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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 85 202 it is the complementary color RGB 67 170 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 85 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 85 202 shade: RGB 193 85 197, RGB 210 103 216, RGB 227 121 235, RGB 244 139 254 and RGB 255 157 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 85 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 85 202 shade: RGB 188 85 202, RGB 171 67 183, RGB 154 49 164, RGB 137 31 145 and RGB 120 13 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 85 202 shade: RGB 187 84 201, RGB 201 84 183, RGB 201 84 152, RGB 201 84 120 and RGB 201 84 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 85 202 shade: RGB 187 84 201, RGB 155 84 201, RGB 124 84 201, RGB 92 84 201 and RGB 84 84 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 85 202 shade matches the following richer shades: RGB 187 84 201, RGB 200 66 219 and RGB 214 48 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 85 202 shade: RGB 187 84 201, RGB 173 102 182, RGB 159 120 164, RGB 145 138 146 and RGB 131 157 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 85 202 shade: RGB 123 84 201, RGB 154 84 201, RGB 185 84 201, RGB 201 84 185 and RGB 201 84 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 85 202 shade: RGB 141 48 154, RGB 170 58 185, RGB 187 84 201, RGB 199 115 211 and RGB 212 147 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 85 202 shade: RGB 188 85 202, RGB 201 92 84 and RGB 84 201 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 85 202 shade: RGB 188 85 202, RGB 201 185 84 and RGB 84 201 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 85 202 shade: RGB 188 85 202, RGB 201 92 84, RGB 100 201 84 and RGB 84 193 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 85 202 shade: RGB 188 85 202, RGB 201 127 84, RGB 100 201 84 and RGB 84 158 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 58 / 0 / 21

HEX #BC55CA

RGB 188 85 202

HSL 292.82, 0.52%, 0.56%

LAB 53.44, 57.86, -42.58

 

Complementary color

CMYK 61 / 0 / 69 / 33

HEX #43AA35

RGB 67 170 53

HSL 112.82, 0.52%, 0.44%

LAB 61.83, -51.92, 49.44

 

CMYK 2 / 57 / 0 / 23

HEX #C155C5

RGB 193 85 197

HSL 297.86, 0.49%, 0.55%

LAB 53.88, 58.24, -38.97

 

CMYK 3 / 52 / 0 / 15

HEX #D267D8

RGB 210 103 216

HSL 296.81, 0.59%, 0.63%

LAB 60.21, 57.77, -39.66

 

CMYK 3 / 49 / 0 / 8

HEX #E379EB

RGB 227 121 235

HSL 295.79, 0.74%, 0.7%

LAB 66.52, 57.16, -40.22

 

CMYK 4 / 45 / 0 / 0

HEX #F48BFE

RGB 244 139 254

HSL 294.78, 0.98%, 0.77%

LAB 72.8, 56.48, -40.68

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 7 / 58 / 0 / 21

HEX #BC55CA

RGB 188 85 202

HSL 292.82, 0.52%, 0.56%

LAB 53.44, 57.86, -42.58

 

CMYK 7 / 63 / 0 / 28

HEX #AB43B7

RGB 171 67 183

HSL 293.79, 0.46%, 0.49%

LAB 47.09, 58.14, -41.79

 

CMYK 6 / 70 / 0 / 36

HEX #9A31A4

RGB 154 49 164

HSL 294.78, 0.54%, 0.42%

LAB 40.81, 58, -40.7

 

CMYK 6 / 79 / 0 / 43

HEX #891F91

RGB 137 31 145

HSL 295.79, 0.65%, 0.35%

LAB 34.69, 57.12, -39.12

 

CMYK 5 / 90 / 0 / 51

HEX #780D7E

RGB 120 13 126

HSL 296.81, 0.81%, 0.27%

LAB 28.87, 55.01, -36.78

 

CMYK 7 / 58 / 0 / 21

HEX #BB54C9

RGB 187 84 201

HSL 292.82, 0.52%, 0.56%

LAB 53.08, 57.88, -42.58

 

