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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 175 29 it is the complementary color RGB 237 80 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 175 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 175 29 shade: RGB 23 175 24, RGB 40 193 43, RGB 57 211 62, RGB 74 229 81 and RGB 91 247 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 175 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 175 29 shade: RGB 18 175 29, RGB 1 157 10, RGB 0 139 0, RGB 0 121 0 and RGB 0 103 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 175 29 shade: RGB 18 175 29, RGB 49 175 18, RGB 92 175 18, RGB 134 175 18 and RGB 175 174 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 175 29 shade: RGB 18 175 29, RGB 18 175 71, RGB 18 175 114, RGB 18 175 156 and RGB 18 152 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 175 29 shade matches the following richer shades: RGB 18 175 29 and RGB 2 191 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 175 29 shade: RGB 18 175 29, RGB 34 159 42, RGB 49 144 56, RGB 65 128 69 and RGB 81 112 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 175 29 shade: RGB 91 175 18, RGB 49 175 18, RGB 18 175 28, RGB 18 175 70 and RGB 18 175 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 175 29 shade: RGB 10 100 16, RGB 14 138 23, RGB 18 175 29, RGB 22 212 35 and RGB 43 232 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 175 29 shade: RGB 18 175 29, RGB 18 133 175 and RGB 175 18 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 175 29 shade: RGB 18 175 29, RGB 28 18 175 and RGB 175 28 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 175 29 shade: RGB 18 175 29, RGB 18 133 175, RGB 175 18 164 and RGB 175 60 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 175 29 shade: RGB 18 175 29, RGB 18 86 175, RGB 175 18 164 and RGB 175 107 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 83 / 31

HEX #12AF1D

RGB 18 175 29

HSL 124.2, 0.81%, 0.38%

LAB 62.4, -63.02, 57.87

 

Complementary color

CMYK 0 / 66 / 5 / 7

HEX #ED50E2

RGB 237 80 226

HSL 304.2, 0.81%, 0.62%

LAB 60.99, 75.84, -43.8

 

CMYK 87 / 0 / 86 / 31

HEX #17AF18

RGB 23 175 24

HSL 120.39, 0.77%, 0.39%

LAB 62.43, -62.86, 59.14

 

CMYK 79 / 0 / 78 / 24

HEX #28C12B

RGB 40 193 43

HSL 121.18, 0.66%, 0.46%

LAB 68.58, -65.3, 59.71

 

CMYK 73 / 0 / 71 / 17

HEX #39D33E

RGB 57 211 62

HSL 121.95, 0.64%, 0.53%

LAB 74.7, -67, 59.38

 

CMYK 68 / 0 / 65 / 10

HEX #4AE551

RGB 74 229 81

HSL 122.71, 0.75%, 0.59%

LAB 80.79, -68.17, 58.57

 

CMYK 63 / 0 / 60 / 3

HEX #5BF764

RGB 91 247 100

HSL 123.46, 0.91%, 0.66%

LAB 86.83, -68.94, 57.5

 

CMYK 90 / 0 / 83 / 31

HEX #12AF1D

RGB 18 175 29

HSL 124.2, 0.81%, 0.38%

LAB 62.4, -63.02, 57.87

 

CMYK 99 / 0 / 94 / 38

HEX #019D0A

RGB 1 157 10

HSL 123.46, 0.99%, 0.31%

LAB 56.23, -59.64, 56.38

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 90 / 0 / 83 / 31

HEX #12AF1D

RGB 18 175 29

HSL 124.2, 0.81%, 0.38%

LAB 62.4, -63.02, 57.87

 

CMYK 72 / 0 / 90 / 31

HEX #31AF12

RGB 49 175 18

HSL 108.15, 0.81%, 0.38%

LAB 62.81, -59.61, 60.86

 

CMYK 47 / 0 / 90 / 31

HEX #5CAF12

RGB 92 175 18

HSL 91.72, 0.81%, 0.38%

LAB 64.14, -48.78, 62.53

 

CMYK 23 / 0 / 90 / 31

HEX #86AF12

RGB 134 175 18

HSL 75.67, 0.81%, 0.38%

LAB 66.35, -33.43, 65.26

 

CMYK 0 / 1 / 90 / 31

HEX #AFAE12

RGB 175 174 18

HSL 59.62, 0.81%, 0.38%

LAB 69.06, -15.49, 68.7

 

CMYK 90 / 0 / 83 / 31

HEX #12AF1D

RGB 18 175 29

HSL 124.2, 0.81%, 0.38%

LAB 62.4, -63.02, 57.87

 

CMYK 90 / 0 / 59 / 31

HEX #12AF47

RGB 18 175 71

HSL 140.25, 0.81%, 0.38%

LAB 62.71, -59.14, 42.25

 

CMYK 90 / 0 / 35 / 31

HEX #12AF72

RGB 18 175 114

HSL 156.69, 0.81%, 0.38%

LAB 63.35, -51.63, 21.04

 

CMYK 90 / 0 / 11 / 31

HEX #12AF9C

RGB 18 175 156

HSL 172.74, 0.81%, 0.38%

LAB 64.31, -41.15, -0.74

 

CMYK 90 / 13 / 0 / 31

HEX #1298AF

RGB 18 152 175

HSL 188.79, 0.81%, 0.38%

LAB 57.73, -24.36, -21.3

 

CMYK 90 / 0 / 83 / 31

HEX #12AF1D

RGB 18 175 29

HSL 124.2, 0.81%, 0.38%

LAB 62.4, -63.02, 57.87

 

CMYK 99 / 0 / 92 / 25

HEX #02BF0F

RGB 2 191 15

HSL 124.13, 0.98%, 0.38%

LAB 67.51, -68.92, 65.16

 

