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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 159 131 it is the complementary color RGB 66 96 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 159 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 159 131 shade: RGB 194 159 126, RGB 211 177 145, RGB 228 195 164, RGB 245 213 183 and RGB 255 231 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 159 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 159 131 shade: RGB 189 159 131, RGB 172 141 112, RGB 155 123 93, RGB 138 105 74 and RGB 121 87 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 159 131 shade: RGB 189 159 131, RGB 189 143 131 and RGB 189 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 159 131 shade: RGB 189 159 131, RGB 189 175 131, RGB 188 189 131, RGB 172 189 131 and RGB 157 189 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 159 131 shade matches the following richer shades: RGB 189 159 131, RGB 205 159 116, RGB 220 158 100, RGB 235 158 85 and RGB 250 157 70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 159 131 shade: RGB 189 159 131, RGB 174 160 146, RGB 159 160 161, RGB 144 161 177 and RGB 128 161 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 159 131 shade: RGB 189 131 135, RGB 189 143 131, RGB 189 158 131, RGB 189 174 131 and RGB 189 189 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 159 131 shade: RGB 156 118 82, RGB 175 138 104, RGB 189 159 131, RGB 204 180 158 and RGB 218 201 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 159 131 shade: RGB 189 159 131, RGB 150 189 131 and RGB 135 131 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 159 131 shade: RGB 189 159 131, RGB 131 189 158 and RGB 158 131 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 159 131 shade: RGB 189 159 131, RGB 150 189 131, RGB 131 162 189 and RGB 170 131 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 159 131 shade: RGB 189 159 131, RGB 133 189 131, RGB 131 162 189 and RGB 187 131 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 31 / 26

HEX #BD9F83

RGB 189 159 131

HSL 28.97, 0.31%, 0.63%

LAB 67.47, 6.89, 18.74

 

Complementary color

CMYK 47 / 23 / 0 / 51

HEX #42607C

RGB 66 96 124

HSL 208.97, 0.31%, 0.37%

LAB 39.55, -2.85, -19.15

 

CMYK 0 / 18 / 35 / 24

HEX #C29F7E

RGB 194 159 126

HSL 29.12, 0.36%, 0.63%

LAB 67.85, 8.24, 22.1

 

CMYK 0 / 16 / 31 / 17

HEX #D3B191

RGB 211 177 145

HSL 29.09, 0.43%, 0.7%

LAB 74.41, 7.66, 20.97

 

CMYK 0 / 14 / 28 / 11

HEX #E4C3A4

RGB 228 195 164

HSL 29.06, 0.54%, 0.77%

LAB 80.85, 7.14, 19.92

 

CMYK 0 / 13 / 25 / 4

HEX #F5D5B7

RGB 245 213 183

HSL 29.03, 0.76%, 0.84%

LAB 87.2, 6.69, 18.94

 

CMYK 0 / 9 / 21 / 0

HEX #FFE7CA

RGB 255 231 202

HSL 32.83, 1%, 0.9%

LAB 92.87, 3.74, 17.1

 

CMYK 0 / 16 / 31 / 26

HEX #BD9F83

RGB 189 159 131

HSL 28.97, 0.31%, 0.63%

LAB 67.47, 6.89, 18.74

 

CMYK 0 / 18 / 35 / 33

HEX #AC8D70

RGB 172 141 112

HSL 29, 0.27%, 0.56%

LAB 60.77, 7.47, 19.88

 

CMYK 0 / 21 / 40 / 39

HEX #9B7B5D

RGB 155 123 93

HSL 29.03, 0.25%, 0.49%

LAB 53.95, 8.16, 21.12

 

CMYK 0 / 24 / 46 / 46

HEX #8A694A

RGB 138 105 74

HSL 29.06, 0.3%, 0.42%

LAB 46.98, 8.98, 22.49

 

CMYK 0 / 28 / 55 / 53

HEX #795737

RGB 121 87 55

HSL 29.09, 0.38%, 0.35%

LAB 39.84, 10.01, 24.02

 

CMYK 0 / 16 / 31 / 26

HEX #BD9F83

RGB 189 159 131

HSL 28.97, 0.31%, 0.63%

LAB 67.47, 6.89, 18.74

 