CMYK 0 / 58 / 9 / 21

HEX #C954B7

RGB 201 84 183

HSL 309.23, 0.52%, 0.56%

LAB 54.21, 58.46, -30.3

 

CMYK 0 / 58 / 24 / 21

HEX #C95498

RGB 201 84 152

HSL 325.13, 0.52%, 0.56%

LAB 52.98, 53.84, -14.09

 

CMYK 0 / 58 / 40 / 21

HEX #C95478

RGB 201 84 120

HSL 341.54, 0.52%, 0.56%

LAB 51.97, 49.91, 3.42

 

CMYK 0 / 58 / 56 / 21

HEX #C95459

RGB 201 84 89

HSL 357.44, 0.52%, 0.56%

LAB 51.24, 47, 20.91

 

CMYK 7 / 58 / 0 / 21

HEX #BB54C9

RGB 187 84 201

HSL 292.82, 0.52%, 0.56%

LAB 53.08, 57.88, -42.58

 

CMYK 23 / 58 / 0 / 21

HEX #9B54C9

RGB 155 84 201

HSL 276.41, 0.52%, 0.56%

LAB 48.92, 49.8, -49.46

 

CMYK 38 / 58 / 0 / 21

HEX #7C54C9

RGB 124 84 201

HSL 260.51, 0.52%, 0.56%

LAB 45.42, 42.38, -55.26

 

CMYK 54 / 58 / 0 / 21

HEX #5C54C9

RGB 92 84 201

HSL 244.1, 0.52%, 0.56%

LAB 42.51, 35.6, -60.1

 

CMYK 58 / 58 / 0 / 21

HEX #5454C9

RGB 84 84 201

HSL 240, 0.52%, 0.56%

LAB 41.91, 34.12, -61.1

 

CMYK 7 / 58 / 0 / 21

HEX #BB54C9

RGB 187 84 201

HSL 292.82, 0.52%, 0.56%

LAB 53.08, 57.88, -42.58

 

CMYK 9 / 70 / 0 / 14

HEX #C842DB

RGB 200 66 219

HSL 292.55, 0.68%, 0.56%

LAB 53.27, 71.56, -52.44

 

CMYK 10 / 80 / 0 / 7

HEX #D630ED

RGB 214 48 237

HSL 292.7, 0.84%, 0.56%

LAB 54.58, 82.79, -60.38

 

CMYK 7 / 58 / 0 / 21

HEX #BB54C9

RGB 187 84 201

HSL 292.82, 0.52%, 0.56%

LAB 53.08, 57.88, -42.58

 

CMYK 5 / 44 / 0 / 29

HEX #AD66B6

RGB 173 102 182

HSL 293.25, 0.35%, 0.56%

LAB 53.78, 41.29, -30.69

 

CMYK 3 / 27 / 0 / 36

HEX #9F78A4

RGB 159 120 164

HSL 293.18, 0.19%, 0.56%

LAB 55.57, 23.08, -17.66

 

CMYK 1 / 5 / 0 / 43

HEX #918A92

RGB 145 138 146

HSL 292.5, 0.04%, 0.56%

LAB 58.29, 4.15, -3.33

 

CMYK 17 / 0 / 18 / 38

HEX #839D80

RGB 131 157 128

HSL 113.79, 0.13%, 0.56%

LAB 62.08, -14.87, 12.2

 

CMYK 39 / 58 / 0 / 21

HEX #7B54C9

RGB 123 84 201

HSL 260, 0.52%, 0.56%

LAB 45.32, 42.15, -55.43

 

CMYK 23 / 58 / 0 / 21

HEX #9A54C9

RGB 154 84 201

HSL 275.9, 0.52%, 0.56%

LAB 48.79, 49.56, -49.66

 

CMYK 8 / 58 / 0 / 21

HEX #B954C9

RGB 185 84 201

HSL 291.79, 0.52%, 0.56%

LAB 52.81, 57.37, -43.03

 

CMYK 0 / 58 / 8 / 21

HEX #C954B9

RGB 201 84 185

HSL 308.21, 0.52%, 0.56%

LAB 54.3, 58.78, -31.32

 