CMYK 90 / 0 / 83 / 31

HEX #12AF1D

RGB 18 175 29

HSL 124.2, 0.81%, 0.38%

LAB 62.4, -63.02, 57.87

 

CMYK 79 / 0 / 74 / 38

HEX #229F2A

RGB 34 159 42

HSL 123.84, 0.65%, 0.38%

LAB 57.37, -55.53, 48.88

 

CMYK 66 / 0 / 61 / 44

HEX #319038

RGB 49 144 56

HSL 124.42, 0.49%, 0.38%

LAB 52.82, -46.14, 38

 

CMYK 49 / 0 / 46 / 50

HEX #418045

RGB 65 128 69

HSL 123.81, 0.33%, 0.38%

LAB 48.25, -33.47, 25.87

 

CMYK 28 / 0 / 26 / 56

HEX #517053

RGB 81 112 83

HSL 123.87, 0.16%, 0.38%

LAB 44.18, -17.6, 12.59

 

CMYK 48 / 0 / 90 / 31

HEX #5BAF12

RGB 91 175 18

HSL 92.1, 0.81%, 0.38%

LAB 64.1, -49.1, 62.48

 

CMYK 72 / 0 / 90 / 31

HEX #31AF12

RGB 49 175 18

HSL 108.15, 0.81%, 0.38%

LAB 62.81, -59.61, 60.86

 

CMYK 90 / 0 / 84 / 31

HEX #12AF1C

RGB 18 175 28

HSL 123.82, 0.81%, 0.38%

LAB 62.4, -63.07, 58.12

 

CMYK 90 / 0 / 60 / 31

HEX #12AF46

RGB 18 175 70

HSL 139.87, 0.81%, 0.38%

LAB 62.7, -59.27, 42.71

 

CMYK 90 / 0 / 36 / 31

HEX #12AF70

RGB 18 175 112

HSL 155.92, 0.81%, 0.38%

LAB 63.31, -52.06, 22.07

 

CMYK 90 / 0 / 84 / 61

HEX #0A6410

RGB 10 100 16

HSL 124, 0.82%, 0.22%

LAB 36.4, -41.35, 37.42

 

CMYK 90 / 0 / 83 / 46

HEX #0E8A17

RGB 14 138 23

HSL 124.35, 0.82%, 0.3%

LAB 49.9, -52.61, 47.96

 

CMYK 90 / 0 / 83 / 31

HEX #12AF1D

RGB 18 175 29

HSL 124.2, 0.81%, 0.38%

LAB 62.4, -63.02, 57.87

 

CMYK 90 / 0 / 83 / 17

HEX #16D423

RGB 22 212 35

HSL 124.11, 0.81%, 0.46%

LAB 74.43, -72.98, 67.33

 

CMYK 81 / 0 / 76 / 9

HEX #2BE838

RGB 43 232 56

HSL 124.13, 0.8%, 0.54%

LAB 81.02, -75.64, 67.74

 

CMYK 90 / 0 / 83 / 31

HEX #12AF1D

RGB 18 175 29

HSL 124.2, 0.81%, 0.38%

LAB 62.4, -63.02, 57.87

 

CMYK 90 / 24 / 0 / 31

HEX #1285AF

RGB 18 133 175

HSL 196.05, 0.81%, 0.38%

LAB 51.84, -14.18, -30.4

 

CMYK 0 / 90 / 60 / 31

HEX #AF1246

RGB 175 18 70

HSL 340.13, 0.81%, 0.38%

LAB 37.82, 60.37, 13.76

 

CMYK 90 / 0 / 83 / 31

HEX #12AF1D

RGB 18 175 29

HSL 124.2, 0.81%, 0.38%

LAB 62.4, -63.02, 57.87

 

CMYK 84 / 90 / 0 / 31

HEX #1C12AF

RGB 28 18 175

HSL 243.82, 0.81%, 0.38%

LAB 22.91, 55.28, -77.15

 

CMYK 0 / 84 / 90 / 31

HEX #AF1C12

RGB 175 28 18

HSL 3.82, 0.81%, 0.38%

LAB 37.82, 56.22, 44.42

 

CMYK 90 / 0 / 83 / 31

HEX #12AF1D

RGB 18 175 29

HSL 124.2, 0.81%, 0.38%

LAB 62.4, -63.02, 57.87

 

CMYK 90 / 24 / 0 / 31

HEX #1285AF

RGB 18 133 175

HSL 196.05, 0.81%, 0.38%

LAB 51.84, -14.18, -30.4

 

CMYK 0 / 90 / 6 / 31

HEX #AF12A4

RGB 175 18 164

HSL 304.2, 0.81%, 0.38%

LAB 41.57, 70.46, -39.27

 

CMYK 0 / 66 / 90 / 31

HEX #AF3C12

RGB 175 60 18

HSL 16.05, 0.81%, 0.38%

LAB 41.83, 45.15, 47.46

 

CMYK 90 / 0 / 83 / 31

HEX #12AF1D

RGB 18 175 29

HSL 124.2, 0.81%, 0.38%

LAB 62.4, -63.02, 57.87

 

CMYK 90 / 51 / 0 / 31

HEX #1256AF

RGB 18 86 175

HSL 214.01, 0.81%, 0.38%

LAB 37.62, 14.82, -52.98

 

CMYK 0 / 90 / 6 / 31

HEX #AF12A4

RGB 175 18 164

HSL 304.2, 0.81%, 0.38%

LAB 41.57, 70.46, -39.27

 

CMYK 0 / 39 / 90 / 31

HEX #AF6B12

RGB 175 107 18

HSL 34.01, 0.81%, 0.38%

LAB 51.47, 20.99, 54.89

 

Description

Color code: RGB 18 175 29 | qconv.com Color code: RGB 18 175 29 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 175 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 175 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 83 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 83% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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