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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 177 96 it is the complementary color RGB 66 78 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 177 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 177 96 shade: RGB 194 177 91, RGB 211 195 110, RGB 228 213 129, RGB 245 231 148 and RGB 255 249 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 177 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 177 96 shade: RGB 189 177 96, RGB 172 159 77, RGB 155 141 58, RGB 138 123 39 and RGB 121 105 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 177 96 shade: RGB 188 176 96, RGB 188 152 96, RGB 188 127 96, RGB 188 102 96 and RGB 188 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 177 96 shade: RGB 188 176 96, RGB 175 188 96, RGB 151 188 96, RGB 126 188 96 and RGB 101 188 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 177 96 shade matches the following richer shades: RGB 188 176 96, RGB 206 190 78, RGB 225 203 60 and RGB 243 217 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 177 96 shade: RGB 188 176 96, RGB 170 163 114, RGB 152 149 133, RGB 134 136 151 and RGB 116 123 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 177 96 shade: RGB 188 127 96, RGB 188 152 96, RGB 188 176 96, RGB 176 188 96 and RGB 152 188 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 177 96 shade: RGB 143 132 59, RGB 172 159 72, RGB 188 176 96, RGB 200 191 125 and RGB 213 205 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 177 96 shade: RGB 189 177 96, RGB 96 188 102 and RGB 139 96 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 177 96 shade: RGB 189 177 96, RGB 96 188 176 and RGB 176 96 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 177 96 shade: RGB 189 177 96, RGB 96 188 102, RGB 96 109 188 and RGB 188 96 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 177 96 shade: RGB 189 177 96, RGB 96 188 130, RGB 96 109 188 and RGB 188 96 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 49 / 26

HEX #BDB160

RGB 189 177 96

HSL 52.26, 0.41%, 0.56%

LAB 71.63, -6.73, 42.67

 

Complementary color

CMYK 58 / 51 / 0 / 38

HEX #424E9F

RGB 66 78 159

HSL 232.26, 0.41%, 0.44%

LAB 36.2, 20.36, -45.65

 

CMYK 0 / 9 / 53 / 24

HEX #C2B15B

RGB 194 177 91

HSL 50.1, 0.46%, 0.56%

LAB 72.01, -5.09, 45.7

 

CMYK 0 / 8 / 48 / 17

HEX #D3C36E

RGB 211 195 110

HSL 50.5, 0.53%, 0.63%

LAB 78.46, -5.73, 44.48

 

CMYK 0 / 7 / 43 / 11

HEX #E4D581

RGB 228 213 129

HSL 50.91, 0.65%, 0.7%

LAB 84.83, -6.27, 43.27

 

CMYK 0 / 6 / 40 / 4

HEX #F5E794

RGB 245 231 148

HSL 51.34, 0.83%, 0.77%

LAB 91.1, -6.74, 42.09

 

CMYK 0 / 2 / 35 / 0

HEX #FFF9A7

RGB 255 249 167

HSL 55.91, 1%, 0.83%

LAB 96.74, -9.78, 40.13

 

CMYK 0 / 6 / 49 / 26

HEX #BDB160

RGB 189 177 96

HSL 52.26, 0.41%, 0.56%

LAB 71.63, -6.73, 42.67

 

CMYK 0 / 8 / 55 / 33

HEX #AC9F4D

RGB 172 159 77

HSL 51.79, 0.38%, 0.49%

LAB 65.04, -6.08, 43.89

 

CMYK 0 / 9 / 63 / 39

HEX #9B8D3A

RGB 155 141 58

HSL 51.34, 0.46%, 0.42%

LAB 58.34, -5.27, 45.01

 

CMYK 0 / 11 / 72 / 46

HEX #8A7B27

RGB 138 123 39

HSL 50.91, 0.56%, 0.35%

LAB 51.51, -4.25, 45.85

 

CMYK 0 / 13 / 83 / 53

HEX #796914

RGB 121 105 20

HSL 50.5, 0.72%, 0.28%

LAB 44.54, -2.94, 45.94

 

CMYK 0 / 6 / 49 / 26

HEX #BCB060

RGB 188 176 96

HSL 52.17, 0.41%, 0.56%

LAB 71.27, -6.63, 42.22

 

