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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 85 183 it is the complementary color RGB 66 170 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 85 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 85 183 shade: RGB 194 85 178, RGB 211 103 197, RGB 228 121 216, RGB 245 139 235 and RGB 255 157 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 85 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 85 183 shade: RGB 189 85 183, RGB 172 67 164, RGB 155 49 145, RGB 138 31 126 and RGB 121 13 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 85 183 shade: RGB 189 86 183, RGB 189 86 155, RGB 189 86 127, RGB 189 86 99 and RGB 189 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 85 183 shade: RGB 189 86 183, RGB 167 86 189, RGB 139 86 189, RGB 111 86 189 and RGB 86 86 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 85 183 shade matches the following richer shades: RGB 189 86 183, RGB 208 67 200, RGB 227 48 216 and RGB 246 29 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 85 183 shade: RGB 189 86 183, RGB 170 105 166, RGB 151 124 149, RGB 132 143 132 and RGB 113 162 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 85 183 shade: RGB 139 86 189, RGB 166 86 189, RGB 189 86 184, RGB 189 86 156 and RGB 189 86 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 85 183 shade: RGB 138 54 133, RGB 168 65 162, RGB 189 86 183, RGB 200 115 195 and RGB 212 145 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 85 183 shade: RGB 189 85 183, RGB 189 111 86 and RGB 86 189 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 85 183 shade: RGB 189 85 183, RGB 184 189 86 and RGB 86 184 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 85 183 shade: RGB 189 85 183, RGB 189 111 86, RGB 86 189 91 and RGB 86 163 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 85 183 shade: RGB 189 85 183, RGB 189 142 86, RGB 86 189 91 and RGB 86 132 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 3 / 26

HEX #BD55B7

RGB 189 85 183

HSL 303.46, 0.44%, 0.54%

LAB 52.66, 54.71, -32.85

 

Complementary color

CMYK 61 / 0 / 58 / 33

HEX #42AA48

RGB 66 170 72

HSL 123.46, 0.44%, 0.46%

LAB 61.98, -50.09, 41.14

 

CMYK 0 / 56 / 8 / 24

HEX #C255B2

RGB 194 85 178

HSL 308.81, 0.47%, 0.55%

LAB 53.15, 55.26, -29.14

 

CMYK 0 / 51 / 7 / 17

HEX #D367C5

RGB 211 103 197

HSL 307.78, 0.55%, 0.62%

LAB 59.51, 54.74, -30

 

CMYK 0 / 47 / 5 / 11

HEX #E479D8

RGB 228 121 216

HSL 306.73, 0.66%, 0.68%

LAB 65.85, 54.11, -30.71

 

CMYK 0 / 43 / 4 / 4

HEX #F58BEB

RGB 245 139 235

HSL 305.66, 0.84%, 0.75%

LAB 72.15, 53.42, -31.31

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFE

RGB 255 157 254

HSL 300.61, 1%, 0.81%

LAB 77.6, 50.64, -33.13

 

CMYK 0 / 55 / 3 / 26

HEX #BD55B7

RGB 189 85 183

HSL 303.46, 0.44%, 0.54%

LAB 52.66, 54.71, -32.85

 

CMYK 0 / 61 / 5 / 33

HEX #AC43A4

RGB 172 67 164

HSL 304.57, 0.44%, 0.47%

LAB 46.27, 55.03, -31.9

 

CMYK 0 / 68 / 6 / 39

HEX #9B3191

RGB 155 49 145

HSL 305.66, 0.52%, 0.4%

LAB 39.93, 54.95, -30.62

 

CMYK 0 / 78 / 9 / 46

HEX #8A1F7E

RGB 138 31 126

HSL 306.73, 0.63%, 0.33%

LAB 33.75, 54.17, -28.82

 

CMYK 0 / 89 / 12 / 53

HEX #790D6B

RGB 121 13 107

HSL 307.78, 0.81%, 0.26%

LAB 27.88, 52.14, -26.22

 

CMYK 0 / 54 / 3 / 26

HEX #BD56B7

RGB 189 86 183

HSL 303.5, 0.44%, 0.54%

LAB 52.83, 54.24, -32.58

 

