 357.31, 0.79%, 0.83%

LAB 79.16, 24.77, 8.13

 

CMYK 0 / 23 / 21 / 0

HEX #FFC5C9

RGB 255 197 201

HSL 355.86, 1%, 0.89%

LAB 84.69, 21.24, 5.99

 

CMYK 0 / 34 / 32 / 25

HEX #BE7D82

RGB 190 125 130

HSL 355.38, 0.33%, 0.62%

LAB 59.18, 25.92, 7.72

 

CMYK 0 / 38 / 36 / 32

HEX #AD6B6F

RGB 173 107 111

HSL 356.36, 0.29%, 0.55%

LAB 52.45, 26.85, 8.93

 

CMYK 0 / 43 / 41 / 39

HEX #9C595C

RGB 156 89 92

HSL 357.31, 0.27%, 0.48%

LAB 45.61, 27.87, 10.33

 

CMYK 0 / 49 / 47 / 45

HEX #8B4749

RGB 139 71 73

HSL 358.24, 0.32%, 0.41%

LAB 38.68, 29, 12

 

CMYK 0 / 57 / 56 / 52

HEX #7A3536

RGB 122 53 54

HSL 359.13, 0.39%, 0.34%

LAB 31.69, 30.19, 14.09

 

CMYK 0 / 34 / 31 / 25

HEX #BE7E83

RGB 190 126 131

HSL 355.31, 0.33%, 0.62%

LAB 59.44, 25.51, 7.51

 

CMYK 0 / 34 / 34 / 25

HEX #BE7E7E

RGB 190 126 126

HSL 0, 0.33%, 0.62%

LAB 59.32, 24.85, 10.22

 

CMYK 0 / 34 / 31 / 25

HEX #BE7E83

RGB 190 126 131

HSL 355.31, 0.33%, 0.62%

LAB 59.44, 25.51, 7.51

 

CMYK 0 / 34 / 22 / 25

HEX #BE7E94

RGB 190 126 148

HSL 339.38, 0.33%, 0.62%

LAB 59.9, 27.95, -1.6

 

CMYK 0 / 34 / 13 / 25

HEX #BE7EA5

RGB 190 126 165

HSL 323.44, 0.33%, 0.62%

LAB 60.41, 30.67, -10.58

 

CMYK 0 / 34 / 4 / 25

HEX #BE7EB6

RGB 190 126 182

HSL 307.5, 0.33%, 0.62%

LAB 61, 33.65, -19.4

 

CMYK 5 / 34 / 0 / 25

HEX #B47EBE

RGB 180 126 190

HSL 290.63, 0.33%, 0.62%

LAB 60.2, 31.91, -25.27

 

CMYK 0 / 34 / 31 / 25

HEX #BE7E83

RGB 190 126 131

HSL 355.31, 0.33%, 0.62%

LAB 59.44, 25.51, 7.51

 

CMYK 0 / 46 / 43 / 20

HEX #CD6E75

RGB 205 110 117

HSL 355.58, 0.49%, 0.62%

LAB 57.48, 38.09, 13.1

 

CMYK 0 / 57 / 53 / 13

HEX #DD5E68

RGB 221 94 104

HSL 355.28, 0.65%, 0.62%

LAB 56.46, 50.49, 19.64

 

CMYK 0 / 67 / 62 / 7

HEX #ED4F5B

RGB 237 79 91

HSL 355.44, 0.81%, 0.62%

LAB 56.44, 61.24, 27.66

 

CMYK 0 / 75 / 69 / 1

HEX #FC3F4D

RGB 252 63 77

HSL 355.56, 0.97%, 0.62%

LAB 56.87, 70.53, 36.85

 

CMYK 0 / 34 / 31 / 25

HEX #BE7E83

RGB 190 126 131

HSL 355.31, 0.33%, 0.62%

LAB 59.44, 25.51, 7.51

 

CMYK 0 / 19 / 17 / 32

HEX #AE8D90

RGB 174 141 144

HSL 354.55, 0.17%, 0.62%

LAB 61.71, 12.94, 3.12

 

CMYK 0 / 1 / 1 / 38

HEX #9E9D9D

RGB 158 157 157

HSL 0, 0.01%, 0.62%

LAB 64.82, 0.36, 0.12

 

CMYK 17 / 0 / 2 / 32

HEX #8FADAA

RGB 143 173 170

HSL 174, 0.15%, 0.62%

LAB 68.48, -10.86, -1.89

 

CMYK 32 / 0 / 2 / 26

HEX #7FBCB8

RGB 127 188 184

HSL 176.07, 0.31%, 0.62%

LAB 72.19, -20.42, -4.25

 

CMYK 0 / 34 / 13 / 25

HEX #BE7EA5

RGB 190 126 165

HSL 323.44, 0.33%, 0.62%

LAB 60.41, 30.67, -10.58

 

