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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 82 202 it is the complementary color RGB 66 173 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 82 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 82 202 shade: RGB 194 82 197, RGB 211 100 216, RGB 228 118 235, RGB 245 136 254 and RGB 255 154 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 82 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 82 202 shade: RGB 189 82 202, RGB 172 64 183, RGB 155 46 164, RGB 138 28 145 and RGB 121 10 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 82 202 shade: RGB 189 83 202, RGB 202 83 183, RGB 202 83 151, RGB 202 83 118 and RGB 202 83 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 82 202 shade: RGB 189 83 202, RGB 157 83 202, RGB 125 83 202, RGB 93 83 202 and RGB 83 83 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 82 202 shade matches the following richer shades: RGB 189 83 202, RGB 203 65 220 and RGB 217 47 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 82 202 shade: RGB 189 83 202, RGB 175 101 184, RGB 160 119 165, RGB 146 137 147 and RGB 132 155 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 82 202 shade: RGB 124 83 202, RGB 156 83 202, RGB 188 83 202, RGB 202 83 184 and RGB 202 83 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 82 202 shade: RGB 143 47 155, RGB 172 57 186, RGB 189 83 202, RGB 201 114 211 and RGB 213 146 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 82 202 shade: RGB 189 82 202, RGB 202 93 83 and RGB 83 202 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 82 202 shade: RGB 189 82 202, RGB 202 188 83 and RGB 83 202 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 82 202 shade: RGB 189 82 202, RGB 202 93 83, RGB 97 202 83 and RGB 83 192 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 82 202 shade: RGB 189 82 202, RGB 202 128 83, RGB 97 202 83 and RGB 83 156 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 59 / 0 / 21

HEX #BD52CA

RGB 189 82 202

HSL 293.5, 0.53%, 0.56%

LAB 53.08, 59.48, -43.14

 

Complementary color

CMYK 62 / 0 / 69 / 32

HEX #42AD35

RGB 66 173 53

HSL 113.5, 0.53%, 0.44%

LAB 62.76, -53.25, 50.42

 

CMYK 2 / 58 / 0 / 23

HEX #C252C5

RGB 194 82 197

HSL 298.43, 0.5%, 0.55%

LAB 53.53, 59.85, -39.51

 

CMYK 2 / 54 / 0 / 15

HEX #D364D8

RGB 211 100 216

HSL 297.41, 0.6%, 0.62%

LAB 59.82, 59.45, -40.27

 

CMYK 3 / 50 / 0 / 8

HEX #E476EB

RGB 228 118 235

HSL 296.41, 0.75%, 0.69%

LAB 66.1, 58.89, -40.87

 

CMYK 4 / 46 / 0 / 0

HEX #F588FE

RGB 245 136 254

HSL 295.42, 0.98%, 0.76%

LAB 72.35, 58.24, -41.37

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 6 / 59 / 0 / 21

HEX #BD52CA

RGB 189 82 202

HSL 293.5, 0.53%, 0.56%

LAB 53.08, 59.48, -43.14

 

CMYK 6 / 65 / 0 / 28

HEX #AC40B7

RGB 172 64 183

HSL 294.45, 0.48%, 0.48%

LAB 46.79, 59.65, -42.27

 

CMYK 5 / 72 / 0 / 36

HEX #9B2EA4

RGB 155 46 164

HSL 295.42, 0.56%, 0.41%

LAB 40.58, 59.34, -41.06

 

CMYK 5 / 81 / 0 / 43

HEX #8A1C91

RGB 138 28 145

HSL 296.41, 0.68%, 0.34%

LAB 34.56, 58.21, -39.32

 

CMYK 4 / 92 / 0 / 51

HEX #790A7E

RGB 121 10 126

HSL 297.41, 0.85%, 0.27%

LAB 28.87, 55.73, -36.77

 

CMYK 6 / 59 / 0 / 21

HEX #BD53CA

RGB 189 83 202

HSL 293.45, 0.53%, 0.56%

LAB 53.24, 59.03, -42.88

 

