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Color name
RGB 18 109 65

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 109 65 it is the complementary color RGB 237 146 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 109 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 109 65 shade: RGB 23 109 60, RGB 40 127 79, RGB 57 145 98, RGB 74 163 117 and RGB 91 181 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 109 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 109 65 shade: RGB 18 109 65, RGB 1 91 46, RGB 0 73 27, RGB 0 55 8 and RGB 0 37 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 109 65 shade: RGB 17 109 65, RGB 17 109 40, RGB 19 109 17, RGB 44 109 17 and RGB 69 109 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 109 65 shade: RGB 17 109 65, RGB 17 109 90, RGB 17 104 109, RGB 17 79 109 and RGB 17 55 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 109 65 shade matches the following richer shades: RGB 17 109 65 and RGB 7 119 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 109 65 shade: RGB 17 109 65, RGB 28 99 64, RGB 38 89 64, RGB 48 78 64 and RGB 59 68 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 109 65 shade: RGB 20 109 17, RGB 17 109 39, RGB 17 109 63, RGB 17 109 88 and RGB 17 106 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 109 65 shade: RGB 6 38 23, RGB 12 74 44, RGB 17 109 65, RGB 23 145 86 and RGB 29 180 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 109 65 shade: RGB 18 109 65, RGB 17 45 109 and RGB 109 27 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 109 65 shade: RGB 18 109 65, RGB 63 17 109 and RGB 109 63 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 109 65 shade: RGB 18 109 65, RGB 17 45 109, RGB 109 17 63 and RGB 109 82 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 109 65 shade: RGB 18 109 65, RGB 17 17 109, RGB 109 17 63 and RGB 109 109 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 40 / 57

HEX #126D41

RGB 18 109 65

HSL 150.99, 0.72%, 0.25%

LAB 40.32, -36.52, 17.53

 

Complementary color

CMYK 0 / 38 / 20 / 7

HEX #ED92BE

RGB 237 146 190

HSL 330.99, 0.72%, 0.75%

LAB 71.06, 40.11, -8.2

 

CMYK 79 / 0 / 45 / 57

HEX #176D3C

RGB 23 109 60

HSL 145.81, 0.65%, 0.26%

LAB 40.32, -36.86, 20.43

 

CMYK 69 / 0 / 38 / 50

HEX #287F4F

RGB 40 127 79

HSL 146.9, 0.52%, 0.33%

LAB 47.23, -37.48, 18.77

 

CMYK 61 / 0 / 32 / 43

HEX #399162

RGB 57 145 98

HSL 147.95, 0.44%, 0.4%

LAB 54.03, -37.68, 17.3

 

CMYK 55 / 0 / 28 / 36

HEX #4AA375

RGB 74 163 117

HSL 148.99, 0.38%, 0.46%

LAB 60.72, -37.68, 15.99

 

CMYK 50 / 0 / 25 / 29

HEX #5BB588

RGB 91 181 136

HSL 150, 0.38%, 0.53%

LAB 67.31, -37.55, 14.8

 

CMYK 83 / 0 / 40 / 57

HEX #126D41

RGB 18 109 65

HSL 150.99, 0.72%, 0.25%

LAB 40.32, -36.52, 17.53

 

CMYK 99 / 0 / 49 / 64

HEX #015B2E

RGB 1 91 46

HSL 150, 0.98%, 0.18%

LAB 33.32, -35.16, 19.42

 

CMYK 100 / 0 / 63 / 71

HEX #00491B

RGB 0 73 27

HSL 142.19, 1%, 0.14%

LAB 26.29, -31.99, 21.62

 

CMYK 100 / 0 / 85 / 78

HEX #003708

RGB 0 55 8

HSL 128.73, 1%, 0.11%

LAB 19.01, -28.06, 22.97

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 84 / 0 / 40 / 57

HEX #116D41

RGB 17 109 65

HSL 151.3, 0.73%, 0.25%

LAB 40.31, -36.64, 17.51

 

