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Color name
RGB 190 110 170

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 110 170 it is the complementary color RGB 65 145 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 110 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 110 170 shade: RGB 195 110 165, RGB 212 128 184, RGB 229 146 203, RGB 246 164 222 and RGB 255 182 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 110 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 110 170 shade: RGB 190 110 170, RGB 173 92 151, RGB 156 74 132, RGB 139 56 113 and RGB 122 38 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 110 170 shade: RGB 190 110 170, RGB 190 110 148, RGB 190 110 127 and RGB 190 110 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 110 170 shade: RGB 190 110 170, RGB 188 110 190, RGB 167 110 190, RGB 145 110 190 and RGB 124 110 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 110 170 shade matches the following richer shades: RGB 190 110 170, RGB 207 93 178, RGB 224 76 187 and RGB 240 59 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 110 170 shade: RGB 190 110 170, RGB 173 127 161, RGB 156 144 153, RGB 139 161 144 and RGB 122 178 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 110 170 shade: RGB 167 110 190, RGB 188 110 190, RGB 190 110 170, RGB 190 110 149 and RGB 190 110 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 110 170 shade: RGB 150 67 129, RGB 177 82 153, RGB 190 110 170, RGB 202 139 187 and RGB 215 167 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 110 170 shade: RGB 190 110 170, RGB 190 146 110 and RGB 110 190 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 110 170 shade: RGB 190 110 170, RGB 170 190 110 and RGB 110 170 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 110 170 shade: RGB 190 110 170, RGB 190 146 110, RGB 110 190 130 and RGB 110 154 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 110 170 shade: RGB 190 110 170, RGB 190 170 110, RGB 110 190 130 and RGB 110 130 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

Complementary color

CMYK 55 / 0 / 41 / 43

HEX #419155

RGB 65 145 85

HSL 135, 0.38%, 0.41%

LAB 54.06, -38.27, 24.61

 

CMYK 0 / 44 / 15 / 24

HEX #C36EA5

RGB 195 110 165

HSL 321.18, 0.41%, 0.6%

LAB 57.53, 41, -14.86

 

CMYK 0 / 40 / 13 / 17

HEX #D480B8

RGB 212 128 184

HSL 320, 0.49%, 0.67%

LAB 64.08, 40.23, -15.62

 

CMYK 0 / 36 / 11 / 10

HEX #E592CB

RGB 229 146 203

HSL 318.8, 0.61%, 0.74%

LAB 70.54, 39.47, -16.29

 

CMYK 0 / 33 / 10 / 4

HEX #F6A4DE

RGB 246 164 222

HSL 317.56, 0.82%, 0.8%

LAB 76.93, 38.74, -16.9

 

CMYK 0 / 29 / 5 / 0

HEX #FFB6F1

RGB 255 182 241

HSL 311.51, 1%, 0.86%

LAB 82.41, 35.45, -18.79

 

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

CMYK 0 / 47 / 13 / 32

HEX #AD5C97

RGB 173 92 151

HSL 316.3, 0.33%, 0.52%

LAB 50.42, 40.95, -17.75

 

CMYK 0 / 53 / 15 / 39

HEX #9C4A84

RGB 156 74 132

HSL 317.56, 0.36%, 0.45%

LAB 43.7, 41.67, -16.85

 

CMYK 0 / 60 / 19 / 45

HEX #8B3871

RGB 139 56 113

HSL 318.8, 0.43%, 0.38%

LAB 36.95, 42.23, -15.69

 

CMYK 0 / 69 / 23 / 52

HEX #7A265E

RGB 122 38 94

HSL 320, 0.53%, 0.31%

LAB 30.23, 42.43, -14.12

 

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

CMYK 0 / 42 / 22 / 25

HEX #BE6E94

RGB 190 110 148

HSL 331.5, 0.38%, 0.59%

LAB 56.32, 36.66, -6.88

 

CMYK 0 / 42 / 33 / 25

HEX #BE6E7F

RGB 190 110 127

HSL 347.25, 0.38%, 0.59%

LAB 55.72, 33.72, 4.5

 

CMYK 0 / 42 / 42 / 25

HEX #BE6E6E

RGB 190 110 110

HSL 0, 0.38%, 0.59%

LAB 55.3, 31.67, 13.84

 

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

CMYK 1 / 42 / 0 / 25

HEX #BC6EBE

RGB 188 110 190

HSL 298.5, 0.38%, 0.59%

LAB 57.62, 43.13, -29.17

 

CMYK 12 / 42 / 0 / 25

HEX #A76EBE

RGB 167 110 190

HSL 282.75, 0.38%, 0.59%

LAB 55.16, 36.73, -33.19

 

CMYK 24 / 42 / 0 / 25

HEX #916EBE

RGB 145 110 190

HSL 266.25, 0.38%, 0.59%

LAB 52.83, 30.16, -37.01

 

CMYK 35 / 42 / 0 / 25

HEX #7C6EBE

RGB 124 110 190

HSL 250.5, 0.38%, 0.59%

LAB 50.87, 24.18, -40.23

 