CMYK 0 / 59 / 9 / 21

HEX #CA53B7

RGB 202 83 183

HSL 309.58, 0.53%, 0.56%

LAB 54.2, 59.18, -30.31

 

CMYK 0 / 59 / 25 / 21

HEX #CA5397

RGB 202 83 151

HSL 325.71, 0.53%, 0.56%

LAB 52.92, 54.46, -13.56

 

CMYK 0 / 59 / 42 / 21

HEX #CA5376

RGB 202 83 118

HSL 342.35, 0.53%, 0.56%

LAB 51.89, 50.49, 4.54

 

CMYK 0 / 59 / 57 / 21

HEX #CA5356

RGB 202 83 86

HSL 358.49, 0.53%, 0.56%

LAB 51.17, 47.59, 22.62

 

CMYK 6 / 59 / 0 / 21

HEX #BD53CA

RGB 189 83 202

HSL 293.45, 0.53%, 0.56%

LAB 53.24, 59.03, -42.88

 

CMYK 22 / 59 / 0 / 21

HEX #9D53CA

RGB 157 83 202

HSL 277.31, 0.53%, 0.56%

LAB 49.03, 51.03, -49.84

 

CMYK 38 / 59 / 0 / 21

HEX #7D53CA

RGB 125 83 202

HSL 261.18, 0.53%, 0.56%

LAB 45.37, 43.43, -55.9

 

CMYK 54 / 59 / 0 / 21

HEX #5D53CA

RGB 93 83 202

HSL 245.04, 0.53%, 0.56%

LAB 42.43, 36.71, -60.81

 

CMYK 59 / 59 / 0 / 21

HEX #5353CA

RGB 83 83 202

HSL 240, 0.53%, 0.56%

LAB 41.67, 34.89, -62.07

 

CMYK 6 / 59 / 0 / 21

HEX #BD53CA

RGB 189 83 202

HSL 293.45, 0.53%, 0.56%

LAB 53.24, 59.03, -42.88

 

CMYK 8 / 70 / 0 / 14

HEX #CB41DC

RGB 203 65 220

HSL 293.42, 0.69%, 0.56%

LAB 53.65, 72.72, -52.37

 

CMYK 9 / 80 / 0 / 7

HEX #D92FEE

RGB 217 47 238

HSL 293.4, 0.85%, 0.56%

LAB 55.03, 83.72, -60.2

 

CMYK 6 / 59 / 0 / 21

HEX #BD53CA

RGB 189 83 202

HSL 293.45, 0.53%, 0.56%

LAB 53.24, 59.03, -42.88

 

CMYK 5 / 45 / 0 / 28

HEX #AF65B8

RGB 175 101 184

HSL 293.49, 0.37%, 0.56%

LAB 53.9, 42.82, -31.63

 

CMYK 3 / 28 / 0 / 35

HEX #A077A5

RGB 160 119 165

HSL 293.48, 0.2%, 0.56%

LAB 55.47, 24.2, -18.38

 

CMYK 1 / 7 / 0 / 42

HEX #928993

RGB 146 137 147

HSL 294, 0.04%, 0.56%

LAB 58.14, 5.28, -4.12

 

CMYK 15 / 0 / 17 / 39

HEX #849B81

RGB 132 155 129

HSL 113.08, 0.12%, 0.56%

LAB 61.6, -13.26, 10.96

 

CMYK 39 / 59 / 0 / 21

HEX #7C53CA

RGB 124 83 202

HSL 260.67, 0.53%, 0.56%

LAB 45.27, 43.21, -56.08

 

CMYK 23 / 59 / 0 / 21

HEX #9C53CA

RGB 156 83 202

HSL 276.81, 0.53%, 0.56%

LAB 48.91, 50.79, -50.04

 

CMYK 7 / 59 / 0 / 21

HEX #BC53CA

RGB 188 83 202

HSL 292.94, 0.53%, 0.56%

LAB 53.1, 58.78, -43.11

 

CMYK 0 / 59 / 9 / 21

HEX #CA53B8

RGB 202 83 184

HSL 309.08, 0.53%, 0.56%

LAB 54.24, 59.34, -30.82

 

