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Color name
RGB 189 144 207

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 144 207 it is the complementary color RGB 66 111 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 144 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 144 207 shade: RGB 194 144 202, RGB 211 162 221, RGB 228 180 240, RGB 245 198 255 and RGB 255 216 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 144 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 144 207 shade: RGB 189 144 207, RGB 172 126 188, RGB 155 108 169, RGB 138 90 150 and RGB 121 72 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 144 207 shade: RGB 189 144 207, RGB 206 144 207, RGB 207 144 191, RGB 207 144 174 and RGB 207 144 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 144 207 shade: RGB 189 144 207, RGB 172 144 207, RGB 155 144 207 and RGB 144 144 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 144 207 shade matches the following richer shades: RGB 189 144 207, RGB 194 131 220, RGB 200 118 233 and RGB 205 105 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 144 207 shade: RGB 189 144 207, RGB 184 157 194, RGB 178 169 181, RGB 173 182 169 and RGB 167 195 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 144 207 shade: RGB 154 144 207, RGB 171 144 207, RGB 188 144 207, RGB 205 144 207 and RGB 207 144 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 144 207 shade: RGB 155 86 182, RGB 172 115 195, RGB 189 144 207, RGB 206 173 219 and RGB 223 202 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 144 207 shade: RGB 189 144 207, RGB 207 144 150 and RGB 144 207 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 144 207 shade: RGB 189 144 207, RGB 207 188 144 and RGB 144 207 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 144 207 shade: RGB 189 144 207, RGB 207 144 150, RGB 163 207 144 and RGB 144 207 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 144 207 shade: RGB 189 144 207, RGB 207 156 144, RGB 163 207 144 and RGB 144 194 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

Complementary color

CMYK 41 / 0 / 57 / 56

HEX #426F30

RGB 66 111 48

HSL 102.86, 0.4%, 0.31%

LAB 42.37, -28.31, 29.94

 

CMYK 4 / 29 / 0 / 21

HEX #C290CA

RGB 194 144 202

HSL 291.72, 0.35%, 0.68%

LAB 66.27, 28.85, -22.57

 

CMYK 5 / 27 / 0 / 13

HEX #D3A2DD

RGB 211 162 221

HSL 289.83, 0.46%, 0.75%

LAB 72.83, 28.22, -22.91

 

CMYK 5 / 25 / 0 / 6

HEX #E4B4F0

RGB 228 180 240

HSL 288, 0.67%, 0.82%

LAB 79.29, 27.63, -23.24

 

CMYK 4 / 22 / 0 / 0

HEX #F5C6FF

RGB 245 198 255

HSL 289.47, 1%, 0.89%

LAB 85.51, 26.32, -21.65

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

CMYK 9 / 33 / 0 / 26

HEX #AC7EBC

RGB 172 126 188

HSL 284.52, 0.32%, 0.62%

LAB 59.27, 28.92, -25.63

 

CMYK 8 / 36 / 0 / 34

HEX #9B6CA9

RGB 155 108 169

HSL 286.23, 0.26%, 0.54%

LAB 52.46, 29.65, -25.36

 

CMYK 8 / 40 / 0 / 41

HEX #8A5A96

RGB 138 90 150

HSL 288, 0.25%, 0.47%

LAB 45.52, 30.43, -25.07

 

CMYK 8 / 45 / 0 / 49

HEX #794883

RGB 121 72 131

HSL 289.83, 0.29%, 0.4%

LAB 38.44, 31.26, -24.75

 

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

CMYK 0 / 30 / 0 / 19

HEX #CE90CF

RGB 206 144 207

HSL 299.05, 0.4%, 0.69%

LAB 67.7, 33.72, -23.06

 

CMYK 0 / 30 / 8 / 19

HEX #CF90BF

RGB 207 144 191

HSL 315.24, 0.4%, 0.69%

LAB 67.26, 31.15, -14.81

 

CMYK 0 / 30 / 16 / 19

HEX #CF90AE

RGB 207 144 174

HSL 331.43, 0.4%, 0.69%

LAB 66.72, 28.29, -6.08

 

CMYK 0 / 30 / 24 / 19

HEX #CF909D

RGB 207 144 157

HSL 347.62, 0.4%, 0.69%

LAB 66.25, 25.69, 2.78

 

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

CMYK 17 / 30 / 0 / 19

HEX #AC90CF

RGB 172 144 207

HSL 266.67, 0.4%, 0.69%

LAB 64.34, 22.85, -28.52

 

CMYK 25 / 30 / 0 / 19

HEX #9B90CF

RGB 155 144 207

HSL 250.48, 0.4%, 0.69%

LAB 62.86, 17.62, -30.92

 

CMYK 30 / 30 / 0 / 19

HEX #9090CF

RGB 144 144 207

HSL 240, 0.4%, 0.69%

LAB 61.98, 14.36, -32.36

 

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

CMYK 12 / 40 / 0 / 14

HEX #C283DC

RGB 194 131 220

HSL 282.47, 0.56%, 0.69%

LAB 64.05, 39.61, -36.03

 

