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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 200 102 it is the complementary color RGB 237 55 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 200 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 200 102 shade: RGB 23 200 97, RGB 40 218 116, RGB 57 236 135, RGB 74 254 154 and RGB 91 255 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 200 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 200 102 shade: RGB 18 200 102, RGB 1 182 83, RGB 0 164 64, RGB 0 146 45 and RGB 0 128 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 200 102 shade: RGB 18 200 102, RGB 18 200 53, RGB 32 200 18, RGB 81 200 18 and RGB 130 200 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 200 102 shade: RGB 18 200 102, RGB 18 200 151, RGB 18 200 200, RGB 18 151 200 and RGB 18 102 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 200 102 shade matches the following richer shades: RGB 18 200 102 and RGB 0 218 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 200 102 shade: RGB 18 200 102, RGB 36 182 104, RGB 54 165 105, RGB 71 147 106 and RGB 89 129 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 200 102 shade: RGB 33 200 18, RGB 18 200 52, RGB 18 200 100, RGB 18 200 149 and RGB 18 200 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 200 102 shade: RGB 11 125 64, RGB 15 162 83, RGB 18 200 102, RGB 26 233 122 and RGB 64 237 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 200 102 shade: RGB 18 200 102, RGB 18 82 200 and RGB 200 27 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 200 102 shade: RGB 18 200 102, RGB 100 18 200 and RGB 200 100 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 200 102 shade: RGB 18 200 102, RGB 18 82 200, RGB 200 18 118 and RGB 200 136 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 200 102 shade: RGB 18 200 102, RGB 18 27 200, RGB 200 18 118 and RGB 200 191 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 49 / 22

HEX #12C866

RGB 18 200 102

HSL 147.69, 0.83%, 0.43%

LAB 71.14, -62.68, 37.46

 

Complementary color

CMYK 0 / 77 / 35 / 7

HEX #ED3799

RGB 237 55 153

HSL 327.69, 0.83%, 0.57%

LAB 55.11, 74.45, -10.88

 

CMYK 89 / 0 / 52 / 22

HEX #17C861

RGB 23 200 97

HSL 145.08, 0.79%, 0.44%

LAB 71.11, -63.17, 39.9

 

CMYK 82 / 0 / 47 / 15

HEX #28DA74

RGB 40 218 116

HSL 145.62, 0.71%, 0.51%

LAB 77.19, -64.71, 38.21

 

CMYK 76 / 0 / 43 / 7

HEX #39EC87

RGB 57 236 135

HSL 146.15, 0.82%, 0.57%

LAB 83.24, -65.79, 36.61

 

CMYK 71 / 0 / 39 / 0

HEX #4AFE9A

RGB 74 254 154

HSL 146.67, 0.99%, 0.64%

LAB 89.24, -66.54, 35.1

 

CMYK 64 / 0 / 32 / 0

HEX #5BFFAD

RGB 91 255 173

HSL 150, 1%, 0.68%

LAB 90.21, -60.7, 26.95

 

CMYK 91 / 0 / 49 / 22

HEX #12C866

RGB 18 200 102

HSL 147.69, 0.83%, 0.43%

LAB 71.14, -62.68, 37.46

 

CMYK 99 / 0 / 54 / 29

HEX #01B653

RGB 1 182 83

HSL 147.18, 0.99%, 0.36%

LAB 65.03, -60.55, 39.25

 

CMYK 100 / 0 / 61 / 36

HEX #00A440

RGB 0 164 64

HSL 143.41, 1%, 0.32%

LAB 58.9, -57.53, 41.07

 

CMYK 100 / 0 / 69 / 43

HEX #00922D

RGB 0 146 45

HSL 138.49, 1%, 0.29%

LAB 52.67, -54.18, 42.63

 

CMYK 100 / 0 / 80 / 50

HEX #00801A

RGB 0 128 26

HSL 132.19, 1%, 0.25%

LAB 46.33, -50.4, 43.54

 

