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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 241 188 it is the complementary color RGB 237 14 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 241 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 241 188 shade: RGB 23 241 183, RGB 40 255 202, RGB 57 255 221, RGB 74 255 240 and RGB 91 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 241 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 241 188 shade: RGB 18 241 188, RGB 1 223 169, RGB 0 205 150, RGB 0 187 131 and RGB 0 169 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 241 188 shade: RGB 18 241 188, RGB 18 241 128, RGB 18 241 68, RGB 29 241 18 and RGB 89 241 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 241 188 shade: RGB 18 241 188, RGB 18 234 241, RGB 18 174 241, RGB 18 114 241 and RGB 18 54 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 241 188 shade matches the following richer shades: RGB 18 241 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 241 188 shade: RGB 18 241 188, RGB 39 221 177, RGB 59 200 167, RGB 79 180 156 and RGB 99 160 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 241 188 shade: RGB 18 241 67, RGB 18 241 126, RGB 18 241 185, RGB 18 237 241 and RGB 18 178 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 241 188 shade: RGB 9 167 130, RGB 12 206 160, RGB 18 241 188, RGB 57 243 199 and RGB 96 245 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 241 188 shade: RGB 18 241 188, RGB 18 29 241 and RGB 241 96 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 241 188 shade: RGB 18 241 188, RGB 185 18 241 and RGB 241 185 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 241 188 shade: RGB 18 241 188, RGB 18 29 241, RGB 241 18 74 and RGB 241 230 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 241 188 shade: RGB 18 241 188, RGB 74 18 241, RGB 241 18 74 and RGB 185 241 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 22 / 5

HEX #12F1BC

RGB 18 241 188

HSL 165.74, 0.89%, 0.51%

LAB 85.34, -59.68, 12.32

 

Complementary color

CMYK 0 / 94 / 72 / 7

HEX #ED0E43

RGB 237 14 67

HSL 345.74, 0.89%, 0.49%

LAB 50.36, 76.04, 34.21

 

CMYK 90 / 0 / 24 / 5

HEX #17F1B7

RGB 23 241 183

HSL 164.04, 0.89%, 0.52%

LAB 85.26, -60.65, 14.81

 

CMYK 84 / 0 / 21 / 0

HEX #28FFCA

RGB 40 255 202

HSL 165.21, 1%, 0.58%

LAB 89.97, -60.55, 11.67

 

CMYK 78 / 0 / 13 / 0

HEX #39FFDD

RGB 57 255 221

HSL 169.7, 1%, 0.61%

LAB 90.6, -54.53, 2.78

 

CMYK 71 / 0 / 6 / 0

HEX #4AFFF0

RGB 74 255 240

HSL 175.03, 1%, 0.65%

LAB 91.36, -47.82, -5.93

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 93 / 0 / 22 / 5

HEX #12F1BC

RGB 18 241 188

HSL 165.74, 0.89%, 0.51%

LAB 85.34, -59.68, 12.32

 

CMYK 100 / 0 / 24 / 13

HEX #01DFA9

RGB 1 223 169

HSL 165.41, 0.99%, 0.44%

LAB 79.41, -57.86, 13.88

 

CMYK 100 / 0 / 27 / 20

HEX #00CD96

RGB 0 205 150

HSL 163.9, 1%, 0.4%

LAB 73.46, -55.55, 15.6

 

CMYK 100 / 0 / 30 / 27

HEX #00BB83

RGB 0 187 131

HSL 162.03, 1%, 0.37%

LAB 67.41, -53.16, 17.4

 

CMYK 100 / 0 / 34 / 34

HEX #00A970

RGB 0 169 112

HSL 159.76, 1%, 0.33%

LAB 61.26, -50.69, 19.27

 

CMYK 93 / 0 / 22 / 5

HEX #12F1BC

RGB 18 241 188

HSL 165.74, 0.89%, 0.51%

LAB 85.34, -59.68, 12.32

 