CMYK 0 / 54 / 18 / 26

HEX #BD569B

RGB 189 86 155

HSL 319.81, 0.44%, 0.54%

LAB 51.66, 49.68, -18.03

 

CMYK 0 / 54 / 33 / 26

HEX #BD567F

RGB 189 86 127

HSL 336.12, 0.44%, 0.54%

LAB 50.7, 45.79, -2.84

 

CMYK 0 / 54 / 48 / 26

HEX #BD5663

RGB 189 86 99

HSL 352.43, 0.44%, 0.54%

LAB 49.95, 42.65, 12.88

 

CMYK 0 / 54 / 54 / 26

HEX #BD5656

RGB 189 86 86

HSL 0, 0.44%, 0.54%

LAB 49.67, 41.48, 20.26

 

CMYK 0 / 54 / 3 / 26

HEX #BD56B7

RGB 189 86 183

HSL 303.5, 0.44%, 0.54%

LAB 52.83, 54.24, -32.58

 

CMYK 12 / 54 / 0 / 26

HEX #A756BD

RGB 167 86 189

HSL 287.18, 0.44%, 0.54%

LAB 50.15, 49.33, -40.48

 

CMYK 26 / 54 / 0 / 26

HEX #8B56BD

RGB 139 86 189

HSL 270.87, 0.44%, 0.54%

LAB 46.74, 41.89, -46.11

 

CMYK 41 / 54 / 0 / 26

HEX #6F56BD

RGB 111 86 189

HSL 254.56, 0.44%, 0.54%

LAB 43.81, 34.89, -50.95

 

CMYK 54 / 54 / 0 / 26

HEX #5656BD

RGB 86 86 189

HSL 240, 0.44%, 0.54%

LAB 41.7, 29.37, -54.46

 

CMYK 0 / 54 / 3 / 26

HEX #BD56B7

RGB 189 86 183

HSL 303.5, 0.44%, 0.54%

LAB 52.83, 54.24, -32.58

 

CMYK 0 / 68 / 4 / 18

HEX #D043C8

RGB 208 67 200

HSL 303.4, 0.6%, 0.54%

LAB 53.59, 69.8, -41

 

CMYK 0 / 79 / 5 / 11

HEX #E330D8

RGB 227 48 216

HSL 303.69, 0.76%, 0.54%

LAB 55.48, 81.95, -46.95

 

CMYK 0 / 88 / 5 / 4

HEX #F61DE9

RGB 246 29 233

HSL 303.59, 0.92%, 0.54%

LAB 58.37, 91.37, -51.77

 

CMYK 0 / 54 / 3 / 26

HEX #BD56B7

RGB 189 86 183

HSL 303.5, 0.44%, 0.54%

LAB 52.83, 54.24, -32.58

 

CMYK 0 / 38 / 2 / 33

HEX #AA69A6

RGB 170 105 166

HSL 303.69, 0.28%, 0.54%

LAB 53.39, 35.63, -22.04

 

CMYK 0 / 18 / 1 / 41

HEX #977C95

RGB 151 124 149

HSL 304.44, 0.11%, 0.54%

LAB 55.24, 14.96, -9.54

 

CMYK 8 / 0 / 8 / 44

HEX #848F84

RGB 132 143 132

HSL 120, 0.05%, 0.54%

LAB 58.24, -6.18, 4.48

 

CMYK 30 / 0 / 28 / 36

HEX #71A274

RGB 113 162 116

HSL 123.67, 0.21%, 0.54%

LAB 62.18, -25.93, 18.83

 

CMYK 26 / 54 / 0 / 26

HEX #8B56BD

RGB 139 86 189

HSL 270.87, 0.44%, 0.54%

LAB 46.74, 41.89, -46.11

 

CMYK 12 / 54 / 0 / 26

HEX #A656BD

RGB 166 86 189

HSL 286.6, 0.44%, 0.54%

LAB 50.02, 49.06, -40.69

 

CMYK 0 / 54 / 3 / 26

HEX #BD56B8

RGB 189 86 184

HSL 302.91, 0.44%, 0.54%

LAB 52.88, 54.41, -33.09

 

CMYK 0 / 54 / 17 / 26

HEX #BD569C

RGB 189 86 156

HSL 319.22, 0.44%, 0.54%

LAB 51.7, 49.83, -18.56

 

