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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 186 149 it is the complementary color RGB 66 69 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 186 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 186 149 shade: RGB 194 186 144, RGB 211 204 163, RGB 228 222 182, RGB 245 240 201 and RGB 255 255 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 186 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 186 149 shade: RGB 189 186 149, RGB 172 168 130, RGB 155 150 111, RGB 138 132 92 and RGB 121 114 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 186 149 shade: RGB 188 185 148, RGB 188 174 148, RGB 188 163 148, RGB 188 152 148 and RGB 188 148 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 186 149 shade: RGB 188 185 148, RGB 180 188 148, RGB 169 188 148, RGB 158 188 148 and RGB 148 188 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 186 149 shade matches the following richer shades: RGB 188 185 148, RGB 202 197 134, RGB 216 209 120, RGB 230 221 106 and RGB 244 232 92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 186 149 shade: RGB 188 185 148, RGB 174 173 162, RGB 160 161 176, RGB 146 149 190 and RGB 132 137 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 186 149 shade: RGB 188 163 148, RGB 188 174 148, RGB 188 184 148, RGB 180 188 148 and RGB 170 188 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 186 149 shade: RGB 156 151 97, RGB 172 168 122, RGB 188 185 148, RGB 204 201 173 and RGB 220 218 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 186 149 shade: RGB 189 186 149, RGB 148 188 153 and RGB 168 148 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 186 149 shade: RGB 189 186 149, RGB 148 188 184 and RGB 184 148 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 186 149 shade: RGB 189 186 149, RGB 148 188 153, RGB 148 151 188 and RGB 188 148 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 186 149 shade: RGB 189 186 149, RGB 148 188 164, RGB 148 151 188 and RGB 188 148 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 21 / 26

HEX #BDBA95

RGB 189 186 149

HSL 55.5, 0.23%, 0.66%

LAB 74.89, -5.07, 19.18

 

Complementary color

CMYK 38 / 35 / 0 / 58

HEX #42456A

RGB 66 69 106

HSL 235.5, 0.23%, 0.34%

LAB 30.53, 8.78, -21.94

 

CMYK 0 / 4 / 26 / 24

HEX #C2BA90

RGB 194 186 144

HSL 50.4, 0.29%, 0.66%

LAB 75.2, -3.87, 22.36

 

CMYK 0 / 3 / 23 / 17

HEX #D3CCA3

RGB 211 204 163

HSL 51.25, 0.35%, 0.73%

LAB 81.66, -4.14, 21.35

 

CMYK 0 / 3 / 20 / 11

HEX #E4DEB6

RGB 228 222 182

HSL 52.17, 0.46%, 0.8%

LAB 88.02, -4.37, 20.39

 

CMYK 0 / 2 / 18 / 4

HEX #F5F0C9

RGB 245 240 201

HSL 53.18, 0.69%, 0.87%

LAB 94.29, -4.57, 19.48

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 2 / 21 / 26

HEX #BDBA95

RGB 189 186 149

HSL 55.5, 0.23%, 0.66%

LAB 74.89, -5.07, 19.18

 

CMYK 0 / 2 / 24 / 33

HEX #ACA882

RGB 172 168 130

HSL 54.29, 0.2%, 0.59%

LAB 68.31, -4.85, 20.2

 

CMYK 0 / 3 / 28 / 39

HEX #9B966F

RGB 155 150 111

HSL 53.18, 0.18%, 0.52%

LAB 61.59, -4.58, 21.28

 

CMYK 0 / 4 / 33 / 46

HEX #8A845C

RGB 138 132 92

HSL 52.17, 0.2%, 0.45%

LAB 54.74, -4.26, 22.45

 

CMYK 0 / 6 / 40 / 53

HEX #797249

RGB 121 114 73

HSL 51.25, 0.25%, 0.38%

LAB 47.73, -3.86, 23.71

 

CMYK 0 / 2 / 21 / 26

HEX #BCB994

RGB 188 185 148

HSL 55.5, 0.23%, 0.66%

LAB 74.53, -5.08, 19.2

 

CMYK 0 / 7 / 21 / 26

HEX #BCAE94

RGB 188 174 148

HSL 39, 0.23%, 0.66%

LAB 71.62, 0.78, 15.17

 