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

CMYK 0 / 55 / 14 / 19

HEX #CF5DB2

RGB 207 93 178

HSL 315.26, 0.54%, 0.59%

LAB 56.4, 55.26, -23.96

 

CMYK 0 / 66 / 17 / 12

HEX #E04CBB

RGB 224 76 187

HSL 315, 0.7%, 0.59%

LAB 56.69, 68.42, -28.5

 

CMYK 0 / 75 / 19 / 6

HEX #F03BC3

RGB 240 59 195

HSL 314.92, 0.86%, 0.59%

LAB 57.65, 78.91, -31.4

 

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

CMYK 0 / 27 / 7 / 32

HEX #AD7FA1

RGB 173 127 161

HSL 315.65, 0.22%, 0.59%

LAB 58.64, 23.41, -11.15

 

CMYK 0 / 8 / 2 / 39

HEX #9C9099

RGB 156 144 153

HSL 315, 0.06%, 0.59%

LAB 61.06, 6.13, -3.15

 

CMYK 14 / 0 / 11 / 37

HEX #8BA190

RGB 139 161 144

HSL 133.64, 0.1%, 0.59%

LAB 64.15, -11.12, 6.27

 

CMYK 31 / 0 / 24 / 30

HEX #7AB288

RGB 122 178 136

HSL 135, 0.27%, 0.59%

LAB 67.84, -27.15, 15.75

 

CMYK 12 / 42 / 0 / 25

HEX #A76EBE

RGB 167 110 190

HSL 282.75, 0.38%, 0.59%

LAB 55.16, 36.73, -33.19

 

CMYK 1 / 42 / 0 / 25

HEX #BC6EBE

RGB 188 110 190

HSL 298.5, 0.38%, 0.59%

LAB 57.62, 43.13, -29.17

 

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

CMYK 0 / 42 / 22 / 25

HEX #BE6E95

RGB 190 110 149

HSL 330.75, 0.38%, 0.59%

LAB 56.36, 36.81, -7.41

 

CMYK 0 / 42 / 33 / 25

HEX #BE6E7F

RGB 190 110 127

HSL 347.25, 0.38%, 0.59%

LAB 55.72, 33.72, 4.5

 

CMYK 0 / 55 / 14 / 41

HEX #964381

RGB 150 67 129

HSL 315.18, 0.38%, 0.43%

LAB 41.35, 42.82, -18.7

 

CMYK 0 / 54 / 14 / 31

HEX #B15299

RGB 177 82 153

HSL 315.16, 0.38%, 0.51%

LAB 49.11, 47.64, -20.9

 

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

CMYK 0 / 31 / 7 / 21

HEX #CA8BBB

RGB 202 139 187

HSL 314.29, 0.37%, 0.67%

LAB 65.44, 31.47, -15.36

 

CMYK 0 / 22 / 6 / 16

HEX #D7A7CB

RGB 215 167 203

HSL 315, 0.38%, 0.75%

LAB 73.8, 23.49, -11.54

 

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

CMYK 0 / 23 / 42 / 25

HEX #BE926E

RGB 190 146 110

HSL 27, 0.38%, 0.59%

LAB 63.86, 11.85, 25.46

 

CMYK 42 / 0 / 6 / 25

HEX #6EBEB2

RGB 110 190 178

HSL 171, 0.38%, 0.59%

LAB 71.8, -27.44, -1.64

 

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

CMYK 11 / 0 / 42 / 25

HEX #AABE6E

RGB 170 190 110

HSL 75, 0.38%, 0.59%

LAB 73.87, -19.65, 38.06

 

CMYK 42 / 11 / 0 / 25

HEX #6EAABE

RGB 110 170 190

HSL 195, 0.38%, 0.59%

LAB 66.35, -14.16, -16.36

 

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

CMYK 0 / 23 / 42 / 25

HEX #BE926E

RGB 190 146 110

HSL 27, 0.38%, 0.59%

LAB 63.86, 11.85, 25.46

 

CMYK 42 / 0 / 32 / 25

HEX #6EBE82

RGB 110 190 130

HSL 135, 0.38%, 0.59%

LAB 70.7, -37.59, 22.82

 

CMYK 42 / 19 / 0 / 25

HEX #6E9ABE

RGB 110 154 190

HSL 207, 0.38%, 0.59%

LAB 61.78, -5.43, -23.32

 

CMYK 0 / 42 / 11 / 25

HEX #BE6EAA

RGB 190 110 170

HSL 315, 0.38%, 0.59%

LAB 57.08, 40.18, -18.5

 

CMYK 0 / 11 / 42 / 25

HEX #BEAA6E

RGB 190 170 110

HSL 45, 0.38%, 0.59%

LAB 70.05, -1.2, 33.54

 

CMYK 42 / 0 / 32 / 25

HEX #6EBE82

RGB 110 190 130

HSL 135, 0.38%, 0.59%

LAB 70.7, -37.59, 22.82

 

CMYK 42 / 32 / 0 / 25

HEX #6E82BE

RGB 110 130 190

HSL 225, 0.38%, 0.59%

LAB 55.07, 8.4, -33.7

 

Description

Color code: RGB 190 110 170 | qconv.com Color code: RGB 190 110 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 110 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 110 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 11 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 11% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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