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Color name
RGB 189 139 56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 139 56 it is the complementary color RGB 66 116 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 139 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 139 56 shade: RGB 194 139 51, RGB 211 157 70, RGB 228 175 89, RGB 245 193 108 and RGB 255 211 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 139 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 139 56 shade: RGB 189 139 56, RGB 172 121 37, RGB 155 103 18, RGB 138 85 0 and RGB 121 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 139 56 shade: RGB 188 138 56, RGB 188 103 56, RGB 188 67 56 and RGB 188 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 139 56 shade: RGB 188 138 56, RGB 188 174 56, RGB 166 188 56, RGB 131 188 56 and RGB 95 188 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 139 56 shade matches the following richer shades: RGB 188 138 56, RGB 208 143 36 and RGB 228 148 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 139 56 shade: RGB 188 138 56, RGB 168 133 76, RGB 148 128 95, RGB 129 124 115 and RGB 109 119 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 139 56 shade: RGB 188 67 56, RGB 188 102 56, RGB 188 137 56, RGB 188 173 56 and RGB 168 188 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 139 56 shade: RGB 124 92 37, RGB 156 115 46, RGB 188 138 56, RGB 203 158 82 and RGB 212 175 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 139 56 shade: RGB 189 139 56, RGB 80 188 56 and RGB 84 56 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 139 56 shade: RGB 189 139 56, RGB 56 188 137 and RGB 137 56 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 139 56 shade: RGB 189 139 56, RGB 80 188 56, RGB 56 106 188 and RGB 164 56 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 139 56 shade: RGB 189 139 56, RGB 56 188 71, RGB 56 106 188 and RGB 188 56 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 70 / 26

HEX #BD8B38

RGB 189 139 56

HSL 37.44, 0.54%, 0.48%

LAB 61.28, 10.82, 50.11

 

Complementary color

CMYK 67 / 42 / 0 / 22

HEX #4274C7

RGB 66 116 199

HSL 217.44, 0.54%, 0.52%

LAB 49.22, 10.21, -48.24

 

CMYK 0 / 28 / 74 / 24

HEX #C28B33

RGB 194 139 51

HSL 36.92, 0.58%, 0.48%

LAB 61.8, 12.76, 53.02

 

CMYK 0 / 26 / 67 / 17

HEX #D39D46

RGB 211 157 70

HSL 37.02, 0.62%, 0.55%

LAB 68.32, 11.34, 51.95

 

CMYK 0 / 23 / 61 / 11

HEX #E4AF59

RGB 228 175 89

HSL 37.12, 0.72%, 0.62%

LAB 74.75, 10.12, 50.69

 

CMYK 0 / 21 / 56 / 4

HEX #F5C16C

RGB 245 193 108

HSL 37.23, 0.87%, 0.69%

LAB 81.09, 9.07, 49.38

 

CMYK 0 / 17 / 50 / 0

HEX #FFD37F

RGB 255 211 127

HSL 39.38, 1%, 0.75%

LAB 86.69, 5.35, 47.11

 

CMYK 0 / 26 / 70 / 26

HEX #BD8B38

RGB 189 139 56

HSL 37.44, 0.54%, 0.48%

LAB 61.28, 10.82, 50.11

 

CMYK 0 / 30 / 78 / 33

HEX #AC7925

RGB 172 121 37

HSL 37.33, 0.65%, 0.41%

LAB 54.64, 12.37, 50.97

 

CMYK 0 / 34 / 88 / 39

HEX #9B6712

RGB 155 103 18

HSL 37.23, 0.79%, 0.34%

LAB 47.9, 14.23, 50.96

 

CMYK 0 / 38 / 100 / 46

HEX #8A5500

RGB 138 85 0

HSL 36.96, 1%, 0.27%

LAB 41.06, 16.41, 49.66

 

CMYK 0 / 45 / 100 / 53

HEX #794300

RGB 121 67 0

HSL 33.22, 1%, 0.24%

LAB 34.15, 19.04, 44.05

 

