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Color name
RGB 189 29 119

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 29 119 it is the complementary color RGB 66 226 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 29 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 29 119 shade: RGB 194 29 114, RGB 211 47 133, RGB 228 65 152, RGB 245 83 171 and RGB 255 101 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 29 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 29 119 shade: RGB 189 29 119, RGB 172 11 100, RGB 155 0 81, RGB 138 0 62 and RGB 121 0 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 29 119 shade: RGB 189 29 119, RGB 189 29 76, RGB 189 29 33 and RGB 189 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 29 119 shade: RGB 189 29 119, RGB 189 29 162, RGB 173 29 189, RGB 130 29 189 and RGB 87 29 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 29 119 shade matches the following richer shades: RGB 189 29 119 and RGB 207 11 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 29 119 shade: RGB 189 29 119, RGB 171 47 117, RGB 154 65 115, RGB 136 82 113 and RGB 118 100 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 29 119 shade: RGB 173 29 189, RGB 189 29 163, RGB 189 29 120, RGB 189 29 77 and RGB 189 29 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 29 119 shade: RGB 118 18 74, RGB 154 24 97, RGB 189 29 119, RGB 221 39 141 and RGB 226 74 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 29 119 shade: RGB 189 29 119, RGB 189 130 29 and RGB 29 184 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 29 119 shade: RGB 189 29 119, RGB 120 189 29 and RGB 29 120 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 29 119 shade: RGB 189 29 119, RGB 189 130 29, RGB 29 189 98 and RGB 29 88 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 29 119 shade: RGB 189 29 119, RGB 189 179 29, RGB 29 189 98 and RGB 29 40 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 37 / 26

HEX #BD1D77

RGB 189 29 119

HSL 326.25, 0.73%, 0.43%

LAB 42.81, 65.83, -9.7

 

Complementary color

CMYK 71 / 0 / 40 / 11

HEX #42E288

RGB 66 226 136

HSL 146.25, 0.73%, 0.57%

LAB 80.36, -60.82, 32.39

 

CMYK 0 / 85 / 41 / 24

HEX #C21D72

RGB 194 29 114

HSL 329.09, 0.74%, 0.44%

LAB 43.6, 66.53, -5.32

 

CMYK 0 / 78 / 37 / 17

HEX #D32F85

RGB 211 47 133

HSL 328.54, 0.65%, 0.51%

LAB 48.98, 68.18, -8.6

 

CMYK 0 / 71 / 33 / 11

HEX #E44198

RGB 228 65 152

HSL 327.98, 0.75%, 0.57%

LAB 54.6, 69, -11.21

 

CMYK 0 / 66 / 30 / 4

HEX #F553AB

RGB 245 83 171

HSL 327.41, 0.89%, 0.64%

LAB 60.37, 69.26, -13.33

 

CMYK 0 / 60 / 25 / 0

HEX #FF65BE

RGB 255 101 190

HSL 325.32, 1%, 0.7%

LAB 65.19, 67.18, -16.77

 

CMYK 0 / 85 / 37 / 26

HEX #BD1D77

RGB 189 29 119

HSL 326.25, 0.73%, 0.43%

LAB 42.81, 65.83, -9.7

 

CMYK 0 / 94 / 42 / 33

HEX #AC0B64

RGB 172 11 100

HSL 326.83, 0.88%, 0.36%

LAB 37.72, 63.02, -5.74

 

CMYK 0 / 100 / 48 / 39

HEX #9B0051

RGB 155 0 81

HSL 328.65, 1%, 0.3%

LAB 33.05, 58.77, -0.74

 

CMYK 0 / 100 / 55 / 46

HEX #8A003E

RGB 138 0 62

HSL 333.04, 1%, 0.27%

LAB 28.78, 53.23, 5.25

 

CMYK 0 / 100 / 64 / 53

HEX #79002B

RGB 121 0 43

HSL 338.68, 1%, 0.24%

LAB 24.45, 47.67, 11.67

 