CMYK 84 / 0 / 63 / 57

HEX #116D28

RGB 17 109 40

HSL 135, 0.73%, 0.25%

LAB 39.93, -41.09, 30.79

 

CMYK 83 / 0 / 84 / 57

HEX #136D11

RGB 19 109 17

HSL 118.7, 0.73%, 0.25%

LAB 39.78, -43.13, 40.34

 

CMYK 60 / 0 / 84 / 57

HEX #2C6D11

RGB 44 109 17

HSL 102.39, 0.73%, 0.25%

LAB 40.43, -37.64, 41.19

 

CMYK 37 / 0 / 84 / 57

HEX #456D11

RGB 69 109 17

HSL 86.09, 0.73%, 0.25%

LAB 41.6, -28.93, 42.69

 

CMYK 84 / 0 / 40 / 57

HEX #116D41

RGB 17 109 65

HSL 151.3, 0.73%, 0.25%

LAB 40.31, -36.64, 17.51

 

CMYK 84 / 0 / 17 / 57

HEX #116D5A

RGB 17 109 90

HSL 167.61, 0.73%, 0.25%

LAB 40.89, -30.32, 3.4

 

CMYK 84 / 5 / 0 / 57

HEX #11686D

RGB 17 104 109

HSL 183.26, 0.73%, 0.25%

LAB 39.79, -21.88, -9.78

 

CMYK 84 / 28 / 0 / 57

HEX #114F6D

RGB 17 79 109

HSL 199.57, 0.73%, 0.25%

LAB 31.38, -7.53, -22.69

 

CMYK 84 / 50 / 0 / 57

HEX #11376D

RGB 17 55 109

HSL 215.22, 0.73%, 0.25%

LAB 23.52, 8.59, -35.15

 

CMYK 84 / 0 / 40 / 57

HEX #116D41

RGB 17 109 65

HSL 151.3, 0.73%, 0.25%

LAB 40.31, -36.64, 17.51

 

CMYK 94 / 0 / 45 / 53

HEX #077741

RGB 7 119 65

HSL 151.07, 0.89%, 0.25%

LAB 43.68, -41.49, 21.92

 

CMYK 84 / 0 / 40 / 57

HEX #116D41

RGB 17 109 65

HSL 151.3, 0.73%, 0.25%

LAB 40.31, -36.64, 17.51

 

CMYK 72 / 0 / 35 / 61

HEX #1C6340

RGB 28 99 64

HSL 150.42, 0.56%, 0.25%

LAB 37.01, -30.88, 13.7

 

CMYK 57 / 0 / 28 / 65

HEX #265940

RGB 38 89 64

HSL 150.59, 0.4%, 0.25%

LAB 33.83, -23.8, 9.38

 

CMYK 38 / 0 / 18 / 69

HEX #304E40

RGB 48 78 64

HSL 152, 0.24%, 0.25%

LAB 30.51, -14.8, 4.78

 

CMYK 13 / 0 / 7 / 73

HEX #3B443F

RGB 59 68 63

HSL 146.67, 0.07%, 0.25%

LAB 27.91, -4.85, 1.78

 

CMYK 82 / 0 / 84 / 57

HEX #146D11

RGB 20 109 17

HSL 118.04, 0.73%, 0.25%

LAB 39.79, -42.98, 40.36

 

CMYK 84 / 0 / 64 / 57

HEX #116D27

RGB 17 109 39

HSL 134.35, 0.73%, 0.25%

LAB 39.92, -41.22, 31.27

 

CMYK 84 / 0 / 42 / 57

HEX #116D3F

RGB 17 109 63

HSL 150, 0.73%, 0.25%

LAB 40.27, -37.07, 18.62

 

CMYK 84 / 0 / 19 / 57

HEX #116D58

RGB 17 109 88

HSL 166.3, 0.73%, 0.25%

LAB 40.83, -30.88, 4.53

 

