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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 150 206 it is the complementary color RGB 66 105 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 150 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 150 206 shade: RGB 194 150 201, RGB 211 168 220, RGB 228 186 239, RGB 245 204 255 and RGB 255 222 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 150 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 150 206 shade: RGB 189 150 206, RGB 172 132 187, RGB 155 114 168, RGB 138 96 149 and RGB 121 78 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 150 206 shade: RGB 189 150 206, RGB 204 150 206, RGB 206 150 193, RGB 206 150 178 and RGB 206 150 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 150 206 shade: RGB 189 150 206, RGB 174 150 206, RGB 159 150 206 and RGB 150 150 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 150 206 shade matches the following richer shades: RGB 189 150 206, RGB 194 138 218, RGB 199 126 230 and RGB 203 113 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 150 206 shade: RGB 189 150 206, RGB 184 163 193, RGB 179 175 181, RGB 174 188 168 and RGB 169 200 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 150 206 shade: RGB 159 150 206, RGB 173 150 206, RGB 188 150 206, RGB 203 150 206 and RGB 206 150 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 150 206 shade: RGB 153 94 179, RGB 171 122 192, RGB 189 150 206, RGB 207 179 219 and RGB 224 207 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 150 206 shade: RGB 189 150 206, RGB 206 150 157 and RGB 150 206 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 150 206 shade: RGB 189 150 206, RGB 206 188 150 and RGB 150 206 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 150 206 shade: RGB 189 150 206, RGB 206 150 157, RGB 168 206 150 and RGB 150 206 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 150 206 shade: RGB 189 150 206, RGB 206 161 150, RGB 168 206 150 and RGB 150 195 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

Complementary color

CMYK 37 / 0 / 53 / 59

HEX #426931

RGB 66 105 49

HSL 101.79, 0.36%, 0.3%

LAB 40.38, -25.26, 27.01

 

CMYK 3 / 25 / 0 / 21

HEX #C296C9

RGB 194 150 201

HSL 291.76, 0.32%, 0.69%

LAB 67.65, 25.34, -19.92

 

CMYK 4 / 24 / 0 / 14

HEX #D3A8DC

RGB 211 168 220

HSL 289.62, 0.43%, 0.76%

LAB 74.2, 24.76, -20.28

 

CMYK 5 / 22 / 0 / 6

HEX #E4BAEF

RGB 228 186 239

HSL 287.55, 0.62%, 0.83%

LAB 80.65, 24.22, -20.63

 

CMYK 4 / 20 / 0 / 0

HEX #F5CCFF

RGB 245 204 255

HSL 288.24, 1%, 0.9%

LAB 86.91, 23.14, -19.54

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 8 / 29 / 0 / 27

HEX #AC84BB

RGB 172 132 187

HSL 283.64, 0.29%, 0.63%

LAB 60.66, 25.32, -22.93

 

CMYK 8 / 32 / 0 / 34

HEX #9B72A8

RGB 155 114 168

HSL 285.56, 0.24%, 0.55%

LAB 53.85, 26, -22.64

 

CMYK 7 / 36 / 0 / 42

HEX #8A6095

RGB 138 96 149

HSL 287.55, 0.22%, 0.48%

LAB 46.89, 26.74, -22.35

 

CMYK 7 / 40 / 0 / 49

HEX #794E82

RGB 121 78 130

HSL 289.62, 0.25%, 0.41%

LAB 39.79, 27.54, -22.04

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 1 / 27 / 0 / 19

HEX #CC96CE

RGB 204 150 206

HSL 297.86, 0.36%, 0.7%

LAB 68.83, 29.61, -20.81

 

CMYK 0 / 27 / 6 / 19

HEX #CE96C1

RGB 206 150 193

HSL 313.93, 0.36%, 0.7%

LAB 68.6, 27.89, -13.92

 

CMYK 0 / 27 / 14 / 19

HEX #CE96B2

RGB 206 150 178

HSL 330, 0.36%, 0.7%

LAB 68.13, 25.32, -6.25

 

CMYK 0 / 27 / 21 / 19

HEX #CE96A3

RGB 206 150 163

HSL 346.07, 0.36%, 0.7%

LAB 67.71, 22.94, 1.52

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 16 / 27 / 0 / 19

HEX #AE96CE

RGB 174 150 206

HSL 265.71, 0.36%, 0.7%

LAB 65.96, 19.87, -25.46

 

CMYK 23 / 27 / 0 / 19

HEX #9F96CE

RGB 159 150 206

HSL 249.64, 0.36%, 0.7%

LAB 64.68, 15.18, -27.53

 

CMYK 27 / 27 / 0 / 19

HEX #9696CE

RGB 150 150 206

HSL 240, 0.36%, 0.7%

LAB 63.96, 12.44, -28.7

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 11 / 37 / 0 / 15

HEX #C28ADA

RGB 194 138 218

HSL 282, 0.52%, 0.7%

LAB 65.52, 35.38, -32.64

 

