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Color name
RGB 189 134 24

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 134 24 it is the complementary color RGB 66 121 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 134 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 134 24 shade: RGB 194 134 19, RGB 211 152 38, RGB 228 170 57, RGB 245 188 76 and RGB 255 206 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 134 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 134 24 shade: RGB 189 134 24, RGB 172 116 5, RGB 155 98 0, RGB 138 80 0 and RGB 121 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 134 24 shade: RGB 189 134 24, RGB 189 90 24, RGB 189 45 24 and RGB 189 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 134 24 shade: RGB 189 134 24, RGB 189 179 24, RGB 155 189 24, RGB 111 189 24 and RGB 66 189 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 134 24 shade matches the following richer shades: RGB 189 134 24 and RGB 206 140 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 134 24 shade: RGB 189 134 24, RGB 172 128 41, RGB 154 123 59, RGB 137 117 76 and RGB 120 111 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 134 24 shade: RGB 189 46 24, RGB 189 90 24, RGB 189 134 24, RGB 189 178 24 and RGB 156 189 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 134 24 shade: RGB 116 82 15, RGB 153 108 19, RGB 189 134 24, RGB 225 160 29 and RGB 230 175 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 134 24 shade: RGB 189 134 24, RGB 46 189 24 and RGB 68 24 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 134 24 shade: RGB 189 134 24, RGB 24 189 134 and RGB 134 24 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 134 24 shade: RGB 189 134 24, RGB 46 189 24, RGB 24 79 189 and RGB 167 24 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 134 24 shade: RGB 189 134 24, RGB 24 189 52, RGB 24 79 189 and RGB 189 24 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

Complementary color

CMYK 71 / 48 / 0 / 9

HEX #4279E7

RGB 66 121 231

HSL 220, 0.77%, 0.58%

LAB 52.51, 18.55, -61.09

 

CMYK 0 / 31 / 90 / 24

HEX #C28613

RGB 194 134 19

HSL 39.43, 0.82%, 0.42%

LAB 60.4, 14.47, 62.56

 

CMYK 0 / 28 / 82 / 17

HEX #D39826

RGB 211 152 38

HSL 39.54, 0.69%, 0.49%

LAB 66.86, 12.62, 63.35

 

CMYK 0 / 25 / 75 / 11

HEX #E4AA39

RGB 228 170 57

HSL 39.65, 0.76%, 0.56%

LAB 73.25, 11.01, 63.1

 

CMYK 0 / 23 / 69 / 4

HEX #F5BC4C

RGB 245 188 76

HSL 39.76, 0.89%, 0.63%

LAB 79.56, 9.62, 62.33

 

CMYK 0 / 19 / 63 / 0

HEX #FFCE5F

RGB 255 206 95

HSL 41.63, 1%, 0.69%

LAB 85.11, 5.53, 60.33

 

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

CMYK 0 / 33 / 97 / 33

HEX #AC7405

RGB 172 116 5

HSL 39.88, 0.94%, 0.35%

LAB 53.25, 14.39, 58.83

 

CMYK 0 / 37 / 100 / 39

HEX #9B6200

RGB 155 98 0

HSL 37.94, 1%, 0.3%

LAB 46.58, 16.76, 54.37

 

CMYK 0 / 42 / 100 / 46

HEX #8A5000

RGB 138 80 0

HSL 34.78, 1%, 0.27%

LAB 39.82, 19.32, 48.86

 

CMYK 0 / 49 / 100 / 53

HEX #793E00

RGB 121 62 0

HSL 30.74, 1%, 0.24%

LAB 32.94, 21.96, 43.3

 

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

CMYK 0 / 52 / 87 / 26

HEX #BD5A18

RGB 189 90 24

HSL 24, 0.77%, 0.42%

LAB 49.73, 36.2, 52.47

 

CMYK 0 / 76 / 87 / 26

HEX #BD2D18

RGB 189 45 24

HSL 7.64, 0.77%, 0.42%

LAB 42.4, 55.68, 46.53

 

CMYK 0 / 87 / 87 / 26

HEX #BD1818

RGB 189 24 24

HSL 0, 0.77%, 0.42%

LAB 40.47, 61.13, 44.96

 

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

CMYK 0 / 5 / 87 / 26

HEX #BDB318

RGB 189 179 24

HSL 56.36, 0.77%, 0.42%

LAB 71.64, -11.78, 70.14

 

CMYK 18 / 0 / 87 / 26

HEX #9BBD18

RGB 155 189 24

HSL 72.36, 0.77%, 0.42%

LAB 71.85, -31.24, 69.23

 

CMYK 41 / 0 / 87 / 26

HEX #6FBD18

RGB 111 189 24

HSL 88.36, 0.77%, 0.42%

LAB 69.36, -47.9, 66.14

 

CMYK 65 / 0 / 87 / 26

HEX #42BD18

RGB 66 189 24

HSL 104.73, 0.77%, 0.42%

LAB 67.74, -60.56, 64.11

 

