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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 215 188 it is the complementary color RGB 66 40 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 215 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 215 188 shade: RGB 194 215 183, RGB 211 233 202, RGB 228 251 221 and RGB 245 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 215 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 215 188 shade: RGB 189 215 188, RGB 172 197 169, RGB 155 179 150, RGB 138 161 131 and RGB 121 143 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 215 188 shade: RGB 189 214 188, RGB 196 214 188, RGB 203 214 188, RGB 210 214 188 and RGB 214 211 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 215 188 shade: RGB 189 214 188, RGB 188 214 194, RGB 188 214 201, RGB 188 214 208 and RGB 188 213 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 215 188 shade matches the following richer shades: RGB 189 214 188, RGB 181 223 179, RGB 173 232 170, RGB 164 240 162 and RGB 156 249 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 215 188 shade: RGB 189 214 188, RGB 197 206 196, RGB 205 197 205, RGB 213 188 214 and RGB 221 180 222

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 215 188 shade: RGB 203 214 188, RGB 196 214 188, RGB 189 214 188, RGB 188 214 193 and RGB 188 214 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 215 188 shade: RGB 138 183 136, RGB 163 199 162, RGB 189 214 188, RGB 214 230 213 and RGB 239 245 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 215 188 shade: RGB 189 215 188, RGB 188 210 214 and RGB 214 188 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 215 188 shade: RGB 189 215 188, RGB 188 189 214 and RGB 214 188 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 215 188 shade: RGB 189 215 188, RGB 188 210 214, RGB 213 188 214 and RGB 214 192 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 215 188 shade: RGB 189 215 188, RGB 188 202 214, RGB 213 188 214 and RGB 214 200 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 13 / 16

HEX #BDD7BC

RGB 189 215 188

HSL 117.78, 0.25%, 0.79%

LAB 83.47, -13.7, 10.42

 

Complementary color

CMYK 1 / 40 / 0 / 74

HEX #422843

RGB 66 40 67

HSL 297.78, 0.25%, 0.21%

LAB 20.37, 17.44, -12.09

 

CMYK 10 / 0 / 15 / 16

HEX #C2D7B7

RGB 194 215 183

HSL 99.38, 0.29%, 0.78%

LAB 83.7, -12.84, 13.44

 

CMYK 9 / 0 / 13 / 9

HEX #D3E9CA

RGB 211 233 202

HSL 102.58, 0.41%, 0.85%

LAB 90.04, -12.83, 12.62

 

CMYK 9 / 0 / 12 / 2

HEX #E4FBDD

RGB 228 251 221

HSL 106, 0.79%, 0.93%

LAB 96.29, -12.82, 11.85

 

CMYK 4 / 0 / 6 / 0

HEX #F5FFF0

RGB 245 255 240

HSL 100, 1%, 0.97%

LAB 98.92, -5.9, 6.02

 

CMYK 12 / 0 / 13 / 16

HEX #BDD7BC

RGB 189 215 188

HSL 117.78, 0.25%, 0.79%

LAB 83.47, -13.7, 10.42

 

CMYK 13 / 0 / 14 / 23

HEX #ACC5A9

RGB 172 197 169

HSL 113.57, 0.19%, 0.72%

LAB 77.02, -13.75, 11.23

 

CMYK 13 / 0 / 16 / 30

HEX #9BB396

RGB 155 179 150

HSL 109.66, 0.16%, 0.65%

LAB 70.46, -13.82, 12.08

 

CMYK 14 / 0 / 19 / 37

HEX #8AA183

RGB 138 161 131

HSL 106, 0.14%, 0.57%

LAB 63.78, -13.89, 12.98

 

CMYK 15 / 0 / 22 / 44

HEX #798F70

RGB 121 143 112

HSL 102.58, 0.12%, 0.5%

LAB 56.96, -13.98, 13.94

 

CMYK 12 / 0 / 12 / 16

HEX #BDD6BC

RGB 189 214 188

HSL 117.69, 0.24%, 0.79%

LAB 83.2, -13.19, 10.04

 

CMYK 8 / 0 / 12 / 16

HEX #C4D6BC

RGB 196 214 188

HSL 101.54, 0.24%, 0.79%

LAB 83.68, -10.78, 10.79

 