CMYK 0 / 85 / 37 / 26

HEX #BD1D77

RGB 189 29 119

HSL 326.25, 0.73%, 0.43%

LAB 42.81, 65.83, -9.7

 

CMYK 0 / 85 / 60 / 26

HEX #BD1D4C

RGB 189 29 76

HSL 342.38, 0.73%, 0.43%

LAB 41.56, 62.24, 15.49

 

CMYK 0 / 85 / 83 / 26

HEX #BD1D21

RGB 189 29 33

HSL 358.5, 0.73%, 0.43%

LAB 40.91, 60.3, 40.72

 

CMYK 0 / 85 / 85 / 26

HEX #BD1D1D

RGB 189 29 29

HSL 0, 0.73%, 0.43%

LAB 40.87, 60.2, 42.8

 

CMYK 0 / 85 / 37 / 26

HEX #BD1D77

RGB 189 29 119

HSL 326.25, 0.73%, 0.43%

LAB 42.81, 65.83, -9.7

 

CMYK 0 / 85 / 14 / 26

HEX #BD1DA2

RGB 189 29 162

HSL 310.13, 0.73%, 0.43%

LAB 44.67, 70.98, -33.01

 

CMYK 8 / 85 / 0 / 26

HEX #AD1DBD

RGB 173 29 189

HSL 294, 0.73%, 0.43%

LAB 43.41, 72.01, -51.16

 

CMYK 31 / 85 / 0 / 26

HEX #821DBD

RGB 130 29 189

HSL 277.88, 0.73%, 0.43%

LAB 36.55, 64.96, -62.6

 

CMYK 54 / 85 / 0 / 26

HEX #571DBD

RGB 87 29 189

HSL 261.75, 0.73%, 0.43%

LAB 30.83, 59.38, -72.21

 

CMYK 0 / 85 / 37 / 26

HEX #BD1D77

RGB 189 29 119

HSL 326.25, 0.73%, 0.43%

LAB 42.81, 65.83, -9.7

 

CMYK 0 / 95 / 42 / 19

HEX #CF0B79

RGB 207 11 121

HSL 326.33, 0.9%, 0.43%

LAB 45.48, 72.79, -6.58

 

CMYK 0 / 85 / 37 / 26

HEX #BD1D77

RGB 189 29 119

HSL 326.25, 0.73%, 0.43%

LAB 42.81, 65.83, -9.7

 

CMYK 0 / 73 / 32 / 33

HEX #AB2F75

RGB 171 47 117

HSL 326.13, 0.57%, 0.43%

LAB 41.18, 55.92, -11.25

 

CMYK 0 / 58 / 25 / 40

HEX #9A4173

RGB 154 65 115

HSL 326.29, 0.41%, 0.43%

LAB 41.04, 42.92, -10.5

 

CMYK 0 / 40 / 17 / 47

HEX #885271

RGB 136 82 113

HSL 325.56, 0.25%, 0.43%

LAB 41.94, 27.2, -8.17

 

CMYK 0 / 15 / 7 / 54

HEX #76646E

RGB 118 100 110

HSL 326.67, 0.08%, 0.43%

LAB 44.36, 9.06, -2.96

 

CMYK 8 / 85 / 0 / 26

HEX #AD1DBD

RGB 173 29 189

HSL 294, 0.73%, 0.43%

LAB 43.41, 72.01, -51.16

 

CMYK 0 / 85 / 14 / 26

HEX #BD1DA3

RGB 189 29 163

HSL 309.75, 0.73%, 0.43%

LAB 44.72, 71.12, -33.53

 

CMYK 0 / 85 / 37 / 26

HEX #BD1D78

RGB 189 29 120

HSL 325.88, 0.73%, 0.43%

LAB 42.84, 65.93, -10.27

 

CMYK 0 / 85 / 59 / 26

HEX #BD1D4D

RGB 189 29 77

HSL 342, 0.73%, 0.43%

LAB 41.58, 62.3, 14.88

 

CMYK 0 / 85 / 82 / 26

HEX #BD1D22

RGB 189 29 34

HSL 358.13, 0.73%, 0.43%

LAB 40.92, 60.33, 40.18

 