CMYK 0 / 13 / 21 / 26

HEX #BCA394

RGB 188 163 148

HSL 22.5, 0.23%, 0.66%

LAB 68.77, 6.74, 11.16

 

CMYK 0 / 19 / 21 / 26

HEX #BC9894

RGB 188 152 148

HSL 6, 0.23%, 0.66%

LAB 65.97, 12.79, 7.17

 

CMYK 0 / 21 / 21 / 26

HEX #BC9494

RGB 188 148 148

HSL 0, 0.23%, 0.66%

LAB 64.97, 15, 5.74

 

CMYK 0 / 2 / 21 / 26

HEX #BCB994

RGB 188 185 148

HSL 55.5, 0.23%, 0.66%

LAB 74.53, -5.08, 19.2

 

CMYK 4 / 0 / 21 / 26

HEX #B4BC94

RGB 180 188 148

HSL 72, 0.23%, 0.66%

LAB 74.7, -9.67, 19.35

 

CMYK 10 / 0 / 21 / 26

HEX #A9BC94

RGB 169 188 148

HSL 88.5, 0.23%, 0.66%

LAB 73.89, -13.75, 18.11

 

CMYK 16 / 0 / 21 / 26

HEX #9EBC94

RGB 158 188 148

HSL 105, 0.23%, 0.66%

LAB 73.14, -17.72, 16.94

 

CMYK 21 / 0 / 21 / 26

HEX #94BC94

RGB 148 188 148

HSL 120, 0.23%, 0.66%

LAB 72.5, -21.23, 15.95

 

CMYK 0 / 2 / 21 / 26

HEX #BCB994

RGB 188 185 148

HSL 55.5, 0.23%, 0.66%

LAB 74.53, -5.08, 19.2

 

CMYK 0 / 2 / 34 / 21

HEX #CAC586

RGB 202 197 134

HSL 55.59, 0.39%, 0.66%

LAB 78.58, -7.79, 32.28

 

CMYK 0 / 3 / 44 / 15

HEX #D8D178

RGB 216 209 120

HSL 55.63, 0.55%, 0.66%

LAB 82.68, -9.92, 44.83

 

CMYK 0 / 4 / 54 / 10

HEX #E6DD6A

RGB 230 221 106

HSL 55.65, 0.71%, 0.66%

LAB 86.79, -11.55, 56.67

 

CMYK 0 / 5 / 62 / 4

HEX #F4E85C

RGB 244 232 92

HSL 55.26, 0.87%, 0.66%

LAB 90.65, -12.3, 67.35

 

CMYK 0 / 2 / 21 / 26

HEX #BCB994

RGB 188 185 148

HSL 55.5, 0.23%, 0.66%

LAB 74.53, -5.08, 19.2

 

CMYK 0 / 1 / 7 / 32

HEX #AEADA2

RGB 174 173 162

HSL 55, 0.07%, 0.66%

LAB 70.52, -1.64, 5.77

 

CMYK 9 / 9 / 0 / 31

HEX #A0A1B0

RGB 160 161 176

HSL 236.25, 0.09%, 0.66%

LAB 66.59, 2.64, -7.88

 

CMYK 23 / 22 / 0 / 25

HEX #9295BE

RGB 146 149 190

HSL 235.91, 0.25%, 0.66%

LAB 62.78, 7.89, -21.58

 

CMYK 35 / 33 / 0 / 20

HEX #8489CC

RGB 132 137 204

HSL 235.83, 0.41%, 0.66%

LAB 59.12, 14.21, -35.2

 

CMYK 0 / 13 / 21 / 26

HEX #BCA394

RGB 188 163 148

HSL 22.5, 0.23%, 0.66%

LAB 68.77, 6.74, 11.16

 

CMYK 0 / 7 / 21 / 26

HEX #BCAE94

RGB 188 174 148

HSL 39, 0.23%, 0.66%

LAB 71.62, 0.78, 15.17

 

CMYK 0 / 2 / 21 / 26

HEX #BCB894

RGB 188 184 148

HSL 54, 0.23%, 0.66%

LAB 74.26, -4.55, 18.84

 