CMYK 0 / 19 / 49 / 26

HEX #BC9860

RGB 188 152 96

HSL 36.52, 0.41%, 0.56%

LAB 64.96, 6.26, 34.41

 

CMYK 0 / 32 / 49 / 26

HEX #BC7F60

RGB 188 127 96

HSL 20.22, 0.41%, 0.56%

LAB 58.71, 20.07, 26.4

 

CMYK 0 / 46 / 49 / 26

HEX #BC6660

RGB 188 102 96

HSL 3.91, 0.41%, 0.56%

LAB 52.99, 33.73, 18.8

 

CMYK 0 / 49 / 49 / 26

HEX #BC6060

RGB 188 96 96

HSL 0, 0.41%, 0.56%

LAB 51.73, 36.9, 17.08

 

CMYK 0 / 6 / 49 / 26

HEX #BCB060

RGB 188 176 96

HSL 52.17, 0.41%, 0.56%

LAB 71.27, -6.63, 42.22

 

CMYK 7 / 0 / 49 / 26

HEX #AFBC60

RGB 175 188 96

HSL 68.48, 0.41%, 0.56%

LAB 73.5, -18.15, 44.66

 

CMYK 20 / 0 / 49 / 26

HEX #97BC60

RGB 151 188 96

HSL 84.13, 0.41%, 0.56%

LAB 71.82, -27.62, 42.24

 

CMYK 33 / 0 / 49 / 26

HEX #7EBC60

RGB 126 188 96

HSL 100.43, 0.41%, 0.56%

LAB 70.35, -36.75, 40.11

 

CMYK 46 / 0 / 49 / 26

HEX #65BC60

RGB 101 188 96

HSL 116.74, 0.41%, 0.56%

LAB 69.17, -44.78, 38.38

 

CMYK 0 / 6 / 49 / 26

HEX #BCB060

RGB 188 176 96

HSL 52.17, 0.41%, 0.56%

LAB 71.27, -6.63, 42.22

 

CMYK 0 / 8 / 62 / 19

HEX #CEBE4E

RGB 206 190 78

HSL 52.5, 0.57%, 0.56%

LAB 76.37, -7.77, 56.97

 

CMYK 0 / 10 / 73 / 12

HEX #E1CB3C

RGB 225 203 60

HSL 52, 0.73%, 0.56%

LAB 81.32, -7.35, 69.64

 

CMYK 0 / 11 / 83 / 5

HEX #F3D92A

RGB 243 217 42

HSL 52.24, 0.89%, 0.56%

LAB 86.43, -7.42, 80.18

 

CMYK 0 / 6 / 49 / 26

HEX #BCB060

RGB 188 176 96

HSL 52.17, 0.41%, 0.56%

LAB 71.27, -6.63, 42.22

 

CMYK 0 / 4 / 33 / 33

HEX #AAA372

RGB 170 163 114

HSL 52.5, 0.25%, 0.56%

LAB 66.49, -5.15, 26.42

 

CMYK 0 / 2 / 13 / 40

HEX #989585

RGB 152 149 133

HSL 50.53, 0.08%, 0.56%

LAB 61.54, -1.79, 8.84

 

CMYK 11 / 10 / 0 / 41

HEX #868897

RGB 134 136 151

HSL 232.94, 0.08%, 0.56%

LAB 56.99, 2.39, -8.24

 

CMYK 31 / 27 / 0 / 34

HEX #747BA9

RGB 116 123 169

HSL 232.08, 0.24%, 0.56%

LAB 52.67, 8.42, -25.33

 

CMYK 0 / 32 / 49 / 26

HEX #BC7F60

RGB 188 127 96

HSL 20.22, 0.41%, 0.56%

LAB 58.71, 20.07, 26.4

 

CMYK 0 / 19 / 49 / 26

HEX #BC9860

RGB 188 152 96

HSL 36.52, 0.41%, 0.56%

LAB 64.96, 6.26, 34.41

 

CMYK 0 / 6 / 49 / 26

HEX #BCB060

RGB 188 176 96

HSL 52.17, 0.41%, 0.56%

LAB 71.27, -6.63, 42.22

 

