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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 85 50 it is the complementary color RGB 66 170 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 85 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 85 50 shade: RGB 194 85 45, RGB 211 103 64, RGB 228 121 83, RGB 245 139 102 and RGB 255 157 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 85 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 85 50 shade: RGB 189 85 50, RGB 172 67 31, RGB 155 49 12, RGB 138 31 0 and RGB 121 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 85 50 shade: RGB 189 85 50 and RGB 189 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 85 50 shade: RGB 189 85 50, RGB 189 122 50, RGB 189 160 50, RGB 180 189 50 and RGB 143 189 50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 85 50 shade matches the following richer shades: RGB 189 85 50, RGB 208 75 30 and RGB 228 66 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 85 50 shade: RGB 189 85 50, RGB 169 94 69, RGB 150 104 89, RGB 131 114 108 and RGB 111 123 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 85 50 shade: RGB 189 50 89, RGB 189 50 52, RGB 189 85 50, RGB 189 122 50 and RGB 189 159 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 85 50 shade: RGB 124 55 33, RGB 156 70 41, RGB 189 85 50, RGB 206 107 74 and RGB 215 134 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 85 50 shade: RGB 189 85 50, RGB 126 189 50 and RGB 50 71 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 85 50 shade: RGB 189 85 50, RGB 50 189 85 and RGB 85 50 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 85 50 shade: RGB 189 85 50, RGB 126 189 50, RGB 50 154 189 and RGB 112 50 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 85 50 shade: RGB 189 85 50, RGB 85 189 50, RGB 50 154 189 and RGB 154 50 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

Complementary color

CMYK 68 / 17 / 0 / 20

HEX #42AACD

RGB 66 170 205

HSL 195.11, 0.58%, 0.53%

LAB 65.21, -18.79, -26.57

 

CMYK 0 / 56 / 77 / 24

HEX #C2552D

RGB 194 85 45

HSL 16.11, 0.62%, 0.47%

LAB 49.68, 41.33, 43.5

 

CMYK 0 / 51 / 70 / 17

HEX #D36740

RGB 211 103 64

HSL 15.92, 0.63%, 0.54%

LAB 56.01, 39.76, 41.28

 

CMYK 0 / 47 / 64 / 11

HEX #E47953

RGB 228 121 83

HSL 15.72, 0.73%, 0.61%

LAB 62.33, 38.28, 39.17

 

CMYK 0 / 43 / 58 / 4

HEX #F58B66

RGB 245 139 102

HSL 15.52, 0.88%, 0.68%

LAB 68.63, 36.9, 37.24

 

CMYK 0 / 38 / 53 / 0

HEX #FF9D79

RGB 255 157 121

HSL 16.12, 1%, 0.74%

LAB 74.03, 32.95, 34.21

 

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

CMYK 0 / 61 / 82 / 33

HEX #AC431F

RGB 172 67 31

HSL 15.32, 0.69%, 0.4%

LAB 42.59, 41.19, 42.21

 

CMYK 0 / 68 / 92 / 39

HEX #9B310C

RGB 155 49 12

HSL 15.52, 0.86%, 0.33%

LAB 36.35, 42.63, 43.99

 

CMYK 0 / 78 / 100 / 46

HEX #8A1F00

RGB 138 31 0

HSL 13.48, 1%, 0.27%

LAB 30.36, 43.62, 42.99

 

CMYK 0 / 89 / 100 / 53

HEX #790D00

RGB 121 13 0

HSL 6.45, 1%, 0.24%

LAB 24.81, 43.5, 36.8

 

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

CMYK 0 / 74 / 74 / 26

HEX #BD3232

RGB 189 50 50

HSL 0, 0.58%, 0.47%

LAB 43.26, 54.81, 33.57

 

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

CMYK 0 / 35 / 74 / 26

HEX #BD7A32

RGB 189 122 50

HSL 31.08, 0.58%, 0.47%

LAB 57.04, 19.9, 48.45

 

CMYK 0 / 15 / 74 / 26

HEX #BDA032

RGB 189 160 50

HSL 47.48, 0.58%, 0.47%

LAB 66.67, -0.92, 58.05

 

CMYK 5 / 0 / 74 / 26

HEX #B4BD32

RGB 180 189 50

HSL 63.88, 0.58%, 0.47%

LAB 73.76, -19.86, 64.59

 

CMYK 24 / 0 / 74 / 26

HEX #8FBD32

RGB 143 189 50

HSL 79.86, 0.58%, 0.47%

LAB 71.19, -35.01, 61.23

 

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

CMYK 0 / 64 / 86 / 18

HEX #D04B1E

RGB 208 75 30

HSL 15.17, 0.75%, 0.47%

LAB 50.14, 50.6, 51.74

 

CMYK 0 / 71 / 95 / 11

HEX #E4420B

RGB 228 66 11

HSL 15.21, 0.91%, 0.47%

LAB 52.3, 60.54, 61.19

 

