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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 164 98 it is the complementary color RGB 237 91 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 164 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 164 98 shade: RGB 23 164 93, RGB 40 182 112, RGB 57 200 131, RGB 74 218 150 and RGB 91 236 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 164 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 164 98 shade: RGB 18 164 98, RGB 1 146 79, RGB 0 128 60, RGB 0 110 41 and RGB 0 92 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 164 98 shade: RGB 18 165 98, RGB 18 165 59, RGB 18 165 19, RGB 56 165 18 and RGB 96 165 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 164 98 shade: RGB 18 165 98, RGB 18 165 138, RGB 18 152 165, RGB 18 112 165 and RGB 18 73 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 164 98 shade matches the following richer shades: RGB 18 165 98 and RGB 3 180 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 164 98 shade: RGB 18 165 98, RGB 33 150 97, RGB 48 135 95, RGB 62 120 94 and RGB 77 105 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 164 98 shade: RGB 18 165 18, RGB 18 165 57, RGB 18 165 96, RGB 18 165 135 and RGB 18 155 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 164 98 shade: RGB 10 90 54, RGB 14 128 76, RGB 18 165 98, RGB 22 202 121 and RGB 35 230 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 164 98 shade: RGB 18 164 98, RGB 18 57 165 and RGB 165 37 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 164 98 shade: RGB 18 164 98, RGB 96 18 165 and RGB 165 96 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 164 98 shade: RGB 18 164 98, RGB 18 57 165, RGB 165 18 86 and RGB 165 126 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 164 98 shade: RGB 18 164 98, RGB 23 18 165, RGB 165 18 86 and RGB 160 165 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 40 / 36

HEX #12A462

RGB 18 164 98

HSL 152.88, 0.8%, 0.36%

LAB 59.49, -50.88, 24.51

 

Complementary color

CMYK 0 / 62 / 34 / 7

HEX #ED5B9D

RGB 237 91 157

HSL 332.88, 0.8%, 0.64%

LAB 59.82, 62.18, -6.19

 

CMYK 86 / 0 / 43 / 36

HEX #17A45D

RGB 23 164 93

HSL 149.79, 0.75%, 0.37%

LAB 59.46, -51.46, 27.16

 

CMYK 78 / 0 / 38 / 29

HEX #28B670

RGB 40 182 112

HSL 150.42, 0.64%, 0.44%

LAB 65.81, -52.63, 25.46

 

CMYK 72 / 0 / 35 / 22

HEX #39C883

RGB 57 200 131

HSL 151.05, 0.57%, 0.5%

LAB 72.11, -53.38, 23.92

 

CMYK 66 / 0 / 31 / 15

HEX #4ADA96

RGB 74 218 150

HSL 151.67, 0.66%, 0.57%

LAB 78.35, -53.82, 22.5

 

CMYK 61 / 0 / 28 / 7

HEX #5BECA9

RGB 91 236 169

HSL 152.28, 0.79%, 0.64%

LAB 84.52, -54.06, 21.2

 

CMYK 89 / 0 / 40 / 36

HEX #12A462

RGB 18 164 98

HSL 152.88, 0.8%, 0.36%

LAB 59.49, -50.88, 24.51

 

CMYK 99 / 0 / 46 / 43

HEX #01924F

RGB 1 146 79

HSL 152.28, 0.99%, 0.29%

LAB 53.09, -49.06, 26.37

 

CMYK 100 / 0 / 53 / 50

HEX #00803C

RGB 0 128 60

HSL 148.13, 1%, 0.25%

LAB 46.66, -46.2, 28.43

 

CMYK 100 / 0 / 63 / 57

HEX #006E29

RGB 0 110 41

HSL 142.36, 1%, 0.22%

LAB 40.1, -42.99, 30.43

 

CMYK 100 / 0 / 76 / 64

HEX #005C16

RGB 0 92 22

HSL 134.35, 1%, 0.18%

LAB 33.38, -39.32, 32.03

 