CMYK 0 / 27 / 70 / 26

HEX #BC8A38

RGB 188 138 56

HSL 37.27, 0.54%, 0.48%

LAB 60.92, 10.93, 49.7

 

CMYK 0 / 45 / 70 / 26

HEX #BC6738

RGB 188 103 56

HSL 21.36, 0.54%, 0.48%

LAB 52.59, 30.16, 40.72

 

CMYK 0 / 64 / 70 / 26

HEX #BC4338

RGB 188 67 56

HSL 5, 0.54%, 0.48%

LAB 45.62, 48.03, 32.77

 

CMYK 0 / 70 / 70 / 26

HEX #BC3838

RGB 188 56 56

HSL 0, 0.54%, 0.48%

LAB 43.95, 52.56, 30.8

 

CMYK 0 / 27 / 70 / 26

HEX #BC8A38

RGB 188 138 56

HSL 37.27, 0.54%, 0.48%

LAB 60.92, 10.93, 49.7

 

CMYK 0 / 7 / 70 / 26

HEX #BCAE38

RGB 188 174 56

HSL 53.64, 0.54%, 0.48%

LAB 70.35, -8.47, 59.33

 

CMYK 12 / 0 / 70 / 26

HEX #A6BC38

RGB 166 188 56

HSL 70, 0.54%, 0.48%

LAB 72.47, -24.92, 60.85

 

CMYK 30 / 0 / 70 / 26

HEX #83BC38

RGB 131 188 56

HSL 85.91, 0.54%, 0.48%

LAB 70.23, -38.76, 57.87

 

CMYK 49 / 0 / 70 / 26

HEX #5FBC38

RGB 95 188 56

HSL 102.27, 0.54%, 0.48%

LAB 68.52, -50.87, 55.57

 

CMYK 0 / 27 / 70 / 26

HEX #BC8A38

RGB 188 138 56

HSL 37.27, 0.54%, 0.48%

LAB 60.92, 10.93, 49.7

 

CMYK 0 / 31 / 83 / 18

HEX #D08F24

RGB 208 143 36

HSL 37.33, 0.7%, 0.48%

LAB 64.31, 16.12, 61.65

 

CMYK 0 / 35 / 93 / 11

HEX #E49410

RGB 228 148 16

HSL 37.36, 0.87%, 0.48%

LAB 67.81, 21.64, 70.47

 

CMYK 0 / 27 / 70 / 26

HEX #BC8A38

RGB 188 138 56

HSL 37.27, 0.54%, 0.48%

LAB 60.92, 10.93, 49.7

 

CMYK 0 / 21 / 55 / 34

HEX #A8854C

RGB 168 133 76

HSL 37.17, 0.38%, 0.48%

LAB 57.68, 6.34, 35.54

 

CMYK 0 / 14 / 36 / 42

HEX #94805F

RGB 148 128 95

HSL 37.36, 0.22%, 0.48%

LAB 54.62, 2.6, 20.76

 

CMYK 0 / 4 / 11 / 49

HEX #817C73

RGB 129 124 115

HSL 38.57, 0.06%, 0.48%

LAB 52.2, 0.21, 5.58

 

CMYK 19 / 12 / 0 / 47

HEX #6D7787

RGB 109 119 135

HSL 216.92, 0.11%, 0.48%

LAB 49.73, -0.09, -9.99

 

CMYK 0 / 64 / 70 / 26

HEX #BC4338

RGB 188 67 56

HSL 5, 0.54%, 0.48%

LAB 45.62, 48.03, 32.77

 

CMYK 0 / 46 / 70 / 26

HEX #BC6638

RGB 188 102 56

HSL 20.91, 0.54%, 0.48%

LAB 52.38, 30.7, 40.48

 

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

CMYK 0 / 8 / 70 / 26

HEX #BCAD38

RGB 188 173 56

HSL 53.18, 0.54%, 0.48%

LAB 70.08, -7.95, 59.06

 

