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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 241 89 it is the complementary color RGB 237 14 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 241 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 241 89 shade: RGB 23 241 84, RGB 40 255 103, RGB 57 255 122, RGB 74 255 141 and RGB 91 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 241 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 241 89 shade: RGB 18 241 89, RGB 1 223 70, RGB 0 205 51, RGB 0 187 32 and RGB 0 169 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 241 89 shade: RGB 18 241 89, RGB 18 241 29, RGB 67 241 18, RGB 127 241 18 and RGB 187 241 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 241 89 shade: RGB 18 241 89, RGB 18 241 149, RGB 18 241 209, RGB 18 212 241 and RGB 18 152 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 241 89 shade matches the following richer shades: RGB 18 241 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 241 89 shade: RGB 18 241 89, RGB 39 221 96, RGB 59 200 104, RGB 79 180 111 and RGB 99 160 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 241 89 shade: RGB 67 241 18, RGB 18 241 29, RGB 18 241 89, RGB 18 241 148 and RGB 18 241 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 241 89 shade: RGB 9 167 60, RGB 12 206 74, RGB 18 241 89, RGB 57 243 116 and RGB 96 245 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 241 89 shade: RGB 18 241 89, RGB 18 126 241 and RGB 241 18 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 241 89 shade: RGB 18 241 89, RGB 89 18 241 and RGB 241 89 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 241 89 shade: RGB 18 241 89, RGB 18 126 241, RGB 241 18 170 and RGB 241 133 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 241 89 shade: RGB 18 241 89, RGB 18 59 241, RGB 241 18 170 and RGB 241 200 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

Complementary color

CMYK 0 / 94 / 30 / 7

HEX #ED0EA6

RGB 237 14 166

HSL 319.1, 0.89%, 0.49%

LAB 53.03, 83.2, -21.71

 

CMYK 90 / 0 / 65 / 5

HEX #17F154

RGB 23 241 84

HSL 136.79, 0.89%, 0.52%

LAB 83.83, -77.42, 60.49

 

CMYK 84 / 0 / 60 / 0

HEX #28FF67

RGB 40 255 103

HSL 137.58, 1%, 0.58%

LAB 88.42, -78.29, 57.81

 

CMYK 78 / 0 / 52 / 0

HEX #39FF7A

RGB 57 255 122

HSL 139.7, 1%, 0.61%

LAB 88.83, -74.17, 49.88

 

CMYK 71 / 0 / 45 / 0

HEX #4AFF8D

RGB 74 255 141

HSL 142.21, 1%, 0.65%

LAB 89.35, -69.08, 41.6

 

CMYK 64 / 0 / 37 / 0

HEX #5BFFA0

RGB 91 255 160

HSL 145.24, 1%, 0.68%

LAB 89.99, -63.1, 33.18

 

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

CMYK 100 / 0 / 69 / 13

HEX #01DF46

RGB 1 223 70

HSL 138.65, 0.99%, 0.44%

LAB 78.01, -74.48, 59.67

 

CMYK 100 / 0 / 75 / 20

HEX #00CD33

RGB 0 205 51

HSL 134.93, 1%, 0.4%

LAB 72.16, -71.03, 60.51

 

CMYK 100 / 0 / 83 / 27

HEX #00BB20

RGB 0 187 32

HSL 130.27, 1%, 0.37%

LAB 66.25, -67.22, 60.57

 

CMYK 100 / 0 / 92 / 34

HEX #00A90D

RGB 0 169 13

HSL 124.62, 1%, 0.33%

LAB 60.25, -62.99, 59.32

 

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

CMYK 93 / 0 / 88 / 5

HEX #12F11D

RGB 18 241 29

HSL 122.96, 0.89%, 0.51%

LAB 83.51, -81.35, 76.58

 

CMYK 72 / 0 / 93 / 5

HEX #43F112

RGB 67 241 18

HSL 106.82, 0.89%, 0.51%

LAB 84.04, -76.7, 78.87

 

CMYK 47 / 0 / 93 / 5

HEX #7FF112

RGB 127 241 18

HSL 90.67, 0.89%, 0.51%

LAB 85.74, -62.85, 80.96

 

CMYK 22 / 0 / 93 / 5

HEX #BBF112

RGB 187 241 18

HSL 74.53, 0.89%, 0.51%

LAB 88.69, -42.18, 84.57

 

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

CMYK 93 / 0 / 38 / 5

HEX #12F195

RGB 18 241 149

HSL 155.25, 0.89%, 0.51%

LAB 84.59, -68.08, 31.32

 

CMYK 93 / 0 / 13 / 5

HEX #12F1D1

RGB 18 241 209

HSL 171.39, 0.89%, 0.51%

LAB 85.83, -54.44, 2.05

 

CMYK 93 / 12 / 0 / 5

HEX #12D4F1

RGB 18 212 241

HSL 187.8, 0.89%, 0.51%

LAB 78.21, -32.41, -26.28

 