CMYK 0 / 34 / 22 / 25

HEX #BE7E94

RGB 190 126 148

HSL 339.38, 0.33%, 0.62%

LAB 59.9, 27.95, -1.6

 

CMYK 0 / 34 / 31 / 25

HEX #BE7E83

RGB 190 126 131

HSL 355.31, 0.33%, 0.62%

LAB 59.44, 25.51, 7.51

 

CMYK 0 / 28 / 34 / 25

HEX #BE897E

RGB 190 137 126

HSL 10.31, 0.33%, 0.62%

LAB 61.95, 18.76, 13.91

 

CMYK 0 / 19 / 34 / 25

HEX #BE9A7E

RGB 190 154 126

HSL 26.25, 0.33%, 0.62%

LAB 66.19, 9.37, 19.76

 

CMYK 0 / 50 / 46 / 39

HEX #9B4E54

RGB 155 78 84

HSL 355.32, 0.33%, 0.46%

LAB 42.85, 32.63, 11.33

 

CMYK 0 / 44 / 41 / 31

HEX #B06268

RGB 176 98 104

HSL 355.38, 0.33%, 0.54%

LAB 50.65, 32.11, 10.59

 

CMYK 0 / 34 / 31 / 25

HEX #BE7E83

RGB 190 126 131

HSL 355.31, 0.33%, 0.62%

LAB 59.44, 25.51, 7.51

 

CMYK 0 / 25 / 23 / 20

HEX #CB999D

RGB 203 153 157

HSL 355.2, 0.32%, 0.7%

LAB 67.96, 19.27, 5.19

 

CMYK 0 / 17 / 16 / 15

HEX #D9B4B7

RGB 217 180 183

HSL 355.14, 0.33%, 0.78%

LAB 76.57, 13.8, 3.48

 

CMYK 0 / 34 / 32 / 25

HEX #BE7D82

RGB 190 125 130

HSL 355.38, 0.33%, 0.62%

LAB 59.18, 25.92, 7.72

 

CMYK 4 / 0 / 34 / 25

HEX #B6BE7E

RGB 182 190 126

HSL 67.5, 0.33%, 0.62%

LAB 75, -13.01, 31.45

 

CMYK 34 / 17 / 0 / 25

HEX #7E9DBE

RGB 126 157 190

HSL 210.94, 0.33%, 0.62%

LAB 63.56, -2.68, -20.51

 

CMYK 0 / 34 / 32 / 25

HEX #BE7D82

RGB 190 125 130

HSL 355.38, 0.33%, 0.62%

LAB 59.18, 25.92, 7.72

 

CMYK 31 / 0 / 34 / 25

HEX #83BE7E

RGB 131 190 126

HSL 115.31, 0.33%, 0.62%

LAB 71.66, -31.7, 26.42

 

CMYK 34 / 31 / 0 / 25

HEX #7E83BE

RGB 126 131 190

HSL 235.31, 0.33%, 0.62%

LAB 56.47, 12.26, -31.43

 

CMYK 0 / 34 / 32 / 25

HEX #BE7D82

RGB 190 125 130

HSL 355.38, 0.33%, 0.62%

LAB 59.18, 25.92, 7.72

 

CMYK 4 / 0 / 34 / 25

HEX #B6BE7E

RGB 182 190 126

HSL 67.5, 0.33%, 0.62%

LAB 75, -13.01, 31.45

 

CMYK 34 / 0 / 3 / 25

HEX #7EBEB8

RGB 126 190 184

HSL 174.38, 0.33%, 0.62%

LAB 72.71, -21.72, -3.48

 

CMYK 30 / 34 / 0 / 25

HEX #857EBE

RGB 133 126 190

HSL 246.56, 0.33%, 0.62%

LAB 55.71, 17.25, -32.57

 

CMYK 0 / 34 / 32 / 25

HEX #BE7D82

RGB 190 125 130

HSL 355.38, 0.33%, 0.62%

LAB 59.18, 25.92, 7.72

 

CMYK 14 / 0 / 34 / 25

HEX #A3BE7E

RGB 163 190 126

HSL 85.31, 0.33%, 0.62%

LAB 73.62, -20.29, 29.38

 

CMYK 34 / 0 / 3 / 25

HEX #7EBEB8

RGB 126 190 184

HSL 174.38, 0.33%, 0.62%

LAB 72.71, -21.72, -3.48

 

CMYK 20 / 34 / 0 / 25

HEX #987EBE

RGB 152 126 190

HSL 264.38, 0.33%, 0.62%

LAB 57.38, 23.01, -29.85

 

Description

Color code: RGB 190 125 130 | qconv.com Color code: RGB 190 125 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 125 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 125 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 32 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 32% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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