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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 185 182 it is the complementary color RGB 237 70 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 185 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 185 182 shade: RGB 23 185 177, RGB 40 203 196, RGB 57 221 215, RGB 74 239 234 and RGB 91 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 185 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 185 182 shade: RGB 18 185 182, RGB 1 167 163, RGB 0 149 144, RGB 0 131 125 and RGB 0 113 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 185 182 shade: RGB 18 185 182, RGB 18 185 137, RGB 18 185 92, RGB 18 185 47 and RGB 34 185 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 185 182 shade: RGB 18 185 182, RGB 18 143 185, RGB 18 98 185, RGB 18 53 185 and RGB 18 18 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 185 182 shade matches the following richer shades: RGB 18 185 182 and RGB 1 202 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 185 182 shade: RGB 18 185 182, RGB 34 169 166, RGB 51 152 150, RGB 67 136 134 and RGB 84 119 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 185 182 shade: RGB 18 185 90, RGB 18 185 135, RGB 18 185 180, RGB 18 146 185 and RGB 18 102 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 185 182 shade: RGB 10 110 108, RGB 14 148 145, RGB 18 185 182, RGB 22 223 219 and RGB 51 234 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 185 182 shade: RGB 18 185 182, RGB 46 18 185 and RGB 185 113 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 185 182 shade: RGB 18 185 182, RGB 180 18 185 and RGB 185 180 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 185 182 shade: RGB 18 185 182, RGB 46 18 185, RGB 185 18 23 and RGB 157 185 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 185 182 shade: RGB 18 185 182, RGB 96 18 185, RGB 185 18 23 and RGB 107 185 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 2 / 27

HEX #12B9B6

RGB 18 185 182

HSL 178.92, 0.82%, 0.4%

LAB 68.17, -38.06, -9.44

 

Complementary color

CMYK 0 / 70 / 69 / 7

HEX #ED4649

RGB 237 70 73

HSL 358.92, 0.82%, 0.6%

LAB 54.93, 63.62, 36.17

 

CMYK 88 / 0 / 4 / 27

HEX #17B9B1

RGB 23 185 177

HSL 177.04, 0.78%, 0.41%

LAB 68.06, -39.27, -6.85

 

CMYK 80 / 0 / 3 / 20

HEX #28CBC4

RGB 40 203 196

HSL 177.42, 0.67%, 0.48%

LAB 74.28, -40.62, -7.97

 

CMYK 74 / 0 / 3 / 13

HEX #39DDD7

RGB 57 221 215

HSL 177.8, 0.71%, 0.55%

LAB 80.45, -41.65, -8.98

 

CMYK 69 / 0 / 2 / 6

HEX #4AEFEA

RGB 74 239 234

HSL 178.18, 0.84%, 0.61%

LAB 86.57, -42.44, -9.9

 

CMYK 64 / 0 / 1 / 0

HEX #5BFFFD

RGB 91 255 253

HSL 179.27, 1%, 0.68%

LAB 92.06, -42.15, -11.59

 

CMYK 90 / 0 / 2 / 27

HEX #12B9B6

RGB 18 185 182

HSL 178.92, 0.82%, 0.4%

LAB 68.17, -38.06, -9.44

 

CMYK 99 / 0 / 2 / 35

HEX #01A7A3

RGB 1 167 163

HSL 178.55, 0.99%, 0.33%

LAB 61.9, -36.21, -8.23

 

CMYK 100 / 0 / 3 / 42

HEX #009590

RGB 0 149 144

HSL 177.99, 1%, 0.29%

LAB 55.59, -33.77, -6.84

 

CMYK 100 / 0 / 5 / 49

HEX #00837D

RGB 0 131 125

HSL 177.25, 1%, 0.26%

LAB 49.15, -31.25, -5.39

 

CMYK 100 / 0 / 6 / 56

HEX #00716A

RGB 0 113 106

HSL 176.28, 1%, 0.22%

LAB 42.54, -28.66, -3.88

 