CMYK 0 / 58 / 23 / 21

HEX #C9549A

RGB 201 84 154

HSL 324.1, 0.52%, 0.56%

LAB 53.05, 54.12, -15.16

 

CMYK 8 / 69 / 0 / 40

HEX #8D309A

RGB 141 48 154

HSL 292.64, 0.52%, 0.4%

LAB 38.04, 53.54, -39.22

 

CMYK 8 / 69 / 0 / 27

HEX #AA3AB9

RGB 170 58 185

HSL 292.91, 0.52%, 0.48%

LAB 45.74, 61.96, -45.13

 

CMYK 7 / 58 / 0 / 21

HEX #BB54C9

RGB 187 84 201

HSL 292.82, 0.52%, 0.56%

LAB 53.08, 57.88, -42.58

 

CMYK 6 / 45 / 0 / 17

HEX #C773D3

RGB 199 115 211

HSL 292.5, 0.52%, 0.64%

LAB 60.88, 47.78, -35.91

 

CMYK 4 / 33 / 0 / 14

HEX #D493DC

RGB 212 147 220

HSL 293.42, 0.51%, 0.72%

LAB 69.49, 36.48, -27.47

 

CMYK 7 / 58 / 0 / 21

HEX #BC55CA

RGB 188 85 202

HSL 292.82, 0.52%, 0.56%

LAB 53.44, 57.86, -42.58

 

CMYK 0 / 54 / 58 / 21

HEX #C95C54

RGB 201 92 84

HSL 4.1, 0.52%, 0.56%

LAB 52.63, 42.76, 25.67

 

CMYK 58 / 0 / 31 / 21

HEX #54C98A

RGB 84 201 138

HSL 147.69, 0.52%, 0.56%

LAB 73.22, -47.44, 21.84

 

CMYK 7 / 58 / 0 / 21

HEX #BC55CA

RGB 188 85 202

HSL 292.82, 0.52%, 0.56%

LAB 53.44, 57.86, -42.58

 

CMYK 0 / 8 / 58 / 21

HEX #C9B954

RGB 201 185 84

HSL 51.79, 0.52%, 0.56%

LAB 74.67, -6.88, 52.27

 

CMYK 58 / 0 / 8 / 21

HEX #54C9B9

RGB 84 201 185

HSL 171.79, 0.52%, 0.56%

LAB 74.29, -36.71, -1.89

 

CMYK 7 / 58 / 0 / 21

HEX #BC55CA

RGB 188 85 202

HSL 292.82, 0.52%, 0.56%

LAB 53.44, 57.86, -42.58

 

CMYK 0 / 54 / 58 / 21

HEX #C95C54

RGB 201 92 84

HSL 4.1, 0.52%, 0.56%

LAB 52.63, 42.76, 25.67

 

CMYK 50 / 0 / 58 / 21

HEX #64C954

RGB 100 201 84

HSL 111.79, 0.52%, 0.56%

LAB 72.97, -51.83, 48.67

 

CMYK 58 / 4 / 0 / 21

HEX #54C1C9

RGB 84 193 201

HSL 184.1, 0.52%, 0.56%

LAB 72.39, -28.62, -13.41

 

CMYK 7 / 58 / 0 / 21

HEX #BC55CA

RGB 188 85 202

HSL 292.82, 0.52%, 0.56%

LAB 53.44, 57.86, -42.58

 

CMYK 0 / 37 / 58 / 21

HEX #C97F54

RGB 201 127 84

HSL 22.05, 0.52%, 0.56%

LAB 60.1, 24.38, 35.1

 

CMYK 50 / 0 / 58 / 21

HEX #64C954

RGB 100 201 84

HSL 111.79, 0.52%, 0.56%

LAB 72.97, -51.83, 48.67

 

CMYK 58 / 21 / 0 / 21

HEX #549EC9

RGB 84 158 201

HSL 202.05, 0.52%, 0.56%

LAB 62.13, -10.43, -29.04

 

Description

Color code: RGB 188 85 202 | qconv.com Color code: RGB 188 85 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 85 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 85 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 58 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 58% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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