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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 237 149 it is the complementary color RGB 237 18 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 237 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 237 149 shade: RGB 23 237 144, RGB 40 255 163, RGB 57 255 182, RGB 74 255 201 and RGB 91 255 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 237 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 237 149 shade: RGB 18 237 149, RGB 1 219 130, RGB 0 201 111, RGB 0 183 92 and RGB 0 165 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 237 149 shade: RGB 17 237 149, RGB 17 237 89, RGB 17 237 30, RGB 64 237 17 and RGB 123 237 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 237 149 shade: RGB 17 237 149, RGB 17 237 208, RGB 17 206 237, RGB 17 147 237 and RGB 17 88 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 237 149 shade matches the following richer shades: RGB 17 237 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 237 149 shade: RGB 17 237 149, RGB 38 216 144, RGB 59 195 140, RGB 79 175 136 and RGB 100 154 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 237 149 shade: RGB 17 237 28, RGB 17 237 87, RGB 17 237 145, RGB 17 237 204 and RGB 17 211 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 237 149 shade: RGB 12 160 100, RGB 14 198 124, RGB 17 237 149, RGB 56 240 166 and RGB 94 242 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 237 149 shade: RGB 18 237 149, RGB 17 65 237 and RGB 237 58 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 237 149 shade: RGB 18 237 149, RGB 145 17 237 and RGB 237 145 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 237 149 shade: RGB 18 237 149, RGB 17 65 237, RGB 237 17 109 and RGB 237 189 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 237 149 shade: RGB 18 237 149, RGB 36 17 237, RGB 237 17 109 and RGB 218 237 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 37 / 7

HEX #12ED95

RGB 18 237 149

HSL 155.89, 0.86%, 0.5%

LAB 83.37, -66.7, 29.69

 

Complementary color

CMYK 0 / 92 / 55 / 7

HEX #ED126A

RGB 237 18 106

HSL 335.89, 0.86%, 0.5%

LAB 51.24, 77.68, 11.72

 

CMYK 90 / 0 / 39 / 7

HEX #17ED90

RGB 23 237 144

HSL 153.93, 0.86%, 0.51%

LAB 83.32, -67.44, 32.15

 

CMYK 84 / 0 / 36 / 0

HEX #28FFA3

RGB 40 255 163

HSL 154.33, 1%, 0.58%

LAB 89.21, -68.94, 30.49

 

CMYK 78 / 0 / 29 / 0

HEX #39FFB6

RGB 57 255 182

HSL 157.88, 1%, 0.61%

LAB 89.75, -63.57, 21.65

 

CMYK 71 / 0 / 21 / 0

HEX #4AFFC9

RGB 74 255 201

HSL 162.1, 1%, 0.65%

LAB 90.41, -57.4, 12.87

 

CMYK 64 / 0 / 14 / 0

HEX #5BFFDC

RGB 91 255 220

HSL 167.2, 1%, 0.68%

LAB 91.19, -50.52, 4.24

 

CMYK 92 / 0 / 37 / 7

HEX #12ED95

RGB 18 237 149

HSL 155.89, 0.86%, 0.5%

LAB 83.37, -66.7, 29.69

 

CMYK 100 / 0 / 41 / 14

HEX #01DB82

RGB 1 219 130

HSL 155.5, 0.99%, 0.43%

LAB 77.45, -64.75, 31.47

 

CMYK 100 / 0 / 45 / 21

HEX #00C96F

RGB 0 201 111

HSL 153.13, 1%, 0.39%

LAB 71.5, -62.21, 33.38

 

CMYK 100 / 0 / 50 / 28

HEX #00B75C

RGB 0 183 92

HSL 150.16, 1%, 0.36%

LAB 65.47, -59.49, 35.32

 

CMYK 100 / 0 / 56 / 35

HEX #00A549

RGB 0 165 73

HSL 146.55, 1%, 0.32%

LAB 59.33, -56.59, 37.26

 

