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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 79 241 it is the complementary color RGB 67 176 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 79 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 79 241 shade: RGB 193 79 236, RGB 210 97 255, RGB 227 115 255, RGB 244 133 255 and RGB 255 151 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 79 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 79 241 shade: RGB 188 79 241, RGB 171 61 222, RGB 154 43 203, RGB 137 25 184 and RGB 120 7 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 79 241 shade: RGB 188 80 240, RGB 231 80 240, RGB 240 80 206, RGB 240 80 163 and RGB 240 80 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 79 241 shade: RGB 188 80 240, RGB 145 80 240, RGB 101 80 240 and RGB 80 80 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 79 241 shade matches the following richer shades: RGB 188 80 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 79 241 shade: RGB 188 80 240, RGB 183 95 225, RGB 177 110 210, RGB 172 126 195 and RGB 167 141 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 79 241 shade: RGB 101 80 240, RGB 144 80 240, RGB 187 80 240, RGB 230 80 240 and RGB 240 80 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 79 241 shade: RGB 154 17 220, RGB 173 42 237, RGB 188 80 240, RGB 202 118 243 and RGB 217 156 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 79 241 shade: RGB 188 79 241, RGB 240 80 101 and RGB 80 240 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 79 241 shade: RGB 188 79 241, RGB 240 187 80 and RGB 80 240 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 79 241 shade: RGB 188 79 241, RGB 240 80 101, RGB 133 240 80 and RGB 80 240 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 79 241 shade: RGB 188 79 241, RGB 240 107 80, RGB 133 240 80 and RGB 80 214 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 67 / 0 / 5

HEX #BC4FF1

RGB 188 79 241

HSL 280.37, 0.85%, 0.63%

LAB 54.69, 68.14, -62.64

 

Complementary color

CMYK 62 / 0 / 92 / 31

HEX #43B00E

RGB 67 176 14

HSL 100.37, 0.85%, 0.37%

LAB 63.57, -56.27, 62.37

 

CMYK 18 / 67 / 0 / 7

HEX #C14FEC

RGB 193 79 236

HSL 283.57, 0.81%, 0.62%

LAB 55.06, 68.19, -59.22

 

CMYK 18 / 62 / 0 / 0

HEX #D261FF

RGB 210 97 255

HSL 282.91, 1%, 0.69%

LAB 61.2, 67.92, -59.82

 

CMYK 11 / 55 / 0 / 0

HEX #E373FF

RGB 227 115 255

HSL 288, 1%, 0.73%

LAB 66.38, 63.74, -51.45

 

CMYK 4 / 48 / 0 / 0

HEX #F485FF

RGB 244 133 255

HSL 294.59, 1%, 0.76%

LAB 71.71, 59.61, -42.92

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 22 / 67 / 0 / 5

HEX #BC4FF1

RGB 188 79 241

HSL 280.37, 0.85%, 0.63%

LAB 54.69, 68.14, -62.64

 

CMYK 23 / 73 / 0 / 13

HEX #AB3DDE

RGB 171 61 222

HSL 280.99, 0.71%, 0.55%

LAB 48.6, 68.12, -61.87

 

CMYK 24 / 79 / 0 / 20

HEX #9A2BCB

RGB 154 43 203

HSL 281.63, 0.65%, 0.48%

LAB 42.63, 67.53, -60.74

 

CMYK 26 / 86 / 0 / 28

HEX #8919B8

RGB 137 25 184

HSL 282.26, 0.76%, 0.41%

LAB 36.88, 66.03, -59.07

 

CMYK 27 / 96 / 0 / 35

HEX #7807A5

RGB 120 7 165

HSL 282.91, 0.92%, 0.34%

LAB 31.49, 63.16, -56.61

 

CMYK 22 / 67 / 0 / 6

HEX #BC50F0

RGB 188 80 240

HSL 280.5, 0.84%, 0.63%

LAB 54.78, 67.51, -61.94

 

CMYK 4 / 67 / 0 / 6

HEX #E750F0

RGB 231 80 240

HSL 296.63, 0.84%, 0.63%

LAB 60.8, 76.74, -51.98

 

CMYK 0 / 67 / 14 / 6

HEX #F050CE

RGB 240 80 206

HSL 312.75, 0.84%, 0.63%

LAB 60.53, 73.6, -33.19

 

CMYK 0 / 67 / 32 / 6

HEX #F050A3

RGB 240 80 163

HSL 328.88, 0.84%, 0.63%

LAB 58.89, 68.1, -11.01

 

CMYK 0 / 67 / 50 / 6

HEX #F05078

RGB 240 80 120

HSL 345, 0.84%, 0.63%

LAB 57.67, 63.87, 12.41

 

CMYK 22 / 67 / 0 / 6

HEX #BC50F0

RGB 188 80 240

HSL 280.5, 0.84%, 0.63%

LAB 54.78, 67.51, -61.94

 

CMYK 40 / 67 / 0 / 6

HEX #9150F0

RGB 145 80 240

HSL 264.38, 0.84%, 0.63%

LAB 49.55, 58.9, -70.64

 

CMYK 58 / 67 / 0 / 6

HEX #6550F0

RGB 101 80 240

HSL 247.88, 0.84%, 0.63%

LAB 45.35, 51.42, -77.67

 

CMYK 67 / 67 / 0 / 6

HEX #5050F0

RGB 80 80 240

HSL 240, 0.84%, 0.63%

LAB 43.85, 48.58, -80.19

 

CMYK 22 / 67 / 0 / 6

HEX #BC50F0

RGB 188 80 240

HSL 280.5, 0.84%, 0.63%

LAB 54.78, 67.51, -61.94

 

