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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 251 181 it is the complementary color RGB 237 4 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 251 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 251 181 shade: RGB 23 251 176, RGB 40 255 195, RGB 57 255 214, RGB 74 255 233 and RGB 91 255 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 251 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 251 181 shade: RGB 18 251 181, RGB 1 233 162, RGB 0 215 143, RGB 0 197 124 and RGB 0 179 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 251 181 shade: RGB 18 251 181, RGB 18 251 118, RGB 18 251 56, RGB 44 251 18 and RGB 107 251 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 251 181 shade: RGB 18 251 181, RGB 18 251 244, RGB 18 195 251, RGB 18 133 251 and RGB 18 70 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 251 181 shade matches the following richer shades: RGB 18 251 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 251 181 shade: RGB 18 251 181, RGB 38 232 173, RGB 57 212 166, RGB 77 193 158 and RGB 96 173 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 251 181 shade: RGB 18 251 53, RGB 18 251 115, RGB 18 251 177, RGB 18 251 239 and RGB 18 201 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 251 181 shade: RGB 2 184 130, RGB 3 225 158, RGB 18 251 181, RGB 59 252 194 and RGB 100 252 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 251 181 shade: RGB 18 251 181, RGB 18 46 251 and RGB 251 84 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 251 181 shade: RGB 18 251 181, RGB 177 18 251 and RGB 251 177 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 251 181 shade: RGB 18 251 181, RGB 18 46 251, RGB 251 18 92 and RGB 251 224 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 251 181 shade: RGB 18 251 181, RGB 61 18 251, RGB 251 18 92 and RGB 208 251 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 28 / 2

HEX #12FBB5

RGB 18 251 181

HSL 161.97, 0.97%, 0.53%

LAB 88.19, -65, 19.94

 

Complementary color

CMYK 0 / 98 / 69 / 7

HEX #ED044A

RGB 237 4 74

HSL 341.97, 0.97%, 0.47%

LAB 50.2, 77.11, 29.82

 

CMYK 91 / 0 / 30 / 2

HEX #17FBB0

RGB 23 251 176

HSL 160.26, 0.97%, 0.54%

LAB 88.12, -65.88, 22.4

 

CMYK 84 / 0 / 24 / 0

HEX #28FFC3

RGB 40 255 195

HSL 163.26, 1%, 0.58%

LAB 89.82, -62.17, 15.06

 

CMYK 78 / 0 / 16 / 0

HEX #39FFD6

RGB 57 255 214

HSL 167.58, 1%, 0.61%

LAB 90.43, -56.26, 6.16

 

CMYK 71 / 0 / 9 / 0

HEX #4AFFE9

RGB 74 255 233

HSL 172.71, 1%, 0.65%

LAB 91.17, -49.64, -2.57

 

CMYK 64 / 0 / 1 / 0

HEX #5BFFFC

RGB 91 255 252

HSL 178.9, 1%, 0.68%

LAB 92.03, -42.42, -11.11

 

CMYK 93 / 0 / 28 / 2

HEX #12FBB5

RGB 18 251 181

HSL 161.97, 0.97%, 0.53%

LAB 88.19, -65, 19.94

 

CMYK 100 / 0 / 30 / 9

HEX #01E9A2

RGB 1 233 162

HSL 161.64, 0.99%, 0.46%

LAB 82.32, -63.13, 21.59

 

CMYK 100 / 0 / 33 / 16

HEX #00D78F

RGB 0 215 143

HSL 159.91, 1%, 0.42%

LAB 76.43, -60.79, 23.39

 

CMYK 100 / 0 / 37 / 23

HEX #00C57C

RGB 0 197 124

HSL 157.77, 1%, 0.39%

LAB 70.45, -58.33, 25.26

 

CMYK 100 / 0 / 41 / 30

HEX #00B369

RGB 0 179 105

HSL 155.2, 1%, 0.35%

LAB 64.37, -55.78, 27.2

 