CMYK 89 / 0 / 41 / 35

HEX #12A562

RGB 18 165 98

HSL 152.65, 0.8%, 0.36%

LAB 59.82, -51.24, 24.95

 

CMYK 89 / 0 / 64 / 35

HEX #12A53B

RGB 18 165 59

HSL 136.73, 0.8%, 0.36%

LAB 59.3, -57.45, 43.84

 

CMYK 89 / 0 / 88 / 35

HEX #12A513

RGB 18 165 19

HSL 120.41, 0.8%, 0.36%

LAB 59.05, -60.57, 57.23

 

CMYK 66 / 0 / 89 / 35

HEX #38A512

RGB 56 165 18

HSL 104.49, 0.8%, 0.36%

LAB 59.7, -54.94, 58.26

 

CMYK 42 / 0 / 89 / 35

HEX #60A512

RGB 96 165 18

HSL 88.16, 0.8%, 0.36%

LAB 61.17, -43.44, 60.09

 

CMYK 89 / 0 / 41 / 35

HEX #12A562

RGB 18 165 98

HSL 152.65, 0.8%, 0.36%

LAB 59.82, -51.24, 24.95

 

CMYK 89 / 0 / 16 / 35

HEX #12A58A

RGB 18 165 138

HSL 168.98, 0.8%, 0.36%

LAB 60.67, -41.8, 4.02

 

CMYK 89 / 8 / 0 / 35

HEX #1298A5

RGB 18 152 165

HSL 185.31, 0.8%, 0.36%

LAB 57.37, -27.69, -16.17

 

CMYK 89 / 32 / 0 / 35

HEX #1270A5

RGB 18 112 165

HSL 201.63, 0.8%, 0.36%

LAB 44.85, -5.76, -35.54

 

CMYK 89 / 56 / 0 / 35

HEX #1249A5

RGB 18 73 165

HSL 217.55, 0.8%, 0.36%

LAB 33.16, 19.53, -54.27

 

CMYK 89 / 0 / 41 / 35

HEX #12A562

RGB 18 165 98

HSL 152.65, 0.8%, 0.36%

LAB 59.82, -51.24, 24.95

 

CMYK 98 / 0 / 44 / 29

HEX #03B464

RGB 3 180 100

HSL 152.88, 0.97%, 0.36%

LAB 64.63, -56.95, 30.16

 

CMYK 89 / 0 / 41 / 35

HEX #12A562

RGB 18 165 98

HSL 152.65, 0.8%, 0.36%

LAB 59.82, -51.24, 24.95

 

CMYK 78 / 0 / 35 / 41

HEX #219661

RGB 33 150 97

HSL 152.82, 0.64%, 0.36%

LAB 55.07, -44.24, 19.18

 

CMYK 64 / 0 / 30 / 47

HEX #30875F

RGB 48 135 95

HSL 152.41, 0.48%, 0.36%

LAB 50.43, -35.87, 14.02

 

CMYK 48 / 0 / 22 / 53

HEX #3E785E

RGB 62 120 94

HSL 153.1, 0.32%, 0.36%

LAB 46, -25.62, 8.48

 

CMYK 27 / 0 / 11 / 59

HEX #4D695D

RGB 77 105 93

HSL 154.29, 0.15%, 0.36%

LAB 41.96, -13.08, 3.42

 

CMYK 89 / 0 / 89 / 35

HEX #12A512

RGB 18 165 18

HSL 120, 0.8%, 0.36%

LAB 59.05, -60.61, 57.44

 

CMYK 89 / 0 / 65 / 35

HEX #12A539

RGB 18 165 57

HSL 135.92, 0.8%, 0.36%

LAB 59.28, -57.68, 44.71

 

CMYK 89 / 0 / 42 / 35

HEX #12A560

RGB 18 165 96

HSL 151.84, 0.8%, 0.36%

LAB 59.78, -51.64, 25.97

 

CMYK 89 / 0 / 18 / 35

HEX #12A587

RGB 18 165 135

HSL 167.76, 0.8%, 0.36%

LAB 60.59, -42.6, 5.6

 