CMYK 5 / 0 / 12 / 16

HEX #CBD6BC

RGB 203 214 188

HSL 85.38, 0.24%, 0.79%

LAB 84.18, -8.33, 11.57

 

CMYK 2 / 0 / 12 / 16

HEX #D2D6BC

RGB 210 214 188

HSL 69.23, 0.24%, 0.79%

LAB 84.7, -5.86, 12.38

 

CMYK 0 / 1 / 12 / 16

HEX #D6D3BC

RGB 214 211 188

HSL 53.08, 0.24%, 0.79%

LAB 84.23, -2.88, 11.76

 

CMYK 12 / 0 / 12 / 16

HEX #BDD6BC

RGB 189 214 188

HSL 117.69, 0.24%, 0.79%

LAB 83.2, -13.19, 10.04

 

CMYK 12 / 0 / 9 / 16

HEX #BCD6C2

RGB 188 214 194

HSL 133.85, 0.24%, 0.79%

LAB 83.27, -12.45, 6.95

 

CMYK 12 / 0 / 6 / 16

HEX #BCD6C9

RGB 188 214 201

HSL 150, 0.24%, 0.79%

LAB 83.44, -11.15, 3.48

 

CMYK 12 / 0 / 3 / 16

HEX #BCD6D0

RGB 188 214 208

HSL 166.15, 0.24%, 0.79%

LAB 83.62, -9.81, 0.02

 

CMYK 12 / 0 / 0 / 16

HEX #BCD5D6

RGB 188 213 214

HSL 182.31, 0.24%, 0.79%

LAB 83.51, -8.1, -3.32

 

CMYK 12 / 0 / 12 / 16

HEX #BDD6BC

RGB 189 214 188

HSL 117.69, 0.24%, 0.79%

LAB 83.2, -13.19, 10.04

 

CMYK 19 / 0 / 20 / 13

HEX #B5DFB3

RGB 181 223 179

HSL 117.27, 0.41%, 0.79%

LAB 84.92, -21.97, 17.14

 

CMYK 25 / 0 / 27 / 9

HEX #ADE8AA

RGB 173 232 170

HSL 117.1, 0.57%, 0.79%

LAB 86.75, -30.45, 24.28

 

CMYK 32 / 0 / 33 / 6

HEX #A4F0A2

RGB 164 240 162

HSL 118.46, 0.72%, 0.79%

LAB 88.36, -38.32, 30.47

 

CMYK 37 / 0 / 39 / 2

HEX #9CF999

RGB 156 249 153

HSL 118.13, 0.89%, 0.79%

LAB 90.38, -46.11, 37.58

 

CMYK 12 / 0 / 12 / 16

HEX #BDD6BC

RGB 189 214 188

HSL 117.69, 0.24%, 0.79%

LAB 83.2, -13.19, 10.04

 

CMYK 4 / 0 / 5 / 19

HEX #C5CEC4

RGB 197 206 196

HSL 114, 0.09%, 0.79%

LAB 81.84, -4.9, 3.9

 

CMYK 0 / 4 / 0 / 20

HEX #CDC5CD

RGB 205 197 205

HSL 300, 0.07%, 0.79%

LAB 80.36, 4.23, -3.01

 

CMYK 0 / 12 / 0 / 16

HEX #D5BCD6

RGB 213 188 214

HSL 297.69, 0.24%, 0.79%

LAB 79.02, 13.45, -9.76

 

CMYK 0 / 19 / 0 / 13

HEX #DDB4DE

RGB 221 180 222

HSL 298.57, 0.39%, 0.79%

LAB 78.05, 21.94, -15.47

 

CMYK 5 / 0 / 12 / 16

HEX #CBD6BC

RGB 203 214 188

HSL 85.38, 0.24%, 0.79%

LAB 84.18, -8.33, 11.57

 

CMYK 8 / 0 / 12 / 16

HEX #C4D6BC

RGB 196 214 188

HSL 101.54, 0.24%, 0.79%

LAB 83.68, -10.78, 10.79

 

CMYK 12 / 0 / 12 / 16

HEX #BDD6BC

RGB 189 214 188

HSL 117.69, 0.24%, 0.79%

LAB 83.2, -13.19, 10.04

 

