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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 251 131 it is the complementary color RGB 237 4 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 251 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 251 131 shade: RGB 23 251 126, RGB 40 255 145, RGB 57 255 164, RGB 74 255 183 and RGB 91 255 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 251 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 251 131 shade: RGB 18 251 131, RGB 1 233 112, RGB 0 215 93, RGB 0 197 74 and RGB 0 179 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 251 131 shade: RGB 18 251 131, RGB 18 251 68, RGB 31 251 18, RGB 94 251 18 and RGB 156 251 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 251 131 shade: RGB 18 251 131, RGB 18 251 194, RGB 18 245 251, RGB 18 183 251 and RGB 18 120 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 251 131 shade matches the following richer shades: RGB 18 251 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 251 131 shade: RGB 18 251 131, RGB 38 232 132, RGB 57 212 132, RGB 77 193 133 and RGB 96 173 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 251 131 shade: RGB 30 251 18, RGB 18 251 69, RGB 18 251 131, RGB 18 251 193 and RGB 18 247 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 251 131 shade: RGB 2 184 91, RGB 3 225 111, RGB 18 251 131, RGB 59 252 152 and RGB 100 252 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 251 131 shade: RGB 18 251 131, RGB 18 92 251 and RGB 251 38 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 251 131 shade: RGB 18 251 131, RGB 131 18 251 and RGB 251 131 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 251 131 shade: RGB 18 251 131, RGB 18 92 251, RGB 251 18 139 and RGB 251 177 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 251 131 shade: RGB 18 251 131, RGB 18 22 251, RGB 251 18 139 and RGB 251 247 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

Complementary color

CMYK 0 / 98 / 48 / 7

HEX #ED047C

RGB 237 4 124

HSL 329.1, 0.97%, 0.47%

LAB 51.32, 80.12, 0.87

 

CMYK 91 / 0 / 50 / 2

HEX #17FB7E

RGB 23 251 126

HSL 147.11, 0.97%, 0.54%

LAB 87.33, -75.07, 46.1

 

CMYK 84 / 0 / 43 / 0

HEX #28FF91

RGB 40 255 145

HSL 149.3, 1%, 0.58%

LAB 88.93, -72.22, 39.03

 

CMYK 78 / 0 / 36 / 0

HEX #39FFA4

RGB 57 255 164

HSL 152.42, 1%, 0.61%

LAB 89.43, -67.2, 30.31

 

CMYK 71 / 0 / 28 / 0

HEX #4AFFB7

RGB 74 255 183

HSL 156.13, 1%, 0.65%

LAB 90.04, -61.32, 21.58

 

CMYK 64 / 0 / 21 / 0

HEX #5BFFCA

RGB 91 255 202

HSL 160.61, 1%, 0.68%

LAB 90.78, -54.68, 12.94

 

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

CMYK 100 / 0 / 52 / 9

HEX #01E970

RGB 1 233 112

HSL 148.71, 0.99%, 0.46%

LAB 81.54, -72.32, 45.52

 

CMYK 100 / 0 / 57 / 16

HEX #00D75D

RGB 0 215 93

HSL 145.95, 1%, 0.42%

LAB 75.69, -69.51, 47.31

 

CMYK 100 / 0 / 62 / 23

HEX #00C54A

RGB 0 197 74

HSL 142.54, 1%, 0.39%

LAB 69.77, -66.47, 48.99

 

CMYK 100 / 0 / 69 / 30

HEX #00B337

RGB 0 179 55

HSL 138.44, 1%, 0.35%

LAB 63.77, -63.17, 50.39

 

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

CMYK 93 / 0 / 73 / 2

HEX #12FB44

RGB 18 251 68

HSL 132.88, 0.97%, 0.53%

LAB 86.77, -81.92, 69.49

 

CMYK 88 / 0 / 93 / 2

HEX #1FFB12

RGB 31 251 18

HSL 116.65, 0.97%, 0.53%

LAB 86.67, -83.56, 80.86

 

CMYK 63 / 0 / 93 / 2

HEX #5EFB12

RGB 94 251 18

HSL 100.43, 0.97%, 0.53%

LAB 87.69, -74.68, 82.12

 

CMYK 38 / 0 / 93 / 2

HEX #9CFB12

RGB 156 251 18

HSL 84.46, 0.97%, 0.53%

LAB 89.91, -57.46, 84.84

 

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

CMYK 93 / 0 / 23 / 2

HEX #12FBC2

RGB 18 251 194

HSL 165.32, 0.97%, 0.53%

LAB 88.46, -62.04, 13.63

 

CMYK 93 / 2 / 0 / 2

HEX #12F5FB

RGB 18 245 251

HSL 181.55, 0.97%, 0.53%

LAB 88.16, -44.49, -16.48

 

CMYK 93 / 27 / 0 / 2

HEX #12B7FB

RGB 18 183 251

HSL 197.51, 0.97%, 0.53%

LAB 70.15, -14.33, -44.14

 

