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Color name
RGB 189 75 167

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 75 167 it is the complementary color RGB 66 180 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 75 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 75 167 shade: RGB 194 75 162, RGB 211 93 181, RGB 228 111 200, RGB 245 129 219 and RGB 255 147 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 75 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 75 167 shade: RGB 189 75 167, RGB 172 57 148, RGB 155 39 129, RGB 138 21 110 and RGB 121 3 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 75 167 shade: RGB 188 76 167, RGB 188 76 136, RGB 188 76 106 and RGB 188 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 75 167 shade: RGB 188 76 167, RGB 180 76 188, RGB 149 76 188, RGB 119 76 188 and RGB 89 76 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 75 167 shade matches the following richer shades: RGB 188 76 167, RGB 208 56 179, RGB 228 36 191 and RGB 248 16 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 75 167 shade: RGB 188 76 167, RGB 169 96 155, RGB 149 115 142, RGB 129 135 130 and RGB 109 155 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 75 167 shade: RGB 149 76 188, RGB 179 76 188, RGB 188 76 168, RGB 188 76 138 and RGB 188 76 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 75 167 shade: RGB 133 49 117, RGB 163 60 143, RGB 188 76 167, RGB 200 106 181 and RGB 211 136 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 75 167 shade: RGB 189 75 167, RGB 188 119 76 and RGB 76 188 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 75 167 shade: RGB 189 75 167, RGB 168 188 76 and RGB 76 168 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 75 167 shade: RGB 189 75 167, RGB 188 119 76, RGB 76 188 96 and RGB 76 145 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 75 167 shade: RGB 189 75 167, RGB 188 153 76, RGB 76 188 96 and RGB 76 111 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 12 / 26

HEX #BD4BA7

RGB 189 75 167

HSL 311.58, 0.46%, 0.52%

LAB 50.26, 56.61, -27.24

 

Complementary color

CMYK 63 / 0 / 51 / 29

HEX #42B458

RGB 66 180 88

HSL 131.58, 0.46%, 0.48%

LAB 65.36, -51.68, 37.4

 

CMYK 0 / 61 / 16 / 24

HEX #C24BA2

RGB 194 75 162

HSL 316.13, 0.49%, 0.53%

LAB 50.82, 57.23, -23.38

 

CMYK 0 / 56 / 14 / 17

HEX #D35DB5

RGB 211 93 181

HSL 315.25, 0.57%, 0.6%

LAB 57.09, 56.88, -24.58

 

CMYK 0 / 51 / 12 / 11

HEX #E46FC8

RGB 228 111 200

HSL 314.36, 0.68%, 0.66%

LAB 63.37, 56.35, -25.55

 

CMYK 0 / 47 / 11 / 4

HEX #F581DB

RGB 245 129 219

HSL 313.45, 0.85%, 0.73%

LAB 69.63, 55.71, -26.37

 

CMYK 0 / 42 / 7 / 0

HEX #FF93EE

RGB 255 147 238

HSL 309.44, 1%, 0.79%

LAB 75.01, 52.92, -28.44

 

CMYK 0 / 60 / 12 / 26

HEX #BD4BA7

RGB 189 75 167

HSL 311.58, 0.46%, 0.52%

LAB 50.26, 56.61, -27.24

 

CMYK 0 / 67 / 14 / 33

HEX #AC3994

RGB 172 57 148

HSL 312.52, 0.5%, 0.45%

LAB 44, 56.64, -25.87

 

CMYK 0 / 75 / 17 / 39

HEX #9B2781

RGB 155 39 129

HSL 313.45, 0.6%, 0.38%

LAB 37.85, 56.11, -24.05

 

CMYK 0 / 85 / 20 / 46

HEX #8A156E

RGB 138 21 110

HSL 314.36, 0.74%, 0.31%

LAB 31.96, 54.58, -21.52

 

CMYK 0 / 98 / 25 / 53

HEX #79035B

RGB 121 3 91

HSL 315.25, 0.95%, 0.24%

LAB 26.41, 51.72, -18.09

 