CMYK 93 / 0 / 47 / 5

HEX #12F180

RGB 18 241 128

HSL 149.6, 0.89%, 0.51%

LAB 84.28, -71.8, 41.3

 

CMYK 93 / 0 / 72 / 5

HEX #12F144

RGB 18 241 68

HSL 133.45, 0.89%, 0.51%

LAB 83.68, -79.14, 66.35

 

CMYK 88 / 0 / 93 / 5

HEX #1DF112

RGB 29 241 18

HSL 117.04, 0.89%, 0.51%

LAB 83.56, -81.03, 78.26

 

CMYK 63 / 0 / 93 / 5

HEX #59F112

RGB 89 241 18

HSL 100.9, 0.89%, 0.51%

LAB 84.52, -72.59, 79.46

 

CMYK 93 / 0 / 22 / 5

HEX #12F1BC

RGB 18 241 188

HSL 165.74, 0.89%, 0.51%

LAB 85.34, -59.68, 12.32

 

CMYK 93 / 3 / 0 / 5

HEX #12EAF1

RGB 18 234 241

HSL 181.88, 0.89%, 0.51%

LAB 84.65, -42.56, -16.51

 

CMYK 93 / 28 / 0 / 5

HEX #12AEF1

RGB 18 174 241

HSL 198.03, 0.89%, 0.51%

LAB 67.09, -13, -43.51

 

CMYK 93 / 53 / 0 / 5

HEX #1272F1

RGB 18 114 241

HSL 214.17, 0.89%, 0.51%

LAB 50.11, 22.69, -70.62

 

CMYK 93 / 78 / 0 / 5

HEX #1236F1

RGB 18 54 241

HSL 230.31, 0.89%, 0.51%

LAB 36.21, 59.11, -93.46

 

CMYK 93 / 0 / 22 / 5

HEX #12F1BC

RGB 18 241 188

HSL 165.74, 0.89%, 0.51%

LAB 85.34, -59.68, 12.32

 

CMYK 93 / 0 / 22 / 5

HEX #12F1BC

RGB 18 241 188

HSL 165.74, 0.89%, 0.51%

LAB 85.34, -59.68, 12.32

 

CMYK 82 / 0 / 20 / 13

HEX #27DDB1

RGB 39 221 177

HSL 165.49, 0.73%, 0.51%

LAB 79.22, -53.34, 9.42

 

CMYK 71 / 0 / 17 / 22

HEX #3BC8A7

RGB 59 200 167

HSL 165.96, 0.56%, 0.51%

LAB 72.91, -44.96, 5.77

 

CMYK 56 / 0 / 13 / 29

HEX #4FB49C

RGB 79 180 156

HSL 165.74, 0.4%, 0.51%

LAB 67.06, -35.32, 3.39

 

CMYK 38 / 0 / 9 / 37

HEX #63A091

RGB 99 160 145

HSL 165.25, 0.24%, 0.51%

LAB 61.51, -23.32, 1.59

 

CMYK 93 / 0 / 72 / 5

HEX #12F143

RGB 18 241 67

HSL 133.18, 0.89%, 0.51%

LAB 83.68, -79.22, 66.69

 

CMYK 93 / 0 / 48 / 5

HEX #12F17E

RGB 18 241 126

HSL 149.06, 0.89%, 0.51%

LAB 84.25, -72.13, 42.23

 

CMYK 93 / 0 / 23 / 5

HEX #12F1B9

RGB 18 241 185

HSL 164.93, 0.89%, 0.51%

LAB 85.27, -60.39, 13.79

 

CMYK 93 / 2 / 0 / 5

HEX #12EDF1

RGB 18 237 241

HSL 181.08, 0.89%, 0.51%

LAB 85.53, -43.89, -15.2

 

CMYK 93 / 26 / 0 / 5

HEX #12B2F1

RGB 18 178 241

HSL 196.95, 0.89%, 0.51%

LAB 68.26, -15.17, -41.68

 