CMYK 0 / 85 / 37 / 54

HEX #76124A

RGB 118 18 74

HSL 326.4, 0.74%, 0.27%

LAB 26.09, 45.81, -7.28

 

CMYK 0 / 84 / 37 / 40

HEX #9A1861

RGB 154 24 97

HSL 326.31, 0.73%, 0.35%

LAB 34.77, 56.13, -8.6

 

CMYK 0 / 85 / 37 / 26

HEX #BD1D77

RGB 189 29 119

HSL 326.25, 0.73%, 0.43%

LAB 42.81, 65.83, -9.7

 

CMYK 0 / 82 / 36 / 13

HEX #DD278D

RGB 221 39 141

HSL 326.37, 0.73%, 0.51%

LAB 50.39, 73.42, -11.12

 

CMYK 0 / 67 / 29 / 11

HEX #E24AA0

RGB 226 74 160

HSL 326.05, 0.72%, 0.59%

LAB 55.69, 66.18, -14.31

 

CMYK 0 / 85 / 37 / 26

HEX #BD1D77

RGB 189 29 119

HSL 326.25, 0.73%, 0.43%

LAB 42.81, 65.83, -9.7

 

CMYK 0 / 31 / 85 / 26

HEX #BD821D

RGB 189 130 29

HSL 37.88, 0.73%, 0.43%

LAB 58.86, 14.69, 58.36

 

CMYK 85 / 3 / 0 / 26

HEX #1DB8BD

RGB 29 184 189

HSL 181.88, 0.73%, 0.43%

LAB 68.18, -34.84, -13.28

 

CMYK 0 / 85 / 37 / 26

HEX #BD1D77

RGB 189 29 119

HSL 326.25, 0.73%, 0.43%

LAB 42.81, 65.83, -9.7

 

CMYK 37 / 0 / 85 / 26

HEX #78BD1D

RGB 120 189 29

HSL 85.88, 0.73%, 0.43%

LAB 69.81, -44.6, 65.61

 

CMYK 85 / 37 / 0 / 26

HEX #1D78BD

RGB 29 120 189

HSL 205.88, 0.73%, 0.43%

LAB 48.72, -0.56, -43.36

 

CMYK 0 / 85 / 37 / 26

HEX #BD1D77

RGB 189 29 119

HSL 326.25, 0.73%, 0.43%

LAB 42.81, 65.83, -9.7

 

CMYK 0 / 31 / 85 / 26

HEX #BD821D

RGB 189 130 29

HSL 37.88, 0.73%, 0.43%

LAB 58.86, 14.69, 58.36

 

CMYK 85 / 0 / 48 / 26

HEX #1DBD62

RGB 29 189 98

HSL 145.88, 0.73%, 0.43%

LAB 67.68, -58.85, 35.12

 

CMYK 85 / 53 / 0 / 26

HEX #1D58BD

RGB 29 88 189

HSL 217.88, 0.73%, 0.43%

LAB 39.44, 19.86, -58.26

 

CMYK 0 / 85 / 37 / 26

HEX #BD1D77

RGB 189 29 119

HSL 326.25, 0.73%, 0.43%

LAB 42.81, 65.83, -9.7

 

CMYK 0 / 5 / 85 / 26

HEX #BDB31D

RGB 189 179 29

HSL 56.25, 0.73%, 0.43%

LAB 71.66, -11.67, 69.06

 

CMYK 85 / 0 / 48 / 26

HEX #1DBD62

RGB 29 189 98

HSL 145.88, 0.73%, 0.43%

LAB 67.68, -58.85, 35.12

 

CMYK 85 / 79 / 0 / 26

HEX #1D28BD

RGB 29 40 189

HSL 235.88, 0.73%, 0.43%

LAB 27.99, 49.93, -77.05

 

Description

Color code: RGB 189 29 119 | qconv.com Color code: RGB 189 29 119 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 29 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 29 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 37 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 37% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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