CMYK 13 / 45 / 0 / 10

HEX #C77EE6

RGB 199 126 230

HSL 282.12, 0.68%, 0.7%

LAB 63.98, 45.81, -41.67

 

CMYK 16 / 53 / 0 / 5

HEX #CB71F3

RGB 203 113 243

HSL 281.54, 0.84%, 0.7%

LAB 62.49, 56.26, -51.19

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 5 / 16 / 0 / 24

HEX #B8A3C1

RGB 184 163 193

HSL 282, 0.19%, 0.7%

LAB 69.64, 13.19, -12.57

 

CMYK 1 / 3 / 0 / 29

HEX #B3AFB5

RGB 179 175 181

HSL 280, 0.04%, 0.7%

LAB 71.95, 2.54, -2.57

 

CMYK 7 / 0 / 11 / 26

HEX #AEBCA8

RGB 174 188 168

HSL 102, 0.13%, 0.7%

LAB 74.69, -8.56, 8.47

 

CMYK 16 / 0 / 22 / 22

HEX #A9C89C

RGB 169 200 156

HSL 102.27, 0.29%, 0.7%

LAB 77.37, -18.55, 18.64

 

CMYK 23 / 27 / 0 / 19

HEX #9F96CE

RGB 159 150 206

HSL 249.64, 0.36%, 0.7%

LAB 64.68, 15.18, -27.53

 

CMYK 16 / 27 / 0 / 19

HEX #AD96CE

RGB 173 150 206

HSL 264.64, 0.36%, 0.7%

LAB 65.87, 19.56, -25.6

 

CMYK 9 / 27 / 0 / 19

HEX #BC96CE

RGB 188 150 206

HSL 280.71, 0.36%, 0.7%

LAB 67.25, 24.37, -23.37

 

CMYK 1 / 27 / 0 / 19

HEX #CB96CE

RGB 203 150 206

HSL 296.79, 0.36%, 0.7%

LAB 68.73, 29.28, -20.98

 

CMYK 0 / 27 / 6 / 19

HEX #CE96C2

RGB 206 150 194

HSL 312.86, 0.36%, 0.7%

LAB 68.63, 28.07, -14.43

 

CMYK 15 / 47 / 0 / 30

HEX #995EB3

RGB 153 94 179

HSL 281.65, 0.36%, 0.54%

LAB 49.54, 39.05, -35.76

 

CMYK 11 / 36 / 0 / 25

HEX #AB7AC0

RGB 171 122 192

HSL 282, 0.36%, 0.62%

LAB 58.4, 31.69, -29.26

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 5 / 18 / 0 / 14

HEX #CFB3DB

RGB 207 179 219

HSL 282, 0.36%, 0.78%

LAB 76.45, 17.26, -16.38

 

CMYK 3 / 11 / 0 / 9

HEX #E0CFE8

RGB 224 207 232

HSL 280.8, 0.35%, 0.86%

LAB 85.15, 10.37, -10.18

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 0 / 27 / 24 / 19

HEX #CE969D

RGB 206 150 157

HSL 352.5, 0.36%, 0.7%

LAB 67.55, 22.04, 4.65

 

CMYK 27 / 0 / 19 / 19

HEX #96CEA6

RGB 150 206 166

HSL 137.14, 0.36%, 0.7%

LAB 78.1, -26.18, 14.16

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 0 / 9 / 27 / 19

HEX #CEBC96

RGB 206 188 150

HSL 40.71, 0.36%, 0.7%

LAB 76.85, 0.52, 21.57

 

CMYK 27 / 0 / 9 / 19

HEX #96CEBC

RGB 150 206 188

HSL 160.71, 0.36%, 0.7%

LAB 78.61, -21.82, 3.13

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 0 / 27 / 24 / 19

HEX #CE969D

RGB 206 150 157

HSL 352.5, 0.36%, 0.7%

LAB 67.55, 22.04, 4.65

 

CMYK 18 / 0 / 27 / 19

HEX #A8CE96

RGB 168 206 150

HSL 100.71, 0.36%, 0.7%

LAB 78.85, -22.86, 23.84

 

CMYK 27 / 0 / 3 / 19

HEX #96CEC7

RGB 150 206 199

HSL 172.5, 0.36%, 0.7%

LAB 78.9, -19.46, -2.36

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 0 / 22 / 27 / 19

HEX #CEA196

RGB 206 161 150

HSL 11.79, 0.36%, 0.7%

LAB 70.05, 15.03, 12.1

 

CMYK 18 / 0 / 27 / 19

HEX #A8CE96

RGB 168 206 150

HSL 100.71, 0.36%, 0.7%

LAB 78.85, -22.86, 23.84

 

CMYK 27 / 5 / 0 / 19

HEX #96C3CE

RGB 150 195 206

HSL 191.79, 0.36%, 0.7%

LAB 76.05, -12.24, -10.35

 

Description

Color code: RGB 189 150 206 | qconv.com Color code: RGB 189 150 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 150 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 150 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 27 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 27% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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