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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 207 144 it is the complementary color RGB 66 48 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 207 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 207 144 shade: RGB 194 207 139, RGB 211 225 158, RGB 228 243 177, RGB 245 255 196 and RGB 255 255 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 207 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 207 144 shade: RGB 189 207 144, RGB 172 189 125, RGB 155 171 106, RGB 138 153 87 and RGB 121 135 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 207 144 shade: RGB 189 207 144, RGB 206 207 144, RGB 207 191 144, RGB 207 174 144 and RGB 207 157 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 207 144 shade: RGB 189 207 144, RGB 172 207 144, RGB 155 207 144, RGB 144 207 150 and RGB 144 207 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 207 144 shade matches the following richer shades: RGB 189 207 144, RGB 194 220 131, RGB 200 233 118 and RGB 205 245 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 207 144 shade: RGB 189 207 144, RGB 184 194 157, RGB 178 181 169, RGB 173 169 182 and RGB 167 156 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 207 144 shade: RGB 207 191 144, RGB 206 207 144, RGB 189 207 144, RGB 172 207 144 and RGB 155 207 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 207 144 shade: RGB 155 182 86, RGB 172 195 115, RGB 189 207 144, RGB 206 219 173 and RGB 223 232 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 207 144 shade: RGB 189 207 144, RGB 144 207 174 and RGB 200 144 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 207 144 shade: RGB 189 207 144, RGB 144 189 207 and RGB 207 144 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 207 144 shade: RGB 189 207 144, RGB 144 207 174, RGB 162 144 207 and RGB 207 144 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 207 144 shade: RGB 189 207 144, RGB 144 207 193, RGB 162 144 207 and RGB 207 144 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

Complementary color

CMYK 41 / 57 / 0 / 56

HEX #42306F

RGB 66 48 111

HSL 257.14, 0.4%, 0.31%

LAB 25.01, 24.2, -33.87

 

CMYK 6 / 0 / 33 / 19

HEX #C2CF8B

RGB 194 207 139

HSL 71.47, 0.41%, 0.68%

LAB 80.72, -15.36, 32.38

 

CMYK 6 / 0 / 30 / 12

HEX #D3E19E

RGB 211 225 158

HSL 72.54, 0.53%, 0.75%

LAB 87.08, -15.48, 31.29

 

CMYK 6 / 0 / 27 / 5

HEX #E4F3B1

RGB 228 243 177

HSL 73.64, 0.73%, 0.82%

LAB 93.35, -15.58, 30.25

 

CMYK 4 / 0 / 23 / 0

HEX #F5FFC4

RGB 245 255 196

HSL 70.17, 1%, 0.88%

LAB 98, -12.74, 27.16

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 9 / 0 / 34 / 26

HEX #ACBD7D

RGB 172 189 125

HSL 75.94, 0.33%, 0.62%

LAB 73.96, -16.5, 30.47

 

CMYK 9 / 0 / 38 / 33

HEX #9BAB6A

RGB 155 171 106

HSL 74.77, 0.28%, 0.54%

LAB 67.38, -16.4, 31.63

 

CMYK 10 / 0 / 43 / 40

HEX #8A9957

RGB 138 153 87

HSL 73.64, 0.28%, 0.47%

LAB 60.67, -16.24, 32.84

 

CMYK 10 / 0 / 50 / 47

HEX #798744

RGB 121 135 68

HSL 72.54, 0.33%, 0.4%

LAB 53.83, -16.02, 34.08

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 0 / 0 / 30 / 19

HEX #CECF90

RGB 206 207 144

HSL 60.95, 0.4%, 0.69%

LAB 81.71, -10.13, 31.28

 

CMYK 0 / 8 / 30 / 19

HEX #CFBF90

RGB 207 191 144

HSL 44.76, 0.4%, 0.69%

LAB 77.6, -1.46, 25.8

 

CMYK 0 / 16 / 30 / 19

HEX #CFAE90

RGB 207 174 144

HSL 28.57, 0.4%, 0.69%

LAB 73.25, 7.57, 19.87

 

CMYK 0 / 24 / 30 / 19

HEX #CF9D90

RGB 207 157 144

HSL 12.38, 0.4%, 0.69%

LAB 69.03, 16.78, 14.01

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 17 / 0 / 30 / 19

HEX #ACCF90

RGB 172 207 144

HSL 93.33, 0.4%, 0.69%

LAB 79.28, -22.83, 27.6

 

CMYK 25 / 0 / 30 / 19

HEX #9BCF90

RGB 155 207 144

HSL 109.52, 0.4%, 0.69%

LAB 78.23, -28.8, 26.02

 

CMYK 30 / 0 / 28 / 19

HEX #90CF96

RGB 144 207 150

HSL 125.71, 0.4%, 0.69%

LAB 77.73, -31.46, 22.08

 