CMYK 6 / 0 / 49 / 26

HEX #B0BC60

RGB 176 188 96

HSL 67.83, 0.41%, 0.56%

LAB 73.57, -17.75, 44.77

 

CMYK 19 / 0 / 49 / 26

HEX #98BC60

RGB 152 188 96

HSL 83.48, 0.41%, 0.56%

LAB 71.88, -27.23, 42.33

 

CMYK 0 / 8 / 59 / 44

HEX #8F843B

RGB 143 132 59

HSL 52.14, 0.42%, 0.4%

LAB 54.72, -5.61, 40.17

 

CMYK 0 / 8 / 58 / 33

HEX #AC9F48

RGB 172 159 72

HSL 52.2, 0.41%, 0.48%

LAB 64.99, -6.48, 46.24

 

CMYK 0 / 6 / 49 / 26

HEX #BCB060

RGB 188 176 96

HSL 52.17, 0.41%, 0.56%

LAB 71.27, -6.63, 42.22

 

CMYK 0 / 5 / 38 / 22

HEX #C8BF7D

RGB 200 191 125

HSL 52.8, 0.41%, 0.64%

LAB 76.69, -6.54, 34.45

 

CMYK 0 / 4 / 28 / 16

HEX #D5CD9A

RGB 213 205 154

HSL 51.86, 0.41%, 0.72%

LAB 81.92, -5.13, 26.45

 

CMYK 0 / 6 / 49 / 26

HEX #BDB160

RGB 189 177 96

HSL 52.26, 0.41%, 0.56%

LAB 71.63, -6.73, 42.67

 

CMYK 49 / 0 / 46 / 26

HEX #60BC66

RGB 96 188 102

HSL 123.91, 0.41%, 0.56%

LAB 69.05, -45.36, 35.17

 

CMYK 26 / 49 / 0 / 26

HEX #8B60BC

RGB 139 96 188

HSL 268.04, 0.41%, 0.56%

LAB 48.87, 36.03, -42.14

 

CMYK 0 / 6 / 49 / 26

HEX #BDB160

RGB 189 177 96

HSL 52.26, 0.41%, 0.56%

LAB 71.63, -6.73, 42.67

 

CMYK 49 / 0 / 6 / 26

HEX #60BCB0

RGB 96 188 176

HSL 172.17, 0.41%, 0.56%

LAB 70.59, -30.37, -2.38

 

CMYK 6 / 49 / 0 / 26

HEX #B060BC

RGB 176 96 188

HSL 292.17, 0.41%, 0.56%

LAB 53.2, 46.52, -35.03

 

CMYK 0 / 6 / 49 / 26

HEX #BDB160

RGB 189 177 96

HSL 52.26, 0.41%, 0.56%

LAB 71.63, -6.73, 42.67

 

CMYK 49 / 0 / 46 / 26

HEX #60BC66

RGB 96 188 102

HSL 123.91, 0.41%, 0.56%

LAB 69.05, -45.36, 35.17

 

CMYK 49 / 42 / 0 / 26

HEX #606DBC

RGB 96 109 188

HSL 231.52, 0.41%, 0.56%

LAB 48.33, 16.96, -43.23

 

CMYK 0 / 49 / 3 / 26

HEX #BC60B6

RGB 188 96 182

HSL 303.91, 0.41%, 0.56%

LAB 54.49, 48.9, -29.44

 

CMYK 0 / 6 / 49 / 26

HEX #BDB160

RGB 189 177 96

HSL 52.26, 0.41%, 0.56%

LAB 71.63, -6.73, 42.67

 

CMYK 49 / 0 / 31 / 26

HEX #60BC82

RGB 96 188 130

HSL 142.17, 0.41%, 0.56%

LAB 69.52, -40.58, 21.11

 

CMYK 49 / 42 / 0 / 26

HEX #606DBC

RGB 96 109 188

HSL 231.52, 0.41%, 0.56%

LAB 48.33, 16.96, -43.23

 

CMYK 0 / 49 / 18 / 26

HEX #BC609B

RGB 188 96 155

HSL 321.52, 0.41%, 0.56%

LAB 53.41, 44.39, -15.37

 

Description

Color code: RGB 189 177 96 | qconv.com Color code: RGB 189 177 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 177 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 177 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 49 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 49% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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