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

CMYK 0 / 32 / 97 / 19

HEX #CE8C07

RGB 206 140 7

HSL 40.1, 0.93%, 0.42%

LAB 63.25, 16.32, 67.4

 

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

CMYK 0 / 26 / 76 / 33

HEX #AC8029

RGB 172 128 41

HSL 39.85, 0.62%, 0.42%

LAB 56.46, 8.62, 51.1

 

CMYK 0 / 20 / 62 / 40

HEX #9A7B3B

RGB 154 123 59

HSL 40.42, 0.45%, 0.42%

LAB 53.33, 4.38, 38.88

 

CMYK 0 / 15 / 45 / 46

HEX #89754C

RGB 137 117 76

HSL 40.33, 0.29%, 0.42%

LAB 50.17, 1.82, 25.47

 

CMYK 0 / 8 / 23 / 53

HEX #786F5D

RGB 120 111 93

HSL 40, 0.13%, 0.42%

LAB 47.17, 0.32, 11.3

 

CMYK 0 / 76 / 87 / 26

HEX #BD2E18

RGB 189 46 24

HSL 8, 0.77%, 0.42%

LAB 42.52, 55.35, 46.62

 

CMYK 0 / 52 / 87 / 26

HEX #BD5A18

RGB 189 90 24

HSL 24, 0.77%, 0.42%

LAB 49.73, 36.2, 52.47

 

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

CMYK 0 / 6 / 87 / 26

HEX #BDB218

RGB 189 178 24

HSL 56, 0.77%, 0.42%

LAB 71.37, -11.27, 69.92

 

CMYK 17 / 0 / 87 / 26

HEX #9CBD18

RGB 156 189 24

HSL 72, 0.77%, 0.42%

LAB 71.91, -30.83, 69.31

 

CMYK 0 / 29 / 87 / 55

HEX #74520F

RGB 116 82 15

HSL 39.8, 0.77%, 0.26%

LAB 37.45, 8.04, 41.23

 

CMYK 0 / 29 / 88 / 40

HEX #996C13

RGB 153 108 19

HSL 39.85, 0.78%, 0.34%

LAB 48.94, 10.47, 51.41

 

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

CMYK 0 / 29 / 87 / 12

HEX #E1A01D

RGB 225 160 29

HSL 40.1, 0.77%, 0.5%

LAB 70.34, 14.17, 69.47

 

CMYK 0 / 24 / 71 / 10

HEX #E6AF42

RGB 230 175 66

HSL 39.88, 0.77%, 0.58%

LAB 74.75, 9.62, 61.06

 

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

CMYK 76 / 0 / 87 / 26

HEX #2EBD18

RGB 46 189 24

HSL 112, 0.77%, 0.42%

LAB 67.31, -64.25, 63.57

 

CMYK 64 / 87 / 0 / 26

HEX #4418BD

RGB 68 24 189

HSL 256, 0.77%, 0.42%

LAB 28.26, 59.31, -76.52

 

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

CMYK 87 / 0 / 29 / 26

HEX #18BD86

RGB 24 189 134

HSL 160, 0.77%, 0.42%

LAB 68.25, -52.12, 16.96

 

CMYK 29 / 87 / 0 / 26

HEX #8618BD

RGB 134 24 189

HSL 280, 0.77%, 0.42%

LAB 36.74, 66.8, -62.28

 

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

CMYK 76 / 0 / 87 / 26

HEX #2EBD18

RGB 46 189 24

HSL 112, 0.77%, 0.42%

LAB 67.31, -64.25, 63.57

 

CMYK 87 / 58 / 0 / 26

HEX #184FBD

RGB 24 79 189

HSL 220, 0.77%, 0.42%

LAB 36.86, 25.48, -62.47

 

CMYK 12 / 87 / 0 / 26

HEX #A718BD

RGB 167 24 189

HSL 292, 0.77%, 0.42%

LAB 42.07, 71.98, -53.38

 

CMYK 0 / 29 / 87 / 26

HEX #BD8618

RGB 189 134 24

HSL 40, 0.77%, 0.42%

LAB 59.83, 12.35, 60.62

 

CMYK 87 / 0 / 72 / 26

HEX #18BD34

RGB 24 189 52

HSL 130.18, 0.77%, 0.42%

LAB 67.15, -65.08, 55.14

 

CMYK 87 / 58 / 0 / 26

HEX #184FBD

RGB 24 79 189

HSL 220, 0.77%, 0.42%

LAB 36.86, 25.48, -62.47

 

CMYK 0 / 87 / 14 / 26

HEX #BD18A2

RGB 189 24 162

HSL 309.82, 0.77%, 0.42%

LAB 44.35, 71.91, -33.52

 

Description

Color code: RGB 189 134 24 | qconv.com Color code: RGB 189 134 24 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 134 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 134 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 87 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 87% 26% C M Y K

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Provide designers and agencies with accurate color values.

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