CMYK 95 / 0 / 22 / 35

HEX #09A782

RGB 9 167 130

HSL 165.95, 0.9%, 0.35%

LAB 61.05, -45.2, 9.04

 

CMYK 94 / 0 / 22 / 19

HEX #0CCEA0

RGB 12 206 160

HSL 165.77, 0.89%, 0.43%

LAB 74.04, -53.16, 11.07

 

CMYK 93 / 0 / 22 / 5

HEX #12F1BC

RGB 18 241 188

HSL 165.74, 0.89%, 0.51%

LAB 85.34, -59.68, 12.32

 

CMYK 77 / 0 / 18 / 5

HEX #39F3C7

RGB 57 243 199

HSL 165.81, 0.89%, 0.59%

LAB 86.55, -55.1, 8.37

 

CMYK 61 / 0 / 14 / 4

HEX #60F5D2

RGB 96 245 210

HSL 165.91, 0.88%, 0.67%

LAB 88.18, -47.85, 5.09

 

CMYK 93 / 0 / 22 / 5

HEX #12F1BC

RGB 18 241 188

HSL 165.74, 0.89%, 0.51%

LAB 85.34, -59.68, 12.32

 

CMYK 93 / 88 / 0 / 5

HEX #121DF1

RGB 18 29 241

HSL 237.04, 0.89%, 0.51%

LAB 32.61, 69.77, -99.45

 

CMYK 0 / 60 / 93 / 5

HEX #F16012

RGB 241 96 18

HSL 20.99, 0.89%, 0.51%

LAB 59.08, 52.85, 64.85

 

CMYK 93 / 0 / 22 / 5

HEX #12F1BC

RGB 18 241 188

HSL 165.74, 0.89%, 0.51%

LAB 85.34, -59.68, 12.32

 

CMYK 23 / 93 / 0 / 5

HEX #B912F1

RGB 185 18 241

HSL 284.93, 0.89%, 0.51%

LAB 48.38, 84.59, -72.87

 

CMYK 0 / 23 / 93 / 5

HEX #F1B912

RGB 241 185 18

HSL 44.93, 0.89%, 0.51%

LAB 78.14, 7.68, 78.34

 

CMYK 93 / 0 / 22 / 5

HEX #12F1BC

RGB 18 241 188

HSL 165.74, 0.89%, 0.51%

LAB 85.34, -59.68, 12.32

 

CMYK 93 / 88 / 0 / 5

HEX #121DF1

RGB 18 29 241

HSL 237.04, 0.89%, 0.51%

LAB 32.61, 69.77, -99.45

 

CMYK 0 / 93 / 69 / 5

HEX #F1124A

RGB 241 18 74

HSL 344.93, 0.89%, 0.51%

LAB 51.41, 76.88, 31.5

 

CMYK 0 / 5 / 93 / 5

HEX #F1E612

RGB 241 230 18

HSL 57.04, 0.89%, 0.51%

LAB 89.55, -15.17, 86.89

 

CMYK 93 / 0 / 22 / 5

HEX #12F1BC

RGB 18 241 188

HSL 165.74, 0.89%, 0.51%

LAB 85.34, -59.68, 12.32

 

CMYK 69 / 93 / 0 / 5

HEX #4A12F1

RGB 74 18 241

HSL 255.07, 0.89%, 0.51%

LAB 34.48, 74.36, -96.26

 

CMYK 0 / 93 / 69 / 5

HEX #F1124A

RGB 241 18 74

HSL 344.93, 0.89%, 0.51%

LAB 51.41, 76.88, 31.5

 

CMYK 23 / 0 / 93 / 5

HEX #B9F112

RGB 185 241 18

HSL 75.07, 0.89%, 0.51%

LAB 88.58, -42.94, 84.42

 

Description

Color code: RGB 18 241 188 | qconv.com Color code: RGB 18 241 188 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 241 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 241 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 22 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 22% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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