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Color name
RGB 189 108 217

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 108 217 it is the complementary color RGB 66 147 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 108 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 108 217 shade: RGB 194 108 212, RGB 211 126 231, RGB 228 144 250, RGB 245 162 255 and RGB 255 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 108 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 108 217 shade: RGB 189 108 217, RGB 172 90 198, RGB 155 72 179, RGB 138 54 160 and RGB 121 36 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 108 217 shade: RGB 189 109 217, RGB 217 109 215, RGB 217 109 186, RGB 217 109 157 and RGB 217 109 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 108 217 shade: RGB 189 109 217, RGB 160 109 217, RGB 131 109 217 and RGB 109 109 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 108 217 shade matches the following richer shades: RGB 189 109 217, RGB 196 94 232 and RGB 203 79 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 108 217 shade: RGB 189 109 217, RGB 182 123 202, RGB 175 138 187, RGB 167 153 172 and RGB 160 168 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 108 217 shade: RGB 130 109 217, RGB 159 109 217, RGB 188 109 217, RGB 217 109 217 and RGB 217 109 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 108 217 shade: RGB 156 49 193, RGB 174 76 208, RGB 189 109 217, RGB 204 141 225 and RGB 218 174 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 108 217 shade: RGB 189 108 217, RGB 217 109 116 and RGB 109 217 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 108 217 shade: RGB 189 108 217, RGB 217 188 109 and RGB 109 217 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 108 217 shade: RGB 189 108 217, RGB 217 109 116, RGB 137 217 109 and RGB 109 217 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 108 217 shade: RGB 189 108 217, RGB 217 134 109, RGB 137 217 109 and RGB 109 192 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 50 / 0 / 15

HEX #BD6CD9

RGB 189 108 217

HSL 284.59, 0.59%, 0.64%

LAB 58.56, 49.77, -43.01

 

Complementary color

CMYK 55 / 0 / 74 / 42

HEX #429326

RGB 66 147 38

HSL 104.59, 0.59%, 0.36%

LAB 54.2, -44.78, 47.44

 

CMYK 8 / 49 / 0 / 17

HEX #C26CD4

RGB 194 108 212

HSL 289.62, 0.55%, 0.63%

LAB 58.93, 50.15, -39.57

 

CMYK 9 / 45 / 0 / 9

HEX #D37EE7

RGB 211 126 231

HSL 288.57, 0.69%, 0.7%

LAB 65.39, 49.42, -39.92

 

CMYK 9 / 42 / 0 / 2

HEX #E490FA

RGB 228 144 250

HSL 287.55, 0.91%, 0.77%

LAB 71.79, 48.67, -40.21

 

CMYK 4 / 36 / 0 / 0

HEX #F5A2FF

RGB 245 162 255

HSL 293.55, 1%, 0.82%

LAB 77.56, 45.27, -33.81

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 13 / 50 / 0 / 15

HEX #BD6CD9

RGB 189 108 217

HSL 284.59, 0.59%, 0.64%

LAB 58.56, 49.77, -43.01

 

CMYK 13 / 55 / 0 / 22

HEX #AC5AC6

RGB 172 90 198

HSL 285.56, 0.49%, 0.56%

LAB 52.02, 50.48, -42.67

 

CMYK 13 / 60 / 0 / 30

HEX #9B48B3

RGB 155 72 179

HSL 286.54, 0.43%, 0.49%

LAB 45.44, 51.08, -42.22

 

CMYK 14 / 66 / 0 / 37

HEX #8A36A0

RGB 138 54 160

HSL 287.55, 0.5%, 0.42%

LAB 38.86, 51.42, -41.55

 

CMYK 14 / 74 / 0 / 45

HEX #79248D

RGB 121 36 141

HSL 288.57, 0.59%, 0.35%

LAB 32.37, 51.25, -40.52

 

CMYK 13 / 50 / 0 / 15

HEX #BD6DD9

RGB 189 109 217

HSL 284.44, 0.59%, 0.64%

LAB 58.76, 49.25, -42.7

 