CMYK 0 / 54 / 32 / 26

HEX #BD5681

RGB 189 86 129

HSL 334.95, 0.44%, 0.54%

LAB 50.76, 46.04, -3.94

 

CMYK 0 / 61 / 4 / 46

HEX #8A3685

RGB 138 54 133

HSL 303.57, 0.44%, 0.38%

LAB 37.36, 46.26, -27.49

 

CMYK 0 / 61 / 4 / 34

HEX #A841A2

RGB 168 65 162

HSL 303.5, 0.44%, 0.46%

LAB 45.24, 54.5, -32.36

 

CMYK 0 / 54 / 3 / 26

HEX #BD56B7

RGB 189 86 183

HSL 303.5, 0.44%, 0.54%

LAB 52.83, 54.24, -32.58

 

CMYK 0 / 43 / 3 / 22

HEX #C873C3

RGB 200 115 195

HSL 303.53, 0.44%, 0.62%

LAB 60.32, 45.1, -27.72

 

CMYK 0 / 32 / 2 / 17

HEX #D491D0

RGB 212 145 208

HSL 303.58, 0.44%, 0.7%

LAB 68.61, 35.31, -22.18

 

CMYK 0 / 55 / 3 / 26

HEX #BD55B7

RGB 189 85 183

HSL 303.46, 0.44%, 0.54%

LAB 52.66, 54.71, -32.85

 

CMYK 0 / 41 / 54 / 26

HEX #BD6F56

RGB 189 111 86

HSL 14.56, 0.44%, 0.54%

LAB 54.93, 28.35, 27.14

 

CMYK 54 / 0 / 19 / 26

HEX #56BD99

RGB 86 189 153

HSL 159.03, 0.44%, 0.54%

LAB 69.95, -38.62, 9.22

 

CMYK 0 / 55 / 3 / 26

HEX #BD55B7

RGB 189 85 183

HSL 303.46, 0.44%, 0.54%

LAB 52.66, 54.71, -32.85

 

CMYK 3 / 0 / 54 / 26

HEX #B8BD56

RGB 184 189 86

HSL 62.91, 0.44%, 0.54%

LAB 74.35, -15.88, 50.6

 

CMYK 54 / 3 / 0 / 26

HEX #56B8BD

RGB 86 184 189

HSL 182.91, 0.44%, 0.54%

LAB 69.42, -27.15, -11.29

 

CMYK 0 / 55 / 3 / 26

HEX #BD55B7

RGB 189 85 183

HSL 303.46, 0.44%, 0.54%

LAB 52.66, 54.71, -32.85

 

CMYK 0 / 41 / 54 / 26

HEX #BD6F56

RGB 189 111 86

HSL 14.56, 0.44%, 0.54%

LAB 54.93, 28.35, 27.14

 

CMYK 54 / 0 / 52 / 26

HEX #56BD5B

RGB 86 189 91

HSL 122.91, 0.44%, 0.54%

LAB 68.84, -50.02, 40.33

 

CMYK 54 / 14 / 0 / 26

HEX #56A3BD

RGB 86 163 189

HSL 195.15, 0.44%, 0.54%

LAB 63.22, -16.37, -20.66

 

CMYK 0 / 55 / 3 / 26

HEX #BD55B7

RGB 189 85 183

HSL 303.46, 0.44%, 0.54%

LAB 52.66, 54.71, -32.85

 

CMYK 0 / 25 / 54 / 26

HEX #BD8E56

RGB 189 142 86

HSL 32.62, 0.44%, 0.54%

LAB 62.37, 11.26, 36.51

 

CMYK 54 / 0 / 52 / 26

HEX #56BD5B

RGB 86 189 91

HSL 122.91, 0.44%, 0.54%

LAB 68.84, -50.02, 40.33

 

CMYK 54 / 30 / 0 / 26

HEX #5684BD

RGB 86 132 189

HSL 213.2, 0.44%, 0.54%

LAB 54.19, 1.03, -34.61

 

Description

Color code: RGB 189 85 183 | qconv.com Color code: RGB 189 85 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 85 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 85 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 3 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 3% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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