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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 117 32 it is the complementary color RGB 237 138 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 117 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 117 32 shade: RGB 23 117 27, RGB 40 135 46, RGB 57 153 65, RGB 74 171 84 and RGB 91 189 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 117 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 117 32 shade: RGB 18 117 32, RGB 1 99 13, RGB 0 81 0, RGB 0 63 0 and RGB 0 45 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 117 32 shade: RGB 17 114 31, RGB 30 114 17, RGB 56 114 17, RGB 82 114 17 and RGB 108 114 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 117 32 shade: RGB 17 114 31, RGB 17 114 57, RGB 17 114 83, RGB 17 114 109 and RGB 17 93 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 117 32 shade matches the following richer shades: RGB 17 114 31 and RGB 7 125 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 117 32 shade: RGB 17 114 31, RGB 28 103 39, RGB 39 93 46, RGB 50 82 54 and RGB 60 71 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 117 32 shade: RGB 56 114 17, RGB 30 114 17, RGB 17 114 30, RGB 17 114 56 and RGB 17 114 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 117 32 shade: RGB 6 43 11, RGB 12 79 21, RGB 17 114 31, RGB 23 150 41 and RGB 29 186 51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 117 32 shade: RGB 18 117 32, RGB 17 82 114 and RGB 114 17 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 117 32 shade: RGB 18 117 32, RGB 30 17 114 and RGB 114 30 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 117 32 shade: RGB 18 117 32, RGB 17 82 114, RGB 114 17 101 and RGB 114 50 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 117 32 shade: RGB 18 117 32, RGB 17 53 114, RGB 114 17 101 and RGB 114 79 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 73 / 54

HEX #127520

RGB 18 117 32

HSL 128.48, 0.73%, 0.26%

LAB 42.7, -44.71, 37.58

 

Complementary color

CMYK 0 / 42 / 6 / 7

HEX #ED8ADF

RGB 237 138 223

HSL 308.48, 0.73%, 0.74%

LAB 70.53, 49.49, -27.28

 

CMYK 80 / 0 / 77 / 54

HEX #17751B

RGB 23 117 27

HSL 122.55, 0.67%, 0.27%

LAB 42.74, -44.48, 39.69

 

CMYK 70 / 0 / 66 / 47

HEX #28872E

RGB 40 135 46

HSL 123.79, 0.54%, 0.34%

LAB 49.47, -45.89, 38.83

 

CMYK 63 / 0 / 58 / 40

HEX #399941

RGB 57 153 65

HSL 125, 0.46%, 0.41%

LAB 56.12, -46.61, 37.55

 

CMYK 57 / 0 / 51 / 33

HEX #4AAB54

RGB 74 171 84

HSL 126.19, 0.4%, 0.48%

LAB 62.69, -46.91, 36.17

 

CMYK 52 / 0 / 46 / 26

HEX #5BBD67

RGB 91 189 103

HSL 127.35, 0.43%, 0.55%

LAB 69.18, -46.98, 34.79

 

CMYK 85 / 0 / 73 / 54

HEX #127520

RGB 18 117 32

HSL 128.48, 0.73%, 0.26%

LAB 42.7, -44.71, 37.58

 

CMYK 99 / 0 / 87 / 61

HEX #01630D

RGB 1 99 13

HSL 127.35, 0.98%, 0.2%

LAB 35.91, -42.22, 37.89

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 100 / 0 / 100 / 82

HEX #002D00

RGB 0 45 0

HSL 120, 1%, 0.09%

LAB 14.83, -25.61, 21.09

 

CMYK 85 / 0 / 73 / 55

HEX #11721F

RGB 17 114 31

HSL 128.66, 0.74%, 0.26%

LAB 41.62, -43.92, 36.86

 

CMYK 74 / 0 / 85 / 55

HEX #1E7211

RGB 30 114 17

HSL 111.96, 0.74%, 0.26%

LAB 41.77, -42.93, 42.28

 

CMYK 51 / 0 / 85 / 55

HEX #387211

RGB 56 114 17

HSL 95.88, 0.74%, 0.26%

LAB 42.64, -35.93, 43.39

 

CMYK 28 / 0 / 85 / 55

HEX #527211

RGB 82 114 17

HSL 79.79, 0.74%, 0.26%

LAB 44.04, -25.97, 45.19

 

CMYK 5 / 0 / 85 / 55

HEX #6C7211

RGB 108 114 17

HSL 63.71, 0.74%, 0.26%

LAB 45.99, -14.28, 47.65

 

CMYK 85 / 0 / 73 / 55

HEX #11721F

RGB 17 114 31

HSL 128.66, 0.74%, 0.26%

LAB 41.62, -43.92, 36.86

 

CMYK 85 / 0 / 50 / 55

HEX #117239

RGB 17 114 57

HSL 144.74, 0.74%, 0.26%

LAB 41.92, -40.21, 24.16

 

CMYK 85 / 0 / 27 / 55

HEX #117253

RGB 17 114 83

HSL 160.82, 0.74%, 0.26%

LAB 42.43, -34.47, 9.79

 

CMYK 85 / 0 / 4 / 55

HEX #11726D

RGB 17 114 109

HSL 176.91, 0.74%, 0.26%

LAB 43.15, -26.98, -4.76

 

CMYK 85 / 18 / 0 / 55

HEX #115D72

RGB 17 93 114

HSL 192.99, 0.74%, 0.26%

LAB 36.3, -14.02, -18.18

 

CMYK 85 / 0 / 73 / 55

HEX #11721F

RGB 17 114 31

HSL 128.66, 0.74%, 0.26%

LAB 41.62, -43.92, 36.86

 

CMYK 94 / 0 / 82 / 51

HEX #077D17

RGB 7 125 23

HSL 128.14, 0.89%, 0.26%

LAB 45.32, -49.15, 43.61

 