CMYK 93 / 0 / 28 / 2

HEX #12FBB5

RGB 18 251 181

HSL 161.97, 0.97%, 0.53%

LAB 88.19, -65, 19.94

 

CMYK 93 / 0 / 53 / 2

HEX #12FB76

RGB 18 251 118

HSL 145.75, 0.97%, 0.53%

LAB 87.21, -76.47, 49.67

 

CMYK 93 / 0 / 78 / 2

HEX #12FB38

RGB 18 251 56

HSL 129.79, 0.97%, 0.53%

LAB 86.71, -82.75, 73.17

 

CMYK 82 / 0 / 93 / 2

HEX #2CFB12

RGB 44 251 18

HSL 113.3, 0.97%, 0.53%

LAB 86.79, -82.48, 81

 

CMYK 57 / 0 / 93 / 2

HEX #6BFB12

RGB 107 251 18

HSL 97.08, 0.97%, 0.53%

LAB 88.05, -71.71, 82.56

 

CMYK 93 / 0 / 28 / 2

HEX #12FBB5

RGB 18 251 181

HSL 161.97, 0.97%, 0.53%

LAB 88.19, -65, 19.94

 

CMYK 93 / 0 / 3 / 2

HEX #12FBF4

RGB 18 251 244

HSL 178.2, 0.97%, 0.53%

LAB 89.7, -49.1, -10.53

 

CMYK 93 / 22 / 0 / 2

HEX #12C3FB

RGB 18 195 251

HSL 194.42, 0.97%, 0.53%

LAB 73.63, -20.65, -38.71

 

CMYK 93 / 47 / 0 / 2

HEX #1285FB

RGB 18 133 251

HSL 210.39, 0.97%, 0.53%

LAB 55.96, 14.63, -66.71

 

CMYK 93 / 72 / 0 / 2

HEX #1246FB

RGB 18 70 251

HSL 226.61, 0.97%, 0.53%

LAB 40.37, 53.7, -92.19

 

CMYK 93 / 0 / 28 / 2

HEX #12FBB5

RGB 18 251 181

HSL 161.97, 0.97%, 0.53%

LAB 88.19, -65, 19.94

 

CMYK 93 / 0 / 28 / 2

HEX #12FBB5

RGB 18 251 181

HSL 161.97, 0.97%, 0.53%

LAB 88.19, -65, 19.94

 

CMYK 84 / 0 / 25 / 9

HEX #26E8AD

RGB 38 232 173

HSL 161.75, 0.81%, 0.53%

LAB 82.46, -58.64, 16.09

 

CMYK 73 / 0 / 22 / 17

HEX #39D4A6

RGB 57 212 166

HSL 162.19, 0.64%, 0.53%

LAB 76.5, -50.47, 11.43

 

CMYK 60 / 0 / 18 / 24

HEX #4DC19E

RGB 77 193 158

HSL 161.9, 0.48%, 0.53%

LAB 71, -41.11, 7.96

 

CMYK 45 / 0 / 13 / 32

HEX #60AD96

RGB 96 173 150

HSL 162.08, 0.32%, 0.53%

LAB 65.42, -29.42, 4.43

 

CMYK 93 / 0 / 79 / 2

HEX #12FB35

RGB 18 251 53

HSL 129.01, 0.97%, 0.53%

LAB 86.69, -82.93, 74

 

CMYK 93 / 0 / 54 / 2

HEX #12FB73

RGB 18 251 115

HSL 144.98, 0.97%, 0.53%

LAB 87.17, -76.88, 51

 

CMYK 93 / 0 / 29 / 2

HEX #12FBB1

RGB 18 251 177

HSL 160.94, 0.97%, 0.53%

LAB 88.11, -65.87, 21.88

 

CMYK 93 / 0 / 5 / 2

HEX #12FBEF

RGB 18 251 239

HSL 176.91, 0.97%, 0.53%

LAB 89.56, -50.49, -8.14

 