CMYK 89 / 6 / 0 / 35

HEX #129BA5

RGB 18 155 165

HSL 184.08, 0.8%, 0.36%

LAB 58.31, -29.17, -14.74

 

CMYK 89 / 0 / 40 / 65

HEX #0A5A36

RGB 10 90 54

HSL 153, 0.8%, 0.2%

LAB 33.23, -32.02, 14.57

 

CMYK 89 / 0 / 41 / 50

HEX #0E804C

RGB 14 128 76

HSL 152.63, 0.8%, 0.28%

LAB 47.04, -42.13, 20.14

 

CMYK 89 / 0 / 41 / 35

HEX #12A562

RGB 18 165 98

HSL 152.65, 0.8%, 0.36%

LAB 59.82, -51.24, 24.95

 

CMYK 89 / 0 / 40 / 21

HEX #16CA79

RGB 22 202 121

HSL 153, 0.8%, 0.44%

LAB 72.09, -59.75, 29.04

 

CMYK 85 / 0 / 38 / 10

HEX #23E68E

RGB 35 230 142

HSL 152.92, 0.8%, 0.52%

LAB 81.24, -64.64, 30.42

 

CMYK 89 / 0 / 40 / 36

HEX #12A462

RGB 18 164 98

HSL 152.88, 0.8%, 0.36%

LAB 59.49, -50.88, 24.51

 

CMYK 89 / 65 / 0 / 35

HEX #1239A5

RGB 18 57 165

HSL 224.08, 0.8%, 0.36%

LAB 28.83, 30.41, -61.34

 

CMYK 0 / 78 / 89 / 35

HEX #A52512

RGB 165 37 18

HSL 7.76, 0.8%, 0.36%

LAB 36.68, 50.65, 42.65

 

CMYK 89 / 0 / 40 / 36

HEX #12A462

RGB 18 164 98

HSL 152.88, 0.8%, 0.36%

LAB 59.49, -50.88, 24.51

 

CMYK 42 / 89 / 0 / 35

HEX #6012A5

RGB 96 18 165

HSL 271.84, 0.8%, 0.36%

LAB 28.47, 57.95, -61.69

 

CMYK 0 / 42 / 89 / 35

HEX #A56012

RGB 165 96 18

HSL 31.84, 0.8%, 0.36%

LAB 47.51, 22.71, 51.2

 

CMYK 89 / 0 / 40 / 36

HEX #12A462

RGB 18 164 98

HSL 152.88, 0.8%, 0.36%

LAB 59.49, -50.88, 24.51

 

CMYK 89 / 65 / 0 / 35

HEX #1239A5

RGB 18 57 165

HSL 224.08, 0.8%, 0.36%

LAB 28.83, 30.41, -61.34

 

CMYK 0 / 89 / 48 / 35

HEX #A51256

RGB 165 18 86

HSL 332.24, 0.8%, 0.36%

LAB 36.18, 59.05, 0.82

 

CMYK 0 / 24 / 89 / 35

HEX #A57E12

RGB 165 126 18

HSL 44.08, 0.8%, 0.36%

LAB 55.04, 5.78, 57.19

 

CMYK 89 / 0 / 40 / 36

HEX #12A462

RGB 18 164 98

HSL 152.88, 0.8%, 0.36%

LAB 59.49, -50.88, 24.51

 

CMYK 86 / 89 / 0 / 35

HEX #1712A5

RGB 23 18 165

HSL 242.04, 0.8%, 0.36%

LAB 21.32, 52.24, -73.75

 

CMYK 0 / 89 / 48 / 35

HEX #A51256

RGB 165 18 86

HSL 332.24, 0.8%, 0.36%

LAB 36.18, 59.05, 0.82

 

CMYK 3 / 0 / 89 / 35

HEX #A0A512

RGB 160 165 18

HSL 62.04, 0.8%, 0.36%

LAB 65.3, -17.5, 65.19

 

Description

Color code: RGB 18 164 98 | qconv.com Color code: RGB 18 164 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 164 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 164 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 40 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 40% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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