CMYK 0 / 24 / 31 / 26

HEX #BD8F83

RGB 189 143 131

HSL 12.41, 0.31%, 0.63%

LAB 63.43, 15.7, 13.14

 

CMYK 0 / 31 / 31 / 26

HEX #BD8383

RGB 189 131 131

HSL 0, 0.31%, 0.63%

LAB 60.51, 22.36, 9.02

 

CMYK 0 / 16 / 31 / 26

HEX #BD9F83

RGB 189 159 131

HSL 28.97, 0.31%, 0.63%

LAB 67.47, 6.89, 18.74

 

CMYK 0 / 7 / 31 / 26

HEX #BDAF83

RGB 189 175 131

HSL 45.52, 0.31%, 0.63%

LAB 71.63, -1.76, 24.42

 

CMYK 1 / 0 / 31 / 26

HEX #BCBD83

RGB 188 189 131

HSL 61.03, 0.31%, 0.63%

LAB 75.28, -9.51, 29.28

 

CMYK 9 / 0 / 31 / 26

HEX #ACBD83

RGB 172 189 131

HSL 77.59, 0.31%, 0.63%

LAB 74.06, -15.69, 27.45

 

CMYK 17 / 0 / 31 / 26

HEX #9DBD83

RGB 157 189 131

HSL 93.1, 0.31%, 0.63%

LAB 73.02, -21.3, 25.87

 

CMYK 0 / 16 / 31 / 26

HEX #BD9F83

RGB 189 159 131

HSL 28.97, 0.31%, 0.63%

LAB 67.47, 6.89, 18.74

 

CMYK 0 / 22 / 43 / 20

HEX #CD9F74

RGB 205 159 116

HSL 28.99, 0.47%, 0.63%

LAB 68.78, 11.53, 28.97

 

CMYK 0 / 28 / 55 / 14

HEX #DC9E64

RGB 220 158 100

HSL 29, 0.63%, 0.63%

LAB 69.89, 16.71, 39.2

 

CMYK 0 / 33 / 64 / 8

HEX #EB9E55

RGB 235 158 85

HSL 29.2, 0.79%, 0.63%

LAB 71.4, 21.8, 49

 

CMYK 0 / 37 / 72 / 2

HEX #FA9D46

RGB 250 157 70

HSL 29, 0.95%, 0.63%

LAB 72.81, 27.66, 58.08

 

CMYK 0 / 16 / 31 / 26

HEX #BD9F83

RGB 189 159 131

HSL 28.97, 0.31%, 0.63%

LAB 67.47, 6.89, 18.74

 

CMYK 0 / 8 / 16 / 32

HEX #AEA092

RGB 174 160 146

HSL 30, 0.15%, 0.63%

LAB 66.68, 2.72, 9.13

 

CMYK 1 / 1 / 0 / 37

HEX #9FA0A1

RGB 159 160 161

HSL 210, 0.01%, 0.63%

LAB 65.82, -0.16, -0.65

 

CMYK 19 / 9 / 0 / 31

HEX #90A1B1

RGB 144 161 177

HSL 209.09, 0.17%, 0.63%

LAB 65.43, -2.5, -10.3

 

CMYK 33 / 16 / 0 / 25

HEX #80A1C0

RGB 128 161 192

HSL 209.06, 0.34%, 0.63%

LAB 64.87, -3.81, -19.62

 

CMYK 0 / 31 / 29 / 26

HEX #BD8387

RGB 189 131 135

HSL 355.86, 0.31%, 0.63%

LAB 60.61, 22.91, 6.87

 

CMYK 0 / 24 / 31 / 26

HEX #BD8F83

RGB 189 143 131

HSL 12.41, 0.31%, 0.63%

LAB 63.43, 15.7, 13.14

 

CMYK 0 / 16 / 31 / 26

HEX #BD9E83

RGB 189 158 131

HSL 27.93, 0.31%, 0.63%

LAB 67.21, 7.43, 18.39

 

CMYK 0 / 8 / 31 / 26

HEX #BDAE83

RGB 189 174 131

HSL 44.48, 0.31%, 0.63%

LAB 71.37, -1.22, 24.06

 