CMYK 93 / 52 / 0 / 2

HEX #1278FB

RGB 18 120 251

HSL 213.73, 0.97%, 0.53%

LAB 52.43, 22.74, -72.42

 

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

CMYK 84 / 0 / 43 / 9

HEX #26E884

RGB 38 232 132

HSL 149.07, 0.81%, 0.53%

LAB 81.72, -66.92, 36.09

 

CMYK 73 / 0 / 38 / 17

HEX #39D484

RGB 57 212 132

HSL 149.03, 0.64%, 0.53%

LAB 75.84, -57.72, 28.4

 

CMYK 60 / 0 / 31 / 24

HEX #4DC185

RGB 77 193 133

HSL 148.97, 0.48%, 0.53%

LAB 70.46, -46.6, 20.7

 

CMYK 45 / 0 / 23 / 32

HEX #60AD85

RGB 96 173 133

HSL 148.83, 0.32%, 0.53%

LAB 65.02, -33.17, 13.26

 

CMYK 88 / 0 / 93 / 2

HEX #1EFB12

RGB 30 251 18

HSL 116.91, 0.97%, 0.53%

LAB 86.66, -83.63, 80.85

 

CMYK 93 / 0 / 73 / 2

HEX #12FB45

RGB 18 251 69

HSL 133.13, 0.97%, 0.53%

LAB 86.78, -81.84, 69.16

 

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

CMYK 93 / 0 / 23 / 2

HEX #12FBC1

RGB 18 251 193

HSL 165.06, 0.97%, 0.53%

LAB 88.43, -62.27, 14.11

 

CMYK 93 / 2 / 0 / 2

HEX #12F7FB

RGB 18 247 251

HSL 181.03, 0.97%, 0.53%

LAB 88.74, -45.37, -15.61

 

CMYK 99 / 0 / 51 / 28

HEX #02B85B

RGB 2 184 91

HSL 149.34, 0.98%, 0.36%

LAB 65.79, -59.9, 36.23

 

CMYK 99 / 0 / 51 / 12

HEX #03E16F

RGB 3 225 111

HSL 149.19, 0.97%, 0.45%

LAB 79.05, -69.91, 42.92

 

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

CMYK 77 / 0 / 40 / 1

HEX #3BFC98

RGB 59 252 152

HSL 148.91, 0.97%, 0.61%

LAB 88.36, -68.14, 34.89

 

CMYK 60 / 0 / 31 / 1

HEX #64FCAE

RGB 100 252 174

HSL 149.21, 0.96%, 0.69%

LAB 89.57, -57.7, 25.61

 

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

CMYK 93 / 63 / 0 / 2

HEX #125CFB

RGB 18 92 251

HSL 220.94, 0.97%, 0.53%

LAB 45.29, 40.43, -84.08

 

CMYK 0 / 85 / 93 / 2

HEX #FB2612

RGB 251 38 18

HSL 5.15, 0.97%, 0.53%

LAB 53.96, 74.95, 62.54

 

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

CMYK 48 / 93 / 0 / 2

HEX #8312FB

RGB 131 18 251

HSL 269.1, 0.97%, 0.53%

LAB 41.57, 80.5, -89.96

 

CMYK 0 / 48 / 93 / 2

HEX #FB8312

RGB 251 131 18

HSL 29.1, 0.97%, 0.53%

LAB 67.12, 39.94, 71.01

 

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

CMYK 93 / 63 / 0 / 2

HEX #125CFB

RGB 18 92 251

HSL 220.94, 0.97%, 0.53%

LAB 45.29, 40.43, -84.08

 

CMYK 0 / 93 / 45 / 2

HEX #FB128B

RGB 251 18 139

HSL 328.84, 0.97%, 0.53%

LAB 54.87, 83.23, -2.64

 

CMYK 0 / 29 / 93 / 2

HEX #FBB112

RGB 251 177 18

HSL 40.94, 0.97%, 0.53%

LAB 77.28, 16.14, 78.2

 

CMYK 93 / 0 / 48 / 2

HEX #12FB83

RGB 18 251 131

HSL 149.1, 0.97%, 0.53%

LAB 87.37, -74.51, 43.77

 

CMYK 93 / 91 / 0 / 2

HEX #1216FB

RGB 18 22 251

HSL 238.97, 0.97%, 0.53%

LAB 33.28, 74.44, -103.97

 

CMYK 0 / 93 / 45 / 2

HEX #FB128B

RGB 251 18 139

HSL 328.84, 0.97%, 0.53%

LAB 54.87, 83.23, -2.64

 

CMYK 0 / 2 / 93 / 2

HEX #FBF712

RGB 251 247 18

HSL 58.97, 0.97%, 0.53%

LAB 94.77, -19.24, 91.2

 

Description

Color code: RGB 18 251 131 | qconv.com Color code: RGB 18 251 131 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 251 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 251 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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