CMYK 11 / 0 / 70 / 26

HEX #A8BC38

RGB 168 188 56

HSL 69.09, 0.54%, 0.48%

LAB 72.61, -24.1, 61.04

 

CMYK 0 / 26 / 70 / 51

HEX #7C5C25

RGB 124 92 37

HSL 37.93, 0.54%, 0.32%

LAB 41.33, 6.97, 35.73

 

CMYK 0 / 26 / 71 / 39

HEX #9C732E

RGB 156 115 46

HSL 37.64, 0.54%, 0.4%

LAB 51.3, 8.97, 43.09

 

CMYK 0 / 27 / 70 / 26

HEX #BC8A38

RGB 188 138 56

HSL 37.27, 0.54%, 0.48%

LAB 60.92, 10.93, 49.7

 

CMYK 0 / 22 / 60 / 20

HEX #CB9E52

RGB 203 158 82

HSL 37.69, 0.54%, 0.56%

LAB 67.84, 8.17, 45.45

 

CMYK 0 / 17 / 46 / 17

HEX #D4AF72

RGB 212 175 114

HSL 37.35, 0.53%, 0.64%

LAB 73.46, 5.58, 36.22

 

CMYK 0 / 26 / 70 / 26

HEX #BD8B38

RGB 189 139 56

HSL 37.44, 0.54%, 0.48%

LAB 61.28, 10.82, 50.11

 

CMYK 57 / 0 / 70 / 26

HEX #50BC38

RGB 80 188 56

HSL 109.09, 0.54%, 0.48%

LAB 67.99, -55, 54.85

 

CMYK 55 / 70 / 0 / 26

HEX #5438BC

RGB 84 56 188

HSL 252.73, 0.54%, 0.48%

LAB 34.69, 46.49, -65.29

 

CMYK 0 / 26 / 70 / 26

HEX #BD8B38

RGB 189 139 56

HSL 37.44, 0.54%, 0.48%

LAB 61.28, 10.82, 50.11

 

CMYK 70 / 0 / 27 / 26

HEX #38BC89

RGB 56 188 137

HSL 156.82, 0.54%, 0.48%

LAB 68.47, -47.5, 15.72

 

CMYK 27 / 70 / 0 / 26

HEX #8938BC

RGB 137 56 188

HSL 276.82, 0.54%, 0.48%

LAB 40.86, 56.26, -54.97

 

CMYK 0 / 26 / 70 / 26

HEX #BD8B38

RGB 189 139 56

HSL 37.44, 0.54%, 0.48%

LAB 61.28, 10.82, 50.11

 

CMYK 57 / 0 / 70 / 26

HEX #50BC38

RGB 80 188 56

HSL 109.09, 0.54%, 0.48%

LAB 67.99, -55, 54.85

 

CMYK 70 / 44 / 0 / 26

HEX #386ABC

RGB 56 106 188

HSL 217.27, 0.54%, 0.48%

LAB 45.33, 10.92, -48.14

 

CMYK 13 / 70 / 0 / 26

HEX #A438BC

RGB 164 56 188

HSL 289.09, 0.54%, 0.48%

LAB 44.73, 61.96, -48.54

 

CMYK 0 / 26 / 70 / 26

HEX #BD8B38

RGB 189 139 56

HSL 37.44, 0.54%, 0.48%

LAB 61.28, 10.82, 50.11

 

CMYK 70 / 0 / 62 / 26

HEX #38BC47

RGB 56 188 71

HSL 126.82, 0.54%, 0.48%

LAB 67.47, -58.72, 47.87

 

CMYK 70 / 44 / 0 / 26

HEX #386ABC

RGB 56 106 188

HSL 217.27, 0.54%, 0.48%

LAB 45.33, 10.92, -48.14

 

CMYK 0 / 70 / 8 / 26

HEX #BC38AD

RGB 188 56 173

HSL 306.82, 0.54%, 0.48%

LAB 47.67, 64.83, -34.84

 

Description

Color code: RGB 189 139 56 | qconv.com Color code: RGB 189 139 56 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 139 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 139 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 70 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 70% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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