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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 187 62 it is the complementary color RGB 237 68 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 187 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 187 62 shade: RGB 23 187 57, RGB 40 205 76, RGB 57 223 95, RGB 74 241 114 and RGB 91 255 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 187 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 187 62 shade: RGB 18 187 62, RGB 1 169 43, RGB 0 151 24, RGB 0 133 5 and RGB 0 115 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 187 62 shade: RGB 18 185 61, RGB 19 185 18, RGB 65 185 18, RGB 110 185 18 and RGB 155 185 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 187 62 shade: RGB 18 185 61, RGB 18 185 107, RGB 18 185 152, RGB 18 174 185 and RGB 18 128 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 187 62 shade matches the following richer shades: RGB 18 185 61 and RGB 1 202 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 187 62 shade: RGB 18 185 61, RGB 34 169 69, RGB 51 152 77, RGB 67 136 85 and RGB 84 119 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 187 62 shade: RGB 65 185 18, RGB 21 185 18, RGB 18 185 60, RGB 18 185 104 and RGB 18 185 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 187 62 shade: RGB 10 110 36, RGB 14 148 49, RGB 18 185 61, RGB 22 223 74 and RGB 51 234 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 187 62 shade: RGB 18 187 62, RGB 18 110 185 and RGB 185 18 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 187 62 shade: RGB 18 187 62, RGB 60 18 185 and RGB 185 60 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 187 62 shade: RGB 18 187 62, RGB 18 110 185, RGB 185 18 143 and RGB 185 93 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 187 62 shade: RGB 18 187 62, RGB 18 60 185, RGB 185 18 143 and RGB 185 143 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 67 / 27

HEX #12BB3E

RGB 18 187 62

HSL 135.62, 0.82%, 0.4%

LAB 66.53, -63.96, 50.54

 

Complementary color

CMYK 0 / 71 / 19 / 7

HEX #ED44C1

RGB 237 68 193

HSL 315.62, 0.82%, 0.6%

LAB 58.03, 75.23, -29.71

 

CMYK 88 / 0 / 70 / 27

HEX #17BB39

RGB 23 187 57

HSL 132.44, 0.78%, 0.41%

LAB 66.53, -64.1, 52.58

 

CMYK 80 / 0 / 63 / 20

HEX #28CD4C

RGB 40 205 76

HSL 133.09, 0.67%, 0.48%

LAB 72.65, -66.04, 51.45

 

CMYK 74 / 0 / 57 / 13

HEX #39DF5F

RGB 57 223 95

HSL 133.73, 0.72%, 0.55%

LAB 78.74, -67.38, 50.12

 

CMYK 69 / 0 / 53 / 5

HEX #4AF172

RGB 74 241 114

HSL 134.37, 0.86%, 0.62%

LAB 84.78, -68.29, 48.72

 

CMYK 64 / 0 / 48 / 0

HEX #5BFF85

RGB 91 255 133

HSL 135.37, 1%, 0.68%

LAB 89.6, -67.47, 45.83

 

CMYK 90 / 0 / 67 / 27

HEX #12BB3E

RGB 18 187 62

HSL 135.62, 0.82%, 0.4%

LAB 66.53, -63.96, 50.54

 

CMYK 99 / 0 / 75 / 34

HEX #01A92B

RGB 1 169 43

HSL 135, 0.99%, 0.33%

LAB 60.39, -61.26, 51.48

 

CMYK 100 / 0 / 84 / 41

HEX #009718

RGB 0 151 24

HSL 129.54, 1%, 0.3%

LAB 54.24, -57.39, 51.66

 

CMYK 100 / 0 / 96 / 48

HEX #008505

RGB 0 133 5

HSL 122.26, 1%, 0.26%

LAB 47.99, -52.97, 50.32

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 90 / 0 / 67 / 27

HEX #12B93D

RGB 18 185 61

HSL 135.45, 0.82%, 0.4%

LAB 65.88, -63.46, 50.24

 

