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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 191 43 it is the complementary color RGB 66 64 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 191 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 191 43 shade: RGB 194 191 38, RGB 211 209 57, RGB 228 227 76, RGB 245 245 95 and RGB 255 255 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 191 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 191 43 shade: RGB 189 191 43, RGB 172 173 24, RGB 155 155 5, RGB 138 137 0 and RGB 121 119 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 191 43 shade: RGB 189 191 43, RGB 191 153 43, RGB 191 113 43, RGB 191 73 43 and RGB 191 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 191 43 shade: RGB 189 191 43, RGB 149 191 43, RGB 109 191 43, RGB 69 191 43 and RGB 43 191 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 191 43 shade matches the following richer shades: RGB 189 191 43, RGB 207 210 24 and RGB 226 229 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 191 43 shade: RGB 189 191 43, RGB 170 172 62, RGB 152 153 81, RGB 133 134 100 and RGB 115 115 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 191 43 shade: RGB 191 112 43, RGB 191 151 43, RGB 191 191 43, RGB 151 191 43 and RGB 112 191 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 191 43 shade: RGB 122 123 28, RGB 155 157 35, RGB 189 191 43, RGB 209 211 64 and RGB 217 219 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 191 43 shade: RGB 189 191 43, RGB 43 191 72 and RGB 132 43 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 191 43 shade: RGB 189 191 43, RGB 43 191 191 and RGB 191 43 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 191 43 shade: RGB 189 191 43, RGB 43 191 72, RGB 43 43 191 and RGB 191 43 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 191 43 shade: RGB 189 191 43, RGB 43 191 117, RGB 43 43 191 and RGB 191 43 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

Complementary color

CMYK 69 / 70 / 0 / 17

HEX #4240D4

RGB 66 64 212

HSL 240.81, 0.63%, 0.54%

LAB 37.08, 47.1, -75.41

 

CMYK 0 / 2 / 80 / 24

HEX #C2BF26

RGB 194 191 38

HSL 58.85, 0.67%, 0.45%

LAB 75.37, -15.35, 70.11

 

CMYK 0 / 1 / 73 / 17

HEX #D3D139

RGB 211 209 57

HSL 59.22, 0.64%, 0.53%

LAB 81.7, -16.41, 70.61

 

CMYK 0 / 0 / 67 / 11

HEX #E4E34C

RGB 228 227 76

HSL 59.61, 0.74%, 0.6%

LAB 87.95, -17.3, 70.43

 

CMYK 0 / 0 / 61 / 4

HEX #F5F55F

RGB 245 245 95

HSL 60, 0.88%, 0.67%

LAB 94.12, -18.06, 69.85

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

CMYK 1 / 0 / 86 / 32

HEX #ACAD18

RGB 172 173 24

HSL 60.4, 0.76%, 0.39%

LAB 68.55, -16.17, 67.03

 

CMYK 0 / 0 / 97 / 39

HEX #9B9B05

RGB 155 155 5

HSL 60, 0.94%, 0.31%

LAB 62.02, -14.79, 64.43

 

CMYK 0 / 1 / 100 / 46

HEX #8A8900

RGB 138 137 0

HSL 59.57, 1%, 0.27%

LAB 55.37, -13.12, 59.64

 

CMYK 0 / 2 / 100 / 53

HEX #797700

RGB 121 119 0

HSL 59.01, 1%, 0.24%

LAB 48.58, -11.33, 54

 

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

CMYK 0 / 20 / 77 / 25

HEX #BF992B

RGB 191 153 43

HSL 44.59, 0.63%, 0.46%

LAB 64.99, 3.44, 59.14

 

CMYK 0 / 41 / 77 / 25

HEX #BF712B

RGB 191 113 43

HSL 28.38, 0.63%, 0.46%

LAB 55.14, 25.39, 49.76

 

CMYK 0 / 62 / 77 / 25

HEX #BF492B

RGB 191 73 43

HSL 12.16, 0.63%, 0.46%

LAB 47, 45.83, 41.6

 

CMYK 0 / 77 / 77 / 25

HEX #BF2B2B

RGB 191 43 43

HSL 0, 0.63%, 0.46%

LAB 42.73, 57.46, 37.13

 

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

CMYK 22 / 0 / 77 / 25

HEX #95BF2B

RGB 149 191 43

HSL 77.03, 0.63%, 0.46%

LAB 72.11, -33.92, 64.52

 

CMYK 43 / 0 / 77 / 25

HEX #6DBF2B

RGB 109 191 43

HSL 93.24, 0.63%, 0.46%

LAB 69.96, -48.55, 61.72

 

CMYK 64 / 0 / 77 / 25

HEX #45BF2B

RGB 69 191 43

HSL 109.46, 0.63%, 0.46%

LAB 68.53, -59.62, 59.87

 

CMYK 77 / 0 / 70 / 25

HEX #2BBF39

RGB 43 191 57

HSL 125.68, 0.63%, 0.46%

LAB 68.07, -63.19, 54.28

 