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

CMYK 0 / 44 / 59 / 34

HEX #A95E45

RGB 169 94 69

HSL 15, 0.42%, 0.47%

LAB 48.1, 28.09, 27.6

 

CMYK 0 / 31 / 41 / 41

HEX #966859

RGB 150 104 89

HSL 14.75, 0.26%, 0.47%

LAB 48.39, 16.49, 15.85

 

CMYK 0 / 13 / 18 / 49

HEX #83726C

RGB 131 114 108

HSL 15.65, 0.1%, 0.47%

LAB 49.43, 5.57, 5.75

 

CMYK 13 / 3 / 0 / 50

HEX #6F7B7F

RGB 111 123 127

HSL 195, 0.07%, 0.47%

LAB 50.78, -3.55, -3.7

 

CMYK 0 / 74 / 53 / 26

HEX #BD3259

RGB 189 50 89

HSL 343.17, 0.58%, 0.47%

LAB 43.98, 57.21, 10.66

 

CMYK 0 / 74 / 72 / 26

HEX #BD3234

RGB 189 50 52

HSL 359.14, 0.58%, 0.47%

LAB 43.28, 54.9, 32.42

 

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

CMYK 0 / 35 / 74 / 26

HEX #BD7A32

RGB 189 122 50

HSL 31.08, 0.58%, 0.47%

LAB 57.04, 19.9, 48.45

 

CMYK 0 / 16 / 74 / 26

HEX #BD9F32

RGB 189 159 50

HSL 47.05, 0.58%, 0.47%

LAB 66.4, -0.38, 57.8

 

CMYK 0 / 56 / 73 / 51

HEX #7C3721

RGB 124 55 33

HSL 14.51, 0.58%, 0.31%

LAB 32.09, 28.37, 27.72

 

CMYK 0 / 55 / 74 / 39

HEX #9C4629

RGB 156 70 41

HSL 15.13, 0.58%, 0.39%

LAB 40.59, 33.89, 34.1

 

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

CMYK 0 / 48 / 64 / 19

HEX #CE6B4A

RGB 206 107 74

HSL 15, 0.57%, 0.55%

LAB 56.22, 36.35, 35.96

 

CMYK 0 / 38 / 51 / 16

HEX #D7866A

RGB 215 134 106

HSL 15.41, 0.58%, 0.63%

LAB 63.78, 28.12, 28.09

 

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

CMYK 33 / 0 / 74 / 26

HEX #7EBD32

RGB 126 189 50

HSL 87.19, 0.58%, 0.47%

LAB 70.22, -41.42, 59.95

 

CMYK 74 / 62 / 0 / 26

HEX #3247BD

RGB 50 71 189

HSL 230.94, 0.58%, 0.47%

LAB 35.71, 33.09, -64.3

 

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

CMYK 74 / 0 / 55 / 26

HEX #32BD55

RGB 50 189 85

HSL 135.11, 0.58%, 0.47%

LAB 67.82, -58.29, 41.77

 

CMYK 55 / 74 / 0 / 26

HEX #5532BD

RGB 85 50 189

HSL 255.11, 0.58%, 0.47%

LAB 33.75, 50.09, -67.42

 

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

CMYK 33 / 0 / 74 / 26

HEX #7EBD32

RGB 126 189 50

HSL 87.19, 0.58%, 0.47%

LAB 70.22, -41.42, 59.95

 

CMYK 74 / 19 / 0 / 26

HEX #329ABD

RGB 50 154 189

HSL 195.11, 0.58%, 0.47%

LAB 59.4, -17.75, -26.61

 

CMYK 41 / 74 / 0 / 26

HEX #7032BD

RGB 112 50 189

HSL 266.76, 0.58%, 0.47%

LAB 36.74, 54.41, -62.39

 

CMYK 0 / 55 / 74 / 26

HEX #BD5532

RGB 189 85 50

HSL 15.11, 0.58%, 0.47%

LAB 48.94, 39.63, 39.89

 

CMYK 55 / 0 / 74 / 26

HEX #55BD32

RGB 85 189 50

HSL 104.89, 0.58%, 0.47%

LAB 68.43, -54.52, 57.57

 

CMYK 74 / 19 / 0 / 26

HEX #329ABD

RGB 50 154 189

HSL 195.11, 0.58%, 0.47%

LAB 59.4, -17.75, -26.61

 

CMYK 19 / 74 / 0 / 26

HEX #9A32BD

RGB 154 50 189

HSL 284.89, 0.58%, 0.47%

LAB 42.5, 62.35, -52.79

 

Description

Color code: RGB 189 85 50 | qconv.com Color code: RGB 189 85 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 85 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 85 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 74 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 74% 26% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - AYDC Weekly Update
Link: http://news.aydc.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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