CMYK 93 / 0 / 37 / 7

HEX #11ED95

RGB 17 237 149

HSL 156, 0.87%, 0.5%

LAB 83.37, -66.74, 29.69

 

CMYK 93 / 0 / 62 / 7

HEX #11ED59

RGB 17 237 89

HSL 139.64, 0.87%, 0.5%

LAB 82.6, -76.01, 57.07

 

CMYK 93 / 0 / 87 / 7

HEX #11ED1E

RGB 17 237 30

HSL 123.55, 0.87%, 0.5%

LAB 82.26, -80.29, 75.32

 

CMYK 73 / 0 / 93 / 7

HEX #40ED11

RGB 64 237 17

HSL 107.18, 0.87%, 0.5%

LAB 82.75, -76.02, 77.89

 

CMYK 48 / 0 / 93 / 7

HEX #7BED11

RGB 123 237 17

HSL 91.09, 0.87%, 0.5%

LAB 84.39, -62.6, 79.91

 

CMYK 93 / 0 / 37 / 7

HEX #11ED95

RGB 17 237 149

HSL 156, 0.87%, 0.5%

LAB 83.37, -66.74, 29.69

 

CMYK 93 / 0 / 12 / 7

HEX #11EDD0

RGB 17 237 208

HSL 172.09, 0.87%, 0.5%

LAB 84.61, -53.12, 0.8

 

CMYK 93 / 13 / 0 / 7

HEX #11CEED

RGB 17 206 237

HSL 188.45, 0.87%, 0.5%

LAB 76.3, -30.83, -27.06

 

CMYK 93 / 38 / 0 / 7

HEX #1193ED

RGB 17 147 237

HSL 204.55, 0.87%, 0.5%

LAB 59.07, 0.8, -53.99

 

CMYK 93 / 63 / 0 / 7

HEX #1158ED

RGB 17 88 237

HSL 220.64, 0.87%, 0.5%

LAB 43.08, 37.72, -79.85

 

CMYK 93 / 0 / 37 / 7

HEX #11ED95

RGB 17 237 149

HSL 156, 0.87%, 0.5%

LAB 83.37, -66.74, 29.69

 

CMYK 93 / 0 / 37 / 7

HEX #11ED95

RGB 17 237 149

HSL 156, 0.87%, 0.5%

LAB 83.37, -66.74, 29.69

 

CMYK 82 / 0 / 33 / 15

HEX #26D890

RGB 38 216 144

HSL 155.73, 0.7%, 0.5%

LAB 77, -58.98, 23.7

 

CMYK 70 / 0 / 28 / 24

HEX #3BC38C

RGB 59 195 140

HSL 155.74, 0.54%, 0.5%

LAB 70.77, -49.21, 17.3

 

CMYK 55 / 0 / 22 / 31

HEX #4FAF88

RGB 79 175 136

HSL 155.63, 0.38%, 0.5%

LAB 65.04, -37.75, 11.55

 

CMYK 35 / 0 / 14 / 40

HEX #649A84

RGB 100 154 132

HSL 155.56, 0.21%, 0.5%

LAB 59.42, -22.94, 5.91

 

CMYK 93 / 0 / 88 / 7

HEX #11ED1C

RGB 17 237 28

HSL 123, 0.87%, 0.5%

LAB 82.26, -80.36, 75.67

 

CMYK 93 / 0 / 63 / 7

HEX #11ED57

RGB 17 237 87

HSL 139.09, 0.87%, 0.5%

LAB 82.58, -76.23, 57.88

 

CMYK 93 / 0 / 39 / 7

HEX #11ED91

RGB 17 237 145

HSL 154.91, 0.87%, 0.5%

LAB 83.3, -67.52, 31.62

 

CMYK 93 / 0 / 14 / 7

HEX #11EDCC

RGB 17 237 204

HSL 171, 0.87%, 0.5%

LAB 84.51, -54.16, 2.76

 

CMYK 93 / 11 / 0 / 7

HEX #11D3ED

RGB 17 211 237

HSL 187.09, 0.87%, 0.5%

LAB 77.77, -33.23, -24.82

 