CMYK 12 / 0 / 10 / 16

HEX #BCD6C1

RGB 188 214 193

HSL 131.54, 0.24%, 0.79%

LAB 83.25, -12.64, 7.45

 

CMYK 12 / 0 / 6 / 16

HEX #BCD6C9

RGB 188 214 201

HSL 150, 0.24%, 0.79%

LAB 83.44, -11.15, 3.48

 

CMYK 25 / 0 / 26 / 28

HEX #8AB788

RGB 138 183 136

HSL 117.45, 0.25%, 0.63%

LAB 70.21, -24.27, 19.17

 

CMYK 18 / 0 / 19 / 22

HEX #A3C7A2

RGB 163 199 162

HSL 118.38, 0.25%, 0.71%

LAB 76.83, -19.12, 14.62

 

CMYK 12 / 0 / 12 / 16

HEX #BDD6BC

RGB 189 214 188

HSL 117.69, 0.24%, 0.79%

LAB 83.2, -13.19, 10.04

 

CMYK 7 / 0 / 7 / 10

HEX #D6E6D5

RGB 214 230 213

HSL 116.47, 0.25%, 0.87%

LAB 89.72, -8.4, 6.45

 

CMYK 2 / 0 / 2 / 4

HEX #EFF5EF

RGB 239 245 239

HSL 120, 0.23%, 0.95%

LAB 95.95, -3.04, 2.18

 

CMYK 12 / 0 / 13 / 16

HEX #BDD7BC

RGB 189 215 188

HSL 117.78, 0.25%, 0.79%

LAB 83.47, -13.7, 10.42

 

CMYK 12 / 2 / 0 / 16

HEX #BCD2D6

RGB 188 210 214

HSL 189.23, 0.24%, 0.79%

LAB 82.72, -6.55, -4.49

 

CMYK 0 / 12 / 7 / 16

HEX #D6BCC8

RGB 214 188 200

HSL 332.31, 0.24%, 0.79%

LAB 78.71, 11.27, -2.64

 

CMYK 12 / 0 / 13 / 16

HEX #BDD7BC

RGB 189 215 188

HSL 117.78, 0.25%, 0.79%

LAB 83.47, -13.7, 10.42

 

CMYK 12 / 12 / 0 / 16

HEX #BCBDD6

RGB 188 189 214

HSL 237.69, 0.24%, 0.79%

LAB 77.25, 4.58, -12.62

 

CMYK 0 / 12 / 12 / 16

HEX #D6BCBD

RGB 214 188 189

HSL 357.69, 0.24%, 0.79%

LAB 78.42, 9.4, 2.88

 

CMYK 12 / 0 / 13 / 16

HEX #BDD7BC

RGB 189 215 188

HSL 117.78, 0.25%, 0.79%

LAB 83.47, -13.7, 10.42

 

CMYK 12 / 2 / 0 / 16

HEX #BCD2D6

RGB 188 210 214

HSL 189.23, 0.24%, 0.79%

LAB 82.72, -6.55, -4.49

 

CMYK 0 / 12 / 0 / 16

HEX #D5BCD6

RGB 213 188 214

HSL 297.69, 0.24%, 0.79%

LAB 79.02, 13.45, -9.76

 

CMYK 0 / 10 / 12 / 16

HEX #D6C0BC

RGB 214 192 188

HSL 9.23, 0.24%, 0.79%

LAB 79.4, 7.1, 4.84

 

CMYK 12 / 0 / 13 / 16

HEX #BDD7BC

RGB 189 215 188

HSL 117.78, 0.25%, 0.79%

LAB 83.47, -13.7, 10.42

 

CMYK 12 / 6 / 0 / 16

HEX #BCCAD6

RGB 188 202 214

HSL 207.69, 0.24%, 0.79%

LAB 80.62, -2.36, -7.6

 

CMYK 0 / 12 / 0 / 16

HEX #D5BCD6

RGB 213 188 214

HSL 297.69, 0.24%, 0.79%

LAB 79.02, 13.45, -9.76

 

CMYK 0 / 7 / 12 / 16

HEX #D6C8BC

RGB 214 200 188

HSL 27.69, 0.24%, 0.79%

LAB 81.42, 2.87, 7.74

 

Description

Color code: RGB 189 215 188 | qconv.com Color code: RGB 189 215 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 215 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 215 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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