CMYK 0 / 60 / 11 / 26

HEX #BC4CA7

RGB 188 76 167

HSL 311.25, 0.46%, 0.52%

LAB 50.28, 55.89, -27.23

 

CMYK 0 / 60 / 28 / 26

HEX #BC4C88

RGB 188 76 136

HSL 327.86, 0.46%, 0.52%

LAB 49.05, 51.36, -10.69

 

CMYK 0 / 60 / 44 / 26

HEX #BC4C6A

RGB 188 76 106

HSL 343.93, 0.46%, 0.52%

LAB 48.13, 47.82, 6.08

 

CMYK 0 / 60 / 60 / 26

HEX #BC4C4C

RGB 188 76 76

HSL 0, 0.46%, 0.52%

LAB 47.47, 45.18, 23.29

 

CMYK 0 / 60 / 11 / 26

HEX #BC4CA7

RGB 188 76 167

HSL 311.25, 0.46%, 0.52%

LAB 50.28, 55.89, -27.23

 

CMYK 4 / 60 / 0 / 26

HEX #B44CBC

RGB 180 76 188

HSL 295.71, 0.46%, 0.52%

LAB 50.1, 57.34, -39.86

 

CMYK 21 / 60 / 0 / 26

HEX #954CBC

RGB 149 76 188

HSL 279.11, 0.46%, 0.52%

LAB 45.89, 49.5, -46.8

 

CMYK 37 / 60 / 0 / 26

HEX #774CBC

RGB 119 76 188

HSL 263.04, 0.46%, 0.52%

LAB 42.34, 42.26, -52.69

 

CMYK 53 / 60 / 0 / 26

HEX #594CBC

RGB 89 76 188

HSL 246.96, 0.46%, 0.52%

LAB 39.45, 35.8, -57.51

 

CMYK 0 / 60 / 11 / 26

HEX #BC4CA7

RGB 188 76 167

HSL 311.25, 0.46%, 0.52%

LAB 50.28, 55.89, -27.23

 

CMYK 0 / 73 / 14 / 18

HEX #D038B3

RGB 208 56 179

HSL 311.45, 0.62%, 0.52%

LAB 51.26, 70.39, -32.5

 

CMYK 0 / 84 / 16 / 11

HEX #E424BF

RGB 228 36 191

HSL 311.56, 0.78%, 0.52%

LAB 53.51, 81.31, -35.71

 

CMYK 0 / 94 / 18 / 3

HEX #F810CB

RGB 248 16 203

HSL 311.64, 0.94%, 0.52%

LAB 56.72, 89.3, -37.34

 

CMYK 0 / 60 / 11 / 26

HEX #BC4CA7

RGB 188 76 167

HSL 311.25, 0.46%, 0.52%

LAB 50.28, 55.89, -27.23

 

CMYK 0 / 43 / 8 / 34

HEX #A9609B

RGB 169 96 155

HSL 311.51, 0.3%, 0.52%

LAB 50.88, 38.2, -19.45

 

CMYK 0 / 23 / 5 / 42

HEX #95738E

RGB 149 115 142

HSL 312.35, 0.14%, 0.52%

LAB 52.51, 18.09, -9.56

 

CMYK 4 / 0 / 4 / 47

HEX #818782

RGB 129 135 130

HSL 130, 0.02%, 0.52%

LAB 55.69, -3.21, 1.91

 

CMYK 30 / 0 / 24 / 39

HEX #6D9B76

RGB 109 155 118

HSL 131.74, 0.19%, 0.52%

LAB 59.89, -23.42, 14.52

 

CMYK 21 / 60 / 0 / 26

HEX #954CBC

RGB 149 76 188

HSL 279.11, 0.46%, 0.52%

LAB 45.89, 49.5, -46.8

 

CMYK 5 / 60 / 0 / 26

HEX #B34CBC

RGB 179 76 188

HSL 295.18, 0.46%, 0.52%

LAB 49.96, 57.08, -40.1

 

CMYK 0 / 60 / 11 / 26

HEX #BC4CA8

RGB 188 76 168

HSL 310.71, 0.46%, 0.52%

LAB 50.32, 56.05, -27.75

 

