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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 188 121 it is the complementary color RGB 66 67 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 188 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 188 121 shade: RGB 194 188 116, RGB 211 206 135, RGB 228 224 154, RGB 245 242 173 and RGB 255 255 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 188 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 188 121 shade: RGB 189 188 121, RGB 172 170 102, RGB 155 152 83, RGB 138 134 64 and RGB 121 116 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 188 121 shade: RGB 189 188 121, RGB 189 170 121, RGB 189 151 121, RGB 189 133 121 and RGB 189 121 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 188 121 shade: RGB 189 188 121, RGB 172 189 121, RGB 153 189 121, RGB 135 189 121 and RGB 121 189 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 188 121 shade matches the following richer shades: RGB 189 188 121, RGB 205 203 105, RGB 221 219 89, RGB 237 235 73 and RGB 253 250 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 188 121 shade: RGB 189 188 121, RGB 173 172 137, RGB 157 157 153, RGB 141 141 170 and RGB 124 125 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 188 121 shade: RGB 189 152 121, RGB 189 170 121, RGB 189 188 121, RGB 172 189 121 and RGB 154 189 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 188 121 shade: RGB 153 152 75, RGB 175 174 94, RGB 189 188 121, RGB 202 202 149 and RGB 216 216 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 188 121 shade: RGB 189 188 121, RGB 121 189 134 and RGB 161 121 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 188 121 shade: RGB 189 188 121, RGB 121 189 188 and RGB 188 121 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 188 121 shade: RGB 189 188 121, RGB 121 189 134, RGB 121 122 189 and RGB 189 121 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 188 121 shade: RGB 189 188 121, RGB 121 189 154, RGB 121 122 189 and RGB 189 121 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

Complementary color

CMYK 51 / 50 / 0 / 47

HEX #424386

RGB 66 67 134

HSL 239.12, 0.34%, 0.39%

LAB 31.56, 19.08, -37.85

 

CMYK 0 / 3 / 40 / 24

HEX #C2BC74

RGB 194 188 116

HSL 55.38, 0.39%, 0.61%

LAB 75.26, -8.4, 37.15

 

CMYK 0 / 2 / 36 / 17

HEX #D3CE87

RGB 211 206 135

HSL 56.05, 0.46%, 0.68%

LAB 81.7, -8.77, 35.97

 

CMYK 0 / 2 / 32 / 11

HEX #E4E09A

RGB 228 224 154

HSL 56.76, 0.58%, 0.75%

LAB 88.04, -9.08, 34.83

 

CMYK 0 / 1 / 29 / 4

HEX #F5F2AD

RGB 245 242 173

HSL 57.5, 0.78%, 0.82%

LAB 94.28, -9.35, 33.75

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

CMYK 0 / 1 / 41 / 33

HEX #ACAA66

RGB 172 170 102

HSL 58.29, 0.3%, 0.54%

LAB 68.37, -9.48, 35.26

 

CMYK 0 / 2 / 46 / 39

HEX #9B9853

RGB 155 152 83

HSL 57.5, 0.3%, 0.47%

LAB 61.7, -9.05, 36.51

 

CMYK 0 / 3 / 54 / 46

HEX #8A8640

RGB 138 134 64

HSL 56.76, 0.37%, 0.4%

LAB 54.89, -8.5, 37.75

 

CMYK 0 / 4 / 63 / 53

HEX #79742D

RGB 121 116 45

HSL 56.05, 0.46%, 0.33%

LAB 47.94, -7.79, 38.88

 

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

CMYK 0 / 10 / 36 / 26

HEX #BDAA79

RGB 189 170 121

HSL 43.24, 0.34%, 0.61%

LAB 70.14, -0.34, 27.79

 

CMYK 0 / 20 / 36 / 26

HEX #BD9779

RGB 189 151 121

HSL 26.47, 0.34%, 0.61%

LAB 65.23, 9.98, 21.2

 

CMYK 0 / 30 / 36 / 26

HEX #BD8579

RGB 189 133 121

HSL 10.59, 0.34%, 0.61%

LAB 60.76, 19.94, 15.07

 

CMYK 0 / 36 / 36 / 26

HEX #BD7979

RGB 189 121 121

HSL 0, 0.34%, 0.61%

LAB 57.92, 26.58, 11.1

 

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

CMYK 9 / 0 / 36 / 26

HEX #ACBD79

RGB 172 189 121

HSL 75, 0.34%, 0.61%

LAB 73.9, -17.02, 32.47

 

CMYK 19 / 0 / 36 / 26

HEX #99BD79

RGB 153 189 121

HSL 91.76, 0.34%, 0.61%

LAB 72.59, -24.22, 30.52

 

CMYK 29 / 0 / 36 / 26

HEX #87BD79

RGB 135 189 121

HSL 107.65, 0.34%, 0.61%

LAB 71.51, -30.65, 28.88

 

CMYK 36 / 0 / 33 / 26

HEX #79BD7E

RGB 121 189 126

HSL 124.41, 0.34%, 0.61%

LAB 70.85, -34.49, 25.24

 

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

CMYK 0 / 1 / 49 / 20

HEX #CDCB69

RGB 205 203 105

HSL 58.8, 0.5%, 0.61%

LAB 80.02, -12.72, 48.68

 