CMYK 0 / 59 / 25 / 21

HEX #CA5398

RGB 202 83 152

HSL 325.21, 0.53%, 0.56%

LAB 52.96, 54.6, -14.1

 

CMYK 8 / 70 / 0 / 39

HEX #8F2F9B

RGB 143 47 155

HSL 293.33, 0.53%, 0.4%

LAB 38.27, 54.6, -39.44

 

CMYK 8 / 69 / 0 / 27

HEX #AC39BA

RGB 172 57 186

HSL 293.49, 0.53%, 0.48%

LAB 45.96, 62.97, -45.33

 

CMYK 6 / 59 / 0 / 21

HEX #BD53CA

RGB 189 83 202

HSL 293.45, 0.53%, 0.56%

LAB 53.24, 59.03, -42.88

 

CMYK 5 / 46 / 0 / 17

HEX #C972D3

RGB 201 114 211

HSL 293.81, 0.52%, 0.64%

LAB 60.92, 48.88, -35.83

 

CMYK 4 / 34 / 0 / 13

HEX #D592DD

RGB 213 146 221

HSL 293.6, 0.52%, 0.72%

LAB 69.42, 37.52, -28.13

 

CMYK 6 / 59 / 0 / 21

HEX #BD52CA

RGB 189 82 202

HSL 293.5, 0.53%, 0.56%

LAB 53.08, 59.48, -43.14

 

CMYK 0 / 54 / 59 / 21

HEX #CA5D53

RGB 202 93 83

HSL 5.04, 0.53%, 0.56%

LAB 52.96, 42.56, 26.7

 

CMYK 59 / 0 / 31 / 21

HEX #53CA8C

RGB 83 202 140

HSL 148.74, 0.53%, 0.56%

LAB 73.53, -47.67, 21.2

 

CMYK 6 / 59 / 0 / 21

HEX #BD52CA

RGB 189 82 202

HSL 293.5, 0.53%, 0.56%

LAB 53.08, 59.48, -43.14

 

CMYK 0 / 7 / 59 / 21

HEX #CABC53

RGB 202 188 83

HSL 52.94, 0.53%, 0.56%

LAB 75.54, -8.08, 53.73

 

CMYK 59 / 0 / 7 / 21

HEX #53CABC

RGB 83 202 188

HSL 172.94, 0.53%, 0.56%

LAB 74.64, -36.58, -3.01

 

CMYK 6 / 59 / 0 / 21

HEX #BD52CA

RGB 189 82 202

HSL 293.5, 0.53%, 0.56%

LAB 53.08, 59.48, -43.14

 

CMYK 0 / 54 / 59 / 21

HEX #CA5D53

RGB 202 93 83

HSL 5.04, 0.53%, 0.56%

LAB 52.96, 42.56, 26.7

 

CMYK 52 / 0 / 59 / 21

HEX #61CA53

RGB 97 202 83

HSL 112.94, 0.53%, 0.56%

LAB 73.16, -53.16, 49.31

 

CMYK 59 / 5 / 0 / 21

HEX #53C0CA

RGB 83 192 202

HSL 185.04, 0.53%, 0.56%

LAB 72.1, -28.03, -14.4

 

CMYK 6 / 59 / 0 / 21

HEX #BD52CA

RGB 189 82 202

HSL 293.5, 0.53%, 0.56%

LAB 53.08, 59.48, -43.14

 

CMYK 0 / 37 / 59 / 21

HEX #CA8053

RGB 202 128 83

HSL 22.69, 0.53%, 0.56%

LAB 60.44, 24.17, 36.09

 

CMYK 52 / 0 / 59 / 21

HEX #61CA53

RGB 97 202 83

HSL 112.94, 0.53%, 0.56%

LAB 73.16, -53.16, 49.31

 

CMYK 59 / 23 / 0 / 21

HEX #539CCA

RGB 83 156 202

HSL 203.19, 0.53%, 0.56%

LAB 61.55, -9.21, -30.5

 

Description

Color code: RGB 189 82 202 | qconv.com Color code: RGB 189 82 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 82 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 82 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 59 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 59% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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