CMYK 91 / 0 / 49 / 22

HEX #12C866

RGB 18 200 102

HSL 147.69, 0.83%, 0.43%

LAB 71.14, -62.68, 37.46

 

CMYK 91 / 0 / 74 / 22

HEX #12C835

RGB 18 200 53

HSL 131.54, 0.83%, 0.43%

LAB 70.66, -68.66, 58.34

 

CMYK 84 / 0 / 91 / 22

HEX #20C812

RGB 32 200 18

HSL 115.38, 0.83%, 0.43%

LAB 70.64, -69.44, 67.43

 

CMYK 60 / 0 / 91 / 22

HEX #51C812

RGB 81 200 18

HSL 99.23, 0.83%, 0.43%

LAB 71.62, -60.97, 68.66

 

CMYK 35 / 0 / 91 / 22

HEX #82C812

RGB 130 200 18

HSL 83.08, 0.83%, 0.43%

LAB 73.61, -45.93, 71.12

 

CMYK 91 / 0 / 49 / 22

HEX #12C866

RGB 18 200 102

HSL 147.69, 0.83%, 0.43%

LAB 71.14, -62.68, 37.46

 

CMYK 91 / 0 / 25 / 22

HEX #12C897

RGB 18 200 151

HSL 163.85, 0.83%, 0.43%

LAB 72.01, -52.75, 13.04

 

CMYK 91 / 0 / 0 / 22

HEX #12C8C8

RGB 18 200 200

HSL 180, 0.83%, 0.43%

LAB 73.29, -39.48, -11.64

 

CMYK 91 / 25 / 0 / 22

HEX #1297C8

RGB 18 151 200

HSL 196.15, 0.83%, 0.43%

LAB 58.44, -15.1, -34.33

 

CMYK 91 / 49 / 0 / 22

HEX #1266C8

RGB 18 102 200

HSL 212.31, 0.83%, 0.43%

LAB 43.95, 14.34, -57.35

 

CMYK 91 / 0 / 49 / 22

HEX #12C866

RGB 18 200 102

HSL 147.69, 0.83%, 0.43%

LAB 71.14, -62.68, 37.46

 

CMYK 100 / 0 / 54 / 15

HEX #00DA65

RGB 0 218 101

HSL 147.8, 1%, 0.43%

LAB 76.73, -69.31, 44.83

 

CMYK 91 / 0 / 49 / 22

HEX #12C866

RGB 18 200 102

HSL 147.69, 0.83%, 0.43%

LAB 71.14, -62.68, 37.46

 

CMYK 80 / 0 / 43 / 29

HEX #24B668

RGB 36 182 104

HSL 147.95, 0.67%, 0.43%

LAB 65.62, -54.63, 29.41

 

CMYK 67 / 0 / 36 / 35

HEX #36A569

RGB 54 165 105

HSL 147.57, 0.51%, 0.43%

LAB 60.53, -45.28, 22.21

 

CMYK 52 / 0 / 28 / 42

HEX #47936A

RGB 71 147 106

HSL 147.63, 0.35%, 0.43%

LAB 55.33, -33.49, 14.65

 

CMYK 31 / 0 / 16 / 49

HEX #59816C

RGB 89 129 108

HSL 148.5, 0.18%, 0.43%

LAB 50.58, -18.73, 6.96

 

CMYK 84 / 0 / 91 / 22

HEX #21C812

RGB 33 200 18

HSL 115.05, 0.83%, 0.43%

LAB 70.65, -69.34, 67.45

 

CMYK 91 / 0 / 74 / 22

HEX #12C834

RGB 18 200 52

HSL 131.21, 0.83%, 0.43%

LAB 70.65, -68.74, 58.69

 

CMYK 91 / 0 / 50 / 22

HEX #12C864

RGB 18 200 100

HSL 147.03, 0.83%, 0.43%

LAB 71.12, -63.01, 38.42

 

CMYK 91 / 0 / 26 / 22

HEX #12C895

RGB 18 200 149

HSL 163.19, 0.83%, 0.43%

LAB 71.97, -53.22, 14.06

 