CMYK 14 / 49 / 0 / 9

HEX #C876E9

RGB 200 118 233

HSL 282.78, 0.72%, 0.69%

LAB 62.61, 50.89, -45.48

 

CMYK 16 / 57 / 0 / 4

HEX #CD69F5

RGB 205 105 245

HSL 282.86, 0.88%, 0.69%

LAB 61.37, 61.07, -54.05

 

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

CMYK 5 / 19 / 0 / 24

HEX #B89DC2

RGB 184 157 194

HSL 283.78, 0.23%, 0.69%

LAB 68.17, 16.72, -15.34

 

CMYK 2 / 7 / 0 / 29

HEX #B2A9B5

RGB 178 169 181

HSL 285, 0.08%, 0.69%

LAB 70.3, 5.47, -5

 

CMYK 5 / 0 / 7 / 29

HEX #ADB6A9

RGB 173 182 169

HSL 101.54, 0.08%, 0.69%

LAB 73.03, -5.57, 5.53

 

CMYK 14 / 0 / 20 / 24

HEX #A7C39C

RGB 167 195 156

HSL 103.08, 0.25%, 0.69%

LAB 75.85, -16.74, 16.51

 

CMYK 26 / 30 / 0 / 19

HEX #9A90CF

RGB 154 144 207

HSL 249.52, 0.4%, 0.69%

LAB 62.78, 17.32, -31.06

 

CMYK 17 / 30 / 0 / 19

HEX #AB90CF

RGB 171 144 207

HSL 265.71, 0.4%, 0.69%

LAB 64.25, 22.54, -28.66

 

CMYK 9 / 30 / 0 / 19

HEX #BC90CF

RGB 188 144 207

HSL 281.9, 0.4%, 0.69%

LAB 65.86, 27.92, -26.05

 

CMYK 1 / 30 / 0 / 19

HEX #CD90CF

RGB 205 144 207

HSL 298.1, 0.4%, 0.69%

LAB 67.6, 33.39, -23.23

 

CMYK 0 / 30 / 7 / 19

HEX #CF90C0

RGB 207 144 192

HSL 314.29, 0.4%, 0.69%

LAB 67.29, 31.32, -15.32

 

CMYK 15 / 53 / 0 / 29

HEX #9B56B6

RGB 155 86 182

HSL 283.13, 0.4%, 0.53%

LAB 48.26, 44.6, -39.5

 

CMYK 12 / 41 / 0 / 24

HEX #AC73C3

RGB 172 115 195

HSL 282.75, 0.4%, 0.61%

LAB 57.05, 36.54, -33.06

 

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

CMYK 6 / 21 / 0 / 14

HEX #CEADDB

RGB 206 173 219

HSL 283.04, 0.39%, 0.77%

LAB 74.9, 20.2, -18.72

 

CMYK 4 / 13 / 0 / 9

HEX #DFCAE8

RGB 223 202 232

HSL 282, 0.39%, 0.85%

LAB 83.84, 12.69, -12.14

 

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

CMYK 0 / 30 / 28 / 19

HEX #CF9096

RGB 207 144 150

HSL 354.29, 0.4%, 0.69%

LAB 66.07, 24.69, 6.46

 

CMYK 30 / 0 / 21 / 19

HEX #90CFA3

RGB 144 207 163

HSL 138.1, 0.4%, 0.69%

LAB 77.99, -29.12, 15.56

 

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

CMYK 0 / 9 / 30 / 19

HEX #CFBC90

RGB 207 188 144

HSL 41.9, 0.4%, 0.69%

LAB 76.83, 0.12, 24.75

 

CMYK 30 / 0 / 9 / 19

HEX #90CFBC

RGB 144 207 188

HSL 161.9, 0.4%, 0.69%

LAB 78.57, -24.12, 3.03

 

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

CMYK 0 / 30 / 28 / 19

HEX #CF9096

RGB 207 144 150

HSL 354.29, 0.4%, 0.69%

LAB 66.07, 24.69, 6.46

 

CMYK 21 / 0 / 30 / 19

HEX #A3CF90

RGB 163 207 144

HSL 101.9, 0.4%, 0.69%

LAB 78.71, -26.03, 26.74

 

CMYK 30 / 0 / 3 / 19

HEX #90CFC9

RGB 144 207 201

HSL 174.29, 0.4%, 0.69%

LAB 78.91, -21.26, -3.45

 

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

CMYK 0 / 25 / 30 / 19

HEX #CF9C90

RGB 207 156 144

HSL 11.43, 0.4%, 0.69%

LAB 68.79, 17.32, 13.67

 

CMYK 21 / 0 / 30 / 19

HEX #A3CF90

RGB 163 207 144

HSL 101.9, 0.4%, 0.69%

LAB 78.71, -26.03, 26.74

 

CMYK 30 / 6 / 0 / 19

HEX #90C2CF

RGB 144 194 207

HSL 192.38, 0.4%, 0.69%

LAB 75.46, -13.23, -11.8

 

Description

Color code: RGB 189 144 207 | qconv.com Color code: RGB 189 144 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 144 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 144 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 30 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 30% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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