CMYK 90 / 0 / 90 / 27

HEX #13B912

RGB 19 185 18

HSL 119.64, 0.82%, 0.4%

LAB 65.66, -66.29, 63.14

 

CMYK 65 / 0 / 90 / 27

HEX #41B912

RGB 65 185 18

HSL 103.11, 0.82%, 0.4%

LAB 66.42, -59.66, 64.09

 

CMYK 41 / 0 / 90 / 27

HEX #6EB912

RGB 110 185 18

HSL 86.95, 0.82%, 0.4%

LAB 68.06, -46.8, 66.14

 

CMYK 16 / 0 / 90 / 27

HEX #9BB912

RGB 155 185 18

HSL 70.78, 0.82%, 0.4%

LAB 70.67, -29.5, 69.35

 

CMYK 90 / 0 / 67 / 27

HEX #12B93D

RGB 18 185 61

HSL 135.45, 0.82%, 0.4%

LAB 65.88, -63.46, 50.24

 

CMYK 90 / 0 / 42 / 27

HEX #12B96B

RGB 18 185 107

HSL 151.98, 0.82%, 0.4%

LAB 66.43, -56.68, 28.88

 

CMYK 90 / 0 / 18 / 27

HEX #12B998

RGB 18 185 152

HSL 168.14, 0.82%, 0.4%

LAB 67.35, -46.48, 5.87

 

CMYK 90 / 6 / 0 / 27

HEX #12AEB9

RGB 18 174 185

HSL 183.95, 0.82%, 0.4%

LAB 64.89, -31.99, -16.04

 

CMYK 90 / 31 / 0 / 27

HEX #1280B9

RGB 18 128 185

HSL 200.48, 0.82%, 0.4%

LAB 50.77, -7.61, -37.83

 

CMYK 90 / 0 / 67 / 27

HEX #12B93D

RGB 18 185 61

HSL 135.45, 0.82%, 0.4%

LAB 65.88, -63.46, 50.24

 

CMYK 100 / 0 / 74 / 21

HEX #01CA35

RGB 1 202 53

HSL 135.52, 0.99%, 0.4%

LAB 71.22, -69.99, 58.88

 

CMYK 90 / 0 / 67 / 27

HEX #12B93D

RGB 18 185 61

HSL 135.45, 0.82%, 0.4%

LAB 65.88, -63.46, 50.24

 

CMYK 80 / 0 / 59 / 34

HEX #22A945

RGB 34 169 69

HSL 135.56, 0.67%, 0.4%

LAB 60.91, -55.88, 41.13

 

CMYK 66 / 0 / 49 / 40

HEX #33984D

RGB 51 152 77

HSL 135.45, 0.5%, 0.4%

LAB 55.78, -45.77, 31.01

 

CMYK 51 / 0 / 38 / 47

HEX #438855

RGB 67 136 85

HSL 135.65, 0.34%, 0.4%

LAB 51.22, -33.72, 20.87

 

CMYK 29 / 0 / 22 / 53

HEX #54775D

RGB 84 119 93

HSL 135.43, 0.17%, 0.4%

LAB 46.8, -18.28, 10.37

 

CMYK 65 / 0 / 90 / 27

HEX #41B912

RGB 65 185 18

HSL 103.11, 0.82%, 0.4%

LAB 66.42, -59.66, 64.09

 

CMYK 89 / 0 / 90 / 27

HEX #15B912

RGB 21 185 18

HSL 118.92, 0.82%, 0.4%

LAB 65.67, -66.14, 63.16

 

CMYK 90 / 0 / 68 / 27

HEX #12B93C

RGB 18 185 60

HSL 135.09, 0.82%, 0.4%

LAB 65.87, -63.56, 50.65

 

CMYK 90 / 0 / 44 / 27

HEX #12B968

RGB 18 185 104

HSL 150.9, 0.82%, 0.4%

LAB 66.39, -57.24, 30.38

 

CMYK 90 / 0 / 19 / 27

HEX #12B995

RGB 18 185 149

HSL 167.07, 0.82%, 0.4%

LAB 67.27, -47.26, 7.41

 