CMYK 93 / 20 / 0 / 2

HEX #12C9FB

RGB 18 201 251

HSL 192.88, 0.97%, 0.53%

LAB 75.37, -23.72, -36.01

 

CMYK 99 / 0 / 29 / 28

HEX #02B882

RGB 2 184 130

HSL 162.2, 0.98%, 0.36%

LAB 66.45, -52.18, 16.61

 

CMYK 99 / 0 / 30 / 12

HEX #03E19E

RGB 3 225 158

HSL 161.89, 0.97%, 0.45%

LAB 79.81, -61.06, 20.2

 

CMYK 93 / 0 / 28 / 2

HEX #12FBB5

RGB 18 251 181

HSL 161.97, 0.97%, 0.53%

LAB 88.19, -65, 19.94

 

CMYK 77 / 0 / 23 / 1

HEX #3BFCC2

RGB 59 252 194

HSL 161.97, 0.97%, 0.61%

LAB 89.13, -59.6, 14.64

 

CMYK 60 / 0 / 18 / 1

HEX #64FCCE

RGB 100 252 206

HSL 161.84, 0.96%, 0.69%

LAB 90.22, -51.01, 10.11

 

CMYK 93 / 0 / 28 / 2

HEX #12FBB5

RGB 18 251 181

HSL 161.97, 0.97%, 0.53%

LAB 88.19, -65, 19.94

 

CMYK 93 / 82 / 0 / 2

HEX #122EFB

RGB 18 46 251

HSL 232.79, 0.97%, 0.53%

LAB 36.08, 66.03, -99.31

 

CMYK 0 / 67 / 93 / 2

HEX #FB5412

RGB 251 84 18

HSL 17, 0.97%, 0.53%

LAB 58.88, 61.28, 65.54

 

CMYK 93 / 0 / 28 / 2

HEX #12FBB5

RGB 18 251 181

HSL 161.97, 0.97%, 0.53%

LAB 88.19, -65, 19.94

 

CMYK 29 / 93 / 0 / 2

HEX #B112FB

RGB 177 18 251

HSL 280.94, 0.97%, 0.53%

LAB 47.94, 85.37, -79.26

 

CMYK 0 / 29 / 93 / 2

HEX #FBB112

RGB 251 177 18

HSL 40.94, 0.97%, 0.53%

LAB 77.28, 16.14, 78.2

 

CMYK 93 / 0 / 28 / 2

HEX #12FBB5

RGB 18 251 181

HSL 161.97, 0.97%, 0.53%

LAB 88.19, -65, 19.94

 

CMYK 93 / 82 / 0 / 2

HEX #122EFB

RGB 18 46 251

HSL 232.79, 0.97%, 0.53%

LAB 36.08, 66.03, -99.31

 

CMYK 0 / 93 / 63 / 2

HEX #FB125C

RGB 251 18 92

HSL 340.94, 0.97%, 0.53%

LAB 53.72, 80.1, 24.04

 

CMYK 0 / 11 / 93 / 2

HEX #FBE012

RGB 251 224 18

HSL 53.05, 0.97%, 0.53%

LAB 88.86, -7.99, 86.74

 

CMYK 93 / 0 / 28 / 2

HEX #12FBB5

RGB 18 251 181

HSL 161.97, 0.97%, 0.53%

LAB 88.19, -65, 19.94

 

CMYK 76 / 93 / 0 / 2

HEX #3D12FB

RGB 61 18 251

HSL 251.07, 0.97%, 0.53%

LAB 34.78, 76.28, -101.42

 

CMYK 0 / 93 / 63 / 2

HEX #FB125C

RGB 251 18 92

HSL 340.94, 0.97%, 0.53%

LAB 53.72, 80.1, 24.04

 

CMYK 17 / 0 / 93 / 2

HEX #D0FB12

RGB 208 251 18

HSL 71.07, 0.97%, 0.53%

LAB 92.77, -38.46, 88.33

 

Description

Color code: RGB 18 251 181 | qconv.com Color code: RGB 18 251 181 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 251 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 251 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 28 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 28% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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