CMYK 93 / 0 / 38 / 37

HEX #0CA064

RGB 12 160 100

HSL 155.68, 0.86%, 0.34%

LAB 58.17, -49.36, 21.66

 

CMYK 93 / 0 / 37 / 22

HEX #0EC67C

RGB 14 198 124

HSL 155.87, 0.87%, 0.42%

LAB 70.83, -58.17, 25.79

 

CMYK 93 / 0 / 37 / 7

HEX #11ED95

RGB 17 237 149

HSL 156, 0.87%, 0.5%

LAB 83.37, -66.74, 29.69

 

CMYK 77 / 0 / 31 / 6

HEX #38F0A6

RGB 56 240 166

HSL 155.87, 0.86%, 0.58%

LAB 84.95, -61.47, 23.22

 

CMYK 61 / 0 / 24 / 5

HEX #5EF2B7

RGB 94 242 183

HSL 156.08, 0.85%, 0.66%

LAB 86.65, -53.02, 16.93

 

CMYK 92 / 0 / 37 / 7

HEX #12ED95

RGB 18 237 149

HSL 155.89, 0.86%, 0.5%

LAB 83.37, -66.7, 29.69

 

CMYK 93 / 73 / 0 / 7

HEX #1141ED

RGB 17 65 237

HSL 226.91, 0.87%, 0.5%

LAB 37.87, 51.76, -88.45

 

CMYK 0 / 76 / 93 / 7

HEX #ED3A11

RGB 237 58 17

HSL 11.18, 0.87%, 0.5%

LAB 53.03, 66.03, 60.9

 

CMYK 92 / 0 / 37 / 7

HEX #12ED95

RGB 18 237 149

HSL 155.89, 0.86%, 0.5%

LAB 83.37, -66.7, 29.69

 

CMYK 39 / 93 / 0 / 7

HEX #9111ED

RGB 145 17 237

HSL 274.91, 0.87%, 0.5%

LAB 42.05, 79.11, -81.21

 

CMYK 0 / 39 / 93 / 7

HEX #ED9111

RGB 237 145 17

HSL 34.91, 0.87%, 0.5%

LAB 68.24, 27.04, 71.12

 

CMYK 92 / 0 / 37 / 7

HEX #12ED95

RGB 18 237 149

HSL 155.89, 0.86%, 0.5%

LAB 83.37, -66.7, 29.69

 

CMYK 93 / 73 / 0 / 7

HEX #1141ED

RGB 17 65 237

HSL 226.91, 0.87%, 0.5%

LAB 37.87, 51.76, -88.45

 

CMYK 0 / 93 / 54 / 7

HEX #ED116D

RGB 237 17 109

HSL 334.91, 0.87%, 0.5%

LAB 51.28, 77.98, 9.94

 

CMYK 0 / 20 / 93 / 7

HEX #EDBD11

RGB 237 189 17

HSL 46.91, 0.87%, 0.5%

LAB 78.72, 3.86, 78.73

 

CMYK 92 / 0 / 37 / 7

HEX #12ED95

RGB 18 237 149

HSL 155.89, 0.86%, 0.5%

LAB 83.37, -66.7, 29.69

 

CMYK 85 / 93 / 0 / 7

HEX #2411ED

RGB 36 17 237

HSL 245.18, 0.87%, 0.5%

LAB 31.56, 72.32, -98.92

 

CMYK 0 / 93 / 54 / 7

HEX #ED116D

RGB 237 17 109

HSL 334.91, 0.87%, 0.5%

LAB 51.28, 77.98, 9.94

 

CMYK 8 / 0 / 93 / 7

HEX #DAED11

RGB 218 237 17

HSL 65.18, 0.87%, 0.5%

LAB 89.63, -28.08, 86.29

 

Description

Color code: RGB 18 237 149 | qconv.com Color code: RGB 18 237 149 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 237 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 237 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 37 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 37% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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