CMYK 22 / 67 / 0 / 6

HEX #BC50F0

RGB 188 80 240

HSL 280.5, 0.84%, 0.63%

LAB 54.78, 67.51, -61.94

 

CMYK 19 / 58 / 0 / 12

HEX #B75FE1

RGB 183 95 225

HSL 280.62, 0.68%, 0.63%

LAB 55.77, 56.41, -51.97

 

CMYK 16 / 48 / 0 / 18

HEX #B16ED2

RGB 177 110 210

HSL 280.2, 0.53%, 0.63%

LAB 57.22, 43.92, -41.26

 

CMYK 12 / 35 / 0 / 24

HEX #AC7EC3

RGB 172 126 195

HSL 280, 0.37%, 0.63%

LAB 59.56, 30.39, -29.16

 

CMYK 7 / 21 / 0 / 30

HEX #A78DB3

RGB 167 141 179

HSL 281.05, 0.2%, 0.63%

LAB 62.1, 16.89, -16.25

 

CMYK 58 / 67 / 0 / 6

HEX #6550F0

RGB 101 80 240

HSL 247.88, 0.84%, 0.63%

LAB 45.35, 51.42, -77.67

 

CMYK 40 / 67 / 0 / 6

HEX #9050F0

RGB 144 80 240

HSL 264, 0.84%, 0.63%

LAB 49.44, 58.71, -70.82

 

CMYK 22 / 67 / 0 / 6

HEX #BB50F0

RGB 187 80 240

HSL 280.13, 0.84%, 0.63%

LAB 54.65, 67.3, -62.15

 

CMYK 4 / 67 / 0 / 6

HEX #E650F0

RGB 230 80 240

HSL 296.25, 0.84%, 0.63%

LAB 60.65, 76.52, -52.22

 

CMYK 0 / 67 / 13 / 6

HEX #F050D0

RGB 240 80 208

HSL 312, 0.84%, 0.63%

LAB 60.62, 73.88, -34.19

 

CMYK 30 / 92 / 0 / 14

HEX #9A11DC

RGB 154 17 220

HSL 280.49, 0.86%, 0.46%

LAB 41.9, 76.83, -71.72

 

CMYK 27 / 82 / 0 / 7

HEX #AD2AED

RGB 173 42 237

HSL 280.31, 0.84%, 0.55%

LAB 47.82, 77.56, -71.61

 

CMYK 22 / 67 / 0 / 6

HEX #BC50F0

RGB 188 80 240

HSL 280.5, 0.84%, 0.63%

LAB 54.78, 67.51, -61.94

 

CMYK 17 / 51 / 0 / 5

HEX #CA76F3

RGB 202 118 243

HSL 280.32, 0.84%, 0.71%

LAB 63.33, 53.48, -49.87

 

CMYK 12 / 37 / 0 / 3

HEX #D99CF7

RGB 217 156 247

HSL 280.22, 0.85%, 0.79%

LAB 73.05, 38.52, -36.7

 

CMYK 22 / 67 / 0 / 5

HEX #BC4FF1

RGB 188 79 241

HSL 280.37, 0.85%, 0.63%

LAB 54.69, 68.14, -62.64

 

CMYK 0 / 67 / 58 / 6

HEX #F05065

RGB 240 80 101

HSL 352.13, 0.84%, 0.63%

LAB 57.27, 62.43, 23.02

 

CMYK 67 / 0 / 49 / 6

HEX #50F07B

RGB 80 240 123

HSL 136.13, 0.84%, 0.63%

LAB 84.72, -65.65, 44.43

 

CMYK 22 / 67 / 0 / 5

HEX #BC4FF1

RGB 188 79 241

HSL 280.37, 0.85%, 0.63%

LAB 54.69, 68.14, -62.64

 

CMYK 0 / 22 / 67 / 6

HEX #F0BB50

RGB 240 187 80

HSL 40.13, 0.84%, 0.63%

LAB 78.84, 8.27, 59.69

 

CMYK 67 / 0 / 22 / 6

HEX #50F0BB

RGB 80 240 187

HSL 160.13, 0.84%, 0.63%

LAB 85.81, -53.71, 13.62

 

CMYK 22 / 67 / 0 / 5

HEX #BC4FF1

RGB 188 79 241

HSL 280.37, 0.85%, 0.63%

LAB 54.69, 68.14, -62.64

 

CMYK 0 / 67 / 58 / 6

HEX #F05065

RGB 240 80 101

HSL 352.13, 0.84%, 0.63%

LAB 57.27, 62.43, 23.02

 

CMYK 45 / 0 / 67 / 6

HEX #85F050

RGB 133 240 80

HSL 100.13, 0.84%, 0.63%

LAB 85.95, -57.75, 65.07

 

CMYK 67 / 0 / 9 / 6

HEX #50F0DB

RGB 80 240 219

HSL 172.13, 0.84%, 0.63%

LAB 86.57, -46.03, -2.01

 

CMYK 22 / 67 / 0 / 5

HEX #BC4FF1

RGB 188 79 241

HSL 280.37, 0.85%, 0.63%

LAB 54.69, 68.14, -62.64

 

CMYK 0 / 55 / 67 / 6

HEX #F06B50

RGB 240 107 80

HSL 10.13, 0.84%, 0.63%

LAB 61.32, 49.47, 40

 

CMYK 45 / 0 / 67 / 6

HEX #85F050

RGB 133 240 80

HSL 100.13, 0.84%, 0.63%

LAB 85.95, -57.75, 65.07

 

CMYK 67 / 11 / 0 / 6

HEX #50D6F0

RGB 80 214 240

HSL 189.75, 0.84%, 0.63%

LAB 79.66, -28.27, -23.45

 

Description

Color code: RGB 188 79 241 | qconv.com Color code: RGB 188 79 241 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 79 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 79 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 67 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 67% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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