CMYK 90 / 0 / 2 / 27

HEX #12B9B6

RGB 18 185 182

HSL 178.92, 0.82%, 0.4%

LAB 68.17, -38.06, -9.44

 

CMYK 90 / 0 / 26 / 27

HEX #12B989

RGB 18 185 137

HSL 162.75, 0.82%, 0.4%

LAB 67, -50.24, 13.58

 

CMYK 90 / 0 / 50 / 27

HEX #12B95C

RGB 18 185 92

HSL 146.59, 0.82%, 0.4%

LAB 66.21, -59.32, 36.28

 

CMYK 90 / 0 / 75 / 27

HEX #12B92F

RGB 18 185 47

HSL 130.42, 0.82%, 0.4%

LAB 65.77, -64.75, 55.52

 

CMYK 82 / 0 / 90 / 27

HEX #22B912

RGB 34 185 18

HSL 114.25, 0.82%, 0.4%

LAB 65.81, -64.88, 63.34

 

CMYK 90 / 0 / 2 / 27

HEX #12B9B6

RGB 18 185 182

HSL 178.92, 0.82%, 0.4%

LAB 68.17, -38.06, -9.44

 

CMYK 90 / 23 / 0 / 27

HEX #128FB9

RGB 18 143 185

HSL 195.09, 0.82%, 0.4%

LAB 55.36, -16.09, -30.65

 

CMYK 90 / 47 / 0 / 27

HEX #1262B9

RGB 18 98 185

HSL 211.26, 0.82%, 0.4%

LAB 41.79, 10.95, -52.13

 

CMYK 90 / 71 / 0 / 27

HEX #1235B9

RGB 18 53 185

HSL 227.43, 0.82%, 0.4%

LAB 29.86, 40.57, -71.6

 

CMYK 90 / 90 / 0 / 27

HEX #1212B9

RGB 18 18 185

HSL 240, 0.82%, 0.4%

LAB 23.88, 57.86, -81.52

 

CMYK 90 / 0 / 2 / 27

HEX #12B9B6

RGB 18 185 182

HSL 178.92, 0.82%, 0.4%

LAB 68.17, -38.06, -9.44

 

CMYK 100 / 0 / 2 / 21

HEX #01CAC6

RGB 1 202 198

HSL 178.81, 0.99%, 0.4%

LAB 73.76, -41.5, -9.87

 

CMYK 90 / 0 / 2 / 27

HEX #12B9B6

RGB 18 185 182

HSL 178.92, 0.82%, 0.4%

LAB 68.17, -38.06, -9.44

 

CMYK 80 / 0 / 2 / 34

HEX #22A9A6

RGB 34 169 166

HSL 178.67, 0.67%, 0.4%

LAB 62.9, -34.36, -8.39

 

CMYK 66 / 0 / 1 / 40

HEX #339896

RGB 51 152 150

HSL 178.81, 0.5%, 0.4%

LAB 57.43, -28.84, -7.47

 

CMYK 51 / 0 / 1 / 47

HEX #438886

RGB 67 136 134

HSL 178.26, 0.34%, 0.4%

LAB 52.42, -22.22, -5.63

 

CMYK 29 / 0 / 1 / 53

HEX #547776

RGB 84 119 118

HSL 178.29, 0.17%, 0.4%

LAB 47.48, -12.59, -3.46

 

CMYK 90 / 0 / 51 / 27

HEX #12B95A

RGB 18 185 90

HSL 145.87, 0.82%, 0.4%

LAB 66.19, -59.64, 37.24

 

CMYK 90 / 0 / 27 / 27

HEX #12B987

RGB 18 185 135

HSL 162.04, 0.82%, 0.4%

LAB 66.96, -50.71, 14.61

 

CMYK 90 / 0 / 3 / 27

HEX #12B9B4

RGB 18 185 180

HSL 178.2, 0.82%, 0.4%

LAB 68.11, -38.65, -8.43

 

CMYK 90 / 21 / 0 / 27

HEX #1292B9

RGB 18 146 185

HSL 194.01, 0.82%, 0.4%

LAB 56.28, -17.73, -29.22

 