CMYK 0 / 50 / 1 / 15

HEX #D96DD7

RGB 217 109 215

HSL 301.11, 0.59%, 0.64%

LAB 62.16, 56.64, -35.98

 

CMYK 0 / 50 / 14 / 15

HEX #D96DBA

RGB 217 109 186

HSL 317.22, 0.59%, 0.64%

LAB 60.99, 51.83, -21.39

 

CMYK 0 / 50 / 28 / 15

HEX #D96D9D

RGB 217 109 157

HSL 333.33, 0.59%, 0.64%

LAB 60, 47.64, -6.24

 

CMYK 0 / 50 / 41 / 15

HEX #D96D80

RGB 217 109 128

HSL 349.44, 0.59%, 0.64%

LAB 59.2, 44.13, 9.39

 

CMYK 13 / 50 / 0 / 15

HEX #BD6DD9

RGB 189 109 217

HSL 284.44, 0.59%, 0.64%

LAB 58.76, 49.25, -42.7

 

CMYK 26 / 50 / 0 / 15

HEX #A06DD9

RGB 160 109 217

HSL 268.33, 0.59%, 0.64%

LAB 55.5, 41.4, -48.05

 

CMYK 40 / 50 / 0 / 15

HEX #836DD9

RGB 131 109 217

HSL 252.22, 0.59%, 0.64%

LAB 52.7, 33.99, -52.69

 

CMYK 50 / 50 / 0 / 15

HEX #6D6DD9

RGB 109 109 217

HSL 240, 0.59%, 0.64%

LAB 50.92, 28.9, -55.64

 

CMYK 13 / 50 / 0 / 15

HEX #BD6DD9

RGB 189 109 217

HSL 284.44, 0.59%, 0.64%

LAB 58.76, 49.25, -42.7

 

CMYK 16 / 59 / 0 / 9

HEX #C45EE8

RGB 196 94 232

HSL 284.35, 0.75%, 0.64%

LAB 57.62, 61.47, -52.85

 

CMYK 18 / 68 / 0 / 3

HEX #CB4FF7

RGB 203 79 247

HSL 284.29, 0.91%, 0.64%

LAB 57.08, 72.42, -62.04

 

CMYK 13 / 50 / 0 / 15

HEX #BD6DD9

RGB 189 109 217

HSL 284.44, 0.59%, 0.64%

LAB 58.76, 49.25, -42.7

 

CMYK 10 / 39 / 0 / 21

HEX #B67BCA

RGB 182 123 202

HSL 284.81, 0.43%, 0.64%

LAB 60.23, 36.64, -32

 

CMYK 6 / 26 / 0 / 27

HEX #AF8ABB

RGB 175 138 187

HSL 285.31, 0.26%, 0.64%

LAB 62.41, 22.93, -20.23

 

CMYK 3 / 11 / 0 / 33

HEX #A799AC

RGB 167 153 172

HSL 284.21, 0.1%, 0.64%

LAB 64.94, 8.71, -8.03

 

CMYK 5 / 0 / 7 / 34

HEX #A0A89D

RGB 160 168 157

HSL 103.64, 0.06%, 0.64%

LAB 67.96, -4.92, 4.69

 

CMYK 40 / 50 / 0 / 15

HEX #826DD9

RGB 130 109 217

HSL 251.67, 0.59%, 0.64%

LAB 52.61, 33.75, -52.83

 

CMYK 27 / 50 / 0 / 15

HEX #9F6DD9

RGB 159 109 217

HSL 267.78, 0.59%, 0.64%

LAB 55.4, 41.14, -48.23

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD9

RGB 188 109 217

HSL 283.89, 0.59%, 0.64%

LAB 58.64, 48.98, -42.89

 

CMYK 0 / 50 / 0 / 15

HEX #D96DD9

RGB 217 109 217

HSL 300, 0.59%, 0.64%

LAB 62.25, 56.99, -36.96

 

CMYK 0 / 50 / 13 / 15

HEX #D96DBC

RGB 217 109 188

HSL 316.11, 0.59%, 0.64%

LAB 61.06, 52.15, -22.42

 