CMYK 30 / 0 / 19 / 19

HEX #90CFA7

RGB 144 207 167

HSL 141.9, 0.4%, 0.69%

LAB 78.08, -28.37, 13.55

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 12 / 0 / 40 / 14

HEX #C2DC83

RGB 194 220 131

HSL 77.53, 0.56%, 0.69%

LAB 84.12, -22.77, 40.84

 

CMYK 14 / 0 / 49 / 9

HEX #C8E976

RGB 200 233 118

HSL 77.22, 0.72%, 0.69%

LAB 87.9, -28.13, 51.89

 

CMYK 16 / 0 / 57 / 4

HEX #CDF569

RGB 205 245 105

HSL 77.14, 0.88%, 0.69%

LAB 91.37, -32.99, 61.86

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 5 / 0 / 19 / 24

HEX #B8C29D

RGB 184 194 157

HSL 76.22, 0.23%, 0.69%

LAB 76.8, -9.91, 17.49

 

CMYK 2 / 0 / 7 / 29

HEX #B2B5A9

RGB 178 181 169

HSL 75, 0.08%, 0.69%

LAB 73.14, -3.25, 5.74

 

CMYK 5 / 7 / 0 / 29

HEX #ADA9B6

RGB 173 169 182

HSL 258.46, 0.08%, 0.69%

LAB 69.92, 3.92, -6.16

 

CMYK 14 / 20 / 0 / 24

HEX #A79CC3

RGB 167 156 195

HSL 256.92, 0.25%, 0.69%

LAB 66.47, 11.82, -18.6

 

CMYK 0 / 8 / 30 / 19

HEX #CFBF90

RGB 207 191 144

HSL 44.76, 0.4%, 0.69%

LAB 77.6, -1.46, 25.8

 

CMYK 0 / 0 / 30 / 19

HEX #CECF90

RGB 206 207 144

HSL 60.95, 0.4%, 0.69%

LAB 81.71, -10.13, 31.28

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 17 / 0 / 30 / 19

HEX #ACCF90

RGB 172 207 144

HSL 93.33, 0.4%, 0.69%

LAB 79.28, -22.83, 27.6

 

CMYK 25 / 0 / 30 / 19

HEX #9BCF90

RGB 155 207 144

HSL 109.52, 0.4%, 0.69%

LAB 78.23, -28.8, 26.02

 

CMYK 15 / 0 / 53 / 29

HEX #9BB656

RGB 155 182 86

HSL 76.88, 0.4%, 0.53%

LAB 70.24, -24.17, 45.28

 

CMYK 12 / 0 / 41 / 24

HEX #ACC373

RGB 172 195 115

HSL 77.25, 0.4%, 0.61%

LAB 75.48, -20.78, 37.58

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 6 / 0 / 21 / 14

HEX #CEDBAD

RGB 206 219 173

HSL 76.96, 0.39%, 0.77%

LAB 85.4, -12.19, 21.2

 

CMYK 4 / 0 / 13 / 9

HEX #DFE8CA

RGB 223 232 202

HSL 78, 0.39%, 0.85%

LAB 90.63, -8.18, 13.57

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 30 / 0 / 16 / 19

HEX #90CFAE

RGB 144 207 174

HSL 148.57, 0.4%, 0.69%

LAB 78.23, -27, 10.04

 

CMYK 3 / 30 / 0 / 19

HEX #C890CF

RGB 200 144 207

HSL 293.33, 0.4%, 0.69%

LAB 67.07, 31.78, -24.08

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 30 / 9 / 0 / 19

HEX #90BDCF

RGB 144 189 207

HSL 197.14, 0.4%, 0.69%

LAB 74.08, -10.6, -13.87

 

CMYK 0 / 30 / 9 / 19

HEX #CF90BD

RGB 207 144 189

HSL 317.14, 0.4%, 0.69%

LAB 67.19, 30.8, -13.79

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 30 / 0 / 16 / 19

HEX #90CFAE

RGB 144 207 174

HSL 148.57, 0.4%, 0.69%

LAB 78.23, -27, 10.04

 

CMYK 22 / 30 / 0 / 19

HEX #A290CF

RGB 162 144 207

HSL 257.14, 0.4%, 0.69%

LAB 63.45, 19.75, -29.96

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

CMYK 9 / 0 / 30 / 19

HEX #BDCF90

RGB 189 207 144

HSL 77.14, 0.4%, 0.69%

LAB 80.44, -16.58, 29.36

 

CMYK 30 / 0 / 7 / 19

HEX #90CFC1

RGB 144 207 193

HSL 166.67, 0.4%, 0.69%

LAB 78.7, -23.04, 0.53

 

CMYK 22 / 30 / 0 / 19

HEX #A290CF

RGB 162 144 207

HSL 257.14, 0.4%, 0.69%

LAB 63.45, 19.75, -29.96

 

CMYK 0 / 30 / 24 / 19

HEX #CF909E

RGB 207 144 158

HSL 346.67, 0.4%, 0.69%

LAB 66.28, 25.83, 2.25

 

Description

Color code: RGB 189 207 144 | qconv.com Color code: RGB 189 207 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 207 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 207 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 30 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 30% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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