CMYK 91 / 0 / 1 / 22

HEX #12C8C5

RGB 18 200 197

HSL 179.01, 0.83%, 0.43%

LAB 73.2, -40.37, -10.15

 

CMYK 91 / 0 / 49 / 51

HEX #0B7D40

RGB 11 125 64

HSL 147.89, 0.84%, 0.27%

LAB 45.78, -43.61, 25.18

 

CMYK 91 / 0 / 49 / 36

HEX #0FA253

RGB 15 162 83

HSL 147.76, 0.83%, 0.35%

LAB 58.57, -53.17, 31.27

 

CMYK 91 / 0 / 49 / 22

HEX #12C866

RGB 18 200 102

HSL 147.69, 0.83%, 0.43%

LAB 71.14, -62.68, 37.46

 

CMYK 89 / 0 / 48 / 9

HEX #1AE97A

RGB 26 233 122

HSL 147.83, 0.82%, 0.51%

LAB 81.79, -69.79, 41.06

 

CMYK 73 / 0 / 39 / 7

HEX #40ED90

RGB 64 237 144

HSL 147.75, 0.83%, 0.59%

LAB 83.79, -63.65, 32.87

 

CMYK 91 / 0 / 49 / 22

HEX #12C866

RGB 18 200 102

HSL 147.69, 0.83%, 0.43%

LAB 71.14, -62.68, 37.46

 

CMYK 91 / 59 / 0 / 22

HEX #1252C8

RGB 18 82 200

HSL 218.9, 0.83%, 0.43%

LAB 38.43, 27.48, -66.31

 

CMYK 0 / 87 / 91 / 22

HEX #C81B12

RGB 200 27 18

HSL 2.97, 0.83%, 0.43%

LAB 42.92, 63.45, 50.45

 

CMYK 91 / 0 / 49 / 22

HEX #12C866

RGB 18 200 102

HSL 147.69, 0.83%, 0.43%

LAB 71.14, -62.68, 37.46

 

CMYK 50 / 91 / 0 / 22

HEX #6412C8

RGB 100 18 200

HSL 267.03, 0.83%, 0.43%

LAB 32.51, 66.4, -75.86

 

CMYK 0 / 50 / 91 / 22

HEX #C86412

RGB 200 100 18

HSL 27.03, 0.83%, 0.43%

LAB 53.42, 35.36, 57.92

 

CMYK 91 / 0 / 49 / 22

HEX #12C866

RGB 18 200 102

HSL 147.69, 0.83%, 0.43%

LAB 71.14, -62.68, 37.46

 

CMYK 91 / 59 / 0 / 22

HEX #1252C8

RGB 18 82 200

HSL 218.9, 0.83%, 0.43%

LAB 38.43, 27.48, -66.31

 

CMYK 0 / 91 / 41 / 22

HEX #C81276

RGB 200 18 118

HSL 327.03, 0.83%, 0.43%

LAB 44.26, 70.17, -6.69

 

CMYK 0 / 32 / 91 / 22

HEX #C88812

RGB 200 136 18

HSL 38.9, 0.83%, 0.43%

LAB 61.59, 16.01, 64

 

CMYK 91 / 0 / 49 / 22

HEX #12C866

RGB 18 200 102

HSL 147.69, 0.83%, 0.43%

LAB 71.14, -62.68, 37.46

 

CMYK 91 / 87 / 0 / 22

HEX #121BC8

RGB 18 27 200

HSL 237.03, 0.83%, 0.43%

LAB 26.97, 58.94, -85.24

 

CMYK 0 / 91 / 41 / 22

HEX #C81276

RGB 200 18 118

HSL 327.03, 0.83%, 0.43%

LAB 44.26, 70.17, -6.69

 

CMYK 0 / 5 / 91 / 22

HEX #C8BF12

RGB 200 191 18

HSL 57.03, 0.83%, 0.43%

LAB 75.81, -13.23, 74.88

 

Description

Color code: RGB 18 200 102 | qconv.com Color code: RGB 18 200 102 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 200 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 200 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 49 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 49% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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