CMYK 93 / 37 / 0 / 5

HEX #1298F1

RGB 18 152 241

HSL 203.95, 0.89%, 0.51%

LAB 60.73, -0.59, -53.56

 

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

CMYK 82 / 0 / 57 / 13

HEX #27DD60

RGB 39 221 96

HSL 138.79, 0.73%, 0.51%

LAB 77.87, -68.76, 48.58

 

CMYK 71 / 0 / 48 / 22

HEX #3BC868

RGB 59 200 104

HSL 139.15, 0.56%, 0.51%

LAB 71.72, -57.91, 37.3

 

CMYK 56 / 0 / 38 / 29

HEX #4FB46F

RGB 79 180 111

HSL 139.01, 0.4%, 0.51%

LAB 66.1, -44.96, 26.55

 

CMYK 38 / 0 / 26 / 37

HEX #63A077

RGB 99 160 119

HSL 139.67, 0.24%, 0.51%

LAB 60.89, -28.94, 15.28

 

CMYK 72 / 0 / 93 / 5

HEX #43F112

RGB 67 241 18

HSL 106.82, 0.89%, 0.51%

LAB 84.04, -76.7, 78.87

 

CMYK 93 / 0 / 88 / 5

HEX #12F11D

RGB 18 241 29

HSL 122.96, 0.89%, 0.51%

LAB 83.51, -81.35, 76.58

 

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

CMYK 93 / 0 / 39 / 5

HEX #12F194

RGB 18 241 148

HSL 154.98, 0.89%, 0.51%

LAB 84.58, -68.27, 31.8

 

CMYK 93 / 0 / 14 / 5

HEX #12F1CF

RGB 18 241 207

HSL 170.85, 0.89%, 0.51%

LAB 85.78, -54.96, 3.03

 

CMYK 95 / 0 / 64 / 35

HEX #09A73C

RGB 9 167 60

HSL 139.37, 0.9%, 0.35%

LAB 59.91, -58.52, 44.06

 

CMYK 94 / 0 / 64 / 19

HEX #0CCE4A

RGB 12 206 74

HSL 139.18, 0.89%, 0.43%

LAB 72.7, -68.71, 52.3

 

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

CMYK 77 / 0 / 52 / 5

HEX #39F374

RGB 57 243 116

HSL 139.03, 0.89%, 0.59%

LAB 85.11, -71.12, 48.12

 

CMYK 61 / 0 / 41 / 4

HEX #60F590

RGB 96 245 144

HSL 139.33, 0.88%, 0.67%

LAB 86.9, -61.17, 37.08

 

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

CMYK 93 / 48 / 0 / 5

HEX #127EF1

RGB 18 126 241

HSL 210.94, 0.89%, 0.51%

LAB 53.39, 15.13, -65.32

 

CMYK 0 / 93 / 85 / 5

HEX #F11225

RGB 241 18 37

HSL 354.89, 0.89%, 0.51%

LAB 51, 75.72, 51.75

 

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

CMYK 63 / 93 / 0 / 5

HEX #5912F1

RGB 89 18 241

HSL 259.1, 0.89%, 0.51%

LAB 35.81, 75.15, -94.02

 

CMYK 0 / 63 / 93 / 5

HEX #F15912

RGB 241 89 18

HSL 19.1, 0.89%, 0.51%

LAB 57.93, 55.89, 64.1

 

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

CMYK 93 / 48 / 0 / 5

HEX #127EF1

RGB 18 126 241

HSL 210.94, 0.89%, 0.51%

LAB 53.39, 15.13, -65.32

 

CMYK 0 / 93 / 29 / 5

HEX #F112AA

RGB 241 18 170

HSL 319.1, 0.89%, 0.51%

LAB 54.06, 84.05, -22.41

 

CMYK 0 / 45 / 93 / 5

HEX #F18512

RGB 241 133 18

HSL 30.94, 0.89%, 0.51%

LAB 66.15, 34.94, 69.69

 

CMYK 93 / 0 / 63 / 5

HEX #12F159

RGB 18 241 89

HSL 139.1, 0.89%, 0.51%

LAB 83.84, -77.13, 58.46

 

CMYK 93 / 76 / 0 / 5

HEX #123BF1

RGB 18 59 241

HSL 228.97, 0.89%, 0.51%

LAB 37.13, 56.48, -91.93

 

CMYK 0 / 93 / 29 / 5

HEX #F112AA

RGB 241 18 170

HSL 319.1, 0.89%, 0.51%

LAB 54.06, 84.05, -22.41

 

CMYK 0 / 17 / 93 / 5

HEX #F1C812

RGB 241 200 18

HSL 48.97, 0.89%, 0.51%

LAB 81.87, -0.1, 81.11

 

Description

Color code: RGB 18 241 89 | qconv.com Color code: RGB 18 241 89 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 241 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 241 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 63 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 63% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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