CMYK 0 / 1 / 60 / 13

HEX #DDDB59

RGB 221 219 89

HSL 59.09, 0.66%, 0.61%

LAB 85.38, -15.45, 62.38

 

CMYK 0 / 1 / 69 / 7

HEX #EDEB49

RGB 237 235 73

HSL 59.27, 0.82%, 0.61%

LAB 90.74, -17.67, 74.53

 

CMYK 0 / 1 / 77 / 1

HEX #FDFA39

RGB 253 250 57

HSL 59.08, 0.98%, 0.61%

LAB 95.81, -19.01, 84.7

 

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

CMYK 0 / 1 / 21 / 32

HEX #ADAC89

RGB 173 172 137

HSL 58.33, 0.18%, 0.61%

LAB 69.61, -5.57, 18.18

 

CMYK 0 / 0 / 3 / 38

HEX #9D9D99

RGB 157 157 153

HSL 60, 0.02%, 0.61%

LAB 64.63, -0.75, 2.08

 

CMYK 17 / 17 / 0 / 33

HEX #8D8DAA

RGB 141 141 170

HSL 240, 0.15%, 0.61%

LAB 59.54, 6.16, -15.23

 

CMYK 33 / 33 / 0 / 27

HEX #7C7DBA

RGB 124 125 186

HSL 239.03, 0.31%, 0.61%

LAB 54.55, 14.15, -32.15

 

CMYK 0 / 20 / 36 / 26

HEX #BD9879

RGB 189 152 121

HSL 27.35, 0.34%, 0.61%

LAB 65.48, 9.43, 21.55

 

CMYK 0 / 10 / 36 / 26

HEX #BDAA79

RGB 189 170 121

HSL 43.24, 0.34%, 0.61%

LAB 70.14, -0.34, 27.79

 

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

CMYK 9 / 0 / 36 / 26

HEX #ACBD79

RGB 172 189 121

HSL 75, 0.34%, 0.61%

LAB 73.9, -17.02, 32.47

 

CMYK 19 / 0 / 36 / 26

HEX #9ABD79

RGB 154 189 121

HSL 90.88, 0.34%, 0.61%

LAB 72.66, -23.85, 30.61

 

CMYK 0 / 1 / 51 / 40

HEX #99984B

RGB 153 152 75

HSL 59.23, 0.34%, 0.45%

LAB 61.43, -10.69, 40.22

 

CMYK 0 / 1 / 46 / 31

HEX #AFAE5E

RGB 175 174 94

HSL 59.26, 0.34%, 0.53%

LAB 69.61, -11.18, 40.95

 

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

CMYK 0 / 0 / 26 / 21

HEX #CACA95

RGB 202 202 149

HSL 60, 0.33%, 0.69%

LAB 80.16, -8.45, 26.55

 

CMYK 0 / 0 / 18 / 15

HEX #D8D8B1

RGB 216 216 177

HSL 60, 0.33%, 0.77%

LAB 85.45, -6.43, 19.28

 

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

CMYK 36 / 0 / 29 / 26

HEX #79BD86

RGB 121 189 134

HSL 131.47, 0.34%, 0.61%

LAB 71, -33.1, 21.17

 

CMYK 15 / 36 / 0 / 26

HEX #A179BD

RGB 161 121 189

HSL 275.29, 0.34%, 0.61%

LAB 57, 28.47, -29.8

 

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

CMYK 36 / 0 / 1 / 26

HEX #79BDBC

RGB 121 189 188

HSL 179.12, 0.34%, 0.61%

LAB 72.29, -21.63, -6.32

 

CMYK 1 / 36 / 0 / 26

HEX #BC79BD

RGB 188 121 189

HSL 299.12, 0.34%, 0.61%

LAB 59.93, 37.03, -25.04

 

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

CMYK 36 / 0 / 29 / 26

HEX #79BD86

RGB 121 189 134

HSL 131.47, 0.34%, 0.61%

LAB 71, -33.1, 21.17

 

CMYK 36 / 35 / 0 / 26

HEX #797ABD

RGB 121 122 189

HSL 239.12, 0.34%, 0.61%

LAB 53.66, 15.89, -35.27

 

CMYK 0 / 36 / 7 / 26

HEX #BD79B0

RGB 189 121 176

HSL 311.47, 0.34%, 0.61%

LAB 59.55, 34.97, -18.19

 

CMYK 0 / 1 / 36 / 26

HEX #BDBC79

RGB 189 188 121

HSL 59.12, 0.34%, 0.61%

LAB 74.93, -9.83, 34.06

 

CMYK 36 / 0 / 19 / 26

HEX #79BD9A

RGB 121 189 154

HSL 149.12, 0.34%, 0.61%

LAB 71.41, -29.26, 10.96

 

CMYK 36 / 35 / 0 / 26

HEX #797ABD

RGB 121 122 189

HSL 239.12, 0.34%, 0.61%

LAB 53.66, 15.89, -35.27

 

CMYK 0 / 36 / 17 / 26

HEX #BD799C

RGB 189 121 156

HSL 329.12, 0.34%, 0.61%

LAB 58.88, 31.58, -7.73

 

Description

Color code: RGB 189 188 121 | qconv.com Color code: RGB 189 188 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 188 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 188 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 36 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 36% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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