CMYK 85 / 0 / 73 / 55

HEX #11721F

RGB 17 114 31

HSL 128.66, 0.74%, 0.26%

LAB 41.62, -43.92, 36.86

 

CMYK 73 / 0 / 62 / 60

HEX #1C6727

RGB 28 103 39

HSL 128.8, 0.57%, 0.26%

LAB 38.01, -37.15, 29.12

 

CMYK 58 / 0 / 51 / 64

HEX #275D2E

RGB 39 93 46

HSL 127.78, 0.41%, 0.26%

LAB 34.92, -29.12, 21.63

 

CMYK 39 / 0 / 34 / 68

HEX #325236

RGB 50 82 54

HSL 127.5, 0.24%, 0.26%

LAB 31.76, -18.53, 12.82

 

CMYK 15 / 0 / 13 / 72

HEX #3C473E

RGB 60 71 62

HSL 130.91, 0.08%, 0.26%

LAB 28.94, -6.53, 3.93

 

CMYK 51 / 0 / 85 / 55

HEX #387211

RGB 56 114 17

HSL 95.88, 0.74%, 0.26%

LAB 42.64, -35.93, 43.39

 

CMYK 74 / 0 / 85 / 55

HEX #1E7211

RGB 30 114 17

HSL 111.96, 0.74%, 0.26%

LAB 41.77, -42.93, 42.28

 

CMYK 85 / 0 / 74 / 55

HEX #11721E

RGB 17 114 30

HSL 128.04, 0.74%, 0.26%

LAB 41.61, -44.02, 37.28

 

CMYK 85 / 0 / 51 / 55

HEX #117238

RGB 17 114 56

HSL 144.12, 0.74%, 0.26%

LAB 41.91, -40.39, 24.69

 

CMYK 85 / 0 / 28 / 55

HEX #117252

RGB 17 114 82

HSL 160.21, 0.74%, 0.26%

LAB 42.4, -34.73, 10.35

 

CMYK 86 / 0 / 74 / 83

HEX #062B0B

RGB 6 43 11

HSL 128.11, 0.76%, 0.1%

LAB 14.35, -21.27, 16.02

 

CMYK 85 / 0 / 73 / 69

HEX #0C4F15

RGB 12 79 21

HSL 128.06, 0.74%, 0.18%

LAB 28.71, -33.24, 27.57

 

CMYK 85 / 0 / 73 / 55

HEX #11721F

RGB 17 114 31

HSL 128.66, 0.74%, 0.26%

LAB 41.62, -43.92, 36.86

 

CMYK 85 / 0 / 73 / 41

HEX #179629

RGB 23 150 41

HSL 128.5, 0.73%, 0.34%

LAB 54.19, -54.11, 45.94

 

CMYK 84 / 0 / 73 / 27

HEX #1DBA33

RGB 29 186 51

HSL 128.41, 0.73%, 0.42%

LAB 66.23, -63.81, 54.57

 

CMYK 85 / 0 / 73 / 54

HEX #127520

RGB 18 117 32

HSL 128.48, 0.73%, 0.26%

LAB 42.7, -44.71, 37.58

 

CMYK 85 / 28 / 0 / 55

HEX #115272

RGB 17 82 114

HSL 199.79, 0.74%, 0.26%

LAB 32.63, -7.42, -23.87

 

CMYK 0 / 85 / 62 / 55

HEX #72112B

RGB 114 17 43

HSL 343.92, 0.74%, 0.26%

LAB 24.17, 42.03, 11.03

 

CMYK 85 / 0 / 73 / 54

HEX #127520

RGB 18 117 32

HSL 128.48, 0.73%, 0.26%

LAB 42.7, -44.71, 37.58

 

CMYK 74 / 85 / 0 / 55

HEX #1E1172

RGB 30 17 114

HSL 248.04, 0.74%, 0.26%

LAB 14.91, 37.34, -52.44

 

CMYK 0 / 74 / 85 / 55

HEX #721E11

RGB 114 30 17

HSL 8.04, 0.74%, 0.26%

LAB 25.4, 36.05, 29.33

 

CMYK 85 / 0 / 73 / 54

HEX #127520

RGB 18 117 32

HSL 128.48, 0.73%, 0.26%

LAB 42.7, -44.71, 37.58

 

CMYK 85 / 28 / 0 / 55

HEX #115272

RGB 17 82 114

HSL 199.79, 0.74%, 0.26%

LAB 32.63, -7.42, -23.87

 

CMYK 0 / 85 / 11 / 55

HEX #721165

RGB 114 17 101

HSL 308.04, 0.74%, 0.26%

LAB 26.5, 48.76, -24.6

 

CMYK 0 / 56 / 85 / 55

HEX #723211

RGB 114 50 17

HSL 20.41, 0.74%, 0.26%

LAB 29.16, 26.13, 32.89

 

CMYK 85 / 0 / 73 / 54

HEX #127520

RGB 18 117 32

HSL 128.48, 0.73%, 0.26%

LAB 42.7, -44.71, 37.58

 

CMYK 85 / 54 / 0 / 55

HEX #113572

RGB 17 53 114

HSL 217.73, 0.74%, 0.26%

LAB 23.27, 12.16, -38.77

 

CMYK 0 / 85 / 11 / 55

HEX #721165

RGB 114 17 101

HSL 308.04, 0.74%, 0.26%

LAB 26.5, 48.76, -24.6

 

CMYK 0 / 31 / 85 / 55

HEX #724F11

RGB 114 79 17

HSL 38.35, 0.74%, 0.26%

LAB 36.39, 8.95, 39.47

 

Description

Color code: RGB 18 117 32 | qconv.com Color code: RGB 18 117 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 117 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 117 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 73 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 73% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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