CMYK 0 / 60 / 27 / 26

HEX #BC4C8A

RGB 188 76 138

HSL 326.79, 0.46%, 0.52%

LAB 49.12, 51.63, -11.78

 

CMYK 0 / 60 / 43 / 26

HEX #BC4C6C

RGB 188 76 108

HSL 342.86, 0.46%, 0.52%

LAB 48.19, 48.03, 4.94

 

CMYK 0 / 63 / 12 / 48

HEX #853175

RGB 133 49 117

HSL 311.43, 0.46%, 0.36%

LAB 34.94, 44.38, -21.38

 

CMYK 0 / 63 / 12 / 36

HEX #A33C8F

RGB 163 60 143

HSL 311.65, 0.46%, 0.44%

LAB 42.77, 52.19, -24.88

 

CMYK 0 / 60 / 11 / 26

HEX #BC4CA7

RGB 188 76 167

HSL 311.25, 0.46%, 0.52%

LAB 50.28, 55.89, -27.23

 

CMYK 0 / 47 / 10 / 22

HEX #C86AB5

RGB 200 106 181

HSL 312.13, 0.46%, 0.6%

LAB 57.96, 47.3, -23.36

 

CMYK 0 / 36 / 7 / 17

HEX #D388C4

RGB 211 136 196

HSL 312, 0.46%, 0.68%

LAB 66.09, 37.67, -19.33

 

CMYK 0 / 60 / 12 / 26

HEX #BD4BA7

RGB 189 75 167

HSL 311.58, 0.46%, 0.52%

LAB 50.26, 56.61, -27.24

 

CMYK 0 / 37 / 60 / 26

HEX #BC774C

RGB 188 119 76

HSL 23.04, 0.46%, 0.52%

LAB 56.49, 22.74, 34.64

 

CMYK 60 / 0 / 13 / 26

HEX #4CBCA4

RGB 76 188 164

HSL 167.14, 0.46%, 0.52%

LAB 69.6, -37.61, 2.67

 

CMYK 0 / 60 / 12 / 26

HEX #BD4BA7

RGB 189 75 167

HSL 311.58, 0.46%, 0.52%

LAB 50.26, 56.61, -27.24

 

CMYK 11 / 0 / 60 / 26

HEX #A8BC4C

RGB 168 188 76

HSL 70.71, 0.46%, 0.52%

LAB 72.77, -22.76, 53.03

 

CMYK 60 / 11 / 0 / 26

HEX #4CA8BC

RGB 76 168 188

HSL 190.71, 0.46%, 0.52%

LAB 64.3, -21.3, -18.49

 

CMYK 0 / 60 / 12 / 26

HEX #BD4BA7

RGB 189 75 167

HSL 311.58, 0.46%, 0.52%

LAB 50.26, 56.61, -27.24

 

CMYK 0 / 37 / 60 / 26

HEX #BC774C

RGB 188 119 76

HSL 23.04, 0.46%, 0.52%

LAB 56.49, 22.74, 34.64

 

CMYK 60 / 0 / 49 / 26

HEX #4CBC60

RGB 76 188 96

HSL 130.71, 0.46%, 0.52%

LAB 68.28, -51.34, 37.08

 

CMYK 60 / 23 / 0 / 26

HEX #4C91BC

RGB 76 145 188

HSL 203.04, 0.46%, 0.52%

LAB 57.48, -8.88, -28.95

 

CMYK 0 / 60 / 12 / 26

HEX #BD4BA7

RGB 189 75 167

HSL 311.58, 0.46%, 0.52%

LAB 50.26, 56.61, -27.24

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 60 / 0 / 49 / 26

HEX #4CBC60

RGB 76 188 96

HSL 130.71, 0.46%, 0.52%

LAB 68.28, -51.34, 37.08

 

CMYK 60 / 41 / 0 / 26

HEX #4C6FBC

RGB 76 111 188

HSL 221.25, 0.46%, 0.52%

LAB 47.67, 11.31, -44.35

 

Description

Color code: RGB 189 75 167 | qconv.com Color code: RGB 189 75 167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 75 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 75 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 12 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 12% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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