CMYK 0 / 0 / 31 / 26

HEX #BDBD83

RGB 189 189 131

HSL 60, 0.31%, 0.63%

LAB 75.36, -9.12, 29.4

 

CMYK 0 / 24 / 47 / 39

HEX #9C7652

RGB 156 118 82

HSL 29.19, 0.31%, 0.47%

LAB 52.55, 10.19, 25.54

 

CMYK 0 / 21 / 41 / 31

HEX #AF8A68

RGB 175 138 104

HSL 28.73, 0.31%, 0.55%

LAB 60.15, 9.4, 23.57

 

CMYK 0 / 16 / 31 / 26

HEX #BD9F83

RGB 189 159 131

HSL 28.97, 0.31%, 0.63%

LAB 67.47, 6.89, 18.74

 

CMYK 0 / 12 / 23 / 20

HEX #CCB49E

RGB 204 180 158

HSL 28.7, 0.31%, 0.71%

LAB 74.79, 5.14, 14.38

 

CMYK 0 / 8 / 15 / 15

HEX #DAC9B9

RGB 218 201 185

HSL 29.09, 0.31%, 0.79%

LAB 81.94, 3.31, 10.13

 

CMYK 0 / 16 / 31 / 26

HEX #BD9F83

RGB 189 159 131

HSL 28.97, 0.31%, 0.63%

LAB 67.47, 6.89, 18.74

 

CMYK 21 / 0 / 31 / 26

HEX #96BD83

RGB 150 189 131

HSL 100.34, 0.31%, 0.63%

LAB 72.57, -23.84, 25.19

 

CMYK 29 / 31 / 0 / 26

HEX #8783BD

RGB 135 131 189

HSL 244.14, 0.31%, 0.63%

LAB 57.13, 14.65, -29.78

 

CMYK 0 / 16 / 31 / 26

HEX #BD9F83

RGB 189 159 131

HSL 28.97, 0.31%, 0.63%

LAB 67.47, 6.89, 18.74

 

CMYK 31 / 0 / 16 / 26

HEX #83BD9E

RGB 131 189 158

HSL 147.93, 0.31%, 0.63%

LAB 72.02, -25.41, 9.72

 

CMYK 16 / 31 / 0 / 26

HEX #9E83BD

RGB 158 131 189

HSL 267.93, 0.31%, 0.63%

LAB 59.14, 21.79, -26.52

 

CMYK 0 / 16 / 31 / 26

HEX #BD9F83

RGB 189 159 131

HSL 28.97, 0.31%, 0.63%

LAB 67.47, 6.89, 18.74

 

CMYK 21 / 0 / 31 / 26

HEX #96BD83

RGB 150 189 131

HSL 100.34, 0.31%, 0.63%

LAB 72.57, -23.84, 25.19

 

CMYK 31 / 14 / 0 / 26

HEX #83A2BD

RGB 131 162 189

HSL 207.93, 0.31%, 0.63%

LAB 65.23, -4.25, -17.38

 

CMYK 10 / 31 / 0 / 26

HEX #AA83BD

RGB 170 131 189

HSL 280.34, 0.31%, 0.63%

LAB 60.3, 25.65, -24.64

 

CMYK 0 / 16 / 31 / 26

HEX #BD9F83

RGB 189 159 131

HSL 28.97, 0.31%, 0.63%

LAB 67.47, 6.89, 18.74

 

CMYK 30 / 0 / 31 / 26

HEX #85BD83

RGB 133 189 131

HSL 117.93, 0.31%, 0.63%

LAB 71.57, -29.74, 23.66

 

CMYK 31 / 14 / 0 / 26

HEX #83A2BD

RGB 131 162 189

HSL 207.93, 0.31%, 0.63%

LAB 65.23, -4.25, -17.38

 

CMYK 1 / 31 / 0 / 26

HEX #BB83BD

RGB 187 131 189

HSL 297.93, 0.31%, 0.63%

LAB 62.06, 31.22, -21.78

 

Description

Color code: RGB 189 159 131 | qconv.com Color code: RGB 189 159 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 159 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 159 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 31 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 31% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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