CMYK 19 / 75 / 0 / 24

HEX #9C31C1

RGB 156 49 193

HSL 284.58, 0.6%, 0.47%

LAB 42.94, 63.89, -54.41

 

CMYK 16 / 63 / 0 / 18

HEX #AE4CD0

RGB 174 76 208

HSL 284.55, 0.58%, 0.56%

LAB 50.36, 59.71, -51.03

 

CMYK 13 / 50 / 0 / 15

HEX #BD6DD9

RGB 189 109 217

HSL 284.44, 0.59%, 0.64%

LAB 58.76, 49.25, -42.7

 

CMYK 9 / 37 / 0 / 12

HEX #CC8DE1

RGB 204 141 225

HSL 285, 0.58%, 0.72%

LAB 67.52, 38.22, -33.34

 

CMYK 7 / 26 / 0 / 8

HEX #DAAEEA

RGB 218 174 234

HSL 284, 0.59%, 0.8%

LAB 76.75, 26.5, -23.95

 

CMYK 13 / 50 / 0 / 15

HEX #BD6CD9

RGB 189 108 217

HSL 284.59, 0.59%, 0.64%

LAB 58.56, 49.77, -43.01

 

CMYK 0 / 50 / 47 / 15

HEX #D96D74

RGB 217 109 116

HSL 356.11, 0.59%, 0.64%

LAB 58.93, 42.89, 15.95

 

CMYK 50 / 0 / 33 / 15

HEX #6DD991

RGB 109 217 145

HSL 140, 0.59%, 0.64%

LAB 79, -46.93, 26.16

 

CMYK 13 / 50 / 0 / 15

HEX #BD6CD9

RGB 189 108 217

HSL 284.59, 0.59%, 0.64%

LAB 58.56, 49.77, -43.01

 

CMYK 0 / 13 / 50 / 15

HEX #D9BC6D

RGB 217 188 109

HSL 43.89, 0.59%, 0.64%

LAB 77.17, 0.28, 43.52

 

CMYK 50 / 0 / 13 / 15

HEX #6DD9BC

RGB 109 217 188

HSL 163.89, 0.59%, 0.64%

LAB 79.9, -38.06, 4.76

 

CMYK 13 / 50 / 0 / 15

HEX #BD6CD9

RGB 189 108 217

HSL 284.59, 0.59%, 0.64%

LAB 58.56, 49.77, -43.01

 

CMYK 0 / 50 / 47 / 15

HEX #D96D74

RGB 217 109 116

HSL 356.11, 0.59%, 0.64%

LAB 58.93, 42.89, 15.95

 

CMYK 37 / 0 / 50 / 15

HEX #89D96D

RGB 137 217 109

HSL 104.44, 0.59%, 0.64%

LAB 79.64, -44.26, 45.29

 

CMYK 50 / 0 / 3 / 15

HEX #6DD9D2

RGB 109 217 210

HSL 176.11, 0.59%, 0.64%

LAB 80.48, -32.75, -6.13

 

CMYK 13 / 50 / 0 / 15

HEX #BD6CD9

RGB 189 108 217

HSL 284.59, 0.59%, 0.64%

LAB 58.56, 49.77, -43.01

 

CMYK 0 / 38 / 50 / 15

HEX #D9866D

RGB 217 134 109

HSL 13.89, 0.59%, 0.64%

LAB 64.08, 29.19, 26.87

 

CMYK 37 / 0 / 50 / 15

HEX #89D96D

RGB 137 217 109

HSL 104.44, 0.59%, 0.64%

LAB 79.64, -44.26, 45.29

 

CMYK 50 / 12 / 0 / 15

HEX #6DC0D9

RGB 109 192 217

HSL 193.89, 0.59%, 0.64%

LAB 73.52, -18.55, -20.33

 

Description

Color code: RGB 189 108 217 | qconv.com Color code: RGB 189 108 217 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 108 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 108 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 50 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 50% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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