CMYK 84 / 3 / 0 / 57

HEX #116A6D

RGB 17 106 109

HSL 181.96, 0.73%, 0.25%

LAB 40.46, -22.92, -8.77

 

CMYK 84 / 0 / 39 / 85

HEX #062617

RGB 6 38 23

HSL 151.88, 0.73%, 0.09%

LAB 12.52, -16.28, 6.62

 

CMYK 84 / 0 / 41 / 71

HEX #0C4A2C

RGB 12 74 44

HSL 150.97, 0.72%, 0.17%

LAB 27.18, -27.14, 12.62

 

CMYK 84 / 0 / 40 / 57

HEX #116D41

RGB 17 109 65

HSL 151.3, 0.73%, 0.25%

LAB 40.31, -36.64, 17.51

 

CMYK 84 / 0 / 41 / 43

HEX #179156

RGB 23 145 86

HSL 150.98, 0.73%, 0.33%

LAB 53.06, -45.76, 22.56

 

CMYK 84 / 0 / 41 / 29

HEX #1DB46B

RGB 29 180 107

HSL 150.99, 0.72%, 0.41%

LAB 64.93, -54.05, 26.93

 

CMYK 83 / 0 / 40 / 57

HEX #126D41

RGB 18 109 65

HSL 150.99, 0.72%, 0.25%

LAB 40.32, -36.52, 17.53

 

CMYK 84 / 59 / 0 / 57

HEX #112D6D

RGB 17 45 109

HSL 221.74, 0.73%, 0.25%

LAB 20.44, 15.83, -40.14

 

CMYK 0 / 75 / 84 / 57

HEX #6D1B11

RGB 109 27 17

HSL 6.52, 0.73%, 0.25%

LAB 23.92, 35.5, 27.53

 

CMYK 83 / 0 / 40 / 57

HEX #126D41

RGB 18 109 65

HSL 150.99, 0.72%, 0.25%

LAB 40.32, -36.52, 17.53

 

CMYK 42 / 84 / 0 / 57

HEX #3F116D

RGB 63 17 109

HSL 270, 0.73%, 0.25%

LAB 18.2, 40.08, -43.64

 

CMYK 0 / 42 / 84 / 57

HEX #6D3F11

RGB 109 63 17

HSL 30, 0.73%, 0.25%

LAB 31.46, 16.25, 34.74

 

CMYK 83 / 0 / 40 / 57

HEX #126D41

RGB 18 109 65

HSL 150.99, 0.72%, 0.25%

LAB 40.32, -36.52, 17.53

 

CMYK 84 / 59 / 0 / 57

HEX #112D6D

RGB 17 45 109

HSL 221.74, 0.73%, 0.25%

LAB 20.44, 15.83, -40.14

 

CMYK 0 / 84 / 42 / 57

HEX #6D113F

RGB 109 17 63

HSL 330, 0.73%, 0.25%

LAB 23.71, 42.39, -3.57

 

CMYK 0 / 25 / 84 / 57

HEX #6D5211

RGB 109 82 17

HSL 42.39, 0.73%, 0.25%

LAB 36.61, 4.68, 39.43

 

CMYK 83 / 0 / 40 / 57

HEX #126D41

RGB 18 109 65

HSL 150.99, 0.72%, 0.25%

LAB 40.32, -36.52, 17.53

 

CMYK 84 / 84 / 0 / 57

HEX #11116D

RGB 17 17 109

HSL 240, 0.73%, 0.25%

LAB 13.38, 34.69, -51.75

 

CMYK 0 / 84 / 42 / 57

HEX #6D113F

RGB 109 17 63

HSL 330, 0.73%, 0.25%

LAB 23.71, 42.39, -3.57

 

CMYK 0 / 0 / 84 / 57

HEX #6D6D11

RGB 109 109 17

HSL 60, 0.73%, 0.25%

LAB 44.56, -11.06, 46.45

 

Description

Color code: RGB 18 109 65 | qconv.com Color code: RGB 18 109 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 109 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 109 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 40 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 40% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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