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

CMYK 1 / 0 / 89 / 18

HEX #CFD218

RGB 207 210 24

HSL 60.97, 0.79%, 0.46%

LAB 81.52, -19.6, 78.65

 

CMYK 1 / 0 / 98 / 10

HEX #E2E505

RGB 226 229 5

HSL 60.8, 0.96%, 0.46%

LAB 88.07, -21.08, 86.43

 

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

CMYK 1 / 0 / 64 / 33

HEX #AAAC3E

RGB 170 172 62

HSL 61.09, 0.47%, 0.46%

LAB 68.31, -14.86, 54.32

 

CMYK 1 / 0 / 47 / 40

HEX #989951

RGB 152 153 81

HSL 60.83, 0.31%, 0.46%

LAB 61.7, -11.06, 37.48

 

CMYK 1 / 0 / 25 / 47

HEX #858664

RGB 133 134 100

HSL 61.76, 0.15%, 0.46%

LAB 55.03, -6.31, 18.24

 

CMYK 3 / 3 / 0 / 53

HEX #737377

RGB 115 115 119

HSL 240, 0.02%, 0.46%

LAB 48.56, 0.83, -2.21

 

CMYK 0 / 41 / 77 / 25

HEX #BF702B

RGB 191 112 43

HSL 27.97, 0.63%, 0.46%

LAB 54.91, 25.93, 49.54

 

CMYK 0 / 21 / 77 / 25

HEX #BF972B

RGB 191 151 43

HSL 43.78, 0.63%, 0.46%

LAB 64.47, 4.52, 58.66

 

CMYK 0 / 0 / 77 / 25

HEX #BFBF2B

RGB 191 191 43

HSL 60, 0.63%, 0.46%

LAB 75.15, -16.46, 68.41

 

CMYK 21 / 0 / 77 / 25

HEX #97BF2B

RGB 151 191 43

HSL 76.22, 0.63%, 0.46%

LAB 72.24, -33.12, 64.68

 

CMYK 41 / 0 / 77 / 25

HEX #70BF2B

RGB 112 191 43

HSL 92.03, 0.63%, 0.46%

LAB 70.09, -47.56, 61.9

 

CMYK 1 / 0 / 77 / 52

HEX #7A7B1C

RGB 122 123 28

HSL 60.63, 0.63%, 0.3%

LAB 49.96, -12.22, 48.14

 

CMYK 1 / 0 / 78 / 38

HEX #9B9D23

RGB 155 157 35

HSL 60.98, 0.64%, 0.38%

LAB 62.68, -15.07, 58.51

 

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

CMYK 1 / 0 / 70 / 17

HEX #D1D340

RGB 209 211 64

HSL 60.82, 0.63%, 0.54%

LAB 82.12, -17.91, 68.54

 

CMYK 1 / 0 / 56 / 14

HEX #D9DB61

RGB 217 219 97

HSL 60.98, 0.63%, 0.62%

LAB 85.14, -16.51, 58.56

 

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

CMYK 77 / 0 / 62 / 25

HEX #2BBF48

RGB 43 191 72

HSL 131.76, 0.63%, 0.46%

LAB 68.2, -61.64, 48.19

 

CMYK 31 / 77 / 0 / 25

HEX #842BBF

RGB 132 43 191

HSL 276.08, 0.63%, 0.46%

LAB 38.54, 61.22, -60.52

 

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

CMYK 77 / 0 / 0 / 25

HEX #2BBFBF

RGB 43 191 191

HSL 180, 0.63%, 0.46%

LAB 70.55, -36.33, -10.8

 

CMYK 0 / 77 / 0 / 25

HEX #BF2BBF

RGB 191 43 191

HSL 300, 0.63%, 0.46%

LAB 47.71, 72.34, -45.29

 

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

CMYK 77 / 0 / 62 / 25

HEX #2BBF48

RGB 43 191 72

HSL 131.76, 0.63%, 0.46%

LAB 68.2, -61.64, 48.19

 

CMYK 77 / 77 / 0 / 25

HEX #2B2BBF

RGB 43 43 191

HSL 240, 0.63%, 0.46%

LAB 29.42, 49.82, -75.84

 

CMYK 0 / 77 / 16 / 25

HEX #BF2BA1

RGB 191 43 161

HSL 312.16, 0.63%, 0.46%

LAB 46.15, 67.89, -30.07

 

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

CMYK 77 / 0 / 39 / 25

HEX #2BBF75

RGB 43 191 117

HSL 150, 0.63%, 0.46%

LAB 68.79, -54.65, 26.8

 

CMYK 77 / 77 / 0 / 25

HEX #2B2BBF

RGB 43 43 191

HSL 240, 0.63%, 0.46%

LAB 29.42, 49.82, -75.84

 

CMYK 0 / 77 / 39 / 25

HEX #BF2B75

RGB 191 43 117

HSL 330, 0.63%, 0.46%

LAB 44.36, 62.57, -6.11

 

Description

Color code: RGB 189 191 43 | qconv.com Color code: RGB 189 191 43 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 191 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 191 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 77 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 77% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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