CMYK 91 / 0 / 67 / 57

HEX #0A6E24

RGB 10 110 36

HSL 135.6, 0.83%, 0.24%

LAB 40.15, -42.74, 32.98

 

CMYK 91 / 0 / 67 / 42

HEX #0E9431

RGB 14 148 49

HSL 135.67, 0.83%, 0.32%

LAB 53.49, -53.47, 41.81

 

CMYK 90 / 0 / 67 / 27

HEX #12B93D

RGB 18 185 61

HSL 135.45, 0.82%, 0.4%

LAB 65.88, -63.46, 50.24

 

CMYK 90 / 0 / 67 / 13

HEX #16DF4A

RGB 22 223 74

HSL 135.52, 0.82%, 0.48%

LAB 78.13, -73.24, 58.28

 

CMYK 78 / 0 / 58 / 8

HEX #33EA63

RGB 51 234 99

HSL 135.74, 0.81%, 0.56%

LAB 82.08, -71.2, 52.23

 

CMYK 90 / 0 / 67 / 27

HEX #12BB3E

RGB 18 187 62

HSL 135.62, 0.82%, 0.4%

LAB 66.53, -63.96, 50.54

 

CMYK 90 / 41 / 0 / 27

HEX #126EB9

RGB 18 110 185

HSL 206.95, 0.82%, 0.4%

LAB 45.34, 3.29, -46.45

 

CMYK 0 / 90 / 77 / 27

HEX #B9122B

RGB 185 18 43

HSL 351.02, 0.82%, 0.4%

LAB 39.45, 61.63, 33.21

 

CMYK 90 / 0 / 67 / 27

HEX #12BB3E

RGB 18 187 62

HSL 135.62, 0.82%, 0.4%

LAB 66.53, -63.96, 50.54

 

CMYK 68 / 90 / 0 / 27

HEX #3C12B9

RGB 60 18 185

HSL 255.09, 0.82%, 0.4%

LAB 26.44, 59.53, -77.2

 

CMYK 0 / 68 / 90 / 27

HEX #B93C12

RGB 185 60 18

HSL 15.09, 0.82%, 0.4%

LAB 43.64, 48.68, 49.62

 

CMYK 90 / 0 / 67 / 27

HEX #12BB3E

RGB 18 187 62

HSL 135.62, 0.82%, 0.4%

LAB 66.53, -63.96, 50.54

 

CMYK 90 / 41 / 0 / 27

HEX #126EB9

RGB 18 110 185

HSL 206.95, 0.82%, 0.4%

LAB 45.34, 3.29, -46.45

 

CMYK 0 / 90 / 23 / 27

HEX #B9128F

RGB 185 18 143

HSL 315.09, 0.82%, 0.4%

LAB 42.35, 69.61, -25.22

 

CMYK 0 / 50 / 90 / 27

HEX #B95D12

RGB 185 93 18

HSL 26.95, 0.82%, 0.4%

LAB 49.72, 32.88, 54.17

 

CMYK 90 / 0 / 67 / 27

HEX #12BB3E

RGB 18 187 62

HSL 135.62, 0.82%, 0.4%

LAB 66.53, -63.96, 50.54

 

CMYK 90 / 68 / 0 / 27

HEX #123CB9

RGB 18 60 185

HSL 224.91, 0.82%, 0.4%

LAB 31.49, 36.13, -68.9

 

CMYK 0 / 90 / 23 / 27

HEX #B9128F

RGB 185 18 143

HSL 315.09, 0.82%, 0.4%

LAB 42.35, 69.61, -25.22

 

CMYK 0 / 23 / 90 / 27

HEX #B98F12

RGB 185 143 18

HSL 44.91, 0.82%, 0.4%

LAB 61.66, 5.48, 63.31

 

Description

Color code: RGB 18 187 62 | qconv.com Color code: RGB 18 187 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 187 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 187 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 67 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 67% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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