CMYK 90 / 45 / 0 / 27

HEX #1266B9

RGB 18 102 185

HSL 209.82, 0.82%, 0.4%

LAB 42.96, 8.37, -50.24

 

CMYK 91 / 0 / 2 / 57

HEX #0A6E6C

RGB 10 110 108

HSL 178.8, 0.83%, 0.24%

LAB 41.69, -25.87, -6.34

 

CMYK 91 / 0 / 2 / 42

HEX #0E9491

RGB 14 148 145

HSL 178.66, 0.83%, 0.32%

LAB 55.4, -32.35, -7.69

 

CMYK 90 / 0 / 2 / 27

HEX #12B9B6

RGB 18 185 182

HSL 178.92, 0.82%, 0.4%

LAB 68.17, -38.06, -9.44

 

CMYK 90 / 0 / 2 / 13

HEX #16DFDB

RGB 22 223 219

HSL 178.81, 0.82%, 0.48%

LAB 80.77, -43.98, -10.67

 

CMYK 78 / 0 / 1 / 8

HEX #33EAE7

RGB 51 234 231

HSL 179.02, 0.81%, 0.56%

LAB 84.65, -43.52, -11.22

 

CMYK 90 / 0 / 2 / 27

HEX #12B9B6

RGB 18 185 182

HSL 178.92, 0.82%, 0.4%

LAB 68.17, -38.06, -9.44

 

CMYK 75 / 90 / 0 / 27

HEX #2E12B9

RGB 46 18 185

HSL 250.06, 0.82%, 0.4%

LAB 25.31, 58.77, -79.11

 

CMYK 0 / 39 / 90 / 27

HEX #B97112

RGB 185 113 18

HSL 34.13, 0.82%, 0.4%

LAB 54.21, 22.06, 57.58

 

CMYK 90 / 0 / 2 / 27

HEX #12B9B6

RGB 18 185 182

HSL 178.92, 0.82%, 0.4%

LAB 68.17, -38.06, -9.44

 

CMYK 3 / 90 / 0 / 27

HEX #B412B9

RGB 180 18 185

HSL 298.2, 0.82%, 0.4%

LAB 43.71, 74.51, -48.27

 

CMYK 0 / 3 / 90 / 27

HEX #B9B412

RGB 185 180 18

HSL 58.2, 0.82%, 0.4%

LAB 71.56, -14.17, 71.02

 

CMYK 90 / 0 / 2 / 27

HEX #12B9B6

RGB 18 185 182

HSL 178.92, 0.82%, 0.4%

LAB 68.17, -38.06, -9.44

 

CMYK 75 / 90 / 0 / 27

HEX #2E12B9

RGB 46 18 185

HSL 250.06, 0.82%, 0.4%

LAB 25.31, 58.77, -79.11

 

CMYK 0 / 90 / 88 / 27

HEX #B91217

RGB 185 18 23

HSL 358.2, 0.82%, 0.4%

LAB 39.26, 61.09, 44.11

 

CMYK 15 / 0 / 90 / 27

HEX #9DB912

RGB 157 185 18

HSL 70.06, 0.82%, 0.4%

LAB 70.81, -28.66, 69.52

 

CMYK 90 / 0 / 2 / 27

HEX #12B9B6

RGB 18 185 182

HSL 178.92, 0.82%, 0.4%

LAB 68.17, -38.06, -9.44

 

CMYK 48 / 90 / 0 / 27

HEX #6012B9

RGB 96 18 185

HSL 268.02, 0.82%, 0.4%

LAB 30.45, 62.55, -70.42

 

CMYK 0 / 90 / 88 / 27

HEX #B91217

RGB 185 18 23

HSL 358.2, 0.82%, 0.4%

LAB 39.26, 61.09, 44.11

 

CMYK 42 / 0 / 90 / 27

HEX #6BB912

RGB 107 185 18

HSL 88.02, 0.82%, 0.4%

LAB 67.92, -47.82, 65.97

 

Description

Color code: RGB 18 185 182 | qconv.com Color code: RGB 18 185 182 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 185 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 185 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 2 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 2% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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