CMYK 4 / 0 / 21 / 26

HEX #B4BC94

RGB 180 188 148

HSL 72, 0.23%, 0.66%

LAB 74.7, -9.67, 19.35

 

CMYK 10 / 0 / 21 / 26

HEX #AABC94

RGB 170 188 148

HSL 87, 0.23%, 0.66%

LAB 73.97, -13.38, 18.22

 

CMYK 0 / 3 / 38 / 39

HEX #9C9761

RGB 156 151 97

HSL 54.92, 0.23%, 0.5%

LAB 61.71, -6.54, 29.12

 

CMYK 0 / 2 / 29 / 33

HEX #ACA87A

RGB 172 168 122

HSL 55.2, 0.23%, 0.58%

LAB 68.15, -5.97, 24.34

 

CMYK 0 / 2 / 21 / 26

HEX #BCB994

RGB 188 185 148

HSL 55.5, 0.23%, 0.66%

LAB 74.53, -5.08, 19.2

 

CMYK 0 / 1 / 15 / 20

HEX #CCC9AD

RGB 204 201 173

HSL 54.19, 0.23%, 0.74%

LAB 80.53, -3.68, 14.38

 

CMYK 0 / 1 / 10 / 14

HEX #DCDAC7

RGB 220 218 199

HSL 54.29, 0.23%, 0.82%

LAB 86.74, -2.57, 9.59

 

CMYK 0 / 2 / 21 / 26

HEX #BDBA95

RGB 189 186 149

HSL 55.5, 0.23%, 0.66%

LAB 74.89, -5.07, 19.18

 

CMYK 21 / 0 / 19 / 26

HEX #94BC99

RGB 148 188 153

HSL 127.5, 0.23%, 0.66%

LAB 72.6, -20.33, 13.39

 

CMYK 11 / 21 / 0 / 26

HEX #A894BC

RGB 168 148 188

HSL 270, 0.23%, 0.66%

LAB 64.27, 15.15, -18.02

 

CMYK 0 / 2 / 21 / 26

HEX #BDBA95

RGB 189 186 149

HSL 55.5, 0.23%, 0.66%

LAB 74.89, -5.07, 19.18

 

CMYK 21 / 0 / 2 / 26

HEX #94BCB8

RGB 148 188 184

HSL 174, 0.23%, 0.66%

LAB 73.37, -14.13, -2.38

 

CMYK 2 / 21 / 0 / 26

HEX #B894BC

RGB 184 148 188

HSL 294, 0.23%, 0.66%

LAB 65.75, 20.55, -15.64

 

CMYK 0 / 2 / 21 / 26

HEX #BDBA95

RGB 189 186 149

HSL 55.5, 0.23%, 0.66%

LAB 74.89, -5.07, 19.18

 

CMYK 21 / 0 / 19 / 26

HEX #94BC99

RGB 148 188 153

HSL 127.5, 0.23%, 0.66%

LAB 72.6, -20.33, 13.39

 

CMYK 21 / 20 / 0 / 26

HEX #9497BC

RGB 148 151 188

HSL 235.5, 0.23%, 0.66%

LAB 63.39, 6.91, -19.51

 

CMYK 0 / 21 / 3 / 26

HEX #BC94B7

RGB 188 148 183

HSL 307.5, 0.23%, 0.66%

LAB 65.97, 20.97, -12.46

 

CMYK 0 / 2 / 21 / 26

HEX #BDBA95

RGB 189 186 149

HSL 55.5, 0.23%, 0.66%

LAB 74.89, -5.07, 19.18

 

CMYK 21 / 0 / 13 / 26

HEX #94BCA4

RGB 148 188 164

HSL 144, 0.23%, 0.66%

LAB 72.85, -18.25, 7.78

 

CMYK 21 / 20 / 0 / 26

HEX #9497BC

RGB 148 151 188

HSL 235.5, 0.23%, 0.66%

LAB 63.39, 6.91, -19.51

 

CMYK 0 / 21 / 9 / 26

HEX #BC94AB

RGB 188 148 171

HSL 325.5, 0.23%, 0.66%

LAB 65.6, 18.79, -6.28

 

Description

Color code: RGB 189 186 149 | qconv.com Color code: RGB 189 186 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 186 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 186 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 21 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 21% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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